Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy

This short wooden barbed spear (138.5cm) has the head and tail bound separately to the shaft using sinew and resin. The tail is angled at about 20 degrees to the shaft. The barb is also bound to the head with sinew at 9cm from the spear tip.

Harpoon wooden handle, known as a Hand Lance or Killing Iron. Used to kill the whale after it was harpooned. Spliced piece of rope wound around spear head. Handle is tapered at throwing end and where handle joins metal spear.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, whaling, harpoon, fishing industry

Gold representation of an Aborigine wearing a possum skin cloak holding a spear, with kangaroo, emu and platypus.aborigine, aboriginal, kangaroo, platypus, emu, possum skin cloak

Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Aboriginal woman in possum skin cloak and holding a boomerang and spears. Woven baskets and a boomerang sit at her feet.aborigine, aboriginal, queen mary, fred kruger

Thick impasto painting depicting an indigenous man with two spears and seven kangaroos in a red landscape with large rock. Signed (L.r) 'Eric Stewart 76'. eric stewart, painting, landscape, indigenous male, kangaroo, ayers rock

This wooden spear has separate tip, barb and tail extensions bound by sinew and resin. The spear head is flattened on the barb side and sharpened to a fine point. The side opposite the barb is convex. The shaft has a tail extension which is 25cm long and bound with resin and sinew to the shaft at an angle of 20 degrees.The head has a subtle cross hatch design between the barb and the neck.

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. In the Nineteenth and Twentieth centuries, there were large numbers of games produced for children and adults. These included: arcade games, board games, playing cards and puzzles. A representative sample, many now rare survivors, can be found in the collection."Flower Lotto". UK, circa 1950s. Flower Lotto was a product of J.W. Spear & Sons, founded in 1879 in Nuremberg, Germany, but also based in UK after 1932. Spear & Sons were a significant manufacturer of board games from the 1900s. The company was bought out by Mattel in 1994. Missing original box. flower lotto, games and puzzles, j.w. spear and sons

When he died at Camperdown in February 1883, Wombeetch Puyuun, also known as 'Camperdown George', was the last member of the Liwira Gundidj clan of the Djargurd Wurrung still living on Country.Image of Wombeetch Puyuun (Camperdown George) wearing traditional possum skin cloak and holding a spear at Lake Gnotuk, Camperdown, Victoriacdhs, wombeetch puyuun, djargurd wurrung, djargurdwurrung, camperdown george

This compound wooden spear with separate head, barb and tail is bound with resin and sinew. The tail is bound at an angle of 20 degrees to the shaft.

James S Steele tool boxHandsaw blade 560mm long. Has 4 Saw-screws on handle one holding the makers info. Made by Spear and Jackson Sheffieldflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The Uncounted Cost is one of a number of works written by Mary Gaunt. Her other works include, Alone in West Africa, A Woman in China, The End of the Earth, Kirkhams Find, The Moving Finger and Deadman’s. Mary was born at Indigo near Chiltern in 1862 and lived for many years in Ballarat where her father W.H. Gaunt was gold commissioner and later a judge. The original Gaunt family home was converted into St Patrick’s College. She married Dr Lindsay Miller and moved to Warrnambool and after his death in 1899 she embarked on her travels which took her to many parts of the world. She died in Cannes, France in January 1942.Mary Gaunt wrote over 25 novels, numerous travel books and many stories and articles. She had a strong link with Warrnambool and details of the district are included among her writings. She also wrote regularly in the early 1900’s for the Times in London on women issues. She was an independent thinker and worker. Blue hard cover with illustration in dark blue depicting one person sitting looking upwards to another person holding spear. 248 pages. Clementine E Coles written in black pen inside front cover. Dedication: To my friend Agnes Herbert. the uncounted cost, mary gaunt, alone in west africa, warrnambool

This type of rock was used to make sharp scraping tools and spear ends.This fist sized block of silcrete is yellow white and shows percussion marks in indentations where chips have been knocked off for use.

Rosemary Hassett's recollections of her childhood in Greensborough, growing up in the Spear family2 p., typescriptspear family, rosemary hassett

A cutting from 'The Sun News-Pictorial Magazine,' titled, 'Speared by Blacks, but Young Man of 70 Still Goes West.' Dated Saturday, September 16, 1939.The Sunhistory, australian, aborigines, lydia chancellor, collection, australia, history, australian history, aborigines, aboriginal contact

A greek coin that was discovered by QC Binks whilst he was out metal detecting for gold. On one side a figure is seated holding a spear. On the other is a head in profile.bendigo, gold mining, qc binks, qc binks, greece.

Wood veneer plaque with fabric crest of 1 Operational Support Unit RAAF:- White centre of two aboriginal weapons - spear and woomera. Motto; Strike Furtherplaque, operational support unit, raaf

Coloured postcard with gold border inside a 0.8 cm pale green border. Card is titled 'Spearing Emus No.3'. It is a scene with two emus near a creek. An aborigine is in the creek with a raised spear and two spare ones lying on the bank. He is holding some branches in his left hand as a screen to hide himself from the emus. The emus are in cleared area. Card has rounded corners.postcard, photograph, australiana, postcard, spearing emus

Wooden plaque with oblong shaped copper emblem featuring two rifles on either side of PNG shield with two spear plumes and two swords above "Proficiency with Knowledge"plaque, training centre

Given to the Society's Museum by the Nunawading Rotary Club following their visit on 14 February 2001.Nickel plated spear shape letter opener with round emblem inscribed with Rotary International on blue panels on cream and gold circle. Centre crossed with blue panels covered with plastic.Rotary Internationalcivic mementoes, souvenirs

This photograph shows the Orbost Butter factory, which in 1917, installed a very successful electric light. the dark heap to the left of the road is Supposedly the grave of "Dan the Cook" who was speared by Aborigines in 1857. Dan Moylan, known as "Dan the Cook"was speared to death in 1851 at Orbost Station, Snowy River as punishment for kidnapping a young Aboriginal girl and holding her for three days, refusing to release her. The men of the tribe congregated at Dan's hut. When Dan came outside, a volley of spears was launched at him, killing him. In the tragic aftermath, the camp at Milly Creek was attacked in retribution and a number of Gunai/Kurnai people were killed. The Orbost Butter and Produce Co. Ltd was registered on June 1st 1893 and was an important source of income to the Orbost district. These photos are pictorial records of the Orbsot Butter Factory.A black / white photograph showing a large white building and factory beside it. on the verandah are about thirty milk churns. There are three men standing astride bicycles in front of the verandah. On the left hand side is a mound of dark soil??

Born in 1893, Anthony Bolam was the Station Master at Ooldea Siding on the Trans-Australian Railway from 1920 to 1925. Bolam was very interested in Aboriginal culture and was a careful and sympathetic recorder of their lifestyle, customs and ceremonies. A keen photographer, he took many photographs of the Aboriginal people who congregated at Ooldea Siding in the early 1920s. Many of these photographs were included in this book. He died in 1966. This item is a useful research tool as it contains a contemporary description and photographsof the Aboriginal people of Ooldea, a tiny settlement in South Australia, on the eastern edge of the Nullarbor Plain. A small 134 pp book with a red and white cover which has a photograph of an Aboriginal holding a spear. The book has some full-page b/w plates and a folding map at the end.inside on front page - No. 58

Rosemary Hassett and Max Spence are each interviewed by June Hall. They discuss memories of growing up in Greensborough and Montmorency and Rosemary's connection to the Spear family.1 audio cassette in plastic caseSide 1: "Rosemary"; Side 2 "Max".june hall, oral history, max spence, rosemary hassett, spear family

Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.Iron pointed spear with 4 sides opening for handle where there are 3 sides the missing face being on one of the narrow sides. Split where iron has come apart is opposite the opening and is 60 mm long. tobacco. kiewa valley. spear. burley