CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of: a sheep transport boat; sheep truck; abattoir; sheep and protestors. The background is blue, green and silver, and features large silos. The text "Are we falling off the sheep's back?" is at the top of the work, as well as a simple map of the "Persian Gulf" with "Kuwait" marked.Front: RBR 28 (lower right image, printed) 30/50 (lower right) (pencil) Back: 35

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features various images on a blue and green background. The images from the top are: high tension wires and supports; numerous 'Coca-Cola' cans that descend in size; a war memorial statue; bluestone building; several orange sheep with one black sheep.Front: (no inscriptions) Back: 30

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency, 1983 and 1984.A laminated screenprint of a portrait montage in black on coloured background. The foreground consists of over one hundred small portraits which cover the majority of the work. On the left and top right sides are black outlines of various flora. At the top of the work is black text which reads "1834 Portland 1984".Front: Angela Gee '83 (lower right) (pencil) Back: 20portland, angela gee residency

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46

Screenprint

Screenprintinterior

Screenprintinterior

ScreenprintTitled and edition 'The 1/2" Ziggurat 38/70' bottom left corner under printed image. Signed and dated 'Joe Tilson 1965' lower right corner under printed image.

ScreenprintSigned 'John Piper' in lower right corner under printed image. Edition 33/70 in lower left corner.

ScreenprintSigned in lower right under printed image. Edition 49/85 lower left under printed image.

ScreenprintSigned and dated 'VP 82' in lower right corner under printed image. Edition 23/70 in lower left under printed image.

ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 19/30 in lower left under printed image.

ScreenprintDated and signed '1995 Eduardo Paolozzi' lower right under printed image. Edition 1/30 lower left corner under printed image.

ScreenprintSigned 'Eduardo Paolozzi' under printed image. Edition 4/50 in lower left corner under printed image.

ScreenprintSigned and dated 'Eduardo Paolozzi 1995' under printed image to the right. Edition 15/30, lower left corner under printed image.

ScreenprintSigned 'Eduardo Paolozzi' lower right under printed image. Edition 3/50 lower left under printed image.

ScreenprintSigned 'Eduardo Paolozzi' bottom middle. Edition 2/50 in lower left corner under printed image.

ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 1/30 lower left corner under printed image.

ScreenprintSigned 'Sonia Lawson' lower right under printed image. Numbered XXIII (23), lower left corner under printed image.

ScreenprintSigned 'Sonia Lawson' bottom right under printed image. Numbered 'XX' (20) in bottom left corner under printed image.

ScreenprintSigned 'Sonia Lawson' in the bottom right corner under printed image. Numbered 'XXII' (22) in the bottom left corner under printed image.

Screenprint-

ScreenprintSigned 'Peter Blake' lower right corner under printed image. Edition 15/60, under printed image.

ScreenprintSigned 'Lanceley 69' in lower right corner of print. Edition 141/150, numbered under printed image towards bottoms right corner. Titled 'Some are more equal than other' in centre bottom edge of print.

ScreenprintSigned 'Jamie Boyd' in lower right corner under printed image. Edition A/P in lower left corner under printed image.