Centaur Pharmacal Co., New York. Clinton-Williams Ltd, Sydney. Collection originally owned by Strauss family of Waverley Rainbow (on road to Lake Albaculya, 12 miles from Rainbow).Genuine phosphorated iron (label) Santolyn Brand (label)

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Die Fledermaus. LP 33RPM vinyl - Box set, Catalogue Number: D277 D2, Unopened with plastic wrap intact. Composer: Johann Strauss, Australian Opera; Conductor: Richard Bonynge; Australian Opera Chorus (Chorus master: Martin Hadley) The Elizabethan Sydney Orchestra (Concert master Ladislav Jasek).lp, sound recording, opera

Colour photograph: Grade 5 team : back row : Rachel Haythorne, Brenda Miles, Leanne Atherton, Anita McLean, Leanne Strauss, Mrs. B. O'Shea coach) Front row: Elizabeth Sheen, Natasha Lister, Linda Thompson. Sign in front: Golden Square Primary School 1980 netball C3.bendigo, education, golden square primary school

pp. 10-11 The Big Picture ... A moment of stillness in the chaos of Opera Australia's new production of Richard Strauss's Salome, starring Cheryl Barker (far left) in the title role, alongside Jacqueline Dark as Herodias (left) and John Pickering (kneeling) as Herod. jacqueline dark, salome, opera, opera australia, cheryl barker, john pickering, strauss

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Gay Rosalinde (Die Fledermaus)' by Johann Strauss. The performances were held in the Kew City Hall, in Cotham Road. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, performing arts, die fledermaus, gay rosalinde, theatre groups (kew), kew city hall

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Die Fledermaus)' by Johann Strauss in 1962. The performances were held in the Kew City Hall, in Cotham Road. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), performing arts, kew city hall, die fledermaus

Row 1: Neil Furlong, Michael Azzopardi, Juanita McCleary, David Watson, Paul James, Robert Lothian. Row 2: Peter Cooke, Adam Hooley, Andrew Black, Greg Kirk, John Strauss, David Jones, Darren Griffiths, Greg Nicholls.Colour photograph of ambulance officer traineesambulance officers training centre

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Stanley Wilson or Howard Bell, who performed on different nights as Frank, the governor of the gaol in the "Q" Theatre Guild's performances of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

A group of internee children from grades 1 and 2. Left to right: Teacher Michael Baer, ?, Horst Boerner, Konrad Linsenmeier, Eckehard Gufmann, ?, ?, ?, ?, Gerda Baer, Hannelore Zimmermann, ?, ?, Gottfried Stuerzenhofecker (son of Dr Alfred Stuerzenhofecker), Theo Baer, ?, ?, Herman Rainer, ?, Rotraud Stretcher, Irmela Linsenmeier, Hermine Strauss.Black and white photograph of two men and a group of children with huts at the back left and right and trees in background. Four girls are sitting. The number 844 in front of them.camp 3 children, camp 3 teachers, michael baer, horst boerner, konrad linsenmeier, eckehard gufmann, gerda baer, hannelore zimmermann, gottfried stuerzenhofecker, dr alfred stuerzenhofecker, theo baer, herman rainer, rotraud stretcher, irmela linsenmeier, hermine strauss, 844

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Richard Strauss: Seven Songs; Mozart: Four Concert Arias. LP 33RPM vinyl, Catalogue Number: ASD 2493, Cardboard Cover, Paper sleeve, 1 Vinyl disc, lyric sheet inside with translations by William Mann (c) 1969, made in Great Britain. Singer: Elisabeth Schwarzkopf (British Soprano); Conductor: George Szell; Music: London Symphony Orchestra, Edith Peniemann (Violin), Alfred Brendel (piano).lp, sound recording

Coloured photo of the Grade 6 Netball - A3 Team of 1981. Photo taken in library. The girls are wearing yellow t-shirts with a printed emblem and Golden Square printed on them and dark blue skirts. The coach, Gloria Mackay, is dressed in blue. The names of the girls are: Natasha Lister, Anita McLean, Leanne Atherton, Kellie Mackay, Samonne Mathews, Luellen Bowe, Linda Thompson, Andrea Dalrymple, holding a ball, Elizabeth Sheen and Leanne Strauss.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - photograph grade 6 netball - a3, gloria mackay, natasha lister, anita mclean, leanne atherton, kellie mackay, samonne mathews, luellen bowe, linda thompson, andrea dalrymple, elizabeth sheen, leanne strauss

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of a group of performers and organisers in the "Q" Theatre Guild's performances of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. A characterful photograph that includes Marg Moir - Ida/rehearsal pianist, Phil Wakenshaw - Props, Marion Tilley - costume designer and wardrobe, Den Lynch, Maureen Lynch, and Mary Dupuy.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Marg Moir, Phil Wakenshaw, Self, Wendy ****, Maureen Lynch, Mary Dupuy". She was to add at a later date: "My dress was grey satin. Denise Lynch: brother Phil Lynch MP. Mary Dupuy went for holiday with daughter 1962 became ill in car was dead by the time a doctor arrived."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)