Photograph related to no.P000041, P000045 - P000048 of P. S. Adelaide re-floating. Copyright held by Riverine Herald newspaper. Original and negatives held by Riverine Herald.. Photograph taken from the river looking south west as the Adelaide enters the water backwards, from the soil ramp . The right hand side of the photograph is in shadow so is very dark. 2 people can be seen on the deck with possibly another boat moored beside the Adelaide and a small motor boat to the left of that.A significant social and historical event in Echuca as many local community groups had committed many hours and much money to re-float the Adelaide to add it to the stocks for the development of the Port of Echuca as a major tourist attraction for the region.Black and white photograph of re-floating of the P. S. Adelaide in the river, possibly still partly on soil ramp. Deep shadows on the right prevent detail of front of the boat and much of the right hand bow. There are spectators in a small motorboat on left of the Adelaide and possibly another boat coming along the side of the Adelaide (2 people can be seen on the left hand side of the Adelaide). 2 people are on the deck of the Adelaide.p. s. adelaide, echuca,victoria,re-floating of the p. s. adelaide. riverine herald newspapers,

SEPIA PHOTOGRAPH OF GRAVE OF MARY JANE PEACOCK. HIGH WHITE COLUMN - ENCIRCLED WITH A WREATH - SURROUNDED BY BLACK IRON RAILINGS.IN MEMORY OF MARY JANE PEACOCK BEHOLD THE DAY BREAKS AND SHADOW FALLS AWAY.local history, photography, photographs, cemetery

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

black and white photograph of a woman standing in the shadow of the Ballarat Fire Brigade, Ballarat East.in pencil on verso "Ballarat Fire Brigade (East)"ballarat, fire brigade, woman, ballarat fire brigade, ballarat east fire brigade, east ballarat heritage project, paul lambeth

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Photograph from the first floor veranda of Studley House showing the shadow of the building on the lawn studley house, dorothy rogers

2 colour photos of the cruise ship Silver Shadow approaching and berthed at Station Pier in 24.01.2004transport - shipping, silver shadow

View of Mt Dandenong State School building taken in 1938. Shadow of netball post in the foreground.On back of photograph: Mt Dandenong School 1938mt dandenong school, mt dandenong, mt dandenong school

True North is at the centre of the north pole This is a fixed point at the top of the planet. The majority of our navigational charts are orientated so that they use true north as their reference point. This is because true north doesn’t move. Magnets don’t point towards true north however. They point toward magnetic north which is in a different geographical place. The difference in the angle between true north and magnetic north is call variation.Three wooden boxes containing magnetic compass quadrantal correctors, correcting magnets and shadow pins.Saura Keiki Seisakusho Co Ltdcompass, correcting magnets, magnetic variation

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.This artwork shows a wooden type sculpture depicting an ant. A blue spotlight on the ant is casting a shadow on a floor.louis balis, 69 smith street gallery, artist-run initiative, artist-run space, melbourne art galleries, maquette, shadow, sculpture, photograph, ant, [email protected]

Painting depicting two male figures wearing glasses and a female in an abstract composition with shadow and cracked glass. Signed (L. r) 'Clifton' and dated L.l) 'Apr '78'. On reverse Label 'Artmet Ltd Rudy Komon Gallery Retrospective/ 26th April - 21 May 1988/ Assassination (Clive Cameron) 1978 No. 31'.clifton pugh, painting, assassination, clive cameron

Local Artist CV Artist StatementSignificant artwork by nationally renowned local artist Petrus Spronk.Large Scale Outdoor Sculpture made up of a bronze chair with an open book, a bronze shadow and 6 story rocksArtist signature - underneathlocal artist, petrus spronk, sculpture, public art, victoria, daylesford, mineral springs reserve, environmental art, hepburn shire public art collection, hepburn shire, hepburn springs, hepburn springs mineral reserve, bronze, granite, tourist attraction, art, clare gervasoni, joan mcewen, marie butler, laurie sullivan, bonnie howell, vera, lutea, merv keating, silent

A colour photograph shows rolling hills with sparse tree cover. Sky is lightening but the ground and trees still covered in shadow.

This belonged to East Bendigo Honour Board WW2 held at this museum. Not yet catalogued.A varnished wooden plaque. It has gold painted lettering with dark printed shadow effect. It has curved edging. It is rectangular shaped.“Presented by East Bendigo Charity Club”war, east bendigo, honour boards

This photograph was taken on the occasion of the retirement of Jack Barker, Foundation Director of the Ballarat College of Advanced Education. It was a tribute to mark his outstanding services to the Ballarat School of Mines and Ballarat College of Advanced Education from 1949-1987. * 1949-1960 Lecturer/Head of Department * 1960-1964 Vice-Principal * 1964-1976 Principal * 1976-1987 Foundation Director of Ballarat College of Advanced Education The staff of the Ballarat College of Advanced Education stand in the 'shadow' of the 'Tree of Knowledge'. The photograph was taken at 3.55 pm on 27 August 1987.jack barker, e.j. barker, retirement, tree of knowledge, thelma rungkat, frank martin, jack harvey, gerry anderson, martin westbrooke, stafford mcknight, graeme ambrose, roy schrieke, barbarat crump, loris button, arch mackinnon, henry moritz, geoff wallis, helmut stenzel, michael gustus, trevor hastings, ian hemingway, george fong, george fong wah, greg binns, dave jelbart, arthur burros, alison lanigan, zig plavina, i. lepp, pat hope, derek woolley, peter fryar, david addenbrooke, robert morrell, alan webb, richard croggon, anne beggs-sunter, thelma runghat, denis shanahan, frank harrap

The photograph on the obverse side of the postcard was taken in Egypt on 4 March 1916, during World War I. Depicted are three unidentified Australian soldiers part of the Australian Imperial Force. They are dressed in military uniforms. Each of these men are seated atop a camel's back. All three camels are draped in - what are believed to be - traditional Egyptian textiles, including tassels, carpets and beads. In the background, we can see a triangular pyramid and the Great Sphinx of Giza. The Australian Imperial Force (AIF) were established by the Australian government in August 1914. This announcement marked the beginning of Australia's involvement in World War I. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first contingent of the AIF departed Australia by ship in November 1914. England was their destination. Although, their convoy was diverted to Egypt after the Australian High Commissioner in London, Sir George Reid, and the British military authorities unanimously agreed that the overcrowded military camps in England were unsuitable for so many men over winter. The AIF disembarked in Alexandria, Egypt on 3 December 1914, and the men moved to training camps near Cairo. It was in Egypt that the AIF and the New Zealand Expeditionary Force (NZEF) formed one united corps - the Australian and New Zealand Army Corps (ANZAC). This group of troops trained in the desert beneath the pyramids until March 1915.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. On 25 April 1915, members of the Australian Imperial Force landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. The record's unique research potential is strengthened by its relationship to a historically significant site: the Egyptian pyramids. Since the postcard was produced in 1916, the record can be used as primary evidence for historians and conservationists studying these sites, or how these sites have evolved over time. The record may also be a useful resource for those interested in the history of Egyptian textiles. Furthermore, it may also provide insight into international relations between Egypt and Australia in the past and present.Sepia rectangular postcard printed on paper.Obverse: 172 / Reverse: 6536 / CARTE POSTALE / 4/3/16 / Rough riders under / the shadow of the / pyramids /military album, army, war, wwi, world war i, egypt, pyramid, great sphinx of giza, textiles, australian imperial force, aif, uniform

Photograph of the shadow of an unidentified Australian soldier "the tourist".Digital copy of black and white photograph. charles marshall, world war 1

Evening Shadows, Fairy Land, Lake Wendoureefairy land, lake wendouree, boating, vehicle, people

“We Walk in their Shadow” - An Allied Armistice book of poetry.Book, soft cover cardboard, blue print on front and back over beige background, cover has illustrated colour collection of flags above a ribbon in scroll shape of country names, 49 pages plain white, illustrated B & W sketches with poetry.books, poetry, armistice

Soft cover book. Green buckram. Cartoon of two diggers in a rainy jungle. Black shadow writing. Pages - N/A Illustrated with comedy cartoons."L SCHILLING" books, military history

Photo is of Victoria Valley with the Victoria Range in the background. Photo is typical of promotional photographs taken by Forests Commission at that time.a thick bush covered valley in foreground (shadowed). Mountain range in background. Photographed from a high spot looking down and across the valley. c1960sscenery, grampians ranges

Mr J.T.Ross was the Collector and Valuer for the Ballarat Shire Council from 1863-91. Original Historic PhotoPhoto of Mr J.T.Ross, sepia,set in wide brown "shadow box" frame with scalloped carved edging,mount is lighter brown,and photo rectangular. J.T.Ross. Collector and Valuer 1863-91ballarat shire council, ross j t, collector and valuer, 1863 91

Square, cream-coloured, silk organza and cotton table throw with purple, pink, white and green iris design shadow embroidery around the throw.tablecloths., household textiles., tableware

One of several items donated in memory of Sergeant Trevor J Nicholson, who served in Royal Australian Armoured Corps, C Squadron and B Squadron 1st Armoured Regiment, 1969-70, Vietnam.Wooden shadow box frame with three mounted displays. Certificate of Service/ Display of 10 medals, clasps and two badges/ black and white photograph of the presentation.Trevor Nicholson/Certificate of Service with Rising Sun insignia/4410261 WO2 Trevor John Burke Nicholson/Australian Regular Army Supplement (o) 9 Feb 1959 to 30 Jun 1988/ Australian Regular Army 1 Jul 1988 to 5 May 19954410261 wo2 trevor john burke nicholson, medals, certificate of service

Page 78 records details of The Shadow of Bunjil viewing platform at Kangaroo Groundp78 - Kangaroo Ground War memorial viewing platformvolume : colour illustrations ; 30 cm.kangaroo ground, monuments, war memorials, shadow of bunjil

Franklinford is in the 'shadow' of Mt Franklin, the site of Edward Stone Parker's Aboriginal Protectorate.Photograph of a stone memorial cairn to Edward Stone Parker, Protector of Aborigines. "Edward Stone Parker 1802-1865 Regional Pioneer, Protector of Aborigines Established the Loddon Aboriginal Station Homestead, Church and School near this site in 1841. His devoted service remains a challenge and an Inspiration. April 1965."edward stone parker, protector of aboriginies, aboriginal protectorate, loddon aboriginal protectorate, franklinford aboriginal protectorate, franklinford