The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Die Fledermaus)' by Johann Strauss in 1962. The performances were held in the Kew City Hall, in Cotham Road. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), performing arts, kew city hall, die fledermaus

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Manon. LP 33RPM vinyl, Catalogue Number: LXT 2620, Record cover, no plastic sleeve, back cover notes (no author listed). Soloists, chorus and orchestra of the Opera-Comique, Paris. Conducted by Albert Wolff.47' printed paper sticky taped to top left front coverlp, sound recording, opera

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Blossom Time' in conjunction with Moomba. Performances were held in March in the Alexandra Gardens and subsequently at the Kew Recreation Hall in October and November. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, performing arts, moomba, alexandra gardens, theatre groups (kew), blossom time (musical)

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Manon. LP 33RPM Vinyl, Catalogue Number: LXT 2619, Cardboard packaging/sleeve, 1 vinyl disc, no cover notes, printed in England (part of a set of 3). The Opera-Comique, Paris, Conductor Albert Wolff.lp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Verdi, Highlights from "AIDA". LP 33RPM vinyl, Catalogue Number: CLCX 042, Record cover, no plastic sleeve, back cover notes (no author listed). Conducted by Alberto Paoletti, with chorus and orchestra of The Rome Opera House.lp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Carmen Bizet. LP 33RPM Vinyl, Catalogue Number: LXT 2617, Paper package/ cover sleeve, 1 Vinyl disc, Cover notes, no author listed, made in England. The Opera-Comique Paris, Conductor, Albert Wolff.lp, sound recording

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Theatre programme for a production of The Arcadians in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the arcadians, mark ambient, a.m. thompson, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatrical programme for a production of The Toreador in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the toreador, ivan caryll, lionel monckton, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of Florodora in the Kew Recreation Hall by the Kew Light Opera Company. The 12-page programme includes profiles, a cast list and advertisements. An annotation on the acknowledgements page by Arthur Dear, the Hall Keeper, records that he was responsible for cleaning up the mess afterwardsarthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, kew light opera company, florodora - leslie stuart

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of The Cingalee in the Kew Recreation Hall by the Kew Light Opera Company. The 10-page programme includes profiles, a cast list and advertisements. arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia, the cingalee, kew light opera company

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of A Country Girl in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia, kew light opera company

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of The Maid of the Mountains in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. the maid of the mountains, harold fraser-simson, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, kew civic hall -- cotham road, city of kew, theatre memorabilia

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of The Maid of the Mountains in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. arthur dear collection, kew light opera company, kew recreation hall, theatre - victoria, theatre - kew, the maid of the mountains, harold fraser-simson

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Operatic Highlights Die Fledermaus (Johan Strauss). LP 33RPM vinyl, Catalogue Number: LXT 2576, Record cover, no sleeve, 1 vinyl disk. Cover notes, no author listed. Johan Strauss, Conductor: Clemens Krauss, Vienna State Opera and Choruslp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Tenor Arias from Italian Opera. LP 33RPM vinyl, Catalogue Number: SXL 6498, record cover, plastic sleeve, 1 vinyl disc, back cover notes by Alan Blyth, inside double layout liner notes included. Luciano Pavarotti.lp, sound recording, opera

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Theatre programme for a production of San Toy in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes profiles, a cast list and advertisements. arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, kew civic hall -- cotham road, city of kew, theatre memorabilia, kew light opera company

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Ballet Encores. LP 33RPM vinyl, Catalogue Number: GL 8, Record cover, plastic sleeve, back cover notes (no author listed). Tchaikovsky, Delibes, Gounod, Weber. Vienna Symphony Orchestra, Paris National Opera Orchestra Lamoureux Orchestra, The Hague Philharmonic Orchestra.lp, sound recording

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for a production of Our Miss Gibbs in the Kew Recreation Hall by the Kew Light Opera Company. The 4-page programme includes a cast list and a synopsis. 4 pp.arthur dear collection, kew light opera company, kew recreation hall, musicals, programmes, theatre, theatrical performances, performing arts, our miss gibbs

Used in Chinese opera in many provinces.Three marionette puppets in Chinese Opera Costume, with stands. .1 Wearing yellow costume with red and white face and white beard. .2 Wearing green costume with red and black face and black beard. .3 Wearing red costume with three eyed gold face. marionette puppets, chinese puppets, opera puppets, chinese opera, souvenir

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for the Australian premiere of Goodnight Vienna! in the Kew Recreation Hall by the Kew Light Opera Company. The 12-page programme includes profiles, a cast list, a musical synopsis, and advertisements. goodnight vienna!, george posford, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Placido Domingo: Arias from Italian Opera. LP 33RPM vinyl, Catalogue Number: SXL 6451, Paper sleeve, 1 Vinyl disc, Cover notes, Berndt W. Wssling, Lyrics with English Translation by Peggie Cochrane and Laura Mardon. Orchester der Deutschen Oper Berlin. Conductor: Nello Santi.lp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.The Australian Opera. LP 33RPM vinyl - Commemorative set, Catalogue Number: 2XS 4606, 1 cardboard box cover, 1 internal box cover, 1 paper record cover, 1 plastic record sleeve, 1 vinyl disk, 1 cardboard portfolio of prints cover, 6 prints of costume design (various artists).lp, sound recording, opera

Ladies' evening gloves or opera gloves are a type of formal glove that reaches beyond the elbow. Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive full-length gloves are custom-made of kid leather. Many other types of leather, most usually soft varieties of cowhide, are used in making full-length gloves; patent leather and suede are especially popular as alternatives to kidskin. Satin materials were extremely popular, and there are mass-produced varieties as well. Carole Pedersen-Green was a founding member of CMHS. Her family were early settlers in Moorabbin ShireA pair of lady's long cream silk machine lace gloves with open fingers and thumb piece C 1930 They are the classic OPERA length, with the mousquetaire wrist openingclothing, gloves, formal wear, craftwork, lace making, dress etiquette, satin, silk, moorabbin, bentleigh, cheltenham, fashion, evening gloves., lace

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'While the Sun Shines', a comedy in three acts by Terence Rattigan.The programme is undated. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, while the sun shines (terence rattigan), performing arts, theatre (kew)

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Charpentier: Louise. LP 33RPM vinyl - Box set, Catalogue Number: S3BR 220614, 1 cardboard box cover with hinged lid, 3 paper record record sleeves (with inscriptions), 3 vinyl disk, 1 booklet with libretto. Cover notes, Paul Myers. Composer: Charpentier. New Philharmonic Orchestra; Conductor: George Pretre; Ambrosia Opera Chorus.Side 1 - Side 6 the paper record sleeveslp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera. As Penleigh Boyd wrote in his obituary to his mother: "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the Board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a Life Member and former President of the National Gallery of Victoria Women's Association." Maria Callas sings great arias from French operas. LP 33RPM vinyl, Catalogue Number: SAXO-2410, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Andrew Porter. Cover photo: Luc Fournol, Jours de France. Maria Callas. Conductor: Georges Petre, Orchestra National de la RTFlp, sound recording, opera, ohm2022, ohm2022_9

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of the Australian premiere of 'Goodnight Vienna!' by Marvell and Posford. Performances were held in the Kew Recreation Hall in 1956. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.theatre (kew), performing arts, goodnight vienna! (musical), kew light opera company, kew recreation hall

Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive gloves are custom-made of kid leather. Mousquetaire gloves have buttons at the wrist so the wearer could open the buttons and slip her hand out without taking the whole glove off. The finger section would be folded in and kept away tidily. This is how ladies wore gloves while dining. After the meal they would put their hands back into the gloves, usually for the rest of the evening. The Eldridge family were early settlers in Moorabbin Shire and relatives of William and Elizabeth Box. A pair of lady's white, 'Opera length', kid leather gloves with 3 pearl buttons at wrist opening, or 'Mousquetaire'clothing, gloves, kid leather, leather work, moorabbin, bentleigh, brighton, early settlers, pioneers, market gardeners, box elizabeth, box william, box avis, eldridge carol, box john, sheldrake martha, box alonzo

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'The Cingalee'. Performances were held in the Kew Recreation Hall on 2, 3, 4, 5, 6 June 1953. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, theatre, performing arts

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'A Country Girl'. Performances were held in the Kew Recreation Hall on 5, 6, 7, 8 May 1954. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, theatre (kew), performing arts, a country girl (musical)