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Warrnambool and District Historical Society Inc.
Household, Jellie Souvenir Glass
souvenir glass was produced to commemorate the 1841 arrival in Australia from Ireland of James and Margaret Jellie . They were early settlers in the Warrnambool district, settling first at Port Fairy and then acquiring property along the Merri River in the Warrnambool area. Their children and families were prominent in the 19th and 20th centuries in the Warrnambool district as pastoralists, particularly in the Grasmere area. One son, James had an auctioneering firm in Warrnambool in the late 19th century and two of James’ and Margaret’s granddaughters, Mary and Dorcas. were well-known as teachers at the Warrnambool State School in the 20th century. This glass is of interest as a memento of the Jellie families who have been so prominent in the history of Warrnambool and district.This is a glass tumbler with a rounded base and a rounded body with a gilt rim around the top of the glass. An image of a ship and gold lettering have been impressed on both sides of the glass. ‘James & Margaret Jellie 1841-1991 150th Anniversary’ ‘To commemorate the arrival of James & Margaret Jellie and their children on the Thomas Arbuthnot at Hobson’s Bay, Port Phillip District of New South Wales on 2 October 1841 and their journey to Port Fairy in early 1842’ jellie families, warrnambool, history of warrnambool -
Warrnambool and District Historical Society Inc.
Book, Welsh Bible, 1864
As written in the note inserted in the front of the bible ,"This Welsh Bible was brought to Australia by John Morgan and his wife Sarah in 1865. With baby daughter Mary, they settled at Allansford, where John took up land"Acme" farm. Their other children Margaret, Jane, Evan, Lewis and Elizabeth were born there." The Memorial card provides the additional information that Sarah Morgan died July 30th 1906 at the age of 68. The date of the Bible 1864 fits with their arrival in Australia in 1865. The Morgan family have been connected to Allansford from that time. This bible has significance social and historical significance as the Bible was common in many family homes. This one written in Welsh shows the connection between the origins of the Morgan family and their new country. It is well provenanced and is well connected to the district.Dark brown leather cover over card.The pages are edged in gold and the front and and back covers have a rectangular scrolled design . The pages are not numbered.There is an envelope inside the front cover with a George Hose docket for threshing wheat, barley and oats and an In Memoriam card for Sarah Morgan who dies July 30th 1906. There is also a handwritten note with the owners details and a navy ribbon which may have been attached at one time.There are no inscriptions on the bible itself but the handwritten card reads, " This Welsh Bible was brought to Australia by John Morgan and his wife Sarah in 1865. With baby daughter Mary, they settled at Allansford, where John took up land"Acme" farm. Their other children Margaret, Jane, Evan, Lewis and Elizabeth were born there. There is also an envelope dated 2004 and addressed to Mr Bill Morgan 6 Vera St Iluka NSW 2466. Watkins Binder label inside the back cover.allansford, welsh bible, morgan family, sarah and john morgan -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.117, December 2016
Mayors of Kew / Robert Baker p1.Society news [Vale Jill O'Brien] p3. Ratting on the Yarra / Suzanne McWha p4. Saving the [Yarra] river parklands / Valerie Bourke p5. Vale - Marjorie Orr p8. Vale Bill Reeve p8. Mayors of Kew - Robert Morgan Young / Felicity Renowden p9. Mayors of Kew - Henry Francis Phipps / Robert Baker p9. Mayors of Kew - Job Smith / Felicity Renowden p9. Mayors of Kew - Henry Francis Mogg / Margaret Robinson p9. The Great War in Kew - Those that stayed / Andrew Frost p10. New to the Collection [Photographs and clothing donated by Micky Ashton relating to Cr John Marshall and his family] p11.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionMayors of Kew / Robert Baker p1.Society news [Vale Jill O'Brien] p3. Ratting on the Yarra / Suzanne McWha p4. Saving the [Yarra] river parklands / Valerie Bourke p5. Vale - Marjorie Orr p8. Vale Bill Reeve p8. Mayors of Kew - Robert Morgan Young / Felicity Renowden p9. Mayors of Kew - Henry Francis Phipps / Robert Baker p9. Mayors of Kew - Job Smith / Felicity Renowden p9. Mayors of Kew - Henry Francis Mogg / Margaret Robinson p9. The Great War in Kew - Those that stayed / Andrew Frost p10. New to the Collection [Photographs and clothing donated by Micky Ashton relating to Cr John Marshall and his family] p11.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Kew Historical Society Inc
Journal, Kewriosity : June 1987
[Bill Martin, Senior Citizen of the Year ]/ p1&3. Dates for June / p2. [Community] Notices / p2. Commentary [Australia's Bicentennial] / Cr Joe Ormando, Mayor p3. Margaret Sasse's Gym [Toddler Kindy Gymbaroo] / p4. Children's Services / Elizabeth Sullivan p4. [Jubilee] Fountain research tells / Kew Historical Society p5. New home service / p5. New hours [Kew Senior Citizen's Centre] / p5. Open House [ Kew Community House] / Judy Price p6. Film finales [Parenting film nights, St Hilary's Anglican Church] / p6. Immunise soon / p6. Brave Melissa [Golds] fights on two fronts / p7. Car thefts [Kew Neighbourhood Watch] / p7. [Muscular] Dystrophy contact / p7. [Kew] Library / p7. Footy News [Kew Football Club] / p8. Keeping you informed [Citizens' Advice Bureau] / p8. Kew PMs [Prime Ministers] / p8. Council Briefs / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fiction[Bill Martin, Senior Citizen of the Year ]/ p1&3. Dates for June / p2. [Community] Notices / p2. Commentary [Australia's Bicentennial] / Cr Joe Ormando, Mayor p3. Margaret Sasse's Gym [Toddler Kindy Gymbaroo] / p4. Children's Services / Elizabeth Sullivan p4. [Jubilee] Fountain research tells / Kew Historical Society p5. New home service / p5. New hours [Kew Senior Citizen's Centre] / p5. Open House [ Kew Community House] / Judy Price p6. Film finales [Parenting film nights, St Hilary's Anglican Church] / p6. Immunise soon / p6. Brave Melissa [Golds] fights on two fronts / p7. Car thefts [Kew Neighbourhood Watch] / p7. [Muscular] Dystrophy contact / p7. [Kew] Library / p7. Footy News [Kew Football Club] / p8. Keeping you informed [Citizens' Advice Bureau] / p8. Kew PMs [Prime Ministers] / p8. Council Briefs / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : May 1986
Villa Alba opens its doors / p1&5. Put this bottles out / p1. Calling all clubs / p1. Dates for May / p2. [Community] Notices / p2. Wanted: Home based child care workers (Full time and Part Time) [Hawthorn/Kew Family Day Care] / p2. Commentary by the Mayor Councillor Phyllis Hore [Kew and Local Government Restructure] / Cr Phyllis Hore p3. New faces at the Occasional Care Centre [Margaret Farnfield] / p3. Traffic Management / p3. In Brief [Kew Library re-location; Changes to planning scheme in Kew Junction?; Restructure; Consultants for Heritage Study; Rec. Centre] / p4. Profile - Cr Noel Seletto / p4-5. Good gardening - Don't burn those leaves! / Peter Davies p5. Holiday Program / p5. Kew Community House / Rhonda McCaw p6. In praise of Kew [poems] / Sophie Dougall / p6. Elysium Ensemble in Kew / p6. Keeping you informed [Citizens' Advice Bureau] / p6. Kew High: a student centred school / p7. Ramblings of Kew's last cowboy - Part 2 of a series by Bill Stent [dairy farms] / Bill Stent p8. Letter - Pink Monster ['The Grip of Time'] / Barbara Giles p8. Footy news [Kew Football Club] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionVilla Alba opens its doors / p1&5. Put this bottles out / p1. Calling all clubs / p1. Dates for May / p2. [Community] Notices / p2. Wanted: Home based child care workers (Full time and Part Time) [Hawthorn/Kew Family Day Care] / p2. Commentary by the Mayor Councillor Phyllis Hore [Kew and Local Government Restructure] / Cr Phyllis Hore p3. New faces at the Occasional Care Centre [Margaret Farnfield] / p3. Traffic Management / p3. In Brief [Kew Library re-location; Changes to planning scheme in Kew Junction?; Restructure; Consultants for Heritage Study; Rec. Centre] / p4. Profile - Cr Noel Seletto / p4-5. Good gardening - Don't burn those leaves! / Peter Davies p5. Holiday Program / p5. Kew Community House / Rhonda McCaw p6. In praise of Kew [poems] / Sophie Dougall / p6. Elysium Ensemble in Kew / p6. Keeping you informed [Citizens' Advice Bureau] / p6. Kew High: a student centred school / p7. Ramblings of Kew's last cowboy - Part 2 of a series by Bill Stent [dairy farms] / Bill Stent p8. Letter - Pink Monster ['The Grip of Time'] / Barbara Giles p8. Footy news [Kew Football Club] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Archive (series) - Subject File, Kew Historical Society, Woodbury Ladies' College, 1986
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing information about Woodbury College, Cotham Road, Kew (Vic). The file includes historically significant primary sources relating to the former Woodbury College [c.1898-1920] and Lillsden Ladies' College, Edgevale Road, Kew (Vic) [c.1891-1903]. In addition to manuscripts, the file also includes photographs and ephemera such as a metal school badge, a hatband and printed programs and school magazines. The file [as of 2020] includes materials donated between 1986 and 2005 by descendants of the second principal (Miss Macey), and by former students and or their descendants. The contents of the reference file include: 1. School origins : undated handwritten manuscript [2pp]; 2. Annual Reports : Handwritten manuscripts for the years 1908, 1909, 1910, 1912, 1913, 1914, 1916, 1917, 1919, 1920 by Miss LJ Macey; 3. Prize List : undated manuscript [3pp]; 4. School Magazine ; undated handwritten manuscripts about the origin of the school's magazine; 5. Woodbury Chat [school magazine] : printed booklets from the years 1918, 1919, 1920 x 2; 6. Correspondence [sundry] : handwritten letters from a parent [1916] and a former pupil (sic) [1938] to Miss Macey; 7. Exercise Books : one containing a handwritten history of the school(s) and the names and addresses of former students and teachers; and the other containing information relating to the National Home Reading Union, Kew Circle [1912-c.1916]. 8. Metal school badge and photographic negative of students. The names of various donors are listed in the file: they include Ann Ransom, Muriel Coghlan, Helen Lade, and Lilian McRae (nee Houston).woodbury college, misses macey, schools - kew (vic), schools - cotham road - kew - vic, private schools - kew (vic), rev jt lawton, cotham road - kew (vic.)woodbury college, misses macey, schools - kew (vic), schools - cotham road - kew - vic, private schools - kew (vic), rev jt lawton, cotham road - kew (vic.) -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.126, March 2019
Embroidering a Theme / Robert Baker p1. Society News: Events, Fund raising, Grants, [Donations to] The Collection p3. Kew Festival 2019: 2019 McIntyre lecture, New exhibition p4. Tributes: Mel Lawrence, Max Sartori, Anne Glasson / Margaret Robinson p5. Grants / Robert Baker p5. Kew Historical Society 1958-1973 / Robert Baker p6. Much Huff and Puff: The Outer Circle railway / Desley Reid p8. Good Roads: Thomas Hocart Flere / David White p10. Membership & Donations p12.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionEmbroidering a Theme / Robert Baker p1. Society News: Events, Fund raising, Grants, [Donations to] The Collection p3. Kew Festival 2019: 2019 McIntyre lecture, New exhibition p4. Tributes: Mel Lawrence, Max Sartori, Anne Glasson / Margaret Robinson p5. Grants / Robert Baker p5. Kew Historical Society 1958-1973 / Robert Baker p6. Much Huff and Puff: The Outer Circle railway / Desley Reid p8. Good Roads: Thomas Hocart Flere / David White p10. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Vision Australia
Photograph - Image, Christian / Tyler plaques
To honour the contributions of donors, plaques were often installed in buildings. Initially these were made of metal, but later other materials such as glass and plastic were used. Unfortunately buildings do not stay in their original condition, nor are they necessarily meet the needs of changing organisations, and these plaques were removed during to the organisation moving into new premises. It is unknown to which organisation these donors contributed to, however given the wording, it could be the RVIB.Digital image of two plaquesIn Memory of Margaret Victoria Christian A Generous Benefactor To the Institute To the Memory of the late Winifred Tylerroyal victorian institute for the blind, nameplates -
Surrey Hills Historical Society Collection
Photograph, Mr and Mrs William Tacey
William (1857 - 1920) was a butcher. William was born 7 Nov 1857 on the Buckland (River) near Bright, son of John Joseph Tacey and wife Elizabeth Cooper. This was just a few months after the Buckland River anti-Chinese riots. He had siblings Thomas (1856-1929), Mary Ann (1860-1920), Edward (1863-1952) and Arthur Edward (1870-1896). William died 30 March 1920, Camberwell. He married Florence Margaret Edwards in 1884. Both are buried in Box Hill Cemetery (CE-0162). They had 7 surviving children; 2 died in infancy. William was a butcher in Thornbury but moved to Camberwell with his brothers seeing the opportunity in the new suburbs. They set up shops in Canterbury Road, opposite Highfield Road, Surrey Hills; Burwood; corner of Elgar & Whitehorse Roads, opposite the Whitehorse Hotel and Canterbury Road, Surrey Hills just east of Surrey Hotel. The first directory entries are in 1888 & 1889 for the Surrey Hills shop & Elgar Road. In Surrey Hills a substantial property was developed on land which "was purchased by Edward Tacey on 16 September 1889. Edward Tacey was a butcher and the Sands & MacDougall street directory indicates that a butcher’s shop had been constructed on the site and was operating by 1890. It seems that the family lived for some time at a house located next door to the shop at 627 Canterbury Road (visible on the 1909 MMBW plan, but since demolished). On 15 June 1920 Edward Tacey transferred all three blocks of land to Joseph Tacey, most likely his son * and also a butcher, who carried on business from the same premises. Joseph Tacey died on 20 February 1933, after which administration of his estate (which included the three blocks of land) passed to his widow, Mary Dorothy Tacey." (Context P/L Heritage Assessment) Correction: *Edward Tacey (1863 - 1952) was the brother of William Tacey (1857 - 1920). The property passed to Joseph Charles Tacey (1887 - 1933), his nephew and son of William, not his son. His wife was Mary Dorothy Coates. Albert Arthur Tacey was a brother of Joseph Charles Tacey. Edward later moved from the area and continued in the business in a number of regional Victorian centres. In Surrey Hills the business was continued by other members of the family including Albert Arthur Tacey (1902-1959) who lived at 7 Sunbury Crescent, and daughter Stella Florence Tacey and her husband Roy Morris and their son Harry Tacey Morris. The donor of the Tacey collection of photos was Elaine Merle Tacey (1925-2003), daughter of Albert Arthur Tacey. She married Donald McKenzie. A black and white photograph of a couple in the garden. The man is standing and wearing a 3 piece suit whilst the lady is seated and holding a posy of flowers in her lap.(mr) william tacey, butchers, (mr) edward tacey, (mr) thomas tacey, (mr) joseph tacey, (mrs) stella morris, (mr) roy morris, (miss) florence margaret edwards, (mrs) florence margaret tacey, (mr) albert arthur tacey, (miss) stella tacey, (mr) harry tacey morris -
Surrey Hills Historical Society Collection
Photograph, Steele family members at 'Dalriada' (formerly 'Clifton'), 77 Union Road, Surrey Hills
At ‘Dalriada’, previously ‘Clifton’, 77 Union Road, corner Bona Vista Avenue (dem.) Home of Charles and Sarah Steele pictured with Bertrand Steele and wife Amy, daughter of John Woodhead of ‘Kirklands’. ‘Dalriada’ was built on Woodhead’s land. In 1892 Bertrand purchased the pharmacy on S.W. corner Canterbury/Union Road and moved it to the ‘new’ Surrey Hall. By 1894 he had returned it to its former site where he remained in business until 1900 when he married Amy and went overseas. In 1910 Bertrand Steele became Professor of Chemistry in Brisbane. As his son-in-law, Bertrand was executor of the estate of John Woodhead of ‘Kirklands’. Charles Henri Dillon Steele (1869-1935) - Parents: Samuel Madden Steele and Harriet Sarah Acock. He married Sarah Margaret Russell. They had 2 daughters Margaret Dillon Steele who married William Brayshay Woodhouse, dentist, and Harriet Vevers Steele. From Dentistry Museum site: “Charles Henry Dillon Steele was one of the pioneers of Dentistry in Victoria. He was born in England in 1869 and came to Melbourne in 1889. He was registered by the Dental Board in 1890 and practiced in Collins Street until his death in 1935. His daughter Margaret Dillon (Nancy) Steele graduated BDSc Melbourne in 1929 and obtained the degree of DDS in Toronto in 1931. She returned to Melbourne and rejoined her father in practice at 90 Collins Street and later at 147 Collins Street. In 1935 she married William Brayshaw Woodhouse (BDSc, DSc Melbourne) who bought the practice of Mr. Steele in that year and continued in practice there until 1980. Their son Anthony Dillon Woodhouse graduated BDSc (Melb) 1958 and DDS (Toronto) in1966 and continued in the old family practice established by Mr. Steele." (Dr. Tony Woodhouse, May 1984) Sarah Steele - Born Sarah Margaret Russell, after her marriage to Charles Henry Dillon Steele was very active in community work, notably as President of the local Patriotic League. It was she who persuaded John Kendrick Blogg to carve the Honour Roll for The Shrine in the Surrey Gardens. A black and white photograph of a family group seated on the grass. (mr) bertrand steele, (mr) john woodhead, house names, pharmacists, dentists, clothing and dress, union road, surrey hills, (mr) charles henri dillon steele, 'kirkland', 'clifton', 'dalriada', (miss) amy woodhead, (miss) sarah margaret russell, (mrs) sarah margaret steele -
Albert Park-South Melbourne Rowing Club
APRC 1956 Olympic Banner, 1957
"The banner has been with the Club since it was created in 1957. Recent research has confirmed that it was made by Joan Eddy, the wife of club member Kevin Eddy and a professional seamstress. Grace Blake’s interview notes record her conversation with Mr Eddy on 24 October 2014: Kevin confirmed that the banner was made by his wife, Joan Eddy, in time for the opening of the new shed after the Olympics (1957). Kevin was the Social Secretary at the time, and co-opted his wife, who had worked as a machinist for Harford Clothing in Carlton before they married. Her mother had also worked there as a sewing hand (hand sewing the linings for jackets). The company was later taken over by Sires. ... It was made at home (Joan had ‘retired’ from work by then)." Excerpt from the 2014 Significance Assessment, p32.Banner Celebrating Albert Park Rowing Club Olympic Representatives, 1956 Statement of significance by Margaret Birtley, October 2014 Harry Gordon, the distinguished Australian sports historian, wrote of the 1956 Melbourne Olympic Games: "When the Olympic Games moved into Melbourne ... it was as if the city had been brushed by a certain magic. Nothing before or since ... has ever evoked such sheer emotional involvement from the whole community." Gordon refers to the large crowds that massed in Melbourne with anticipation and exhilaration on the day before the official opening, ‘with little apparent motive other than just to be there, and be happy’. The hand-crafted banner celebrating Albert Park Rowing Club’s representatives at those Olympic Games seems to exude that same sense of joy and exhilaration. Made by the wife of the club’s social secretary, it testifies to the admiration felt by individuals and organisations for the success of their own on a world stage. The banner has historic significance for its accurate documentation of the great achievement of a single rowing club in contributing six outstanding athletes to the relatively small Australian rowing team. Additional historic significance derives from the fact that this is an unofficial expression of tribute and pride. The banner’s incorporation of the Olympic rings would now be likely to require licensing by the Australian Olympic Committee, a process that can dampen social engagement. While definitely a hand-made item, there is some aesthetic significance in the design and execution of the banner. Good judgement has been demonstrated in the selection of fabrics and the choice of colours. The workmanship is quite skilful. The vertical symmetry and the horizontal balance of the design are pleasing to the eye. The use of red for the heading lines and black for the Olympians names is well-chosen and aesthetically pleasing. The collection holds black and white photographs of the same oarsmen at the Olympic regatta. This banner complements their role in the collection by providing colour and a sense of connection with an affectionate and supportive community. Its social significance transcends the local context for which it was created and used, to become part of the large body of art, craft and memorabilia that are associated with the Olympic movement worldwide. A handmade embroidered banner to commemorate the Albert Park members who were part of the 1956 Olympic Rowing team.A.P.R.C. / REPRESENTATIVES OLYMPIC GAMES MELBOURNE 1956 / R. DUNCAN / R. DICKSON / K. McMAHON / R. LIBBIS / I. ALLEN / J COCKBILL coxrowing, apsm rowing club, olympic games, albert park rowing club, albert park lake, duncan, robert, dickson, bruce, allen, ian, libbis, reg, mcmahon, kevin, cockbill, john -
Ballarat Base Hospital Trained Nurses League
1972/05/06, Sr Margaret Davies, New ICU at end of Ward 7, Courier
... 1972/05/06, Sr Margaret Davies, New ICU at end of Ward 7... Street Nth Ballarat goldfields 1972/05/06, Sr Margaret Davies ...Photo1972, sr, davies, new, icu, courier -
Tatura Irrigation & Wartime Camps Museum
Postcards and Cards, 1909 to approximately to 1920
Personal Stationery belonging to Kitty (CE) Crawford, Mother of John Lawry. Dance Programmes|Person stationary belonging to Kitty (CE Crawford) mother of John Lawry.|GROUP l. Dance Programmes - Some with pencils attached| l. Tatura Military Ball - July 21 ?| 2. Rushworth Military Ball - June 20, 1913| 3. Tatura Military Ball - July 17, 1913| 4. Murchison 3rd Squadron Annual Ball - August 11, 1909| 5. Tatura Golf Club Annual Ball - 1914|GROUP 2 - Perfume Cards| 1. Divinia (1913 Calendar on back) 6 cards| 2. Eau de Cologne Francaise (1 card)| 3. Rose de L'Empire (2 cards)| 4. Californian Poppy (1 card)| 5. Muguet (2 cards)| 6. Lierre Fleuri (1910 Calendar on back) (1 card)| 7. Floramye (1 card)| 8. Phul-Nana (1 card)|GROUP 3 - Bible Texts - Memory Verses| 4 cards with texts and colourful pictures. - Isaiah 12:2,| Psalms 51.15, Isaiah 26:4, 2 Timothy 2:3|GROUP 4 - Greeting Cards to Miss Kitty Crawford (mainly birthday)| 18 postcard size cards, most have letters included.|GROUP 5 - Greeting cards with no writing (unused)| 15 cards, same vintage as others (2 have writing but not to K Crawford)|GROUP 6 - Miscellaneous - including| Nestle's "Wonders of the World" - 32 cards| Cigarette Card - Wills (1 card)| Butterflies - Allens Irish moss Gum Jubes (1 card)| Victorian Footballers (J Bissett), Hoadley's Violet Nut Bars (1 card)| Ships of the World (Empress of Britain) (1 card)| No Category (3 cards)|GROUP 7 - Puzzle|Ribbons on a lggage tag|Perfume Cards|Bible Texts|Greeting Cards to Miss Kitty Crawford - Mainly birthday|Greeting Cards - unused|Miscellaneous|Puzzle|Tatura|1938 Military Ball Debs|Pearl Maskell|Myrtle Dick|Pauline Brady|Mabel Wilson|Margaret Hastie|Jean McIntyre|Madge Wells|Beth Bitcon|Mollie Arnold|Melvie Nicholson|Kitty Crawford|May Crawford|Christmas Card - To Miss Katie Crawford from J Powell|New Year Card -To M Hall From S Boyer|Crawford Centenary 1871-1971 Invitation - WoodlandsBlack plastic archive boxVariousdances and birthdays, documents, cards, postcards -
Melbourne Athenaeum Archives
Video - ABC 7.30 Report: The Athenaeum 's 170th birthday, Australian Broadcasting Corporation, Melbourne, Athenaeum building celebrates 170 years, 11/11/2009
Transcript: Athenaeum building celebrates 170 years Australian Broadcasting Corporation Broadcast: 11/11/2009 Reporter: Lisa Whitehead Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth. Transcript KERRY O’BRIEN, PRESENTER: Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne's Athenaeum building has, in one form or another, provided education and entertainment. For the Victorian colonies it became a city and along the way documented its growth. The building's original library and theatre still draw devotees and as Lisa Whitehead reports, a loyal band of volunteers. KEVIN QUIGLEY, ATHENAEUM PRESIDENT: There's nothing like us that has been here from day one, four years after the boat pushed ashore, here we are. It's a thread that runs through the life of Melbourne. LISA WHITEHEAD, REPORTER: In the heart of Melbourne's CBD, the Athenaeum is a celebrity in disguise, the oldest cultural icon in the city, but barely noticed. MARJORIE DALVEAN, VOLUNTEER HISTORIAN: People of Melbourne walk past this area and they have no idea what it is. RAY LAWLER, PLAYWRIGHT: It seemed to me to be a place that absolutely, or breathes Melbourne, I suppose, culture. LISA WHITEHEAD: Just four years after Melbourne was founded, the colony built a Mechanic's Institution, one of the first in the world, a place where the working class could meet and learn. KEVIN QUIGLEY: People think of it as Wild West sort of place where these hearty types drank and rushed about, but Melbourne was freely settled. It was a city of people who wanted to better themselves - entrepreneurs. And the Mechanic's Institution was that innovative idea that had grown up in Edinburgh and London about providing an opportunity for education for the working people. LISA WHITEHEAD: Mark Twain lectured there. Later, other buildings were added and a theatre to host classic plays. And it adopted its more bourgeois friendly title of the Athenaeum. Crucially from the start there was the library, the first to offer affordable lending to the working man. And it still attracts devotees. Former University lecturer Margaret Bowman, 89, comes in every Wednesday, along with her dog to join an enthusiastic band of volunteers sorting through the archives. MARGARET BOWMAN, FORMER UNIVERSITY LECTURER: Doing research is something that I find actually I enjoy more than anything. Every old lady needs to have a project and now I've got a project. MARJORIE DALVEAN: Margaret, Christine has just found out that Alfred Deakin was a member here from 1874 to 1877. This place is not flashy, we've never been flashy. But book lovers walk in here and they know this is the place for them. ARCHIVAL FOOTAGE: Old times and old names. The Athenaeum theatre in Melbourne for more than 40 years has been one of the city's best known cinemas. LISA WHITEHEAD: In the 20th century, the theatre surrendered to the new craze of talking pictures, and one particular fan was famous Australian playwright Ray Lawler. At 13, he dropped out of school to work in a Footscray factory and two years later his first trip to the glamorous Athenaeum cinema hinted at the education he was missing. RAY LAWLER: It just had a style about it which I responded to, I think. I was looking for something and this seemed to be part of it. Ray Lawler went on to write "Summer of the Seventeenth Doll" and found literary fame overseas. About a century after it had started as an educational place for the working man, Ray Lawler had, in effect, become an Athenaeum graduate. RAL LAWLER: If they had been looking for the sort of person that they were hoping to encourage along the way, I suppose I would have been somebody that might have fitted the mould, you know. LISA WHITEHEAD: In time, the cinema was returned to its theatrical roots. FRANK THRING, 1977: It has a great resemblance to the Theatre Royal in Hobart which Larry Olivier has called the best theatre he's ever worked in. And it's almost identical. It is the true Victorian playhouse. The horseshoe shaped thing: stalls, dress circle and gallery. And you're close to the audience and they're close to you. Marvellous feeling. LISA WHITEHEAD: Today, it's still a theatre. But time has brought compromises. The once vaunted art gallery has now covered its windows and become a comedy club and performance space. TV and suburban life have eaten away at the library membership. It offers an online service now, and a recent federal government grant will pay for the upkeep of its gracious interior, including the 1930s elevator Ray Lawler used to ride. For him, it's money well spent on history quietly made and discreetly observed. RAY LAWLER: It's the lack of awareness, I think, that people don't know what they've got here. They've really got the whole history of Melbourne almost. KEVIN QUIGLEY: It was a similar organisation in Sydney but we are the only one that's got a continual lineage on the same spot. We started here and we're still here and we'll be here for another 100 years. KERRY O'BRIEN: Lisa Whitehead on a great Melbourne landmark. © 2010 ABC | Privacy Policy Beginning as the Melbourne Mechanics' Institution in 1839, the Melbourne Athenaeum has a long history that reflects the cultural and social development of Melbourne. It continues to be managed as a not-for-profit organisation by a volunteer board, with a subscription library (maintained since 1839) and a leased theatre.Video broadcast ABC 7:30 Report for 11/11/2009. "Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth."athenaeum, australian broadcasting corporation, kerry o’brien, kevin quigley, lisa whitehead, marjorie dalvean, ray lawler, margaret bowman, frank thring. -
National Wool Museum
Functional object - Typewriter, Remington Typewriter Company, c.1925
This Remington No.12 typewriter is of the typebar, front-strike class. It was made by the Remington Typewriter Company of Ilion, New York, U.S.A. in about 1925. The Model No. 12 was introduced in 1922 and was one of the first 'visible writer' machines, in which the typed characters were visible to the operator. Previous models were of the upstrike class in which the characters were typed on the underside of the platen. To see what had been typed the operator had to raise the platen, meaning the typist was typing blind much of the time. This machine was used by Margaret Ganly née Burn in the 1930s. It was purchased for her by one of the sons of William Pride, a famous saddle maker in Geelong, William was Margaret’s grandfather. The typewriter was donated with original sales receipt and servicing tools. Margaret worked at Dennys for 7 years during the 1930s. The typewriter is accompanied with a story written by Margaret about her time working at the company. Margret married Jack Ganly, a fellow employee of Dennys. The Ganly name was well known within Dennys, with three generations of the Ganly family working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22.The typewriter has a black painted metal frame. The top section of the typewriter consists of a cylindrical platen on a carriage featuring plated metal fittings. A curved folding paper guide sits behind the platen and moves on the horizontal axis when the user types on the keyboard. A horizontal semicircular type basket with typebar links the top section to the lower keyboard. The ink ribbon is carried between two spools on a horizontal axis, one on each side of the type-basket. At the rear, a paper tray features gold lettering which reads ‘Remington’. At the front, a four-row QWERTY keyboard is found with 42-character keys total. 'SHIFT LOCK' and 'SHIFT KEY' are to the left of the keyboard, 'BACK SPACER' and 'SHIFT KEY' to the right. All keys are circular, white with black lettering. At the top of the keyboard are five circular red keys with the numbers 1-5 displayed behind their respective keys. A Spacebar is found along the front of the keyboard. The typewriter is accompanied by a cardboard box. This box contains the original sales receipt, on blue paper with grey lead handwriting. It also contains spare parts, a spare ribbon stretched between two spools, and cleaning tools such as brushes of differing sizes. Serial Number. Engraved. "LX45395" Gold lettering. Paper tray. “Remington” Gold Lettering. Behind keyboard. “Made in Ilion, New York, U.S.A. Gold Lettering. Mirrored both sides of type-basket. “12”remington, dennys lascelles ltd, worker conditions 1930s -
Nillumbik Shire Council
Print (lino): Kate HUDSON (b.UK - a.1990 AUS), Kate Hudson, Wattle and Circle Vase, 2012
Kate Hudson's highly patterned and decorative prints reflect her love of Australian birds and flowers from her immediate environment, as well as oriental art and her training in textile design. Her work is influenced by the Australian artist (printmaker) Margaret Preston and the vases depicted in her prints are based on the ceramic works of her husband Stephen Hudson. The wattle depicted is the Acacia Terminalis (Sunshine Wattle), a shrub or small tree that grows to six meters in height. It’s an Australian native commonly found in New South Wales, Victoria and Tasmania.A reduction coloured lino print. A ceramic vase with a black and white target print at its' centre holds a bunch of Acacia Terminalis (Sunshine Wattle). The vase rests on an orange table cloth decorated in white stylised flowers. The background is light pink. Hand written in pencil: low left '8/26'; bottom centre ' Wattle and Circle Vase'; low right 'Kate Hudson' hudson, linocut print, sunshine wattle, acacia terminalis, still life, margaret preston, ceramics, textiles, orient -
Victorian Aboriginal Corporation for Languages
Book, Joseph Lo Bianco, Australian policy activism in language and literacy, 2001
Australian Policy Activism in Language and Literacy presents the dynamics of language and literacy policy activism in Australia by capturing accounts of many of those most deeply engaged in Australia?s distinctive practice of Language and Literacy policy-making and its effects. This book describes how policy texts came about. 1. From policy to anti-policy: how fear of language rights took policy-making out of community hands /? Joseph Lo Bianco 2. Australia's language /? Paul Brock 3. Politics, activism and processes of policy production: adult literacy in Australia /? Rosie Wickert 4. Although it wasn't broken, it certainly was fixed: interventions in the Australian Adult Migrant English Program 1991-1996 /? Helen Moore 5. Advocating the sustainability of linguistic diversity /? Michael Singh 6. The cost of literacy for some /? Anthea Taylor 7. (E)merging discourses at work: bringing together new and old ways to account for workplace literacy policy /? Geraldine Castleton 8. The melody changes but the dance goes on - tracking adult literacy education in Western Australia from 'learning for life' to 'lifelong learning': policy impacts on practice 1973-1999 /? Margaret McHugh, Jennifer Nevard and Anthea Taylor 9. Sleight of hand: job myths, literacy and social capital /? Ian Falk 10. National literacy benchmarks and the outstreaming of ESL learners /? Penny McKay 11. Open for business: the market, the state and adult literacy in Australia up to and beyond 2000 /? Peter Kell 12. Inventiveness and regression: interpreting/?translating and the vicissitudes of Australian language policy /? Uldis Ozolins 13. Deafness and sign language in government policy documents 1983-1990 /? Des Power 14. Imprisoned by a landmark narrative? Student/?teacher ratios and the making of policy /? Merilyn Childs 15. Ideologies, languages, policies: Australia's ambivalent relationship with learning to communicate in 'other' languages /? Angela Scarino and Leo Papademetre 16. Reconciled to what? Reconciliation and the Norther Territory's bilingual education program, 1973-1998 /? Christine Nicholls 17. Sing out that song: the textual activities of social technologies in an Aboriginal community /? Jack Frawley.language activism, linguistic diversity, adult literacy, education, sign language, reconciliation, esl programs -
Victorian Aboriginal Corporation for Languages
Book with CD, Doreen Mellor et al, Many voices : reflections on experiences of Indigenous child separation, 2002
This book bring together voices of children who were separated from their families, people who cared for them, families who took them into their homes and Government officers who carried out official directions. Contents of CD: Track 1. Jim Hart, b.1927, Queensland, separated from family as a child. See ch. 5. Interviewer: David Woodgate (3m 02s) track 2. Clara Coulthard, b.1929, South Australia, separated from family as a child. See ch. 3. Interviewer: Sue Anderson (4m 06s) track 3. John Moriarty, AM, b.1938, New South Wales, South Australia, Northern Territory, separated from family as a child. See ch. 4. Interviewer: Frank Heimans (4m 12s) track 4. Sandra Hill, b.1951, Western Australia, separated from family as a child. See ch. 11. Interviewer: John Bannister (4m 11s) track 5. Trevor Deshong, b.1965, Queensland, separated from family as a child. See ch .6. Interviewer: Colleen Hattersley (4m 45s) track 6. Julie Wilson, b.1958, New South Wales, adopted as an infant. See ch. 6. Interviewer: Frank Heimans (4m 04s) track 7. Dorothy Pyatt, b.1918, South Australia, police officer in remote South Australia, 1950s and 1960s. See ch. 8. Interviewer: Karen George (4m 18s) track 8. Margaret Somerville, MBE, b.1912, New South Wales, Northern Territory, missionary and cottage mother. See ch. 7. Interviewer: Frank Heimans (3m 15s) track 9. Reg Worthy, OAM, b.1920, Queensland, Northern Territory, Victoria, welfare officer, senior administrator, Departmental Head. See ch. 8. Interviewer: Barbara Erskine (4m 55s)D?.b&w photographs, b&w illustrations, CDstolen generations, child welfare, bringing them home, oral histories -
Victorian Aboriginal Corporation for Languages
Book, Finding families : the guide to the National Archives of Australia for genealogists, 1998
The focus of this publication is on the range of records of most value to genealogists, those in which essential details of former lives are held. Exploring official records reveals the facts of these lives: of where and when and how men and women served their nation in wartime; or settled in a new country; or were employed on public projects; or were educated or assisted through Commonwealth government agencies.b&w photographs, copies of records, chartsgenealogy, local history, national archives of australia -
Vision Australia
Administrative record - Text, 88th annual report 1894-1982 Braille and Talking Book Library, 1982
Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: a rocking chair gifted to Alice McClelland on her 60th year of involvement, retirement of Merle Griffin, 'Please Touch' exhibition at National Gallery of Victoria, creation of the Benalla Studio - funded by the Benalla Auxiliary and able to accommodate 3-4 people in a session, Margaret Ingham appointed Children's Book Specialist, renaming of existing studios to R Graeme Orr Studios (to honour former President), Library Talk commended at Public Relations Awards given by Australian Library Promotions Council, thanks for Joyce Nicholson, Barrett Reid and Dr Stephen Murray-Smith as Award Selection Panel for Braille Book of the Year, need for newer building as Commercial Road premises are expensive to heat and light and all available space is occupied, book bounty scheme available for braille and audio books, Louis Braille Productions Ltd set up as a subsidary company, book reading broadcasts by ABC shows will be donated free of charge, inaugural children's catalogue of Braille books produced, resignations of Dr Simon Haskell and David Hume, appointment of Elaine Leahy and Norm Fidge, and death of Maxene Hewitt and establishment of children's book collection known as 'The Maxene Hewett Collection for Children' in her honour.1 volume of text and illustrationsbraille and talking book library, annual report -
Vision Australia
Photograph - Image, Blind dancers at Langwarrin
Square dancers enjoying a session at Langwarrin. Previously known as the Guiding Light Square Dance club, the death of one of the founders and move to a new dance studio in Langwarrin with a new partner, allowed the formation of a new club. Wanda Egerton sitting in front row, fourth from left.1 color photograph of people smiling towards the camerarecreation, margaret fox, wanda egerton, guiding light square dance club -
Brighton Historical Society
Dress and shoes, 1958
Brighton local Margaret Cooke (nee Parish) had this dress made for the Miss Summer Festival competition fundraiser. The idea for the dress came from a photograph in the Womens' Weekly. A professional dressmaker cut and made the dress. It has an 18" waist. There is a black and white photocopy on file of the dress being worn at the time.Floral cotton dress with matching belt and shoes. Sleeveless polished cotton cream dress with large red, pink and brown rose print. Heavily ruched front. The skirt has an in-built crinoline structure made with thick Vielene lining and corded hoops. Separate belt with bow at centre front. Shoes made to match by 'Suzette' in their original box. .1- dress .2 - belt .3 a-b - pair of shoes .4 a-b - shoe box and lidShoes - Label, printed in gold on white leather in sock: Suzette / Styled in / NEW YORK-PARIS-ST. LOUISprinted fabric, miss summer festival, 1950s, margaret cooke -
Brighton Historical Society
Bodice, circa 1900
This bodice belonged to Mary Crombie, an early Victorian dentist, who lived in Brighton while she was studying at the Australian College of Dentistry in the mid-1900s, and later returned to the area in her retirement from 1949-1971. Mary Margaret Crombie (1884-1971) was born at Coan Downs Station near Walgett, northern New South Wales, where her father Henry was station manager. After Henry’s untimely death in 1895, Mary and her mother loved for a few years with family members in St Kilda, before moving into a cottage of their own, ‘Rosewood’, at 42 Asling Street, Brighton around 1899. From here, Mary attended Oberwyl Ladies College in St Kilda and later the Australian College of Dentistry, one of only a few women to study dental surgery at the time. She was apprenticed to Ada Tovell (1865-1932), one of Victoria’s first female dentists, who had her own practice in Collins Street. Mary graduated in 1907 and the following year moved with he mother to Yarram in South Gippsland, where she took over the running of a practice owned by Sale dentist Charles Trood, eventually purchasing it from him in 1915. Speaking to a Brighton newspaper in 1961, Mary said she believed that she was the first woman to start a dental practice in Gippsland. For some locals, this took a little getting used to: “Many were amazed, and had some misgivings, when they found that the local dentist was a woman,” she said. “I always remember a huge farmer (he was about 6 ft. 4 in.), who had fortified himself at the local hotel to face the ordeal of visiting the dentist. He almost turned and ran when he saw me. … He was still more amazed when I pulled out his tooth without undue trouble.” The farmer was the best advertisement she could have asked for, telling everybody about the diminutive lady dentist who had calmly extracted his tooth. Mary practiced in Yarram until her retirement in 1949. After selling her practice she returned to Brighton, where she spent the last two decades of her life residing at 25 Oak Grove. Following her death in 1971, her relatives in Brighton donated a number of items from her home to BHS.Black satin bodice, boned, with black faceted glass buttons down the front. High collar. Both collar and cuffs are edged with a black net ruffle. Two rows of seven black crochet-covered buttons at each cuff, fastening with loops. Stray brown threads poking through fabric around the collar, shoulders and back indicate that these areas may originally have featured lace embellishments.mary crombie, 1900s -
National Wool Museum
Book, Knitting, Weldon's Practical Needlework no. 11: Knitted Vests for Ladies and Men
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by Weldons and contains knitting patterns for vests.FREE INSIDE:- 3 EASY-to-FOLLOW CHARTS for VEST-TOPS / NEW / SERIES / No. 11 / WELDON'S PRACTICAL NEEDLEWORK / 4D. / KNITTED VESTS / for Ladies and Men / FULL DIRECTIONS for making 13 UP-to-DATE VESTSknitting handicrafts - history, weldons ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, The Lux Book 1951
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by Lux and contains knitting patterns for mens, womens and childrens garments.The Lux Book / 1951 / NEW / KNITTING DESIGNS / ... at a special price / with 2 packets of / LUXknitting handicrafts - history, lux, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, The Wool Collection - K-Mart
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This free pattern was given away by K-Mart, the department store, in 1984 when large knitted jumpers were particularly fashionable.The / Wool Collection / FREE / PATTERN / FROM K-MART / Quality always makes its mark. / PURE NEW WOOLknitting handicrafts - history, k-mart, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Woolly Winners
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced and given away by the magazine "Family Circle" in 1983 and contains knitting patterns designed by Jane Shepherd of New Zealand using Shepherd of New Zealand wools.WOOLLY WINNERS . . . / for beginners and dyed in the wool / knitting buffs / Designed by Jane Shepherdknitting handicrafts - history, shepherd of new zealand family circle, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Gloves, Socks and Accessories
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the womens magazine "New Idea" in 1950 and contains knitting patterns for gloves, hats, socks etc.Gloves - Socks / and / Accessories / 6D. / A "NEW IDEA" PRODUCTION, No. 26knitting handicrafts - history, the new idea, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Your Family Knitting with Wool Pattern Book
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by the Australian Wool Corporation to be given away with the magazine "Family Circle". It contains patterns for crocheted toy sheep, as well as knitting patterns for womens, mens and childrens garments.PURE NEW WOOL / Your / Family Knitting / with wool / Pattern Book / 11 Patterns for all your Family / from Family Circle and / The Australian Wool Corporation.knitting handicrafts - history crochet, family circle australian wool corporation, knitting, handicrafts - history, crochet -
National Wool Museum
Book, Knitting, Vogue Knitting Book Fall-Winter 1955
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by American Vogue in 1955 and contains knitting patterns for womens garments.VOGUE KNITTING / BOOK / Fall and Winter 1955 / Over 60 / New Designs / Introducing a new / Easy-to-Knit / Section / 50 Centsknitting fashion, vogue - america, knitting, fashion