Collected in Scrap book mostly, it is thought, from local newspapers - Wonthaggi 'Sentinel Times'. Dated 1960 - 1973re opposition granite cartage; damage to roads; slabs are required to protect earthen abutment on P.I. end of new bridge.local history, newspapers, granite cartage phillip island, cape woolamai granite, jean jamieson

Collection of newspaper clippings in scrap book dated 1960 - 1973. Taken probably from Sentinel Times of Wonthaggi.Newspaper article with photo of Albert Robertson and model shell house. Text explains his building up of a tourist attraction by cementing shells onto 18" fibro plaster sheets to make pictures of people and objects."Albert's House is more than a shell"local history, newspapers, shell house on summerland peninsula, phillip island, jean jamieson

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of five polished surfaces of Amygdales from Pyramid Rock. Enlarged by four times.local history, photography, polished amygdales, black & white photograph, geology, john jenner, bryant west

Open House 2022: "Like many Melburnians, Ying-Lan Dann has long been fascinated by the Mission to Seafarers, in Docklands. When she was invited to create a work in response to a building as part of this year’s Open House Melbourne, she knew immediately which it would be. Taking a peek behind the closed doors of some of Melbourne’s finest and most interesting buildings is a core premise of the weekend event, now in its 15th year. During that time, the program has grown from half a dozen buildings to a 200-plus strong list that extends to Ballarat and Bendigo. “[It’s] much more expansive and citizen-led,” says Fleur Watson, Open House Melbourne’s executive director. “As a public festival, it has always had a spirit of generosity, this gesture of opening up and allowing visitors to come and look and experience things.” Swinging open their doors at the end of the month will be some of the city’s finest mansions, including Villa Alba in Kew and Brighton’s Billilla, the Cairo flats in Fitzroy, the newly renovated Jewish Museum designed by Kerstin Thompson, the Melbourne Quakers Centre, the Albanian Mosque in Carlton North and many more. Considering how to approach the event this year, held remotely for the past two, Watson decided to explore beyond the traditional, with associate professor and director of curatorial practice at Monash University Tara McDowell. The two have co-curated an exhibition of works to run concurrently with the Open House program, called Take Hold of the Clouds. That’s where Dann’s work, Circular Temporalities, comes in, one of seven commissions around town in which local and international artists respond to chosen buildings or sites. A lecturer in interior design at RMIT as well as an artist, she is interested in time and finding different mediums to show things in flux and, having grown up on Phillip Island, she often uses water as a theme. When she started spending time at the Mission, Dann found there was an oculus at the top of the dome, known as the Norla Dome. She thought about how that small but significant opening related to where sailors spent so many months of the year, the sky being the only thing they would see much of the time, stars guiding the way in times gone by, and of the recent stories she’d heard about sailors being trapped at sea during COVID. Built in the Arts and Craft style between 1916 and 1919 and designed by architect Walter Butler, the Mission includes a chapel, clubroom, Chaplain’s house, a small cottage and the Norla Dome, which was apparently inspired by the Pantheon. The Mission was funded by the government and the Ladies Harbour Lights Guild, who Dann was also intrigued by. “One of the things those women identified is that life at sea is very dangerous [and they] wanted to give them a space of sanctuary and support,” she says, adding that for many years, the dome was used as a gymnasium. Her work inside the dome includes a 35-minute loop film, recorded from the ferry during the crossing from Queenscliff to Sorrento. The horizon takes up about a third of the shot and moves as the waves rise and fall, mirroring the journeys made by the sailors who found refuge at the mission over the years; it will be projected onto a gauze-like fabric, allowing glimpses of the building behind. Dann also plans to activate the site over the course of the weekend and will read a poem by Justin Clemens.The articles gives an insight of the création of the artwork by Ying-Lan Dann. digital copy of an article with photographs published in the Ageopen house melbourne, 2022, ying-lan dann, take hold of the clouds, norla dome, exhibition, the age, cultural events

Len Lukey was a Victorian Racing Car Driver in the 1950s & 1960s and established his Car Exhaust Muffler business in his backyard in Highett c 1970. In 1964 he purchased the site and then developed and operated the Phillip Island Car Racing Track until his death 1978. He designed the Lukey Racing Car Museum and Gardens at that site. The 1959 Australian Drivers Championship was a CAMS sanctioned motor racing title for drivers of Formula Libre cars. The championship winner was awarded the 1959 CAMS Gold Star. The series was won by Victorian racer Len Lukey driving his Cooper T45 Climax and in the opening round of the series his own much modified Cooper T23 which was known as the Lukey-Bristol. Lukey was one of only a few drivers who attempted to complete the gruelling twelve race schedule, the longest in ADC history. Lukey finished just two points ahead of his season long rival, Alec Mildren from the ACT [1] (Cooper-Climax). Stan Jones, the father of F1 World Champion Alan Jones, was third in the championship, using four different cars over the course of the series. Race victories were shared around with Mildren taking three wins. Lukey, Jones and Bill Patterson each took two wins, with single victories going to Jack Brabham, Bib Stillwell and New Zealand Maserati 250F racer Ross Jensen. Jack Brabham later became F1 World Champion 3 times. A steel bottle opener with engraved advertising for Lukey Mufflers Pty Ltd HighettAlong Shaft : LUKEY MUFFLERS / HIGHETT VICTORIA / XL 3641car part manufacturers, lukey mufflers pty ltd, highett, moorabbin, bentleigh, cheltenham, early settlers, bottle openers, steel manufacturer, brabham jack, formula one grand prix champions, jones alan, phillip island car racing track.

E H "Ted" Jenkins was the paraplegic son of Harry Jenkins who bought Churchill Island in 1936 as an interest for Ted. Ted lived on Churchill Island at various times with his nurse Sr Margaret "Jimmy" Campbell, e.g. second world war when they ran a shorthorn dairy farm, and at other times lived in their home in Melbourne. He moved freely around the island in a cart pulled by a Shetland pony and had strong arms for shooting and fishing. The reel suggests he went shark fishing or deer water fishing. Ted was also keen on 'ham' radio, and had many friends from his school who became life-long friends and frequent visitors to him on Churchill Island.Wood and brass (shark?) fishing reel. Probably hand-made. Wound with original cord fishing line. Has separate brass winder handle (see 0296.2)"E H Jenkins 1943" etched on one side. "Click on" etched on one side.ted jenkins, fishing, reel, churchill island, western port, jenkins, margaret campbell, sister campbell, jimmy, campbell

E H "Ted" Jenkins was the paraplegic son of Harry Jenkins who bought Churchill Island in 1936 as an interest for Ted. Ted lived on Churchill Island at various times with his nurse Sr Margaret "Jimmy" Campbell, e.g. second world war when they ran a shorthorn dairy farm, and at other times lived in their home in Melbourne. He moved freely around the island in a cart pulled by a Shetland pony and had strong arms for shooting and fishing. The reel suggests he went shark fishing or deer water fishing. Ted was also keen on 'ham' radio, and had many friends from his school who became life-long friends and frequent visitors to him on Churchill Island.brass handle with turned wooden handles either end, brass flat and slightly tapered each end, hole in centre for attaching to reel.ted jenkins, fishing, reel, churchill island, western port, handle, jenkins, campbell, margaret, jimmy

The practice of branding livestock for ownership identification has been used since at least the times of the ancient Egyptians. It was especially valuable when cattle or other domesticated animals were merged with other herds on common grazing land, or if they had strayed or been stolen, as it allowed them to be identified at a glance. The branding iron is heated in a fire, hot coals or by other means and pressed into the hide of the animal creating the brand mark. The word brand originates from the Germanic languages and means anything hot or burning. This brand was owned by Samuel Amess - who owned Churchill Island in the late nineteenth century - and was used on the farm to mark the herds of cattle he owned.Branding iron with initials SA for Samuel Amess. Surface rust, pitted surface. churchill island, samuel amess, branding iron, cattle

A Sickle is an agricultural hand tool used for harvesting or reaping grain crops using the sharp blade in a swinging or hacking motion. It was also used for cutting back forage and other plant growth. They have been used since early Iron Age times and many examples have been found in the Middle East dating back 18,000 to 8,000 BC. This is a bagging hook – a type of larger and heavier sickle used mainly for harvesting of grain. It continued to be used after industrialisation and the implementation of the mechanical reaper. Designed by British manufacturing firm, Brades & Co, and made to be used by the left hand, its age is unknown. Left handed sickle. Blade painted black; handle varnished. Metal ferrule on handle. Hook on blade at handle endB?RADE? BRADER OZ?sickle, harvesting, churchill island heritage farm

A Sickle is an agricultural hand tool used for harvesting or reaping grain crops using the sharp blade in a swinging or hacking motion. It was also used for cutting back forage and other plant growth. They have been used since early Iron Age times and many examples have been found in the Middle East dating back 18,000 to 8,000 BC. This is a bagging hook – a type of larger and heavier sickle used mainly for harvesting of grain. It continued to be used after industrialisation and the implementation of the mechanical reaper. Designed to be used by the right hand, its age is unknown. Right handed sickle. Blade painted black. Handle varnishedsickle, harvesting, churchill island heritage farm

11 single-side page, light fawn card, A4 comb-bound book with pelican logo on cover, outlining projects in progress, some information about Victorian Conservation Trust, 1 page copy of Weekly Times Newspaper feature, a list of 'Honoured Guests', C.I. Restoration group members, VCT Staff, CI Staff.churchill island, victorian conservation trust

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of dispersed group, gathered around Rogers Cottage and Amess Half Cellar, with a trestle table, speakers, and sign for Lady Nelson Inspection Times visible in the backgorund. catalogue number on reverse in pencilchurchill island, photograph

An article from the Kerang New Times newspaper dated January 12, 1968 showing two soldiers in civilian clothing trying on a conical MP hat in Saigon. the soldiers names are Cpl Mal hatch from Fulhana SA and Cpl bernie Storer of Swan Hill. both soldiers are members of the Provost Detachment at Australian Force Headquarters in Saigon.newspaper, saigon, australian force headquarters

Photograph of sandbagged Chapliain's tent at a firebase. Sign on a tree in front of the tent shows service timesphotograph, chaplain