‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching on papergippsland, artwork, permanent collection

Cliff Beauglehole was an orchardist at Portland, Victoria, who throughout hislife took an intense interest in the plants of Victoria. Over his lifetime he collected 90,000 plant specimens as part of a comprehensive study of Victoria's plants and wrote thirteen books under the heading The Distribution and Conservation of Vascular Plants in Victoria, each written to cover the 13 study areas of the Victorian and Conservation Council.A mounted botanical specimen.beauglehole herbarium, herbarium specimen, botany, herbarium, plant science, plant specimen, field naturalists' club ballarat, federation university herbarium, wahlenburgia stricta, campanulaceae, tall bluebell

ill, p.48.non-fictionPhotographs of steam hauled trains working on the New Zealand Railways.railroad pictorial - new zealand - history, railroads - new zealand - history

This book focuses on the minute books of the Monbulk Progress and Fruit Growers Association from 16 October 1918 and explores the background to, and the significant issues and events reflected in the minutes eg. industrial relations, transport, marketing and corruption. The memoirs of George A'Vard relate his experiences in growing and carting raspberries.Soft cover bookmonbulk historical society, monbulk progress and fruit growers association, george a'vard

This group of girls participated in the school concert in Linton's centenary year. The concert was held on 19th December 1939. There are no names to go with this photograph.Black and white photograph of a group of young girls wearing large bonnets.Reverse: " Sweetpea Ladies / School Concert / 19th Dec 1939 / Somewhere in Linton ".linton state school no. 880, school concert 1939

This feeder was used by the parents of Gerard Anderson to feed him Lactogen in 1922. Correspondence on file from donor.Clear glass feeding bottle. Bottle is curved, somewhat resembling the shape of a banana, with a bottle neck at either end. A flat depression on the underside allows the object to lie on a flat surface. The back of the bottle is marked in ounces, and the front is marked in tablespoons. Embossed on the front is a picture of a beehive on a stand with the words: 'EVER SWEET/SANITARY FEEDER'.'EVER SWEET/SANITARY FEEDER'infant care, infant feeding