significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of large rocks in Australian desertSigned: Adams (lower left)

The medical and psychological legacies of the Vietnam War are major and continuing issues for veterans, their families and he community, yet the facts about the impact of Agent Orange, post-traumatic stress disorder and other long-term health aspects are little understood.veterans - australia - history, vietnam war, 1961-1975 - participation, australian, veterans – australia – mental health, agent orange, 1961-1975 - medical care - vietnam, psychology

Video of shadows taken in afternoon light.

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Shadows of palm fronds, possibly HawaiiMade in Australia / 31 / JUL 69M6slide, robin boyd

Colour slide in a mount. Shutters and shadows, unknown location, UKMade in Englandslide, robin boyd

Photograph. Harcourt Looking through shadows at traffic crossing bridge.

Colour slide in a mount. Shadows of tree on brickwork in winter, unknown locationMade in Australia / Encircled 1A (Handwritten)slide, robin boyd

Beginning in 1877 as a breakaway from the Ancient Order of Foresters the Irish National Foresters were established in Australia before 1890. By 1914 the INF had spread worldwide and with a quarter of a million members in over 1,000 branches. The Ballarat branch whose presidential chair the image is of was Branch No 20.Irish National Foresters Branch No 20 in gilt shadowed signwriting on pediment.

Colour slide in a mount. Detail of Victorian lacwrok and shadow, probably Melbourne, Australia7/ Encircled 10 (Handwritten)slide, robin boyd

Cricket Willow is a location near Shepherd's Flat where the Tinetti family make famous cricket bats from the willow trees in the location. Tradition has it that if the tree is cut at night, it will make a better cricket bat. Many Italian families settled in the Yandoit and Daylesford areas.Clare Gervasoni visits Cricket Willow at Shepherd's Flat, in the shadow of Mount Franklin.tinetti, clare gervasoni, cricket bats, sport, cricket willow, shepherd's flat, mount franklin, lalgambook

Black and white photograph of Blackburn streetscape c1920. Shadow on path, pole to right.blackburn

Photograph related to no.P000041, P000045 - P000048 of P. S. Adelaide re-floating. Copyright held by Riverine Herald newspaper. Original and negatives held by Riverine Herald.. Photograph taken from the river looking south west as the Adelaide enters the water backwards, from the soil ramp . The right hand side of the photograph is in shadow so is very dark. 2 people can be seen on the deck with possibly another boat moored beside the Adelaide and a small motor boat to the left of that.A significant social and historical event in Echuca as many local community groups had committed many hours and much money to re-float the Adelaide to add it to the stocks for the development of the Port of Echuca as a major tourist attraction for the region.Black and white photograph of re-floating of the P. S. Adelaide in the river, possibly still partly on soil ramp. Deep shadows on the right prevent detail of front of the boat and much of the right hand bow. There are spectators in a small motorboat on left of the Adelaide and possibly another boat coming along the side of the Adelaide (2 people can be seen on the left hand side of the Adelaide). 2 people are on the deck of the Adelaide.p. s. adelaide, echuca,victoria,re-floating of the p. s. adelaide. riverine herald newspapers,

SEPIA PHOTOGRAPH OF GRAVE OF MARY JANE PEACOCK. HIGH WHITE COLUMN - ENCIRCLED WITH A WREATH - SURROUNDED BY BLACK IRON RAILINGS.IN MEMORY OF MARY JANE PEACOCK BEHOLD THE DAY BREAKS AND SHADOW FALLS AWAY.local history, photography, photographs, cemetery

black and white photograph of a woman standing in the shadow of the Ballarat Fire Brigade, Ballarat East.in pencil on verso "Ballarat Fire Brigade (East)"ballarat, fire brigade, woman, ballarat fire brigade, ballarat east fire brigade, east ballarat heritage project, paul lambeth

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Photograph from the first floor veranda of Studley House showing the shadow of the building on the lawn studley house, dorothy rogers

2 colour photos of the cruise ship Silver Shadow approaching and berthed at Station Pier in 24.01.2004transport - shipping, silver shadow

View of Mt Dandenong State School building taken in 1938. Shadow of netball post in the foreground.On back of photograph: Mt Dandenong School 1938mt dandenong school, mt dandenong, mt dandenong school

True North is at the centre of the north pole This is a fixed point at the top of the planet. The majority of our navigational charts are orientated so that they use true north as their reference point. This is because true north doesn’t move. Magnets don’t point towards true north however. They point toward magnetic north which is in a different geographical place. The difference in the angle between true north and magnetic north is call variation.Three wooden boxes containing magnetic compass quadrantal correctors, correcting magnets and shadow pins.Saura Keiki Seisakusho Co Ltdcompass, correcting magnets, magnetic variation

Painting depicting two male figures wearing glasses and a female in an abstract composition with shadow and cracked glass. Signed (L. r) 'Clifton' and dated L.l) 'Apr '78'. On reverse Label 'Artmet Ltd Rudy Komon Gallery Retrospective/ 26th April - 21 May 1988/ Assassination (Clive Cameron) 1978 No. 31'.clifton pugh, painting, assassination, clive cameron

Local Artist CV Artist StatementSignificant artwork by nationally renowned local artist Petrus Spronk.Large Scale Outdoor Sculpture made up of a bronze chair with an open book, a bronze shadow and 6 story rocksArtist signature - underneathlocal artist, petrus spronk, sculpture, public art, victoria, daylesford, mineral springs reserve, environmental art, hepburn shire public art collection, hepburn shire, hepburn springs, hepburn springs mineral reserve, bronze, granite, tourist attraction, art, clare gervasoni, joan mcewen, marie butler, laurie sullivan, bonnie howell, vera, lutea, merv keating, silent

A colour photograph shows rolling hills with sparse tree cover. Sky is lightening but the ground and trees still covered in shadow.

This belonged to East Bendigo Honour Board WW2 held at this museum. Not yet catalogued.A varnished wooden plaque. It has gold painted lettering with dark printed shadow effect. It has curved edging. It is rectangular shaped.“Presented by East Bendigo Charity Club”war, east bendigo, honour boards

This photograph was taken on the occasion of the retirement of Jack Barker, Foundation Director of the Ballarat College of Advanced Education. It was a tribute to mark his outstanding services to the Ballarat School of Mines and Ballarat College of Advanced Education from 1949-1987. * 1949-1960 Lecturer/Head of Department * 1960-1964 Vice-Principal * 1964-1976 Principal * 1976-1987 Foundation Director of Ballarat College of Advanced Education The staff of the Ballarat College of Advanced Education stand in the 'shadow' of the 'Tree of Knowledge'. The photograph was taken at 3.55 pm on 27 August 1987.jack barker, e.j. barker, retirement, tree of knowledge, thelma rungkat, frank martin, jack harvey, gerry anderson, martin westbrooke, stafford mcknight, graeme ambrose, roy schrieke, barbarat crump, loris button, arch mackinnon, henry moritz, geoff wallis, helmut stenzel, michael gustus, trevor hastings, ian hemingway, george fong, george fong wah, greg binns, dave jelbart, arthur burros, alison lanigan, zig plavina, i. lepp, pat hope, derek woolley, peter fryar, david addenbrooke, robert morrell, alan webb, richard croggon, anne beggs-sunter, thelma runghat, denis shanahan, frank harrap

The photograph on the obverse side of the postcard was taken in Egypt on 4 March 1916, during World War I. Depicted are three unidentified Australian soldiers part of the Australian Imperial Force. They are dressed in military uniforms. Each of these men are seated atop a camel's back. All three camels are draped in - what are believed to be - traditional Egyptian textiles, including tassels, carpets and beads. In the background, we can see a triangular pyramid and the Great Sphinx of Giza. The Australian Imperial Force (AIF) were established by the Australian government in August 1914. This announcement marked the beginning of Australia's involvement in World War I. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first contingent of the AIF departed Australia by ship in November 1914. England was their destination. Although, their convoy was diverted to Egypt after the Australian High Commissioner in London, Sir George Reid, and the British military authorities unanimously agreed that the overcrowded military camps in England were unsuitable for so many men over winter. The AIF disembarked in Alexandria, Egypt on 3 December 1914, and the men moved to training camps near Cairo. It was in Egypt that the AIF and the New Zealand Expeditionary Force (NZEF) formed one united corps - the Australian and New Zealand Army Corps (ANZAC). This group of troops trained in the desert beneath the pyramids until March 1915.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. On 25 April 1915, members of the Australian Imperial Force landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. The record's unique research potential is strengthened by its relationship to a historically significant site: the Egyptian pyramids. Since the postcard was produced in 1916, the record can be used as primary evidence for historians and conservationists studying these sites, or how these sites have evolved over time. The record may also be a useful resource for those interested in the history of Egyptian textiles. Furthermore, it may also provide insight into international relations between Egypt and Australia in the past and present.Sepia rectangular postcard printed on paper.Obverse: 172 / Reverse: 6536 / CARTE POSTALE / 4/3/16 / Rough riders under / the shadow of the / pyramids /military album, army, war, wwi, world war i, egypt, pyramid, great sphinx of giza, textiles, australian imperial force, aif, uniform

Photograph of the shadow of an unidentified Australian soldier "the tourist".Digital copy of black and white photograph. charles marshall, world war 1

Evening Shadows, Fairy Land, Lake Wendoureefairy land, lake wendouree, boating, vehicle, people