Portrait of a man with dark hair and black shirt smoking with glass goblet against a black background. Signed (U.r) 'Bellamy'. On reverse in black felt pen 'John Bellamy self portrait Hoginonay (?) 1969'.john bellamy, painting, portrait

Cast steel and machined Self Lapping air brake handle stamped "CAR 19". Could have been allocated to Freight car 19 or 19W.trams, tramways, brakes, tramcar component, preston workshops

Black and white photographTyped below photograph: "Self portrait of Mr. Pierce Boardman, Manager of Ringwood's main antimony mine. Killed in mine, 1879".

Self propelled gun with blade to dig its own bund. Crew of seven. At rest, one soldier is with a map, one soldier is looking at a magazine, while another soldier is unpacking ammunition.Word PACHELBEL? appears on the gun barrelpachelbel, m-107, self propelled artillery, diorama

Portrait of a old man with glasses and thermometer seated in a hospital bed with Labels 'Fluid Balance', '15 Mr C Pugh, Dr. Kay/Ley 29.7.1977' and two bouquets of red and white flowers. Not signed. On reverse: 'Archibald Prize 1977/Something Happened (Self Portrait)/ Clifton Pugh/ Dunmoochin Hurstbridge Vic 3099/ Phone 7148230'.clifton pugh, painting, hospital suite, self portrait, archibald prize

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil self portrait by Wes Walters drawn close to the time he completed the Archibald Prize winning portrait of Phillip Adams. Signed and dated lower centre: '1/2/79 Walters' art, artwork, walters, wes walters, portrait, sketch, available

Photograph of Cooper shearing plant.Photograph of Cooper shearing plant.4-stand self contained shearing plant powered by 4 H.P. Cooper petrol engine designed for use in South Africa circa 1950shearing machinery, cooper engineering company pty ltd

Founded in 1891, the Ellams Duplicator Company produced drum and flat duplicators that copied a stenciled sheet and allowed multiple copies to be made. Considered desk top, this rather heavy machine was operated by turning the handle and could turn out 100 copies a minute. This would have been useful for donation request letters or large print newsletters.1 black case holding a black drum and metal platesEllams Rotary Duplicator Self Feeding Ellams Duplicator Co Ltd 12 King Street London E.C. Alfred Street, Brisbane, Australiaoffice equipment, ellams

Newspaper article about Sir Thomas North, formerly from Rutherglen, published in The Herald 29/05/1979. Title of article "Self-made super marketer", by Jan McGuinness, concluding a series called "The Company Kings"super markets, marketing, tom north

Discusses a study of ancient DNA from Spain which challenges the transition of humans from hunter gatherers to farmers. The study was undertaken by Dr Cristina Valdiosera of La Trobe University.News clipping, black text, colour image.cristina valdiosera, la trobe university

Waterdale [Youth] Theatre produced a modern version of Pirates of Penzance.News clipping, black text, colour image.waterdale theatre, waterdale youth theatre

Dreadlocks will replace brushes on the annual Artists on Were Street event.News clipping, black text and colour image.artists on were street, dread art, montmorency

Ill p.330.fictionScathing in its indictment of a cruel society and pervaded by a sense of threat and mystery, this novel is peopled with some of the most famous characters in literature. Elements of the Gothic Romance jostle with those of the Newgate novel and popular melodrama forging a style entirely Dickens'. england - fiction, charles dickens 1812-1870

non-fiction...

Colour photograph of a self portrait of George Rosenkranz, Graytown camp 1945. Brown hair, blue shirt, red trousers, hand in pocket. Holding a grey satchel bag. Rolling hills in background. Trees, plants and creek right hand bottom.internees, george rosenkranz, graytown victoria

Advertisement from "Selected recipes from "The Leader" small corner books" (1930s). This advertisement is for McAlpin's Self Raising Flour.An example of early 20th century advertisingDigital copy of advertisement from a bookhistoric advertisements, "the leader" small corner books, mcalpins self raising flour

non fictionLarge plain blue hardcover book, Pitman's Commercial Self-Educator with diagonal triangle markings on top and bottom of cover front and back. Spine has gold lettering for title, and edited by R.W. Holland O.B.E., M.A., M.Sc.., LL.D. Pitman with gold bands. Contains photographs, diagrams, maps, charts, drawingsFrom Don Gaudion. On endpaper at back of book pencil name, Marcus Stevenson'sbusiness, study guide, commercial reference, non fiction book

Photograph of Cooper shearing plant.Photograph of Coooper shearing plant.Cooper 2-stand self contained shearing plant powered by 1 H.P. electric grinder motor circa 1948 Athol Shmith Studio Illustrative Photography 125 Collins Street Melbourne C.I. Cent. 27 No. ..... Position ....... 2/F/18512shearing machinery, cooper engineering company pty ltd

Brown's Self-Interpreting Family Bible. London: Blackie and Son 1862. A thick dark brown volume with a tiny embossed diamond shaped self-pattern on both covers. All edges of pages are gilt, The title, Holy Bible is printed in gold lettering at the top of the spine and it has five raised bands across it. The black and white decorative title page has Brown's Self-Interpreting Family Bible with many Additional notes, References and Readings, also Index of subjects printed at the top. Underneath in a semi-circle shape is a black ad white illustration of Ruth and Naomi, with publisher details below. The following Title Page has full details and explanations of the contents. There is a Publisher's Preface and Attestations to this Edition. Following this is a Memoir of The Rev. John Brown, closing with his final words upon his death on 19th June 1787. He was buried at Haddington Churchyard 24th June A.D. 1787, aged 65 years. Following this is an Introduction to the Right Understanding of the Oracles of God. There are many black and white plates included throughout the Bible. Pp. 1157 (Bible) At the back are many additional inclusions such as: Alphabetical Index, A Collection of Similies contained in the Scriptures, Complete Index, and Concise Dictionary, The Psalms of David in Metre, Translations and Paraphrases and more. There are missing pages of the Hymns. In all a most complex Bible for the family. Included are four loose pages with details of some of the Sebire Family Tree as noted in the Inscriptions section below. non-fictionA late Victorian family Bible— the beloved King James text, augmented by the late Revd John Brown of Haddington’s Comprehensive Bible study aids which was well bound. First published in 1611, the King James Version of the Bible has exercised an incalculable impact on piety, language and literature throughout the English-speaking world. "Other translations may engage the mind, but the King James Version is the Bible of the heart" (Campbell, 275). It is probably the text most commonly found in decorative family Bibles such as this one, which has several black and white plates. The Rev. John Brown of Haddington was "a tirelessly faithful pastor"—"For eight months of the year he delivered a lecture, two sermons, and an exercise each Sunday"—and also a prolific author. He is best remembered for his Self-Interpreting Bible, first published 1778, which became "as familiar in Presbyterian households as John Bunyan's Pilgrim's Progress and Thomas Boston's Human Nature in its Fourfold State" (DNB). Without Apocrypha. There is a Separate New Testament title page dividing the bible. Opposite page 832 is The Family Register fully handwritten in black ink Old English script commencing with Peter Sebire born 14th June 1835 Sen Died 20th September 1902 (67 years). Many other entries are listed. bibles, religious books, religion, genealogical charts, genealogy, genealogical documents, family trees

"Westinghouse Australia self-lapping driver's brake valve Type W" circular No. C6 dated 1936, describing the type of brake valve, its features, operations, adjustment, associated double check valve and drawings shown with parts. This type of valve was used by the MMTB, replacing the Manual Lap type on almost the entire fleet. It gives a lot better control over the braking of a tram by drivers.Yields information about the Westinghouse Type W brake valve.Document or catalogue circular - 4 loose pages, quarto No. C6tramways, technical information, tramcars, brakes, brake valves, westinghouse

This self-portrait exemplifies Karl and Slawa's shared interest in the art forms of other cultures - also seen in the significant number of Viennese art books on these topics in the Duldig Studio library. It takes inspiration from Egyptian sculptures and is strikingly similar to the cover image of Götter Ӓgyptens (Gods of Egypt) by Alexander Scharff (Library) although her short hair puts a stylish and very modern slant upon the image. The sculpture is hollow, with a large opening at the rear. Slawa on full face, eyes downcast, hair parted in the middle & pulled back in bun with large comb. Drapes across both shoulders. modernism

2 Reels of multi-strand Super Silk Twist black thread 9029.1 Almost empty 9029.2 Half usedLabel on top of reel - Super Silk Twist, Blue Label. Made in England On bottom of reel - Hand Buttonhole Twist, No6. 72 yards

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down