The Ballarat Technical Art Schol was a division of the Ballarat School of Mines and opened in 1907. The 1908 Prospectus (cat. 4887) explains the diffreence between elementary, intermediate and advanced.Long purple marbled book rith red tape spine. Inside are pages of perforated enrolment slips, with 6 to a page.ballarat technical art school, enrolment, enrolment slip

Red ink on paper featuring an unofficial emblem representin the six Ballarat College of Advanced Education schools.ballarat institute of advanced education, ken clements, academic registrar, emblem, logo

Black ink on white paper.ballarat institute of advanced education, ken clements, academic registrar, emblem, logo

Rectangular white cotton embroidered pillow shamhousehold linens, bed linens, pillow cases

Form used to record ticket revenue, passengers, trips, and pay in details and general information for the Victorian Railways Sandringham - Black Rock - Beaumaris Motor Coach service. Values in decimal currency. Used at the Sandringham Depot.Demonstrates a Victorian Railways Pay-In or Revenue Journal for a tram replacement bus.Form printed on special size paper - form MT32vr buses, victorian railways, buses, forms, pay-in, revenue journal, sandringham depot, sandringham to black rock

This fine linen pillow slip was made in Austria about 1880. The insertion of French Valenciennes lace is of about the same date, being 5.0 cms wide and having a round ground. The border frill is also of French Valenciennes lace being a little earlier around 1850, it is 16 cms wide and has a square ground. The pillow slip was made especially for the mother of a first grandchild.Pillow slip with Valenciennes lace insertion and border

Senhouse Slip with square hookflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, senhouse slip, senhouse, slip

This lady’s hand sewn white cotton 1/2 slip withe lacework flounce is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's hand sewn fine cotton 1/2 slip with drawstring waist and lacework flounce clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

Pillow slip made by Emily Templeman for her Glory Box in 1917.|Emily was Bruce Reynolds Aunt.Fine white cotton pillow slip with 9cm frill with lace edge, and lace insertion and pin-tuck insertion tapes for closure.manchester, bedding

This lady’s cotton 1/2 slip with a large lacework flounce and elastic insert at waist is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's white cotton 1/2 slip hand sewn with lacework flounce, and elastic insert at waist clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

This white cotton lady's slip bodice is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin ShireThe Blackburn family were early settlers in Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. Fitted, fine white cotton lady's short sleeved slip bodice. Five front buttons. Hand embroidered satin stitch scallops on both sleeves and at neckline.brighton, moorabbin, pioneers, dressmaking, dendy henry, market gardeners, craft work, blackburn nance

Jane Annois had a long involvement with Potters Cottage in Warrandyte, where she taught for many years. Potters Cottage was established in the late 1950s in Warrandyte as an artist co-operative. Founding members included Reg Preston, Phyl Dunn, Gus McLaren, Artur Halpern, Sylvia Halpern and Elsa Ardern. These talented artists had the ingenuity and foresight to create a teaching studio, gallery shop and restaurant to experiment, make, promote and sell predominantly domestic wares of the time. These activities helped financially sustain each member’s individual creative practice. Potters Cottage was influential in the development of contemporary ceramics, building and developing practices that experimented with traditional ceramic processes, raw materials and locally sourced clay. The group mentored and nurtured many interested in the art of ceramics, producing alumni and teachers such as Peter Laycock, John Dermer, Greg Daly and Jane Annois. Jane Annois is a ceramic artist who has lived and worked locally in Warrandyte for many years. She focuses primarily on exploring the art of Japanese raku, adapting the technique to develop the typical characteristics of crackle glazes and lustres, with contrasting areas of black. Jane also applies a fine slip called terrasigillata which gives soft, warm ochre colours. This technique was once used by the Greeks over 2000 years ago to seal and decorate their pots. She is also strongly onfluenced by the French potters, particularly in the style of terre vernissee, a decorative form of terracotta tableware. Three piece stoneware and raku fired ceramic sculpture. The first piece is a hollow, dome shaped object. It is orange (terracotta slip) in colour with a copper metallic band and a black edge on one side with a small yellow glazed rounded triangle and metallic strip of colour on the otherside. The second piece is shaped like a traditional vase. It is orange (terracotta slip) in colour with white crackle on the inside. It has a yellow slip edge with a dark glazed square on one side and on the other side a black thick edge that mirrors the contour of this shape. The third piece is shaped loosley in the form of the letter 'z'. It compliments the second piece with a yellow slip edge and black glazed square to its lower left side and top right as well as on its' other side a black thick edge that mirrors the contour of this shape. This piece has a very small skewed square opening at its' top. All three pieces have elements of crazing and variations of colour and lustre, caused by the raku process. 2006.52.1VA has the artist name/signature 'J. Annois' inscriped small (with fine point ceramic tool?) on the front of the piece, bottom right; 2006.52.2VA has the artist name 'Jane'? inscribed (unlegible - with fine point ceramic tool?) underneath; 2006.52.3VA has the artist name/signature 'Jane Annois' inscriped (with fine point ceramic tool?) inside its hollow form. evolution, raku, stoneware, terrasigillata, terracotta, glazes, slip, terre vernissee

This white cotton lady's slip bodice is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire. The Blackburn family were early settlers in Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. Fine white cotton lady's slip bodice. Front opening with five buttons. Hand embroidered satin stitch scalloped edges to both the sleeves and neckline. Good condition.clothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work, blackburn nance

This white cotton lady's slip bodice is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire. The Blackburn family were early settlers in Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. Undergarment. Front opening soft, white cotton lady's slip bodice with short sleeves. Hand embroidered satin stitch scallops to both the sleeves and neckline. Five button opening - one button is missing. clothing, brighton, moorabbin, pioneers, dendy henry, dressmakers, market gardners, craft work, early settlers, blackburn nance

Pomoca is Swiss based company established by Louis Dufour, a hotelier in Avants, Switzerland. His son Éric developed the production of non-slip skins, and later adhesive skins, as well as many other mountain accessories in1940s.The glue was used by the donor to glue skins on his cross country skis when skiing on the Bogong High Plains.This item is significant as it was an important product used in the ski industry.A small tube of Pomoca skins glue in a blue container with white behind brand section. The box also features instruction in German and French.COLLE POUR PEAUX POMOCA ANTIDERAPANTES DE SKI Translation - Glue for Pomoca anti slip ski skinsski equipment, ski skins, pomoca products

Hardcover w/Dust JacketDonation slip/MCRIwalsh st library

Bid or Buy website https://www.bidorbuy.co.za/item/338985636/Antique_wooden_glass_photo_print_frame_Jaynay_non_slipping_patent_frame_as_per_photo.html Antique wooden glass photo print frame - Jaynay non-slipping patent frame - as per photo Another item described as 'vintage wooden photos print frame for glass negatives - as per photo Six vintage wooden photo print frames for glass negatives, three small, 2 average and one larger. System of wedges and sprung brackets to hold glass, velvet / felt covered wooden backs into frames. Some possibly made from recycled wood.One stamped on back ' THE JAYNAY NON-SLIPPING PATENT FRAME'. Another with 'PRIMUS BRITISH MADE' on back. Another with written in pencil on front of frame 'NONA TURTON' .photographic equipment, negative frame

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Slip cast figuresart, artwork, venetia elbourne, venetia elbourne-hobbs, ceramics, horsham campus art collection

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week in 2007. The total donation value is $110. The wallet was given out to Legatees for them to sell and then bank the proceeds using the banking slip and returning the green form to Legacy House for reconciliation. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt, the different colours correspond to the different badge colours and values.Example of how Legacy badges that were sold up to raise money for Legacy's work. White cardboard badge wallet with 19 badges of various denominations with accompanying coloured receipts, plus a banking slip, green form and letter explaining the process.legacy appeal, fundraising, badge week

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week in 2007. The badges are all stick pins. The total donation value is $110. The wallet was given out to Legatees for them to sell and then bank the proceeds using the banking slip and returning the green form to Legacy House for reconciliation. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt, the different colours correspond to the different badge colours and values.Example of how Legacy badges that were sold up to raise money for Legacy's work. White cardboard badge wallet with 19 badges of various denominations with accompanying coloured receipts, plus a banking slip, green form and letter explaining the process.legacy appeal, fundraising, badge week

Robin Boyd article "The Counter-Revolution Architecture", pp 53-60.Transmittal Slip 7 April 1961architecture, walsh st library

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week in 2007. They are stick pins. The total donation value would $110 but one green $10 pin is missing. The wallet was given out to Legatees for them to sell and then bank the proceeds using the banking slip and returning the green form to Legacy House for reconciliation. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt, the different colours correspond to the different badge colours and values.Example of how Legacy badges that were sold up to raise money for Legacy's work. White cardboard badge wallet with 18 badges of various denominations with accompanying coloured receipts, plus a banking slip, green form and letter explaining the process.legacy appeal, fundraising, badge week