This photograph is of Tom Pearce, one of only 2 survivors from the shipwreck LOCH ARD. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Coleman Jacobs composed the music “The Young Hero Schottische” and dedicated it, by permission, to Mr. Thomas R. (Tom) Pearce. The sheet music was published in 1878 by the Messieurs Roberts, professors of dancing etc. Melbourne. It was on sale for 3/- (3 shillings) and in aid of the “LOCH ARD” fund. [This is Coleman Jacobs’ only surviving musical work Coleman Jacobs, accomplished pianist, musical performer, singer, composer, professor of music and music teacher, was born in 1827 and died on 4 July 1885, aged 58 years. Coleman Jacobs was buried in the Melbourne Cemetery (grave 461, Church of England section).] The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Mr Tom Pearce dressed in a uniform with a medal pinned on it. Standing with his arm resting on a masonry pillar. Reverse has piece of tape centre top and bottom. Also has printed maker’s information. Printed by the Photographic Society of Victoria, Melbourne.Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 1878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, loch ard shipwreck, tom pearce, thomas r pearce, eva carmichael, mutton bird island, loch ard survivor, loch ard hero, coleman jacobs, the young hero schottische, photograph of tom pearce

Colour photos of Joan Miller, a Legacy widow and volunteer that was actively involved in Legacy over many years. Between 1985 to 1998 she was the Widows' Club Co-ordinator, organising many events and functions for the widows. This photo was published in the regular column she wrote in editions of The Answer. The article was published in 2018 and is a good summary of her important work. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991.A record that professional photographers took photos for use in publications.Colour photo x 2 of Joan Miller.Label of Keesing Photographic on the back. staff, joan miller

This photograph records the making and placing of the concrete blocks for the construction of the Warrnambool Breakwater in the Warrnambool Harbour, completed in 1890. Each block weighed 20 to 30-plus tons. The huge Titan steam powered crane in the photograph played a massive role in the construction. It was able to lift the concrete blocks with its overhanging, counterbalanced arm and roll on its wheels along the rails to the required position. It then lowered the blocks into position on the concrete foundation already laid on the seabed. There are many details in the photograph that help to tell other aspects of Warrnambool's history. It appears that the photograph was once owned by B. Fisher. The photograph is part of the Western Victoria collection produced in 1891 by Brookes' Photographic Union in Victoria. Brookes' Photographic Union was a collaboration of two brothers, Frederick Augustus Brookes and his brother Albert Edward Brookes. Frederick arrived in Victoria in the early 1880's. He and Albert formed the organisation to produce collections of photographs including the districts of Geelong, Gippsland and the Western Victoria.This photograph was taken during the construction of the Warrnambool Breakwater and published the year after it was completed. The project began with the Government of 1874 approving the plan, and was completed in 1890. The image records a snapshot of the construction of the Warrnambool Breakwater, a construction that changed the history of the Port of Warrnambool, Photograph, sepia coloured rectangular shape, mounted between two sheets of cream card. Border of photograph is decorated with pen lines and design in corners. Subject is the Warrnambool Breakwater construction with the Titan steam crane on rail lines, concrete blocks, a windmill and tanks, sheds, and a multi-storey building in the background. Produced by the Brookes' Photographic Union, Western Victoria. Inscriptions are on the reverse, on two stickers, a printed white label and a handwritten name.Stickers: "137" "F.Pn 61/2-74" Label: "WESTERN VICTORIA / BROOKES' PHOTOGRAPHIC UNION / HARBOUR WORKS, / WARRNAMBOOL." "The subject of this picture is the making of concrete blocks for the Breakwater. These blocks weigh from 20 to 30 tons each, and are lifted about by the large piece of machinery seen in the picture." Hand written: "B. Fisher"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, western district, western victoria, brookes' photographic union, frederick brookes, albert brookes, photograph, warrnambool harbour, harbour works, concrete bolcks, breakwater, warrnambool history, breakwater history, 1891, lady bay, port of warrnambool, b. fisher, titan crane, steam crane, concrete blocks

Two Legacy widows posing for a picture, their name badges say: Mary Steege and Grace De La_?. They are possibly Widow club committee members like other photos by this photographer with similar reference numbers. Other photos taken that day were used in an issue of The Answer. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-6 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651 and 00661 - 00666. Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of two Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-6. Pg 3 and "B" in pencil.widows, widows club, committee

This book was most probably used at the Ballarat School of Mines during Photography classes. 32 page soft covered book with photographic formulae for students of photography.photography, albumen, albertype, collotype, photolithograph, gelatine plates, xylography, l. hart, photographic equipment

A Legacy widow, Beryl Tucker and Legatee Eddie Jowett posing as if they were dancing, for a professional photographer. The photo was featured in the 30 September 1991 issue of the Widows' Newsletter. The article mentions that Legatee Jowett coordinates a month concert at Legacy House on the first Monday of the month. The concerts are free to Legacy widows and the artist are first class professionals. Around 180 widows attend regularly. Legatee Jowett had a regular saying, almost a commandment to the ladies when it was time to leave: "You are never dressed until you are wearing a smile". The reference number from the photographic studio 910902B/8 could mean 2 September 1991.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of Legatee Eddie Jowett and Beryl Tucker, a Legacy widow.Label on the back from Keesing Photographic with Reference No: 910902B/8 and 40% in red pen.widows, concert, answer, eddie jowett

Photograph of WH Greaves at the time he was appointed Town Clerk of St KildaBlack and white photograph on photographic paperwh greaves collection, greaves, city of st kilda

Four Legacy widows from the Caulfield Legacy Widows Club. Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield). Pg 3 could mean the photo was used in an issue of The Answer. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030A-28 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00650. Photos of the committee members of Widows clubs were taken by a professional photographer.Black and white photo of a Legacy widow and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030A-28. Pg 3 D in pencil.widows, widows club

Seven Legacy widows enjoying themselves at a widow club function, possibly singing. Their names are unknown. It was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Keesing Photographers took a series of photos on the same day of various ladies. Pg 3 could mean the photo was used in an issue of The Answer. The date is assumed as 1992 due to the reference number from the photographic studio 920609 could mean 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of 7 Legacy widows around a table and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609B-2 Pg 3 B in blue pen.widows, widows club, activities

The photographic album was compiled by various members of the Duncan family in connection with their social activities and charitable work with the Mission to Seafarers Victoria. Image captions refer to a number of Melbourne families: "Barker", "MacEachern", "Johnston" and "Garven." The following ships are also named: "SS Sesther Dollar", "SS Peterton" and "SS Verbania." Some photographs were even taken on board these ships (crossing the line ceremony) meaning they were likely taken by a crew member or a passenger? This would help knowing who is the photographer and maker of this album. Places named include: "Gembrook", "Portsea" and "Port Melbourne Mission."This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation. Tooling on the left hand side front cover. Cover and pages tied together with mustard coloured cord as binding.barker, maceachern, johnston, garven, ss sesther dollar, ss peterton, ss oerbania, gembrook, portsea, port melbourne mission, ladies harbour lights guild, social, duncan, lillie duncan, olive duncan, duncan album

A widows' function at Legacy House. It was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Keesing Photographers took a series of photos on the same day of various ladies. Some of the same ladies are in 00654 and 00656). The two ladies behind the trading table are Vera Lang and Billie Sims. Keesing Photographers took a series of photos on the same day of various ladies. Pg 11 could mean the photo was used in an issue of The Answer. The date is assumed as 1992 due to the reference number from the photographic studio 920609 means 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of a Legacy widows' function with craft items exhibited on tables and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609A-10 Pg 11 A in blue pen.widows, widows club, activities

A Legacy widow, Beryl Billing, with stamp albums and loose stamps. Beryl Billing was the co-ordinator of the stamp sorting for many years and wrote progress reports in the Answer in the 1990s. Photo reference 881117 on the back is assumed to mean the date was 17 November 1988 The widows clubs have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together. A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Colour photo x 3 of Beryl Billing with stamps.Label on the back from Keesing Photographic.widows, fundraising, stamps, beryl billing

A photo of widows at trading tables in the Clubrooms at Legacy House. It is one of the annual fetes usually held in November. Items for sale included home made food items like relish and jams, and craft items. Legacy House held craft lessons throughout the year and often the items made were sold at the fetes or at a stall outside Legacy House during Legacy Week for fundraising. The lady second from left is Vera Lang who was on the Widows committee for many years. It is likely to be 1988 due to the photographers reference number meaning 17 November 1988 (ref no. 881117). These regular meetings, fetes and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Colour photo x 3 of widows at a trading table at the 1988 fete.Label on the back from Keesing Photographic.widows, fete, activities

Photographs of Legatee Chas Munnerley who was Committee Chairman in the 1990s and compiled editions of The Answer. They appear to be professional photos taken for use in publications such as The Answer. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991.A record that professional photographers took photos for use in publications.Black and white photo x 3 and one colour photo of Chas Munnerley.Label of Keesing Photographic on one photo. staff, chas munnerley

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White photoghrap of Thomas Pearce. Taken by the Photographic Society of Victoria. Registered copyright July 24th 1878. Reverse has printed maker’s information and a white adhesive label with hand writing on it.Label has hand writing “F-Ph 55/2-74” Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photoghrap, thomas pearce, photographic society of victoria, loch ard shipwreck

Eight Legacy widows enjoying themselves at a widow function. It was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Keesing Photographers took a series of photos on the same day of various ladies (Ref no 929609). Some of the same ladies are in 00655 and 00656. Their names are unknown. Pg 3 could mean the photo was used in an issue of The Answer. The date is assumed as 1992 due to the reference number from the photographic studio 920609 could mean 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of 8 Legacy widows around a table and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609B-9 Pg 3 C in blue pen.widows, widows club, activities

A widows' function, that involved a raffle, (some of the same ladies are in 00654 and 00655). The lady drawing the raffle is Inez Bruce / President, and the lady holding the prize may be Joan Miller. The photo was featured in the July 1992 Widows Newsletter and explains the day was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Cakes were donated by Fergusson Plarre. In the 1990s Legacy was supported by generous donations from Fergusson Plarre Bakehouse with cakes often donated for events and the annual fete. The reference number from the photographic studio 920609 means 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of a Legacy widow drawing at raffle at Legacy House and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609A-30. Pg 10 B in blue pen.widows, widows club, activities

This folder was compiled by the daughter of Eileen Nation ( nee Morrison) for a celebration in 2000 organised by Jeanette Osborne. This folder is a useful reference tool.A red plastic folder with sleeves containing photographs of the Morrison family on red paper. There is also a letter from Mrs Nation to Jeanette Osborne.Label on front : PHOTOGRAPHIC MEMORIES MORRISON FAMILY ---------------------------- Mrs Eileen NATION (nee Morrison) nation-eileen morrison-family-orbost

Two Legacy widows from Warragul area. They were photographed when they visited Legacy House and appeared in the July 1992 Widows' Newsletter. On the right is Bernice Dimmock (nee Jones). Bernice was secretary of Warragul Legacy Widows Club. She was also a veteran, as she served overseas in World War 2. Bernice has an interview recorded by the ABC for 'Australians at War' on their website. Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield). It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-14 could mean 30 October 1991, along with 00645, 00646, 00648, 00649, 00650, 00651 and 00661-00666. Photos of the committee members of Widows clubs were taken by a professional photographer.Black and white photo of two Legacy widows, a proof sheet and an article in the Answer.Label on the back from Keesing Photographic with Reference No: 911030B-14. Pg 4 in and Warrugul in pencil.widows, committee, widows club

In the Sydney Morning Herald, Tuesday 27 April 1937, page 12: "The C. B. Pedersen was built in 1891. It has visited Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist Violet Teague was one of the passengers. She painted during the voyage and exhibited her work in 1938. Built in 1891 the C.B Pedersen, a four-masted steel barque (2142 tons) was used as a training Barque. The ship foundered in April 1937, the crew was saved. Several photographs of the C.B. Pedersen taken by the same studio are held at the State Library of Victoria.see links aboveBlack and white photograph depicting two sailors in attire on the deck of a ship.verso in Black ink; Photographic studio stampcrew, c.b pedersen, captain hjalmar dahlström, violet teague, windjammer

The Home and Hospital Group of Legacy Widows photographed by a professional photographer at Legacy House. Names unknown, except seated in the middle of the table is Vera Paydon. The reference number from the photographic studio 911016-17 which means 16 October 1991. Other photos with that reference number are at 00669 and 00670.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship. Widows clubs had sub-committees with various roles. Black and white photo of 8 Legacy widows at Legacy House and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911016-17. Handwritten "P9 Home and Hospital Group" in pencil and "Page 20 D" in red pen.widows, widows club, activities, visiting group

Three Legacy widows from Hampton area, their names are unknown. They were photographed when they visited Legacy House and appeared in the July 1992 Widows' Newsletter. Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield). Pg 3 means the photo was used in an issue of The Answer. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-21 could mean 30 October 1991, along with 00645, 00647, 00648, 00649, 00650, 00651 and 000661 - 00666. Photos of the committee members of Widows clubs were taken by a professional photographer.Black and white photo of three Legacy widows, a proof sheet and an article in the Answer.Label on the back from Keesing Photographic with Reference No: 911030B-21. Pg 3 in pencil, and Hampton in blue pen.widows, widows club, committee

In 1908 the Melbourne & Metropolitan board of Works published this book to illustrate its many constructions to provide Melbourne with its reticulated water and sewerage systems.This is now is a rare copy.Photographic images, landscape dimensions, hardboard cover, grey green colour Nilmmbw, weirs, dams & pumping stations, reservoirs, aqueducts

A Legacy widow, Beryl Billing, with three mail bags and a lot of loose letters. Beryl Billing was the co-ordinator of the stamp sorting for many years and wrote progress reports in the Answer in the 1990s. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991. The widows clubs have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together. Later information found shows that Mrs Billings is the wife of a legatee and not a Legacy Widow. She started the stamp group in February 1981 and by 2006 the stamp sales had raised $206,698.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 2 of Beryl Billing with post bags of letters.Label on the back from Keesing Photographic. Handwritten '910319B'widows, fundraising, stamps, beryl billing

A Legacy widow, Beryl Billing, with a group of widows all sorting stamps and trimming stamps from envelopes. Beryl Billing was the co-ordinator of the stamp sorting for many years and wrote progress reports in the Answer in the 1990s. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991. The widows clubs have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together. A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Colour photo x 2 of Beryl Billing and a group of widows sorting stampsLabel on the back from Keesing Photographic. Handwritten '910319B'widows, fundraising, stamps, beryl billing

A group of widows gathered at Legacy House sorting stamps. Names unknown except Beryl Billings who is seated. With a group of photos about stamp sorting with post-it note "Stamp Ladies Past to 2004". The widows have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together. Beryl Billing was the co-ordinator for many years, she is seated at the table in this photo. The date is assumed as 1992 due to the reference number from the photographic studio 920609 means 9 June 1992.A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Black and white photo of ladies at Legacy house around Beryl Billing sorting stamps and a proof sheet.Label on the back from Keesing Photographic. Photograph reference no. 920609B-8 Yellow post-it note "Stamp Ladies Past to 2004"widows, widows club, stamps, fundraising, activities

A group of widows of varying ages chatting around a table at Legacy House. Their names are unknown. The photo was featured in an issue of Widows' Newsletter (later called The Answer) in November 1991. The note on the back 'Pg 3' could mean the photo was used in an issue of The Answer/Widows' Newsletter, to show the variety of widows supported by Legacy. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030C-10 means 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651, 00661 to 00665.Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of 4 Legacy widows having a cup of tea at Legacy House, a proof sheet and an article in the Answer.Label on the back from Keesing Photographic with Reference No: 911030C-10. Pg 3 and "Enjoying a cuppa" in blue pen and 57% reduction in pencil.widows, answer, widows club, activities

Hepburn Springs in a tourist town with natural mineral water springsA black and white photographic image of the pavilion in the Hepburn Springs Mineral Springs Reserve. hepburn springs, mineral water, pavilion