This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, neville bunning

Photograph, black and white. Portrait of a woman.Bartlett Bros. Sandhurst.person, individual, portrait female, photograph. portrait of a woman. unknown family collection.

Sepia oval photograph on brown board. Portrait of a young woman (head and torso) - dress has heavy appliquéd lace, woman wearing necklace and small brooch. Embossed frame to photo on board. Inscription: Front: 'The/Talma/Studios'. Back: RHSV Stamp. In Black Lead on Back, 'Edith Lansell?'.The Talma Studiosperson, individual, portrait of young woman

Photograph - Black and white. Portrait of a woman, from shoulders upward, wearing a high neck, velvet type material, puffed sleeves. She has tight curly hair.Alan Spicer, Bendigo.person, individual, female portrait, photograph. portrait of a woman. unknown family collection.

Photograph, sepia. Portrait of a young woman, well dressed, leaning up against a beautiful lounge looking chair.Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. i believe the same as photo 1339.2. unknown family collection.

Photograph, sepia. Portrait of a young woman, chest up. Hair tired back, but you can see that her hair was a tight curl/frize.A.S.King, Pall Mall, Bendigo.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph, black and white. Portrait of a young woman, leaning on a rock, looks like in a garden.She has curly/wavy short hair, wearing earrings(sleepers).Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph - black and white. Portrait of a young woman. Dressed in a dark coloured dress, embroidered on the bodice, sleeves and on the skirt part of dress. She has curly hair.Pall Mall Studio, Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph, sepia. Portrait of a young woman. Standing next to lattice, looks like back of a house/garden,holding a umbrella, on the ground in front of the woman a straw hat. She has very long hair and it's out.Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph - coloured. Photo in gold frame. Written on back 'Margaret Bunch. Chinese Way.' Wearing a beautiful white dress, flowers down one side, holding a hat.person, individual, female portrait, margaret bunch. portrait of a woman.

Copy of a photograph - sepia. 2 copies. Portrait of a man and a woman having tea. Written on back, could be,. At the end it says the lady is Edith Lansell - The second wife of Geo Lansell. It says Geo Lansell 1st wife, Bedielia died Sept.1880. Also says (children all from Edith).Agnes S. Morris, Dunolly.person, group, lansell family, olive pell collection. portrait of geo and edith (2nd wife) lansell.

Photograph - black and white. Portrait of a man and a woman. Resting against a pillar, both very well dressed.Bartlett Bros. Sandhurst.person, group, man and woman, photograph. portrait of a man and woman. unknown family collection.

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.marysville, victoria, australia, carlisle guesthouse, harold james robert coney, portrait

A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.marysville, victoria, australia, carlisle guesthouse, harold james robert coney, portrait

Simone MAYNARD (1974- ) Melbourne based contemporary artist SIMONE Maynard is primarily influenced by the 1980s, reflecting a period of increasing global capitalisation, political upheaval, world-wide mass media, wealth discrepancies and distinctive music and fashion characterised by hip hop and electric pop music.Portrait of a womanVerso: Looking East 40x3 20060 inches; acrylic, ink & collage, hand stitching on canvas. SIMONE MAYNARD DEC 2006available, portrait

Portrait of a womanlocal identities

Photographic portrait of a womanchatham-holmes family collection

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Watercolour portrait of a woman. art, artwork, neville bunning, portrait

Studio portrait of unidentified female, taken circa 1880. From the Partington collection.Sepia studio portrait of unidentified woman."Stevenson Todmorden" (ie: West Yorkshire, England)partington family, studio portraits

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Portrait of seated woman in red dress. art, artwork, neville bunning, bunning, framing required, woman

Framed portrait of a woman wearing a white shirt.david alexander, portrait, available

Florence Mary (May) Bersey was born in 1884 in Linton. She died at Linton on 30 May 1906, after her dress caught fire in the kitchen of the family home.Sepia portrait of a woman wearing a large hat.flossie bersey, surman collection