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Port Melbourne Historical & Preservation Society
Book, Bruce Scates et al, World War One; A history in 100 stories, 2015
"World War One; A history in 100 stories" Large hard cover book with sepia dust cover. Photo on cover has two soldiers in uniform and small boy in matching uniform. Title is in gold and white. Back cover has inscription, five small photos and three badges. Allan Whittaker article on page 85.Back cover -" telling the truth about war requires it's own kind of courage"war - world war i, allan whittaker -
Yarra City Council
Artwork, other - Mural, Rebecca Atkinson, Queep Queep, 2023
'Queep-Queep’ means ‘birds’ in Woi-wurrung language—the language of the Wurundjeri people—the Traditional Owners of the land on which the building is standing. Referencing what lived and flourished in this area prior to European invasion, the artwork acknowledges the important Aboriginal history of the area now known as the City of Yarra. The six native birds depicted in the artwork can all be found living within the City of Yarra: the male red-rumped parrot, kookaburra, superb fairy wren, rainbow lorikeet, raven, and wedge-tailed eagle. Many south-eastern Aboriginal people recognise the wedge-tailed eagle as Bunjil—the creator spirit. Bunjil is the head of the Kulin Nation and is very powerful. Bunjil created the land, waterways, animals, plants and even the people. He is watching over the land to ensure that we are caring for Country—reminding us to respect ourselves, respect others and respect the environment.'Queep-Queep' is a site-specific artwork commissioned for the new Richmond Kindergarten, Lord Street, Richmond, 2023.Two aluminium birds (a wedge-tailed eagle and a raven) at the entrance to the building, and a large, colourful mural of Australian native birds painted in a graphic style on the other side of the wall facing into the playground.accompanying plaquebirds, bunjil, country, kulin nation, environment, public art -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Jones Rebecca, An Ideal Excursion: A Recreation History of the Gippsland Lakes and its Guesthouses, 1880-1930, 1994
A history of guest houses and recreational pursuits of person holidaying in the gippsland lakes hinterland written as a thesis for a student during a master of arts degree sketch maps are used for location purposes photographs (photocopy) illustrations.guesthouses, settlers, tourism -
Koorie Heritage Trust
Book, Bear-Wingfield, Rebecca, Sharing good tucker stories : a guide for Aboriginal and Torres Strait Islander communities, 1996
Describes the purpose and aims of the guide and provides background on indigenous heelth together with descriptions of community efforts to improve nutrition.154 p. : ill. ; 30 cm.Describes the purpose and aims of the guide and provides background on indigenous heelth together with descriptions of community efforts to improve nutrition.aboriginal australians -- food. | aboriginal australians -- nutrition. | wild foods -- australia. | torres strait islanders -- food. | torres strait islanders -- nutrition. -
Phillip Island and District Historical Society Inc.
Photograph, Family Photographs and Back to Phillip Island
1041-01 Family of Elizabeth Rebecca Bryant & Solomon West - family identified c1924 - ?? 1926 1041-02 Back to Phillip Island c 1924. People identified in 1989 by Mrs Beth Freeman, daughter of William Otway MorrisonHistorical1041-01 Photograph: Family of Elizabeth Rebecca Bryant & Solomon West 1041-02 Photograph: Back to Phillip Island c 1924 with names1041-01: Family of Elizabeth Rebecca Bryant & Solomon West Back L-R Alfred Ernest West, Albert Bryant, Edwin Calver, William Joseph Front L-R Charles Solomon, Alice Elizabeth McDonald, Fanny Maria Morrison, Emily Elizabeth Lock, Harry Thomas 1041-02: Back to Phillip Island c.1924 Identification 1989, Mrs Beth Freeman daughter of William Otway Morrison Front L-R 1. Dan Morrison 2. Ted West 3. Norman McDonald 4. William West s/o Solomon 5. ? 6. William Otway Morrison Second Row L-R 1.? 2. Miriam West Henderson d/o John 3. ? 4. Emily West Lock d/o Solomon 5. ? 6. Fanny West Morrison w/o No. 6 above, d/o Solomon 7. Child to 10 (man with pipe) not identified Back Row L-R 1 to 5 not identified 6. Albert West, s/o Solomon 7. Marion Somerville West 8. Janet Morrison w/o Wm West (obscured) 9. Harry Brown 10. Nell West Brown d/o William West 11-13 unidentified 14. Alice West McDonald d/o Solomon 15. Jenny?west, back to phillip island c1924, morrison family, bryant, solomon -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, 1870's
Rebecca Shanks from Poyntz Pass County Armagh, Northern Ireland who married Andrew Crawford in 1873.Original sepia portrait of lady wearing a high necked top with white collar. Cameo at neckline and locket and chain around neck.Photograph is on cardboard backing board.On back of portrait - Mrs Rebecca Crawford, Woodlands. On front: Eden Photo Studios Paris Panel Melbourne and Sydneyrebecca shanks, andrew crawford, rebecca crawford -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1993
Other number 03653.2Black and white photograph of Junior Racquetball team members Brooke Furmeister, Rebecca Sandy, Rebecca Hubbard Lakes Entrance Victoriaclubs, sports -
University of Melbourne, Burnley Campus Archives
Document, Landscape Graphics Portfolio, c. 1990
Contents sheet for assignment by Rebecca Millarassignments, rebecca miller, landscape, female students -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, November 1995
Photograph taken during stage performance of "Hits of the Blitz"Black and white photograph of Rebecca Smith and Bobbi Wolfenbuttelpeople, performing arts -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1985 Class Photo Grade 2/1, 1985
1985 GR 2/1: Back Row: Matthew McDougall, Wesley Newell, Daniel Taylor, Wesley Sullivan, Robert McNamara, Mark Ingram. 2nd Row: Rebecca Darlow, Natalie Turner, Sarah Monki, Kelly Reinhardt, Rebecca Ramsden, Rosalia Mibenzi, Joanne McCarthy Front Row: (?), Michelle Benson, Rebecca Doorbar, Belinda Poulianakis, Rebecca Taualii, Jasmine Ozargin, Fleur Ingamells. Teacher: C Widdowson -
Kew Historical Society Inc
Photograph, Alma Figuerola, 1950
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola and her pet pekingese dog 'Rebecca', circa 1950.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Ringwood and District Historical Society
Photograph, Ringwood Primary School Centenary -1989
Black and white photograph"Written on back of photograph" Centenary Wall Mathew McDougall Rebecca Ramsden -
Kew Historical Society Inc
Photograph - Alma Figuerola and Rebecca, K Lerfiniere Ross
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Professional photograph by K Lerfiniere Ross of the artist Alma Figuerola holding her pet pekingese dog, 'Rebecca'.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Alma Figuerola, K Lerfiniere Ross, 1950-1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Professional photograph by K Lerfiniere Ross of the artist Alma Figuerola holding her pet pekingese dog, 'Rebecca'. "Proof only. This proof remains the property of the photographer K Lerfiniere Ross and must be returned No 137-1"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1987 Class Photo Grade 4, 1987
Grade 4: 1987 Back Row L-R: Peter Weaver, Daniel Taylor, Wesley Sullivan, Ben Morgan, Ian Brown 3rd Row: Matthew McDougall, Peter Truong, Robbie Walkeley, Shannon Cagliarini, Kelly Reinhardt, Clint Russell, Phillip Luu, Daniel Hunt 2nd Row: Rebecca Ramsden, Sarah Monk, Erika Rauschenbach, Kerrie-Lee Warren, Rebecca Darlow, Natalie Turner, Joanne McCarthy, Nadia Razack Front Row: Chantal Bawden, Jasmine Ozergin, Sarah THorpe, Rebeccas Salt, Kirsty McLelland, Dana White, Rebecca Doorban, Mandy Milgate, Desiree King Teacher: Mrs C. Jones. -
Federation University Historical Collection
Photograph, Interviews for Work During the Sydney Olympic Games 2000, 12/04/2000
Interviews of Rebecca Basset (wetsuit) by Kirsty Kinnane (glasses) and Michael Cain for work during the Sydney Olympic Games and Paraolympics.rebecca basset, kirsty kinnane, michael cain, sydney olympics games, sydney paraolympics, spotless services -
Ringwood and District Historical Society
Newspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria
Newspaper Clipping from "The Mail", 11-6-96. P5. "Ringwood men receive honors", written by Rebecca ThorpeTwo Maroondah re sidents have been acknowledged in the Queen's Birthday honors list. North Ringwood residents Graeme Ford and Bruce Colcott were awarded the Public Service Medal and the Medal of the Order of Australia, respectively. -
Ringwood and District Historical Society
Photograph, Ringwood Primary School Centenary -1989
Black and white photograph"Written on back of photograph" Centenary Wall Sarah Thorpe Rebecca Salt Jessica Salt -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/12/1994 12:00:00 AM
Black and white photograph showing VNA coach Brenda Edgar with juniors Rebecca Peterson and Josie Janssen Lakes Entrance Victoriasports -
Whitehorse Historical Society Inc.
Newspaper - Article, Grave decisions, 4/02/1997
Grave decisions by Greg Best and Death finds sites in cyberspace by Rebecca Thorpe. includes brief details about Boroondara and Burwood cemeteries.boroondara public cemetery, burwood general cemetery -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Bairnsdale Advertiser, 2000
Colour photograph of Hardware shop proprietor Gordon Whelan and family, wife Jenny and children Matthew, Rebecca and Patrick of Lakes Entrance Victoriacelebrations, genealogy -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Tour of St Katherine's Anglican Church and cemetery, St Helena, 27 October 2014
Grave of John Blacker and his wife RebeccaBorn Digitalst katherine's church, st helena, cemetery, blacker -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1993
Black and white photograph of St Brendans Primary School students Rebecca Riley and Donald Stewart selecting books to read whilst taking part in the MS Readathon.schools -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PHOTOGRAPH - GSPS GRADE 4 NETBALL TEAM 1993
Coloured photograph of the GSPS Grade 4 Netball Team. Their names are:- Monica McHugh, Bronwyn Bourke, Janae Treble, Rebecca Tremain, Taneka Ruschmeyer and Danielle Martin.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - gsps grade 4 netball, monica mchugh, bronwyn bourke, janae treble, rebecca tremain, taneka ruschmeyer, danielle martin -
Whitehorse Historical Society Inc.
Clothing - Evening dress, C 2010
C 2010 Worn by donor's daughter Rebecca c 2010Deep blue strapless evening dress. Full length with matching ribbon around waistline. Pleated detail on bodice. Crepe material with polyester lining throughout. Zip down back of garment.Portmans size 8evening dress, portmans, julie jones, c 2010 -
Ringwood and District Historical Society
Photograph, Ringwood Primary School Centenary -1989 - Painting Centenary Wall
Black and white photograph"Written on back of photograph" Centenary Wall Bev Donald (Parent) Wayne Salt (Parent) Jessica Salt Rebecca Darlow -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Document - Identity Card - Marriott family, World War 2, c 1942
This type of card was issued to British subjects who were civilians. During World War II everyone in Australia was issued with a personal identity card and was required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.Emma Marriott was the daughter of a pioneer family of the City of Moorabbin. Her father was a Market Gardener.Brown card identified as an identity card, one side stamped Carnegie 1942 and addressed to Emma Rebecca Marriott; reverse side signed by E Marriott and witnessed by M Smith.world war ii, bentleigh, moorabbin, pioneer, identity card -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Wedding Dress, Mary Box (nee Closter), circa 1918
Alonzo Box, of Oakleigh ,a nephew of William and Elizabeth Box who resided in 'Box Cottage' 1865 - 1914, married Mary Closter (Kloster), of Oakleigh, on June 12th 1918. Alozo's elder sister, Rebecca, sent a bolt of Chinese hand-embroidered silk from which this wedding dress was made. Rebecca Viloudakia, nee Box, was a missionary in China, and married to a Greek Silk Merchant. Alonzo Box, the 9th child of John and Martha Sheldrake Box , enlisted in the Army and landed at Gallipoli 25/4/1918. He was evacuated to Egypt and then sent to the battlefields of France and Flanders before returning home to Melbourne in February 1918. Rebecca Box, the eldest child of John and Martha Sheldrake Box, was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890. During the Boxer Uprising 1900-1901 her Mission outpost was attacked but she escaped and was taken to Shanghai. She later married one of the rescue party Nicholas Viloudakia a Greek silk merchant .Australian Dress Register ID 573 12/5/2015 Following Henry Dendy's Special Survey 1841 pioneer settlers bought allotments of land in the area of Moorabbin Parish. Alonzo Box was the nephew of William and Elizabeth Box who bought the cottage on the 30acre allotment from an unknown pioneer settler in 1868 and resided there until Elizabeth's death in 1914. Alonzo Box served in the Army World War 1 1914- 1918 at Gallipoli, France and Flanders. Rebecca Box -Viloudakia was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890 and was rescued during the Boxer Rebellion 1900-1901 and taken to Shanghai by her future husband.A cream two piece wedding dress made from a bolt of hand embroidered Chinese silk for the marriage of Mary Closter and Alonzo Box on June 12th, 1918. The bolt of Chinese silk was sent by Alonzo’s older sister, Mrs Rebecca Viloudakia, a missionary in China, who was married to a Greek silk merchant. The machine sewn dress was made by a dressmaker in Dandenong, Victoria. The jacket is blouson, with a front opening and is gathered at the waist by a band enclosing a drawstring. The collar is a sailor style that forms a slight / high V-shape front neckline. Four vertical roses are separated by three bands of lacework. The back of the jacket is plain silk. The right front of the jacket has a panel of embroidered roses, band of lacework and a facing fold that encloses 4 fastening presses. There are crocheted bobbles on the front representing buttons. The left jacket front also has the panel of embroidered roses, lacework and matching fold for the 4 fastening studs. The full length inset sleeves are gathered to a cuff that fastens with silk covered buttons. The sleeves have floral embroidery down the outside centre line. The left sleeve has an extra detachable cuff with embroidery on the flounce that matches the bottom panel of the skirt. It is held in position around the wrist by 4 white metal press studs. The skirt sits above the ankle. It consists of 5 panels slightly gathered at the back waistline with a left side placket 21cm with hooks and eyes and press studs. The waistband is lined with petersham and has 6 whalebone inserts. The front of the skirt has small pleats to fit the 3 decorated panels to the waistline. The front has 3 bands of lacework around the lower part. 3 panels form the centre front each embroidered with a different floral pattern. The back of the skirt is plain with 3 bands of lacework rising from the hem, which is sewn with spoke work stitch. The long waist sash/belt is plain silk with embroidered ends and 3 silk balls with crocheted caps suspended on 3 crocheted silk chains. It has a rose knot with 2 metal press stud fasteners. There are a variety of floral designs embroidered on the material including ‘corner motifs’ on the 2nd inner front panel of skirt. brighton, moorabbin, silk, box william, box elizabeth, box alonzo, box mary, kloster mary, closter mary, oakleigh, dandenong, chinese silk merchant, boxer rebellion 1900-1901, box rebecca, methodist china inland mission, viloudakia nichols, anzac landings, world war 1, gallipoli -
Glenelg Shire Council Cultural Collection
Letter - Letter - Mr William Jones, Launceston, to his daughter Eleanor Rebecca Jones, 01/09/1854
These letters came to Portland on the 'City of Sydney' under Captain Henderson. This ship was owned by the Henty brothers.|Displayed in glass bottle in History House for __ years.Hand-written letter in glass bottle. Letter written by Mr William Jones, Launceston, to his daughter Eleanor Rebecca Jones, staying with Captain James Fawthrop at Windsor Cottage, Portland.Front: - Back: - -
Glenelg Shire Council Cultural Collection
Letter - Letter - Mr Williams to his daughter Eleanor Rebecca Jones, William Jones, 17/10/1854
These letters came to Portland on the 'City of Sydney' under Captain Henderson. This ship was owned by the Henty brothers. Captain James Fawthrop was the harbour master at Portland and also captain of the Portland Lifeboat crew at the time of the wrecking of the Admella in 1859.Hand-written letter in glass bottle. Letter written by Mr Williams Jones, Launceston, to his daughter Eleanor Rebecca Jones who was staying with Captain James Fawthrop at Windsor Cottage, Portland.captain james fawthrop, letter, bottle, windsor cottage