Collected in Scrap book mostly, it is thought, from local newspapers - Wonthaggi 'Sentinel Times'. Dated 1960 - 1973re opposition granite cartage; damage to roads; slabs are required to protect earthen abutment on P.I. end of new bridge.local history, newspapers, granite cartage phillip island, cape woolamai granite, jean jamieson

Collection of newspaper clippings in scrap book dated 1960 - 1973. Taken probably from Sentinel Times of Wonthaggi.Newspaper article with photo of Albert Robertson and model shell house. Text explains his building up of a tourist attraction by cementing shells onto 18" fibro plaster sheets to make pictures of people and objects."Albert's House is more than a shell"local history, newspapers, shell house on summerland peninsula, phillip island, jean jamieson

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of five polished surfaces of Amygdales from Pyramid Rock. Enlarged by four times.local history, photography, polished amygdales, black & white photograph, geology, john jenner, bryant west

Open House 2022: "Like many Melburnians, Ying-Lan Dann has long been fascinated by the Mission to Seafarers, in Docklands. When she was invited to create a work in response to a building as part of this year’s Open House Melbourne, she knew immediately which it would be. Taking a peek behind the closed doors of some of Melbourne’s finest and most interesting buildings is a core premise of the weekend event, now in its 15th year. During that time, the program has grown from half a dozen buildings to a 200-plus strong list that extends to Ballarat and Bendigo. “[It’s] much more expansive and citizen-led,” says Fleur Watson, Open House Melbourne’s executive director. “As a public festival, it has always had a spirit of generosity, this gesture of opening up and allowing visitors to come and look and experience things.” Swinging open their doors at the end of the month will be some of the city’s finest mansions, including Villa Alba in Kew and Brighton’s Billilla, the Cairo flats in Fitzroy, the newly renovated Jewish Museum designed by Kerstin Thompson, the Melbourne Quakers Centre, the Albanian Mosque in Carlton North and many more. Considering how to approach the event this year, held remotely for the past two, Watson decided to explore beyond the traditional, with associate professor and director of curatorial practice at Monash University Tara McDowell. The two have co-curated an exhibition of works to run concurrently with the Open House program, called Take Hold of the Clouds. That’s where Dann’s work, Circular Temporalities, comes in, one of seven commissions around town in which local and international artists respond to chosen buildings or sites. A lecturer in interior design at RMIT as well as an artist, she is interested in time and finding different mediums to show things in flux and, having grown up on Phillip Island, she often uses water as a theme. When she started spending time at the Mission, Dann found there was an oculus at the top of the dome, known as the Norla Dome. She thought about how that small but significant opening related to where sailors spent so many months of the year, the sky being the only thing they would see much of the time, stars guiding the way in times gone by, and of the recent stories she’d heard about sailors being trapped at sea during COVID. Built in the Arts and Craft style between 1916 and 1919 and designed by architect Walter Butler, the Mission includes a chapel, clubroom, Chaplain’s house, a small cottage and the Norla Dome, which was apparently inspired by the Pantheon. The Mission was funded by the government and the Ladies Harbour Lights Guild, who Dann was also intrigued by. “One of the things those women identified is that life at sea is very dangerous [and they] wanted to give them a space of sanctuary and support,” she says, adding that for many years, the dome was used as a gymnasium. Her work inside the dome includes a 35-minute loop film, recorded from the ferry during the crossing from Queenscliff to Sorrento. The horizon takes up about a third of the shot and moves as the waves rise and fall, mirroring the journeys made by the sailors who found refuge at the mission over the years; it will be projected onto a gauze-like fabric, allowing glimpses of the building behind. Dann also plans to activate the site over the course of the weekend and will read a poem by Justin Clemens.The articles gives an insight of the création of the artwork by Ying-Lan Dann. digital copy of an article with photographs published in the Ageopen house melbourne, 2022, ying-lan dann, take hold of the clouds, norla dome, exhibition, the age, cultural events

Len Lukey was a Victorian Racing Car Driver in the 1950s & 1960s and established his Car Exhaust Muffler business in his backyard in Highett c 1970. In 1964 he purchased the site and then developed and operated the Phillip Island Car Racing Track until his death 1978. He designed the Lukey Racing Car Museum and Gardens at that site. The 1959 Australian Drivers Championship was a CAMS sanctioned motor racing title for drivers of Formula Libre cars. The championship winner was awarded the 1959 CAMS Gold Star. The series was won by Victorian racer Len Lukey driving his Cooper T45 Climax and in the opening round of the series his own much modified Cooper T23 which was known as the Lukey-Bristol. Lukey was one of only a few drivers who attempted to complete the gruelling twelve race schedule, the longest in ADC history. Lukey finished just two points ahead of his season long rival, Alec Mildren from the ACT [1] (Cooper-Climax). Stan Jones, the father of F1 World Champion Alan Jones, was third in the championship, using four different cars over the course of the series. Race victories were shared around with Mildren taking three wins. Lukey, Jones and Bill Patterson each took two wins, with single victories going to Jack Brabham, Bib Stillwell and New Zealand Maserati 250F racer Ross Jensen. Jack Brabham later became F1 World Champion 3 times. A steel bottle opener with engraved advertising for Lukey Mufflers Pty Ltd HighettAlong Shaft : LUKEY MUFFLERS / HIGHETT VICTORIA / XL 3641car part manufacturers, lukey mufflers pty ltd, highett, moorabbin, bentleigh, cheltenham, early settlers, bottle openers, steel manufacturer, brabham jack, formula one grand prix champions, jones alan, phillip island car racing track.

An article from the Kerang New Times newspaper dated January 12, 1968 showing two soldiers in civilian clothing trying on a conical MP hat in Saigon. the soldiers names are Cpl Mal hatch from Fulhana SA and Cpl bernie Storer of Swan Hill. both soldiers are members of the Provost Detachment at Australian Force Headquarters in Saigon.newspaper, saigon, australian force headquarters

Photograph of sandbagged Chapliain's tent at a firebase. Sign on a tree in front of the tent shows service timesphotograph, chaplain

Two times black and white Photograph of APC's and troops. Photo 1 - An unmanned APC sits unmanned near a tent camp. A C130 flys overhead. Photo 2- Two manned APC's on a village road nearby a river. ARVN and Australian troopers nearby.armoured personnel carrier, c-130 hercules, arvn, photograph

An original painting of Bruce Shearer with two images. One where Bruce is manning the starboard machine gun under fire whilst on a RAAf Iroquuois in vietnam 1967. Bruce was based in the Vung Tau area. The second image is in more recent times.painting, iroquois helicopter, vung tau, vietnam lest we forget

An original painting of Warrant Office Class 2 Doug Hill in uniform in the background, also depicting the medal awarded for his service to the war. In the foreground is Doug Hill as a civilian in more recent timesDoug Hill, Australian Artillery Warrant Officer Class 2, Australian Army Training Team vietnam 1964-1965 and 1968-1969painting, vietnam lest we forget, aattv