Machine knitted lace shawl

Thelma Morton studied at the Ballarat Technical Art School.Pen sketch of a girl wearing a shawl.alumni, portrait, dorothy woolcock, ballarat technical art school

Black shawl with fringe. Pattern of circles.costume accessories, female

Four Stereographic cards, all showing views inside of the Jenolan Caves. On the reverse is stamped ' Picturesque Stereoscopic Views of Jenolan Caves and Blue Mountains, Photographed and Published by J. Rowe, Jenolan Caves., (a) Queens Diamonds , (b) Decent to River , (c) Shawls , (d) Jersey Castle ?J. Roweplace, jenolan caves, j. rowe, jenolan caves, blue mountains, stereoscopic views, queens diamonds, decent to river , shawls

The pioneer settlers and market gardeners who came to the Brighton area after the 1841 Dendy Special Survey had to be self reliant. The women made most of the clothing for their families and many items on display exhibit their skill and craftsmanshipA cream ,wool, baby's shawl with decorative borderclothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work, knitting

Top and shawl black. Embroidery and weaving in white, red and ocremontagnard, ceremonial costume

A rectangular shaped crocheted black shawl made of fine cotton or silk.shawl women's-accessories

Clothing. Rectangular black silk shawl with cotton fringeing on long sides.costume accessories, female, rectangular black silk shawl

Large black triangular lace shawl with deep border of different pattern.costume accessories, clothes accessories

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Paragon and contains patterns for baby clothes.Paragon / KNITTING BOOK / Number 70 / 4 LAYETTES / A SHAWL AND A / REVERSIBLE PRAM COVER / 1'3knitting handicrafts - history, paragon art needlecraft, knitting, handicrafts - history

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).Black silk, with multi-coloured embroiderery Manton de Manila shawl. The shawl was owned and once worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. It probably dates from the 1930s.evening wear, piano shawl, manton de manila, doris bennett (nee wilmot), women's clothing

Nylon was a very popular material in 1950sA lady's detachable white nylon semi shawl collar with 3 rows of machined lacenylon, machined lace, dressmaking, craftwork, bentleigh, moorabbin, cheltenham, clothing

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the modern day.Colour photograph of seated woman wearing a white shawl spinning a length of blue wool[catalogue number written on reverse in pencil]churchill island, photograph, blacksmith, salty, hank

Terracotta Sculpture of a seated female nude holding a billowing shawl over her head. Nonematcham skipper, sculpture, terracotta, woman, nude

Hand made 1850 in the United States of America.Cream silk self-embroidered shawl, with deep crochet base, finished with long tassels

Donated to Donor by an elderly friend who had been given the items. Donor has had them for 20 years.Beige Shawl. Size 20cm x 80cm. Shantung silk. Triangular shawl with fern pattern. Self embroidery around edge, plus a 12cm fringe also around the outer edge on centre front edge at top and centre lower edge.costume accessories, female

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The fabric of the shawl is square with a black border around the outside edge. Along the inside of the border is an Australian floral design that is inspired by the artist Margaret Preston and appears in tones of red, white, green, yellow and black. The centre of the shawl is primarily cream in colour with stripes of green running across it, these lines are organic in their shaping. In the very centre of the shawl, intersecting the lines, is a motif of Australia in black created by a cross hatching of curving lines.Label- Tee - Dee1992 barcelona olympics, sport, athletes, fashion, design, uniform

This is a woman's kilt (skirt, shawl and pin). Two of the objects were made by the Fletcher Jones clothing company. The Tartan is the Australian tartan which was designed by John Reid, a Melbourne architect, when he entered a competition run by the Scottish Australian Heritage Council. He chose the colours of the Outback as the basis of his tartan. The tartan is design registered in Australia (No. 97439). (Source: District Tartans, P. Smith and G Teall, 1992). This outfit was possibly made around 1990. David Fletcher Jones who served in World War One had a itinerant drapery business in the Western District before opening a tailoring business in Warrnambool in 1924.He began to specialise in men's clothing and in 1946 opened a shop in Melbourne. In 1948 he opened a clothing factory in Warrnambool and formed a new company Fletcher Jones and Staff. The company expanded to all states of Australia and included the manufacture of both men's and women's clothing making it one of the best known clothing companies in Australia. The company dissolved in 2011 This is a fine example of a Fletcher Jones clothing product and comes from a firm which was a dominant industry in Warrnambool and known Australia wide. It has further cultural significance being in The Australian Tartan..1 An orange/tan checked woollen kilt with a pleated skirt and straight panel at the front with a side fringe and a metal buckle It has an adjustable waist with buttons and metal clips. .2 A triangular shaped shawl in the same material as .1 .3 A metal pin or brooch in the shape of a sword and a circular piece with a swan image and a motto ENDURE FORT..1 Fletcher Jones AUSTRALIA'S FINEST CLOTHING PURE NEW WOOL .2 FLETCHER JONES AUTRALIA'S FINEST CLOTHING MADE IN AUSTRALIA .3 ENDURE FORT fletcher jones clothing company, warrnambool industries, australian tartan, tartan, australian tartan kilt, fletcher jones kilt

Hand knitted cream wool shawl. Garter stitch centre. Deep fan and feather stitch border.costume, infants'

Silk piano shawl with deep cream silk fringing. White background with embroidered flowers, birds and flowers.manchester, bedding, handcrafts, needlework

Black silk shawl. Green leaves. Hand embroidered yellow and pink roses and crocheted black silk fringe.costume, female

Clothing. Cream silk shawl, with elaborate silk floral embroidery at each end, and finished with a 12 cm deep. silk hand-knotted fringe at each end. Edges are hand-rolled and hand- stitched. Single floral embroideries are spaced across the body of the shawl, in rows of three embroideries.costume, female, silk embroidered shawl

Often referred to as Assiut shawls, where they were made.Cream-coloured cotton bobbinet ground, hand-embroidered with flattened metal strips.shawl, metal embroidery, egyptomania, 1920s fashion, assuit shawl

Wilhelmena, born 1856 on the ship "Wilhelmena" en route to Australia. Parents Robert and Margaret Anderson. Glen Isla was built in 1868 (added to in 1887-88) to become a Boarding House, run by Wilhelmena. Married James Young, became first Sewing Mistress at the Phillip Island School. died 20/09/1938.Wilhelmena Young seated in cane chair, covered with shawl. Home Glen Isla in background, shortly before her death.local history, photography, photographs, slides, film, wilhelmena young nee anderson, black & white photograph, mrs emma anderson jacobs

Triangular cream coloured knitted woollen shawl with open stitch cross design and 2 open stitch diagonal lines at edges.churchill island, working horse festival, sheep to shawl challenge, shearing, spinning, knitting, wool

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the modern day. This photograph was taken inside Rogers Cottage and shows two previous volunteers at Churchill Island - Cora Van Dyke and Susan TristColour photograph of two women in mob caps and woolen shawls, posing in period costume in front of a lit hearth in Rogers CottageLEFT CORA VAN DYKE/RIGHT SUSAN TRIST/2012 [written on reverse in pen] [catalogue number written on reverse in pencil]churchill island, photograph

Black and white photo on buff coloured board. Image shows man dressed in Lodge clothing ( unknown Lodge ) On RH side of shawl 'TA' entwined in script initials. On LH side, starburst brooch and medal pinned above. Image probably Joseph Davies, with Royal Humane Society medal pinned to Lodge shawl.person, mining, joseph davies, joseph davies, lodge, royal humane society

Photograph depicts Mrs Elizabeth Holland, grandmother of Tom Wicking.Photograph of female adult with hat and shawl. Oval shape, gilt wooden frame. Depicts Mrs Elizabeth Holland, grandmother of Tom Wicking.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, historic photograph, elizabeth holland, tom wicking