The Silver Gull is more commonly referred to as the 'Seagull'. Found all along the coast of mainland Australia and Tasmania, it can also be found in New Caledonia and New Zealand. These birds are a common nuisance at beaches and urban areas, such as shopping centres. Since the 1950s, humans have become increasingly wasteful, leading to an explosion of the Silver Gull population due to the availability of rubbish to scavenge. They feed mainly on small marine life, but they are a versatile scavenger. The population increase has impacted the breeding of other bird species, as Silver Gulls have dominated offshore island breeding grounds. Their breeding season is from August to December, when they nest on the ground, however mating can occur year-round. This species has a harsh, high-pitched call 'kwarwh', well known to all Australians. Although protected under Australian Environmental Law, there are many strategies in place to discourage increasing the numbers of Seagulls. This specimen is an inaccurate example of a Silver Gull, which although is in good condition and intact, does not look like an accurate representation of this species. The legs have been mounted too far towards the tail on this specimen, giving it an unbalanced appearance. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This adult Silver Gull has a white head, body, underpart and tail. Its wings are silver-grey, with black and white tips. It has an orange-red bill, feet and beak, indicative of its maturity. The irises are white. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 11a / Silver Gull / See catalogue, page, 40. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, seagull, silver gull, australian bird, nuisance

Con Kroker CollectionBlack & white photo of Railway Pier, taken from Henty Beach. Flock of seagulls in foreground. NB Same subject matter as 5005, but a bit closer to subject.

Plaque present to Corporal Sperry BODSWORTH MID who served with the 2/21st Battalion and involved with the Battle of Ambon. On the night of 30-31 January 1942 this small force of 1131 Australian soldiers were stationed at Ambon, an island which formed part of the Netherland East Indies (now Indonesia). An invasion of approximately 20,000 Japanese overwhelmed Gull Force and the majority of the Australian soldiers were taken prisoner. The execution of 229 at Laha, starvation, over work, disease and the absence of medical supplies led to horrific loss. At the cessation of hostilities only 352 of the original 1131 had made it back to Australia. 779 members of Gull Force made the supreme sacrifice and now lie in foreign fields. The Battle of Ambon (30 January – 3 February 1942) occurred on the island of Ambon in the Dutch East Indies (now Indonesia), during World War II. Japan invaded and conquered the island in a few days, facing Dutch, American and Australian forces. The chaotic and sometimes bloody fighting was followed by a series of major Japanese war crimes. Allied casualties in the battle were relatively light. However, at intervals for a fortnight after the surrender, Japanese personnel chose more than 300 Australian and Dutch prisoners of war at random and summarily executed them, at or near Laha airfield. In part, this was revenge for the sinking of the Japanese minesweeper, as some surviving crew of the minesweeper took part.. Three-quarters of the Australians captured on Ambon died before the war's end. Of the 582 who remained on Ambon, 405 died. They died of overwork, malnutrition, disease and one of the most brutal regimes among camps in which bashings were routine. Blood Oath, a 1990 Australian feature film is based on the real-life trial of Japanese soldiers for war crimes committed against Allied prisoners of war on the island of Ambon, in the Netherlands East Indies (Indonesia), such as the Laha massacre of 1942.Brown timber in the shape of a shield mounted with a metal a coat of arms depicting white seagull above black and orange diamond within pale blue oval shape.Gull Force 2/21 Battalion Ambon Laha Plaque - Cpl Sperry Bodsworth VX23435 MIDgull force, 2/21 battalion, ambon, ww2

Exhibition in the Arts Company in 1999?Painting of three seagulls standing on a sandbar between river and ocean. Painted in bright colours, predominantly blues, green and orange. Framed under glass in wooden and gold-coloured frame.Front: (no inscriptions) Back: (no inscriptions)narrawong, painting, seagulls

Document. Malone Collection. Small white card with a beige border. Has a small black & white picture of the moon partly hidden by cloud. The waves are breaking over the rocks and seagulls are flying around. The edges of the picture have a slightly raised white border. Below the picture in the bottom left corner is a coloured sketch of seagulls flying over the sea. On the right is printed: What are the wild waves saying? (printed in gold) and All Good betide you (printed in blue.)Raphael Tuck & Sons Ltd.person, greeting cards, malone collection, malone collection, greeting cards

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the "Moonta" from Port Adelaide sailing at Port Lincoln. The ship is sailing in the middle of the frame surrounded by several seagulls, situated towards the bottom left of the frame. Port Lincoln is in the background.1950, ship, rope, sea, masts, mongabarra, allan quinn collection, allan quinn, port lincoln, moonta, port adelaide, seagulls, sailing, rigging

Colored photograph of the footbridge. It shows seagulls on the weed covered northern edge of the lake, people on bridge, roof of surf lifesaving club house visible among dunes of south shore. Lakes Entrance Victoriawaterways, bridges

From the Smallpage family collection, donated by Ann SmallpageBon voyage card 1914, hand painted onto smooth, round-cornered, grey cardboard by 'F.J.E.', depicting the Australian flag, a black swan, a seagull, R.M.S. Otway under sail and a decorative device. Handwritten sentimentHandwritten "Though Leagues of Sea divide us / True friendship has no end Though you are not beside us / we will think of you Old Friend"transport - shipping, arts and entertainment - visual arts, rms otway, painting

A book with 104 pages and a cardboard cover, bound with two staples along the spine. The back and front covers feature a blue and white silhouette drawing of three children at the beach with seagulls flying overhead and the title ' Holidays' in red.non-fictionvictorian education department, school readers, pllaymates.

Portland Coat of ArmsCommemoration of City of Portland 1985Plate - Light coloured. Gold rim. Balck writing. Blue, purple, red coat of arms for Portland featuring two seagulls either side of a ship in front of a sunrise on the ocean. Was unpacked from a box assumed to belong with a timber stand.Front - 'To Commemorate the Declaration of the CITY OF PORTLAND VICTORIA' 'OCTOBER 28th 1985 by their Royal Highnesses Prince Charles & Princess Dianna' Back - Production marked 'FINE CHINA WESTMINSTER AUSTRALIA'portland, princess diana, prince william

Ship model, Auster relief, 3 masted sailing ship, teal colour. Background of sea and sky, island with palm trees, seagulls. Front wood frame of case painted black, back and sides painted grey. Metal handle on top panel of case. "AUSTER" painted on side of bowflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship mode., auster, sailing ship

Colored photograph of footbridge over the Cunninghame Arm. It shows a flock of seagulls on the northern shore beside the approaches to the bridge, which has white painted railings, surf lifesaving club house on dunes in distance, several groups of people on footbridge. Lakes Entrance Victoriawaterways, bridges, tourism

MEMBER'S CRTIFICATE I will be kind to all living crearures and will protect them as far as I can from cruelty. Richard Henry Watson was a student at Murtoa State School No. 1549 c1920 and signed the following statement on a MEMBER'S CRTIFICATE. 'I will be kind to all living creatures and will protect them as far as I can from cruelty.' Signature Harry Watson Witnessed by Head Teacher - L. WalkerMulti coloured rectangular shaped certificate with a black line border on a white background. In each corner there is an illustration: clockwise from left - a child and two horses; seagulls on a cliff face; koalas on a branch and a dog. In the centre is the Coat of Arms for the Victorian Society For the Protection of Animals with the date 1871.The Certificate is signed in ink by Harry Watson, Murtoa; Branch State School No.1549. The Witness - L Walker Head Teacher league of kindness, victorian state schools, league of kindness certificate, victorian society for the protection of animals, league of kindness member's certificate, murtoa, murtoa state school, l. walker, harry watson, richard henry watson, junior membership certificate

Cream card with 15mm raised border around a rectangularframe on the right and a circular one on the left. Both frames have scenes of the sea and seagulls. 'May Time and tide but bring you happy days' is printed under the circular scene. It is printed in gold and black with some words underlined.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Large, bound page containing an ornate certificate of appreciation. Includes coloured paintings of ships at sea, the beach, stag, seagulls, the Huddart Parker and Co Flag, Australian flowers and vegetative illustrations. Borders of the page are red leather with gold pattern. Outside is red leather binding with gold writing and decorationLeft inside page: "James Huddart Esqr./ Managing Director/ Mess ts Huddart Parker & Co Limited/ Melbourne/ Dear Sir/ Having become aware that you are about to leave for the purpose of opening/ a London Office, with a view to the future expansion of the Company's business, and the promotion of the/ interests of the company generally, we the Ships Office, and the Staff of the Head and/ Branch Offices in Australia, consider the occasion opportune to record our appreciation of you as/ Managing Director of such an enterprising Company as that of Huddart Parker and Co. Limited, and to/ give expression to the feelings of kindest regard which we, each and all, have for you as the result of/ frequent business contact./ The kindness which yourself and Mrs Huddart have exhibited towards us at various/ times in providing for our entertainment and enjoyment, as expressive of the sympathy and kindly/ feelings with which you regard your employees, are not likely to be soon forgotten by us./ In conclusion, we desire to tender Mrs. Huddart, yourself and your family our hearty/ good wishes for a pleasant voyage, and for the Health and Happiness during your residence in/ England and trust that when your mission is accomplished we shall have you amongst us/ again in Australia." "Ferguson & Mitchell/ Illuminators/ Melbourne" Right inside page: "Fear God/ Ferguson & Mitchell. Melbourne" Artist signature: "Alfred Adov" written in pencil: "PWO 1265" Outside, Front Page: "Presented to/ James Huddart Esqr./ By the officers of/ Messrs.. Huddart Parker & Co. Limd/ Melbourne 13th March 1891"

Card covered book titled Holidays, illustrated by Marjorie Howden. The Victorian Readers Second Book, First Edition 1953. Cover is blue and white with a beach silhouette with some children and seagulls. Book has larger printing and tells of the children and their family holiday. Piece of green tape on the spine at the bottom.A.C. Brooks, Government Printer, Melbourneeducation, primary, golden square laurel st p.s., golden square laurel street p.s. collection - holidays, education department victoria, a c brooks

Large rectangular sepia print of the beach and beach front at Scheveningen. Among other beachfront buildings it features the famous Kurhaus Hotel and walkers on the sandy beach at what appears to be low tide. The sky is filled with dark glowering clouds. There are no swimmers apart from seagulls. The print has been professionally framed and has a strong wire at the back.Scheveningen Beach. The Hague. Netherlands. 1998. There is also an indistinguishable signature and the mark 25/100. The latter indicates this is no.25 in a limited edition of 100.

From the original home of Mr and Mrs W.J. Sebire.A tall rectangular ornate gold framed black and white photographic print of the Douglas Head Lighthouse, Isle of Man. It is from the home of Mr and Mrs W..Sebire. The lighthouse stands at the top of a cliff surrounded by castle walls. Seagulls are flying and two cormorants are standing on rocks in the foreground. 'Douglas Head' is printed on a cut out section of the mount at the bottom of the picture.'Douglas Head' is printed inside a cut out section on the lower part of the mount. 'Elmer Keeme' the photographer is written on the left hand bottom corner of the picture.prints, artworks, photographic prints, photographs, lighthouses, pictures

Blue & White Paper Document Theatre Production Seagulls Over Sorrento Hugh Hastings Three Act Play. Bendigo Training Prison Performance Sunday 18th May 1958. Produced & Directed By Keith G. Cast: Rex S., Norman B., Des Nicholas, Keith G., Graham M., Robert K., Andrew F., Ronald A. Allan Q.clubs and associations, theatre, bendigo training prison, https://en.wikipedia.org/wiki/seagulls_over_sorrento

Art Collection Previously located in History HouseThe painting depicts a large sailing ship with orange masts and is almost in full sail. To the left of the ship are two other sailing ships. To the right are several sailing ships and white cliffs with a port. In the foreground is a rough green ocean with several seagulls in midflight. The background is a blue sky with numerous dark clouds. The work has a heavy gilded ornate frame and exposed canvas.Front: C DELL 1856 Back: Sticker of the Conservation Centre

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42

Scene of Portland Harbour. View includes people walking on beaches, jetties, morred boats (some with sails, some without). Upper centre of image shows a town, with a church to the right. To the left centre is a planned garden with people promenading. In foreground is empty land with a few seagulls. A train track enters the image on bottom centre. Print is predominantly in shades of blue, grey and brown. Framed, no glass.Front: A. H. Fullwood Back: (no insciptions)print, portland harbour

Soft cardboard cover. Brown print on front & spine, black print on back. Background colour aquamarine with front sepia photo of sailing ship. Back has 2 photos of the Cowes ferry. 103 pages, cut plain, off white. Illustrated with black & white photos & maps. Page XV has yellow highlighter pen applied to 2 sentences. Opposite p1, handwritten in blue ink on lined notepaper taped to page: “MIRANDA 1852, LADY MILDRED 1909, SEAGULL, CARPENTARIA, AT. * HARDWOOD. AIR. PORT, AMSTERDAM. FIVE (BEACHED), BUILT 1948. WORKED, YARRA RIVER, DIESEL MOTORS TOO BE RESTORED, * TOORADIN”book, maritime, wrecks, western port

NilScene of Portland Harbour. View includes people walking on beaches, jetties, moored boats (some with sails, some without). Upper centre of image shows a town, with a church to the right. To the left centre is a planned garden with people promenading. In foreground is empty land with a few seagulls. A train track enters the image on bottom centre. Print is predominantly in shades of blue, grey and brown. Mounted in dark cream matt, in wooden frame with glass.Front: A. Hy Fullwood (lower left, grey paint) "Portland Victoria" A. H. Fullwood 1836-1930 (printed below image) Back: (no inscriptions)

Vicki Spicer collection, including a short note and her return address, of programmes illustrating performances by the Bendigo Operatic Society.The Student Prince, Lilac Time, Brigadoon,Carousel, The New Moon, South Pacific, Anything Goes, Oklahoma, Victoria and Her Hussar, Show Boat, Seagulls Over Sorrento, Rose Marie, You're in Love, The Student Prince, No! No! Nanette, The Lilac Domino, The Desert Song, Jack and The Beanstalk, No Rhyme or Reason, Morning Departure, Stalag 17.Vikki Spicer

Exhibition, CEMA 1991.View of beach with Crumpets Beach, Portland in foreground. Hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, around a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. There are seagulls on the beach. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil).portland, crumpets beach, seascape, portland beach