Showing 142 items
matching tape lace
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Stawell Historical Society Inc
Clothing - Costume and Accessories
... Black Net Bodice, Front Decorated with Lace. Tape ties... Decorated with Lace. Tape ties silk covered buttons. Stawell ...Black Net Bodice, Front Decorated with Lace. Tape ties silk covered buttons.stawell clothing material -
Churchill Island Heritage Farm
Clothing - Bed Jacket, c 1860
... Princess lace which is a type of tape lace made in Belgium... of tape lace made in Belgium in the late nineteenth and twentieth ...Another delicate item, this bed jacket has been made with machine made cotton net which has seams joined with bobbin tape. The hand appliqued motifs on the back of the jacket are possibly Princess lace which is a type of tape lace made in Belgium in the late nineteenth and twentieth centuries. There are two types of Princess lace, one is where the tape shapes are sewn on to net and the other is where the shapes are linked together to form a type of guipure lace. This could be an example of the former known as an applique lace. Unfortunately one of the cuffs has become detached. Packaged with note: "Limerick lace bed jacket Janet Amess 1860 from Kel Bright collection with separated cuff" Packaged with note: "Machined lace bed jacket. Janet Amess 1860The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Motifs hand sewn on to machined net; bobbin tape on seams (NGV) Princess machine lace machine made motifs hand-applied Packaged with note: "Machined lace bed jacket. Janet Amess 1860. From Kel Bright Collection with separated cuff".janet amess lace collection, lace, churchill island, janet, amess, bed, jacket, garment, clothing, hand, sewn, bobbin, machine -
Whitehorse Historical Society Inc.
Clothing - Blousette, 1930s
... chemical lace. Cotton tape ties with centre from hook and button... trimmed with cream chemical lace. Cotton tape ties with centre ...Cream Georgette and voile revere collar trimmed with cream chemical lace. Cotton tape ties with centre from hook and button loop. Back is voile and front and collar are georgette.costume, female -
Whitehorse Historical Society Inc.
Clothing - Pinafore
... from neck to waist held in place at waist with lace. Tape... with lace. Tape at neck to fasten. Open down back with three buttons ...Childs white lawn pinafore with Broderie Anglais all around edge, two ties at waist with Broderie on each end. 8 cm tucks from neck to waist held in place at waist with lace. Tape at neck to fasten. Open down back with three buttons.costume, children's -
Whitehorse Historical Society Inc.
Clothing - Camisole
... lace at neck. Lace decoration on bodice and sleeve edge. 5.... White tape drawstring at waist. Lace decoration at back. costume ...White cotton camisole with purple ribbon threaded eyelet lace at neck. Lace decoration on bodice and sleeve edge. 5 pearl buttons concealed in placket. White tape drawstring at waist. Lace decoration at back.costume, female underwear -
Bendigo Historical Society Inc.
Clothing - SHORT SQUARE NECK CAMISOLE, Late 19th C
... at back. Casing at hem with 1 cm cotton tape tie. Crocheted lace..., square neck, crochet lace top with yoke, cap sleeves front ...Clothing. Camisole. Short camisole, square neck, crochet lace top with yoke, cap sleeves front and back of crocheted lace. Gathered cotton section attached to crocheted yoke. Tie at back. Casing at hem with 1 cm cotton tape tie. Crocheted lace yoke made up of eight pieces stitched together. .costume, female, underwear -
Kew Historical Society Inc
Clothing - Chemisette, 1900s
... are edged with lace. A row of ribbon insertion lace tape is attached... and neckline are edged with lace. A row of ribbon insertion lace tape ...The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Chemisette with a square neckline and three buttons down the front. It has an attached peplum. The sleeves and neckline are edged with lace. A row of ribbon insertion lace tape is attached to fabric of neckline. 30 mm in from the front of the neckline is a row of drawn thread work. Bodice is also decorated with 4 rows of triple pin tucking. The garment is short sleeved. The buttonholes are concealedlace, women's clothing, underwear, camisoles, chemisettes, undergarments -
Bendigo Historical Society Inc.
Clothing - CAMISOLE, Late 18th C; early 20th
... peplum. Cotton tape tie at waist. Lace yoke octagonal in shape... with three buttons. Small peplum. Cotton tape tie at waist. Lace yoke ...Camisole. Cream coloured cotton. Lace yolk with short sleeves edged with lace. Front opening with three buttons. Small peplum. Cotton tape tie at waist. Lace yoke octagonal in shape, 9cm deep. Round neckline edged with lace - 2.5cm deep. Machine stitched. Drawstring tape at waistline. Three fabric covered buttons. Hand stitched button holes.costume, female, underwear -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S GOWN, 1890-1910
... . Round neck with casing for cotton tape ties. 2cm lace trim... gown with long sleeves. Round neck with casing for cotton tape ...Clothing. Infant's white cotton gown with long sleeves. Round neck with casing for cotton tape ties. 2cm lace trim around neck. Back opening (18cm). Gathered at back from neckline. Front has pintucks from neckline to broiderie lace band at waist (15cm X 2.8cm). Gathered below band. Cotton fabric ties (66cm) attached to either side of waist band.Centre front of bodice has vertical lace insert (10cm X 2.8cm) from neck to waist. Ties and sleeves trimmed with 1cm lace. French seams. Machine stitched. Old box 230.costume, children's, infant's gown -
Whitehorse Historical Society Inc.
Clothing - Baby's dress and bolero, c1927-1929
... and buttonholes and white cotton tape tie from lace at neck.|Bolero... (dolman) style with buckingham point lace inserts. Square neck ...Baby clothes worn by Una Reynolds, member of the Society. Born 1927, died 2003.Creamy-white, fine voile baby's dress.Bodice and short sleeves in magyur (dolman) style with buckingham point lace inserts. Square neck in lace edged with lace edging gathering. Skirt with lace inserts and handkerchief hem, edged with gathered, wider buckingham point lace. Side seams of bodice and skirt are lace inserts. Back opening with two buttons and buttonholes and white cotton tape tie from lace at neck.|Bolero in same fabric and lace. Has Peter Pan collar edged and trimmed in lace with silk ribbon insert tied at neck. Sleeves and front opening edged and trimmed with lace; lower edge has handkerchief points trimmed with lace.costume, infants' -
Clunes Museum
Textile - DOLLS CLOTHES, 1932
... beige cotton petticoat, cotton tape shoulder straps, cream lace... petticoat, cotton tape shoulder straps, cream lace hemline .3 Hand ....1 Hand-sewn pink floral dress with cream trim .2 Hand-sewn beige cotton petticoat, cotton tape shoulder straps, cream lace hemline .3 Hand-sewn cream petticoat, cotton with lade hemline .4 Hand-sewn black georgette dress lace trimmed bodice, handkerchief hemline .5 Hand-sewn petticoat, black, handkerchief hemline .6 Hand-sewn floral dress, full skirt, Bertha collar .7 Hand-sewn salmon pink pants, beige trim Nilbrusaschi, dolls clothes, 1932, hand-sewn -
Ringwood and District Historical Society
Nightgown, White cotton christening gown with lace edging at sleeves and wrists. C early 1900's, c. early 1900s
Unknown - possibly Maggs familyWhite cotton christening gown with lace edging at sleeves and wrists. Inserted V with lace and lace band at front. Opening at neck back tied with tapes. Pin tucks under neck lace. Machine sewn. +Additional Keywords: Maggs Family -
Bendigo Military Museum
Uniform - UNIFORM AIF WW1, 4) Hat - Akubra et al, c.2000
A complete replica uniform set of clothing and all items that were or could be worn by a first AIF soldier.Light horse brigade .1) Jacket, 100% wool with cotton lining. 7th Battalion AIF colour patches with a brass A signifying original ANZAC on both sleeves. Right sleeve has sergeant's stripes & 5 blue & 1 red chevron stripes. Left sleeve has 3 brass bars re WIA 3 times. Rising Sun badges on each collar & Australia badges on shoulder straps. Belted at waist. .2) Jodphurs, khaki corded wool. Brass button up fly. .3) Braces, red, white & blue oblique striped. .4) Hat, size 57, khaki Akubra with felt pugaree, leather chin strap, & blackened brass Rising Sun badge on upturned rim. .5) & .6) Puttees, pair, khaki wool felt with khaki cotton tapes. .7) & .8) Boots, pair, size L, tan coloured leather with dark brown leather laces, leather soles with metal reinforcing on heels..1) & .2) Makers labels. .4) Hat: Akubra, Made in Australia; On badge: Australian Commonwealth Military Forces. on hat: "5.7 Akubra Made in Australia"uniforms-army, costume - male footwear, costume - male headwear -
Kiewa Valley Historical Society
Snow Shoes
Snow shoes were used to move between places on the snow fields at Falls Creek and the Bogong High Plains especially during the construction of the Kiewa Hydro Scheme.Historical: Snow shoes were used on the Bogong High Plains during winter. The body is made of light wood 'bamboo' with a back and front wooden cross bar. Between the front cross bar and toe, blue nylon is tied to form diamonds 'lacing', similarly the back. Between the bars, in the middle is cream coloured rope tied to form a strong basket. A shoe harness made of olive green vinyl to which is clipped brown strong woven material tape with a circular steel loop through which the tape is threaded. There are 3 steel fasteners on 1 side and 2 on the other with a black plastic fastener. At the front between the cream and blue woven baskets there is a gap called the toe hole. The rope is attached either side of the toe hole to the front wooden bar.snow. falls creek. bogong high plains. transport. victorian alps. -
Bendigo Military Museum
Book - BOOKS, RAAF, Queen City Printers Pty Ltd, 1942
W. C. ATKINSON RAAF No. 147081.1. Book - Heavy khaki coloured cardboard covers with black tape on left side and tied together with black shoe laces. 235 pages of cream paper. 2. Book - Grey, black, green, cream print on light cardboard cover. 64 pages, cream paper.1. RAAF 21324 FITTERS 11.A, Carpenter Riggers, Flight Riggers, Course Notes, Engineering School. Issue 4, 1942. 2. German Monoplanes, Aircraft Identification. Part Two 2nd Ed. 2/-.books, raaf, aircraft identification, course notes fitters -
Kiewa Valley Historical Society
Baby's Bonnet
Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative. This bonnet is very similar is style and fashion to other children's clothing in KVHS collection which indicates this was made during the early 1900's. This has good historical significance because it shows the fashions during the early 1900's which baby bonnets were made by women of the Kiewa Valley. This item also has good interpretive capacity as it adds to the other babies clothing in the KVHS collection and therefore increases the interpretive capacity for the children's clothesCream muslin with 1 cm wide lace around the face and neck. Pin tucks threaded with fine string and 2 tape ties 13 cm long. Also string used to gather the neck edge.baby. bonnet. christening. clothing. infant. -
Cheese World Museum
Textile, Bed jacket
The Uebergang family lived at Tooram Park, Allansford from 1912 to 1992. The bed jacket is part of a collection of items relating to rural life in the mid 20th century.White cotton bed jacket with scalloped satin stitch edging and cut work with butterfly motif lace insertions. Front closing with press studs and a tie. Cap sleeves with a V-shaped slit and butterfly motifs either side.201 (on tape at the side)costume accessories, female costume, uebergang, allansford, women's bed wear -
Warrnambool and District Historical Society Inc.
Clothing - Baby's Christening Gown, 1890
... cuffs. There is lace and draw string tape around the neck... with lace and embroidered cuffs. There is lace and draw string tape ...This Christening gown belonged to William Edward Housden who was born in Castlemaine in 1890 and died in Warrnambool in 1972. He served in World War One and married Lucy Knowles in 1921. It was on occasions, and still is, a common practice to make a special dress for a baby's Christening or to use a gown that has been handed down over the generations. This is a fine example of a Christening gown made for a baby 130 years ago.This is a Christening gown made of cream cotton. It is high waisted with a gathered skirt and a pintucked bodice with hand embroidered leaves and fine drawn thread work. The draw string waist opens at the back. It has long sleeves with lace and embroidered cuffs. There is lace and draw string tape around the neck. The seams have been machined.william edward housden, christening gowns -
Australian Racing Museum
Dress
Roselia Isabell Welch was an actress born 16 November 1838, probably in England. Father John Murrell Welch, mother Angela Towsey. Dress has been worn by her descendants.|This decorative day dress was worn by Roselia Welch to the 1872 Melbourne Cup. Roselia made her Cup Day dress by hand - she may have used a published dress pattern but her skill as a needlewoman is evident as the entire surface is decorated with narrow hand beaded black braid applied in a fern-like motif over the blue cotton fabric of the dress creating a lace-like effect.Dress worn by Roselia Isabel Welch to the 1872 Melbourne Cup. White lining inside dress, blue lining inside train. V neck, front hook and eye opening. Handmade hook holes down centre front. Set in sleeves with black piped armhole seams. Fitted bodice with black piped seams Flat front skirt, full bustle area at back with centre back opening. Floor length train. Blue printed label on lining of centre back panel, right side. Upper case letters 'SUP' visible. Brown tape at waist with hook. Two pairs of tapes either side of back opening for bustle. Black lace around neck, sleeve, train and back opening edges. Black cotton loop in centre of train. Inset pockets right side at hip level and very small one left side at waist level. Entire surface of dress decorated with black braid hand stitched in a fern-like pattern. -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Cream Camisole with a Lace Yoke leaving a square neckline. Opening at back with black press studs. Material silk bodice drawn at the waist with tape. McClure Family Collection.stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Cream Linen Calico Baby’s Night Gown. Made in Magar Style. Lace trimmed neckline with a chain stitched edge. Drawn up with a tape. Edge of sleeve button holed in cream silk. Place for Ribbon button holed. A spray worked in cream silk on front. Mrs Thelma Clark. stawell clothing material -
Brighton Historical Society
Bodice, circa 1900
This bodice, which originally had a matching skirt, belonged to Phoebe Richardson (nee Brinsmead, 1885-1956), who married Charles William Richardson in 1911. The family lived in Geelong. Brinsmead Lane, off the Bellarine Highway in Leopold, is named after Phoebe's family, being the original location of the family home. The bodice was likely made by a seamstress as the family were quite fashion-conscious. Phoebe's daughter Edna Baker (nee Richardson, b. 1914) wore this bodice as a dress-up as a child. She donated it BHS in the 1980s and provided additional information on it when visiting the Society in 2004.Khaki green silk bodice, boned around waist. Ecru cotton lace overlay on sleeves and high neck. More lace over shoulders, gathered and tapered down front of bodice. Stripes of velvet ribbon around yoke. Four more stripes of velvet ribbon around upper sleeve, and three around each cuff. Velvet bows and metal buckle at waist. Tape at waist with hooks to attach to skirt. Lined with brown fabric. 20 mother-of-pearl buttons down front.phoebe richardson, phoebe brinsmead, edna baker, 1900s -
Orbost & District Historical Society
night caps, early 19th century
Worn by the grandmother of Marjorie Burton (nee Whiteman) in England early 19th century. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. When she was admitted to Waratah Lodge, Orbost, following a stroke, her daughter Ann Quaadgras donated a number of her mother's personal belongings to the Orbost & District Historical Society. Marjorie died in 2015.These items are examples of the needlework skills of women in the 19th century. They are items which are no longer commonly worn.Two night caps. 2483.1 is a pink lady's night cap, hand sewn and cotton edged in lace. It has been embroidered with pink flowers. the straps are red. 2483.2 is a hand sewn man's night cap of pale striped cotton. It is brown, and grey stripes on a white background with white tapes for tying. night-cap sleepwear burton-marjorie -
Orbost & District Historical Society
lace dickie, Early 20th century
A dickey is a type of false shirt-front that was originally intended to be worn with a tuxedo. Women made their own lace dickeys as a way to spice up their wardrobe. It was designed to be worn at the front, so that the lace decoration showed underneath another garment. This dickey is small and was worn by Marjorie Burton as a child. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. She came from a middle-class working church-going family. Her mother was a milliner who made most of Marjorie’s clothes, hats and outfits. This item is an example of a handcrafted item and reflects the handcraft skills of women in the early twentieth century.A small lace cream / white dickie. It is hand-made and double layered. There are two tapes sewn at both side at the bottom and there are 3 press studs for closing at the back. dickey women's-clothing accessory burton-marjorie -
Orbost & District Historical Society
lace collars
Two lace collars made of coffee-coloured lace. .1 has an edge bound with tape. .2 is a rectangular strip.lace collars accessories -
Warrnambool and District Historical Society Inc.
Book, The Domestic liturgy & family chaplain, 1846
This book belonged to John Cowtan. He was a purchaser of land near Cassady’s Bridge in Warrnambool and an important and early settler in Port Fairy. The land that John Cowtan selected was bought by Williaam Cassady whose sister, Ann, was married to John Cowtan. Cassady established the property, Boughton where Cassady’s Bridge is today. This book came from a Cassady estate sale early in the 21st century. Between 1839 and 1844 John Cowtan was a ship’s captain for John Griffiths, a shipowner and entrepreneur. In 1844 Cowtan established a merchant trading and produce business in Port Fairy with John Bland. In the 1860 John Cowtan went to live in Melbourne.This book is of great interest because of its early date (one year after the founding of Warrnambool) and because of its association with John Cowtan, a pioneer settler of Port Fairy with connections to Warrnambool.This is a brown leather cover book of 385 pages. The spine has gold lettering. The binding has come apart and has been mended with white cotton material on the inside of the cover. The insides of the cover have a brown, white, blue and yellow mottled pattern. The cover is stained and torn at the edges and has a deep gouging on the front. The first page has been torn and mended with tape and some of the pages are stained. There are two pressed fern fronds, one loose newspaper cutting and a bookmark with a sepia-coloured image, lace paper edges and coloured embroidery contained within the pages. The book has a preface and 58 chapters. The inscription is handwritten in black ink. ‘J. Cowtan 1848’ john cowtan, port fairy history, william cassady -
Kew Historical Society Inc
Clothing - Camisole, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton cutwork camisole. Tape insert around waist, ribbon insert around neckline. Front and back have a band of hand worked cutwork leaf sprays, as do the sleeves. The neckline is round. The garment is short sleevedlace, women's clothing, australian fashion -
Kew Historical Society Inc
Headwear - Women's Mop cap, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Circle of muslin, lace edged, with an attached bias tape to form a tube for gathering capfashion and textiles collection - kew historical society, lace, women's clothing, australian fashion -
Kew Historical Society Inc
Clothing - Broderie Anglaise Camisole, 1910s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Camisole with pearl buttons. Two circular floral motifs on either side of front buttons. Broderie finish to armholes and the back. Joined peplum for gatherhing tape at waist linelace, women's clothing, lingerie, broderie anglaise, undergarments -
Kew Historical Society Inc
Clothing - Lace Collar, 1950s
... White lace gathered onto tape which can then be sewn onto... Collar Clothing White lace gathered onto tape which can ...The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. White lace gathered onto tape which can then be sewn onto a garmentlace, women's clothing, collars