10.v.non-fictionA series of twenty-four tales, two for each month of the year; twelve from classical sources; the other twelve, chiefly from medieval Latin, French and Icelandic originals. england - poetry, william morris 1834-1896

p.321.non-fictionA translation by the Reverend HF Cary of the Divine Comedyitalian literature, italian poetry

Ill, maps, p.39.non-fictionThe story of the development of Adelaide trams and trolley buses.tramways - adelaide, trolley buses - adelaide

Brenda TAYLOR This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.AbstractAbstract paintingart, artwork, brenda taylor

96 p.; 23 cmnon-fictionLots of information on the various sporting groups like Football, Netball, Rifle club, schools, honor rolls and pioneer familiesstudents from 1928 - 1974., tooradin primary school number 1503, tooradin police

Black paperback book with white and orange writing on cover and spine and colour photograph on front covernon-fiction'In 1942 a group of sixty-five Australian Army nursing sisters was evacuated from Malaya a few days before the fall of Singapore. Two days later their ship was bombed and sunk by the Japanese. Of the fifty-thre survivors who scrambled ashore, twenty-one were murdered and the remaining thirty-two taken prisoner. White Coolies is the engrossing record kept by one of the sisters, Betty Jeffrey, during the more than three gruelling years of imprisonment that followed. It is an amazing story of survival amid deprivation and the harshest of conditions. The women's ingenious and entertaining attempts ot make their lot more tolerable, and their comradeship as they suffered so much anguish, display their incredible endurance and strength in the face of adversity.' Back cover of bookworld war two, wwii, ww2, australian army nurses, agnes betty jeffrey, betty jeffrey, paradise road, bangka island

William Turner, a Scottish born free-lance designer, who was contracted to GP&J Baker, painted the image on which the design was based in 1918. Turner had trained as a furniture designer before leaving for London in the 1890s, where he rose to prominence as an Arts & Crafts designer. The bird that gives this design its name is adapted from Robert Havell’s ‘A Collection of Birds of Paradise’, published in 1835, and was a favourite of Victorian chintz designers.“Paradise Bird” has been in continuous production since its creation. The hand-block print, of which these curtains are an early example, was supplemented by a version engraved on copper rollers in 1962, and was updated onto screens in 1982. The curtains have significance to the collection because of their intrinsic value and for the link to one of the historic mansions in the City of Boroondara. The curtains by G.P & J Baker of London use one of the exemplary designs in this manufacturer’s output. The first use of the design was in 1918, following the Great War, and the design is said to reflect the hope for peace which was a feature of the postwar years. The curtains are an early example of the Paradise Bird design, and were block printed. A pair of curtains originally situated in one of the front reception rooms of 'Tourmont' in Balwyn Road, Balwyn (now Fintona Girls’ School). The fabric in the curtains was manufactured by the English firm of GP&J Baker. The textile design is variably named as ‘Paradise Bird’ or more recently, ‘Hydrangea Bird’. Turner’s bird perches in a blossoming branch directly above a woodpecker, which is an attribute of Mars, god of war. Thus the design reads as a symbolic statement where War is reversed and Paradise returns (a hopeful message at the end of WWI). “Paradise Bird” has been in continuous production since its creation. . curtains, fabric design, historic buildings

This butter or cheese knife is a decorative example of electroplated cutlery that had become an affordable alternative to more expensive silver cutlery in the late 1800s to early 1900s. The knife has stamp marks in the back of its handle that are a combination of letters and symbols used by British silversmiths to identify their workmanship. The design and type of this knife was not normally used by everyday people but rather those of a higher social class with time and money to have a particular decorative knife to serve butter or cheese. The marks on the handle tell that it was made of nickel silver, and electroplated with superior quality Stirling silver. The Barker Brothers of Birmingham made the knife between 1885 and 1907, but most likely before 1895. It was made for the British, or British colonial, people, connected with a government department such as the navy or defence. This story may be slightly inaccurate, as some silversmiths added extra ‘pseudo marks’ to their wares to disguise the quality. THE MARKS and their meaning – - ‘A1’ The silver used in electroplating this knife was the highest level, ‘superior quality’, measured in grams of silver per table spoon or table fork, with ‘A1’ being 2 2/3 grams, and ‘D’ being 0 1/2 grams of silver. - ‘BB’ The Baker Brothers used these initials from 1885 to 1907. - ‘[crown symbol]’ – This symbol is used for Sterling silver but this knife is a metal alloy. The crown is also the town mark of Sheffield (appointed by the Sheffield Assay Office) but this knife was made in Birmingham, which has the town mark of an anchor. The Barker Brothers may have added the crown mark to this electroplated silverware as a ‘pseudo hallmark’, leading the buyer to think that it was actual Sterling silver. The use of pseudo hallmarks by electroplaters of the Victorian era was common practice but it was illegal. In 1895 the unlawful practice was seen as imitating the Sheffield Silver Mark and the law was firmly applied to eradicate the deception, so items with this mark probably date before 1895. - [EPNS] Electro Plated Nickel Silver, called nickel silver or German silver, is a metal alloy that usually combines copper, nickel and zinc (60 percent copper, 20 percent nickel, 20 percent zinc). It has a silver-white appearance and is sometimes referred to as ‘white ware’. It does not contain any silver but is often used as a base for electroplating, when the item is covered with a thin layer of silver to give it the polished appearance of pure silver. It became popular in the late 19th and early 20th century as an affordable substitute for sterling silver. - Broad Arrow - an official stamp that indicates it was once the property of Britain government, either in Britain or one of its colonies, and used in the defence force. In Great Britain, from an 1875 government act, it was, and still, is a crime to forge or wrongfully use, the broad arrow symbol. The BARKER BROTHERS of Birmingham - Barker Brothers were one of the earlies firms of Birmingham silversmiths, established in 1801 by Mary Barker. They became Barker & Creed, then William and Matthias Barker, then from 1885 they were the Barker Brothers. They were operating in Paradise Street in 1871 until in 1903 they moved to Unity Works, Constitution Hill, in Birmingham. The firm also had a showroom at 292 High Holborn, London, from the early 1900s to the 1980s. In 1907 the firm became Barker Brothers Silversmiths Ltd, then in the 1960s they merged with Ellis & Co, becoming Barker Ellis Silver Co. Ltd. In 1979 they were registered in USA as Ellis & Co., Barker Ellis, and Ellis Barker. The business went into administration in 1992, after almost 200 years of production. The firm advertised as specialists in electroplating, and used the trademarks BRITANOID, UNITY PLATE and THE HYGENIA.This knife is historically significant, dated from 1885 to 1907 but most likely pre-1895, and made by the longstanding Birmingham silversmiths, the Barker Brothers, established in 1801. The knife is an example of decorative flatware used by people of ’class’. It also has the broad arrow stamp, connecting it to the British government, in particular the ordinance department. The stamp also connects it to other items in our collection with that stamp. It may have been connected to pre-Federation government organisations and officials such as the army Garrison, government naval vessel, police, lighthouse keepers, harbour masters. The knife is the only example of its kind in our collection, being a decorative silver butter or cheese knife, made by the Barker Brothers of Birmingham. Butter knife, or cheese knife, electroplated nickel silver (EPNS). Upper blade edge has decorative shape and engraved motifs, lower blade edge is bevelled to a cutting edge, and narrow plain handle flares out to a wide, rounded end. Maker’s marks are stamped on the reverse. Made by Barker Brothers of Birmingham in the late-19th century. Stamps: “flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, butter knife, cheese knife, electroplate, electro plate, nickel silver, nickel alloy, alloy composition, copper nickel zinc, german silver, epns, barker brothers, birmingham, london, silversmiths, victorian era, 19th century, a1, bb, crown inside square, broad arrow, flatware, tableware, cutlery, cutler, dining utensils, eating utensils, superior quality, pseudo hallmark, stirling silver, silver-white metal, mary barker, barker & creed, william barker, matthias barker, barker brothers silversmiths, barker ellis silver co, ellis & co, barker ellis, ellis barker, britanoid, unity plate, the hygenia, british, colonial, government use, defence department use, naval use, knife, serving knife

Jessie Imogene [Gene] Chatham ( nee Furness 1901 - 1980) was the grand-daughter of Rosanna McFadden and Alexander Poynton, the 13th child of their eldest daughter Mary Jane Poynton. Philip Chatham was her second eldest child. Rosanna married Liverpool-born Alexander Poynton in the Free Church of Victoria in 1852. According to family legend, Alexander was attracted to Rosanna’s beautiful singing voice, however his proposal was conditional: he would marry her provided the first twelve children were raised as Protestants. Rosanna and Alexander had 14 children. The thirteenth and last surviving child was brought up Catholic. Alexander is reported to have been involved in the Eureka Rebellion, placing Rosanna at Ballarat in late 1854. The family moved about the Victorian Goldfields during the 1850s and early 1860s, before selecting a 240 acre property at Illabarook which they named “The Wattles”. [ https://www.facebook.com/GreatIrishFamineMemorial/photos/a.319845464760508/504144869663899/?type=3&mibextid=WC7FNe&rdid=g7RgSaaGEYbHPsAb&share_url=https%3A%2F%2Fwww.facebook.com%2Fshare%2F16nh8HnJ71%2F%3Fmibextid%3DWC7FNe sited 22 May 2025] Several of the children were born at Port Campbell, Vic. Jessie Imogene Chatham ( nee Furniss) was born at Illabarook, Golden Plains Shire, Victoria, Australia. [Jane Dyer ( nee Chatham) 2025] Rosanna’s first child Alexander, was a State and Federal Politican, holding the role of Treasurer in Billy Hughes government. He was awarded an OBE in 1920 for his work on WW1 repatriation issues. Fifth child Rosanna, married the Mayor of Brunswick and their son Sir Alexander George Wales was Lord Mayor of Melbourne between 1934 – 37. Finally, eleventh son John Joseph was Lord Mayor of Perth. Alexander died in 1896 at the age of 64, while Rosanna lived on to the age of 87, dying on March 9th, 1920. philip chatham, imogene furness, surfers paradise, chatham-holmes collection, queensland holiday

SURFERS PARADISEsurfers paradise, queensland

This shop, in Main Street Rutherglen, near Poachers Paradise pub (originally the Rutherglen Hotel), was owned and operated as a barber shop by Jack O'Keefe. This photograph was taken in 1986. The couple in front of the building are probably Jack O'Keeffe and his wife. At present (2019) part of this shop is again operating as a hairdressers, as Jack and the Fox.Colour photograph of the front of a shop with a banner below the veranda identifying it as the Wine and Gold Country Museum. The building is located in Main Street Rutherglen next to the Poachers' Paradise Hotel. Below the banner is a shop sign "Hairdresser & Tobacconist" and another "Tourist Information". A man and woman are standing in front of the shop watering the plants. Above the veranda is another sign indicating that some part of the shop was once used as a billiard parlor.Writen on the back of the photo: "January 1986"jack okeefe, barbers, hairdressers

Found at camp 1Blue metal shaker for balls for team selection. Round tin top, handle/bottom, 2 channels for ballsnumbers, colours, sports Paradise, shake wellsports shakers, camp 1 team selection balls

Colour slide in a mount. El Dorado Motel, Surfers Paradise, Queensland, Australia(No mount)the australian ugliness, slide

Colour slide in a mount. Motel Walkabout, possibly Surfers Paradise, Queensland, Australia.Made in Australia/DEC 68M8queensland, slide

Colour slide in a mount. Pfitzenmaier House, Surfers Paradise, Queensland, 1953. (Architects: Hayes and Scott.)11 / 46 (Handwritten)slide, robin boyd

Colour slide in a mount. Lennons Broadbeach Hotel, Surfers Paradise, Queensland. (Architect: Karl Langer.)15 / Encircled 83F (Handwritten)queensland, slide

One of three items donated by Graeme Clauscen.A pamphlet written by Alec Hepburn of "Caravan World", promoting Caravan Parks and the history and attractions of Phillip Island. Called "Pirates Paradise".phillip island accommodation, phillip island attractions, graeme clauscen

Twelve page knitting pattern book featuring black and white printed graphics and text. The colour cover shows a woman wearing a pink knitted top with sailboats, a white skirt and pink earrings.front: [printed] VillaWOOL / 12785 / PRICE / CODE / D / MADE IN AUSTRALIA / PARADISEknitting, pattern, fashion, knitwear, women, villawool

Now Poacher's Paradise HotelBlack and white, post card size reproduction of the Rutherglen Hotel, Rutherglen Main Street, approx. 1920/1925.rutherglen hotel, poachers paradise hotel

An account of the true story which inspired the film Paradise Road. Black, soft cover book with photo of a group of women walking & carrying tools, 104 pages.On first page written in pen: Wilma Aram Young 27.7.97 Donated by Bgo Y Mens Clubbooks, military, history, imprisonment

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Malay Archipelago The Land of the Orang-Utan and the Bird of Paradise. A narrative of the travel with studies of Man and Nature Author: Alfred Russel Wallace Publisher: MacMillan and Co Date: 1890Label on spine cover with typed text PAT 915.95 WAL Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the malay archipelago, alfred russel wallace

A souvenir or promotional item for the Warrnambool Woollen Mill. Playing cards was a very popular and common pass time in the 20th century with a variety of games being played, some of which survive to this day.A common object which is related to one of Warrnambool's longest running businesses.A green cardboard box containing two packs of playing cards.The sets of cards have the same image of Warrnambool blankets with one set edged in orange and one in blue. With Compliments of The Warrnambool Woollen Mill Co Ltd, on the box. Warrnambool luxury blankets , Warrnambool Paradise on the cards. warrnambool, warrnambool woollen mill

Comparison of Canberra and Surfers Paradise as potential cultural capitals of Australia. Canberra represents one end of the spectrum of traditional architectural morals of sophistication and orderliness; Surfers Paradise represents the opposite end of the spectrum, that is extreme Pop, fun and flashiness.Original manuscript of an article published as ‘Trad modern, pop modern’ in "The Sunday Australian", 25.4.1971. Typewritten (p/copy), quarto, 9 pagesTop of page 1 handwritten where and when published, page numbers, minor correctionscanberra, surfers paradise, australian culture, morris lapidus, australian cities, robin boyd, manuscript

Paradise Pictures, looking towards Luna Park, c1914black and white photograph, unmounted copy, good conditionMelbourne -Suburbs St Kilda Upper Esplanade with Luna Park in the Distance. St Kilda by the Sea Annual Season 1915/16 p.16 F600:65 c1890

Illustrated book with dustjacket. Book has a light green cover, with an image of a compass embossed in gold. on the front. The tile author's surname and publisher's name are embossed in gold on the spine. Dust jacket has multicoloured illustration by J.P.L Kickhefer on front and spine: group of women, some with head scarves walking behind a ?prison guard, barbed wire topped fence in front of and behind group. In the background is a hut and tropical plants. Title (white print) and authors name (red print) appear on a black background at base of front of dustjacket. Title, author's and publisher's names are printed in black on spinenon-fictionIn 1942 a group of sixty-five Australian Army nursing sisters was evacuated from Malaya aboard the Vyner Brooke, a few days before the fall of Singapore. Two days later their ship was bombed and sunk by the Japanese. Of the fifty-three survivors who scrambled ashore, twenty-one were murdered and the remaining thirty-two were taken prisoner. The book is the engrossing record kept by one of the sisters, Betty Jeffrey, during the three grueling years of imprisonment that followed. It is an amazing story of survival and deprivation in the harshest of conditions.world war 1939-1945 prisoners of war, betty jeffrey