Showing 80 items
matching photograph. portrait of a young family
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The Foundling Archive
Photograph- West Sydney
This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Dick, Dad, Jim,Mum,Harold, 1926family portrait; west portrait; australia; 1920's -
The Foundling Archive
Photograph- West Sydney
This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Charles Zukkenhour Grandfathergrandfather; west sydney; australia; family; portrait; 1890's -1910's -
Mt Dandenong & District Historical Society Inc.
Photograph, Jeannie Green
Jeannie Green from Wandin married Willie Richardson (son of the original settler Jabez Richardson) in 1898. They built a home in the Kalorama Valley and named it "Mt Calvin". Jeanie had three children - Reuben born 1890, William born 1901 and Jean born 1910. Jeanie suffered ill health and required assistance with cooking and cleaning. The family left the area in search of a warmer climate for Jeanie.Black and white studio portrait of a young Jeannie Green wearing a high necked dress.Jeanie Green (Mrs J W Richardson) born 1871 died 1916. Mother of Reuben, William, Jean.jeannie green, jeanie green, willie richardson, john willie richardson, rueben richardson, william richardson, jean richardson, mt calvin -
Kew Historical Society Inc
Photograph, Three generations, 1900-1920
This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Three generations, ca. 1910-ca. 1920. A portrait of four women, four young girls and an infant are posed for what may be a family portrait on the verandah of a house. The matriarch of the family sits at the centre of the group. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.family portraits, glass negatives -
Flagstaff Hill Maritime Museum and Village
Photograph - Portrait, late 19th century
This photograph is of Tom Pearce, one of only 2 survivors from the shipwreck LOCH ARD. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Coleman Jacobs composed the music “The Young Hero Schottische” and dedicated it, by permission, to Mr. Thomas R. (Tom) Pearce. The sheet music was published in 1878 by the Messieurs Roberts, professors of dancing etc. Melbourne. It was on sale for 3/- (3 shillings) and in aid of the “LOCH ARD” fund. [This is Coleman Jacobs’ only surviving musical work Coleman Jacobs, accomplished pianist, musical performer, singer, composer, professor of music and music teacher, was born in 1827 and died on 4 July 1885, aged 58 years. Coleman Jacobs was buried in the Melbourne Cemetery (grave 461, Church of England section).] The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Mr Tom Pearce dressed in a uniform with a medal pinned on it. Standing with his arm resting on a masonry pillar.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, loch ard shipwreck, tom pearce, thomas r pearce, eva carmichael, mutton bird island, loch ard survivor, loch ard hero, coleman jacobs, the young hero schottische, photograph of tom pearce -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1830
This is a portrait of Robert Graham's family. For further information about Robert Graham see "Victoria's Wonderland", pp 61-68 & 121.The photo shows a portrait of one woman (seated), two men at the back, three boys flanking the men and a young girl standing behind and to the right (photo left) of the woman.people, graham -
Phillip Island and District Historical Society Inc.
Photograph, McHaffie Children, Late 1800's or early 1900's
Donated by Bass Valley Historical SocietyBlack & White Portrait of Anne McHaffie as a young child in lace dress.On back: " Anne McHaffie Phillip Island"mchaffie family, phillip island, bass valley historical society, anne mchaffie -
Phillip Island and District Historical Society Inc.
Photograph, McHaffie Children, Late 1800's or early 1900's
Donated by Bass Valley Historical SocietyBlack & White portrait of David McHaffie as a young child leaning on the arm of a chair - dressed in a dress and boots.On back: "David McHaffie"mchaffie family, david mchaffie, phillip island, bass valley historical society -
Phillip Island and District Historical Society Inc.
Photograph, McHaffie Children, Late 1800's or early 1900's
Donated by Bass Valley Historical SocietyBlack & White Portrait of Anne McHaffie as a young woman in high necked dress wearing 2 strands of pearls.On back: "Anne McHaffie now Mrs Hardy"mchaffie family, anne mchaffie, phillip island, bass valley historical society -
Phillip Island and District Historical Society Inc.
Photograph, McHaffie Children, 1878
Donated by Bass Valley Historical SocietyBlack & White portrait of David McHaffie as a young 14 yr old boy. Stainding with hat in his left hand and right hand on railing.On back: "David I. McHaffie - 1878 - aged 14 years.mchaffie family, david mchaffie, phillip island, bass valley historical society -
Phillip Island and District Historical Society Inc.
Photograph, Anderson Family
... -island-and-the-bass-coast Photograph Anderson Family Studio ...Studio Portrait of Robert Anderson Jnr. in oval frame. Dressed in dark jacket and waistcoat, white shirt and striped tie. Son of Robert and Margaret Anderson, Fourth child.Studio Portrait of young man, Robert Anderson Jnr.local history, photography, photographs, slides, film, robert anderson jnr, sepia photograph, mrs emma anderson jacobs -
Phillip Island and District Historical Society Inc.
Photograph, Anderson Family
Janet Anderson, seventh child of Robert Anderson. Studio Portrait of a young lass, frilled collar, broach at throat.Studio Head and Shoulders Photograph of Janet AndersonVandyk Studios, 3 Bourke Street, East Melbourne. Next door General Post Office.local history, photography, photographs, slides, film, janet anderson, sepia photograph, mrs emma anderson jacobs -
Eltham District Historical Society Inc
Photograph, Louis Buvelot, Possibly Phillip Shillinglaw, 1865
Famous Swiss landcape painter Louis Buvelot came to Melbourne in 1864 and set up a portrait photography studio which he operated for one year only in 1865. This photograph is believed to be the oldest photo in the Shillinglaw Family Album collection. It is believed that the subject is a young Phillip Shillinglaw, without beard, at age 22 or 23. Phillip Shillinglaw was born Melbourne, August 7, 1842. He married Sarah Ann Kidd in Heidelberg, Victoria, February 28, 1872. In 1881 Phillip and Sarah and their small family moved to Eltham and made home in what was later to become known as Shillinglaw Cottage but which Phillip named 'Wattle Brae'. Shillinglaw Cottage is significant to Eltham’s local history. It is one of the earliest known buildings still in existence. Records suggest that the cottage was built circa 1859 by a man named Cochrane, believed to be Thomas Cochrane, in conjunction with George Stebbings though it is not known what Stebbings’s contribution was. It is believed Stebbings owned the cottage between 1874 and 1888. According to Margaret Ball’s (2017) book Shillinglaw Family of Eltham 1660-2007, Thomas Cochrane and family lived there from 1867 to 1874 however this is contrary to the records of assessable rates levied by the Eltham District Road Board, established in 1858, which shows Cochrane was the owner occupier (in Little Eltham) of approximately 25 acres of cultivated land and 25 acres of pastureland upon which a hut was sited in 1860. It is suspected that George Stebbings may have acquired the property from Cochrane in 1874 as it is noted that he had a tenant for a period, James Rossiter, who was the editor for the Evelyn Observer in Kangaroo Ground in 1874 (LATE SHIRE OFFICE AT KANGAROO GROUND (1934, February 16). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 25, 2022, from http://nla.gov.au/nla.news-article56743657). In 1881 Phillip Shillinglaw became the ratepayer for the cottage though Stebbings retained ownership until 1888 at which time it was transferred to Shillinglaw. Photographer: Louis Buvelot Swiss landscape painter and portrait photographer, settled in Melbourne in 1864, admired by the artists from the Heidelberg area such as Tom Roberts and Arthur Streeton who bestowed him with the accolade of 'Father of Australian painting’. In the 1870s, his work increasingly drew elements from Australian landscape such as the bush land in works like Lilydale (1878) and Bush Track. "Louis Buvelot :: biography at :: at Design and Art Australia Online." Daao https://www.daao.org.au/bio/louis-buvelot/biography/. Accessed 9 Mar. 2023. On arriving in Melbourne in February 1865 Buvelot bought a photographer's studio at 92 Bourke Street East and took portraits for a year. In 1866 he moved to 88 La Trobe Street East and resumed his painting while Caroline-Julie gave French lessons to help Buvelot to establish himself as an artist in Melbourne. "Biography - Abram-Louis Buvelot." Australian Dictionary of Biography https://adb.anu.edu.au/biography/buvelot-abramlouis-3132. Accessed 2 Dec. 2022. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1865, l. buvelot photographer, louis buvelot, phillip shillinglaw (1842-1914), unknown -
Port Melbourne Historical & Preservation Society
Photograph - Earle family portrait
Black and white photocopies of the Earle family (not related to Earl hardware) Family portrait, boy in wicker chair is William Earle; Older woman is Margaret Diaper; younger woman with child on lap is Ellen Kate Earle. One of the twins is Reg Earle, the other twin died of summer diarrhoea; young girl on right is Ivy. No other names known.built environment, engineering - roads streets lanes and footpaths, local government - city of port melbourne, walter reynold earle, william (bill) earle, reg 'ox' earle, ellen kate earle, ivy earle, lawrence earle, doris earle, lorna earle, ray earle, margaret heriot diaper -
Rutherglen Historical Society
Image
Part of a collection relating to the Parkin family.Black and white portrait photograph of a young boy and girlOn back of photo: "Ron & Margaret Mitchell"parkin family, mitchell family, ron mitchell, margaret mitchell -
Rutherglen Historical Society
Image, W. C. Mardling 1862-1918, c1882 (original)
Black and white portrait photograph of a young man with a mustache, wearing a suit and tie. Written at top of photo: "c1882" Written at bottom of photo: "W.C. Mardling 1862-1918mardling family -
Greensborough Historical Society
Photograph, Amy and Eunice Medhurst, 1901c
Medhurst children, Amy Christina Medhurst born1888 and Eunice Sarah Medhurst born 1891.Early 20th century portrait of children from the Medhurst family, a prominent Greensborough pioneer familyStudio photograph of two young women, one standing and one seated. Sepia. Name of studio on front matt. Front: Allan Studios 318 Smith Street Collingwood. Back: Amy Christina Medhurst 1888, Eunice Sarah Medhurst 1891.amy christina medhurst, eunice sarah medhurst, medhurst family -
Greensborough Historical Society
Photograph, Ivy Medhurst (1896-1972), 1915c
Daughter of David and Martha Medhurst.A member of the Medhurst family, Greensborough pioneersBlack and white studio portrait of young woman in dark dress.In pan on back: Ivy Medhurst, Born 1896-1972, age 76. Daughter of David and Martha Medhurstmedhurst family, ivy medhurst -
Stawell Historical Society Inc
Photograph, Dick Family -- Two adults and two young girls -- Studio Portrait
Portrait Dick Family (Jolly / Chatfield). Two adults and two young girls.stawell -
Greensborough Historical Society
Photograph, Jessie May Partington, 1930c
This is a studio portrait of Jessie May Partington (1911-1999), possibly in her 20s.Jessie May is a member of the Partington family, Greensborough pioneers.Sepia photograph on postcard depicting young woman (seated) in dark sleeveless dress with pearls.On back: "Auntie Tim" in blue pen and "Jessie" in black pen.jessie may partington, jessie angus, jessie scholes, partington family -
Flagstaff Hill Maritime Museum and Village
Clothing - Child's dress, Eliza Towns, Late 19th century
This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns -
Stawell Historical Society Inc
Photograph, Miss or Mrs Doll ( Dorothy) Bearup
Doll (Dorothy) Bearup. Not much is known of the family. Records shows the Bearup Family came to Stawell around 1908 -1913 from Hamelton (502 School index). RM2 (1908 - 1913). Mr. Robert Bearup was employed by the Gas Company, as manager (Municipal Directory 1923 Mag Box 6 RM2.Black & white portrait photograph of young woman. The photo is oval with a plain background. O'Shannessy & Falk (or Fall) Elizabeth St. (Cardboard frame of photograph has been cut, only these letters shown). In pencil on back Doll Bearup.stawell -
Stawell Historical Society Inc
Photograph, Herberts Photographer, Henderson Family Album Photograph c1880-1890 -- Studio Portrait
From the Chapman family photograph albumStudio Photograph on card Backing Drop background ferns rail rustic bench. Elderly woman sitting on bench - dark dress with puff sleeves. Dark fascinator tie/scarf. Holding bouquet. Young woman standing in dark suite long skirt fitted jacket - pockets unbuttoned. something attached to breast pocket, white blowers with bow tie. Great Grandmother Henderson (nee Mary Ann McCord and daughter Ruth -
Stawell Historical Society Inc
Photograph, C. Herbert Photo, Henderson Family Album Photograph c1880-1890 -- Studio Portrait
From the Chapman family photograph albumPhotograph on Card Backing Tom Henderson Young man with light moustache Tweed suite with handkerchief. Pin breast pocket, white shirt and light patterned tie. Tom Henderson -
Stawell Historical Society Inc
Photograph, Master G Mathers
From Chapman Family AlbumSmall Sepia studio portrait of a very young child. Foxing on card around photograph. Card is embossed. On front top : Yours truly On bottom : G Mathers -
Federation University Historical Collection
Photograph - Photograph - black and white, Bawden, Photographer, Clunes, Studio portrait by Bawden, photographer, Clunes
Black and white photograph glued onto card showing a seated man holding two young children. Probably members of the Pickford Family, Cluneschatham-holmes collection, clunes, children, bawden, pickford family -
Bendigo Historical Society Inc.
Photograph - CABINET PHOTOGRAPH OF YOUNG MAN
Cabinet photograph of young man standing next to urn & pedestal right arm on hip and left arm leaning against urn. Nothing on reverse. Possibly a member of the Opie/Dower/Martin/Adams family, formerly of Castlemaine/Maldon/Mt. Pleasant areas. C.1880's./ wearing a suit and waistcoat / watch chain with coin and German cross?Yeoman & Co., 169 Bourke St. East, Melbournephotograph, portrait, male, cabinet photograph of young man, yeoman & co melbourne, opie, dower, martin, adams -
Bendigo Historical Society Inc.
Photograph - ST ANDREWS FOOTBALL CLUB, 1st October 1894
Sepia photograph. Interior group studio portrait of football team. Five in front row, seven seated, seven standing and four men at rear not in football clothing. General pose is arms folded across in front of body. Mounted on fawn card with family photo on back. Inscriptions: Front 'RHSV stamp GP49', 'Presented to Mr F Richardson by the members of the St Andrews Football Club, First of October 1894'. On back - RHSV stamp. Photograph of family group - father, mother, children and young adults. Rear row: two males, four females. Middle row: mother, father? And two boys. Front row: baby held by mother, boy and two girls. 'STKing, Bendigo'. History Prev. Acc. No. GP49cottage, miners -
Bendigo Historical Society Inc.
Photograph - TWO BABIES: PORTRAIT, 1900 ?
black and white photograph on grey board. Oval shaped image with embossed surround. Two young girls sitting on couch. Pale dresses with frills, lace, sashes, dark socks and boots. Older girl with bow in hair. Melba MELBOURNE on front'Melba/Melbourne ' embossed on front bottom leftperson, family, two babies -
Bendigo Historical Society Inc.
Photograph - MOTHER AND CHILD, C 1900
sepia portrait of woman and young girl mounted on off-white cream boardMassingham, Geelongperson, family