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Parks Victoria - Mount Buffalo Chalet
Teapot
Original Victorian Railways teapot, part of the silver service at Mt Buffalo Chalet. Part of Victorian Railways silver service. When the Victorian railways took over management of the Chalet from 1 October 1924, they ran their dining room and café in similar fashion to the dining cars on their trains and refreshment rooms on their stations, using the same ceramic hotel-ware and electro plated nickel silverware (EPNS), all made to order items that are clearly identified by the distinctive 'VR' monogram. The Chalet retains a good selection of the diverse range of EPNS item formerly used in the dining room..- which in all their variety and function help to interpret the dining room protocols of the 'tourist house' and the service provided by the Victorian Railways refreshment and Services Branch. Many of the items were manufactured by Stoke & Sons of Melbourne (est. 1856.)' (Pg. 103. Historica) Possibly once graced the chrome display cabinet.Listed in Draft Inventory of Significant Collection items. Appendix A.3.Tableware. (Pg 166 Historica).Large electroplated teapot with "VR" engraved on one side. Handle features holes at base either end of join. Lid features a circular knob and scroll handle at front with a wooden insert. Teapot has flat wide circular base."EPNSSRS / MADE IN AUSTRALIA / STOKES & SONS / MELBOURNE / BOOMERANG PLATE / WARRANTED / HARD SOLDERED / 745 / VICTORIAN RAILWAYS" -
Flagstaff Hill Maritime Museum and Village
Domestic object - Teapot, 1878
History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Pewter teapot from the Loch Ard. Has 4 legs, one is bent upwards. Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, pewter teapot, britannia metal teapot, teapot -
Flagstaff Hill Maritime Museum and Village
Ceramic - Teapot, First half of the 20th century
Lusterware is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. The technique on pottery was first developed in Mesopotamia (modern Iraq) in the early 9th century. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction kiln, excluding oxygen. The Lusterware effect is a final coating applied over the ceramic glaze, and fixed by a light second firing, applying small amounts of metallic compounds (generally of silver or copper) mixed with something to make it paintable (clay or ochre). This is then fired in a reducing atmosphere at a temperature high enough to "soften" the glaze from the first firing, and break down the metallic compounds, leaving a very thin ("perhaps 10 or 20 atoms thick") layer that is fused with the main glaze, but is mainly metal. Lusterware normally only uses one colour per piece, and the range is limited a "gold" derived from silver compounds was historically the most common. The process has always been expensive and rather unpredictable, always requiring two firings, and often the use of expensive materials such as silver and platinum. The very thin layer of luster is often delicate, and many types of Lusterware are easily damaged by scratching removing the metallic layer, or by contact with acids. Lusterware has therefore always been for display and occasional use, although by the 19th century it could be relatively cheap. Many pieces show the luster effect only working correctly on parts of the surface, or not at all. An item probably made in Staffordshire UK where this type of pottery was popular in the late 19th century by unknown pottery as the subject item has no marks. The teapot at this time cannot be associated with a historical event, person, or place, provenance regards manufacture is unknown, item assessed as a collection asset given it was produced before 1950.Teapot ceramic ornate copper lusterware abstract floral design handle has a protruding sculptured bird for thumb grip. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, tea set, kitchen ware, ceramic, lusterware, pottery, staffordshire uk, pottery finishes -
Uniting Church Archives - Synod of Victoria
Teapot, plate and saucer
www.myprimitivemethodists.org.ukWhite china with gold trim and green transfer prints and text. Teapot, registration number 13.1, has a serpent like spout. Teapot lid, registration number 13.2. Saucer, registration number 13.3. Plate, registration number 13.4.Teapot front: 'Primitive Methodist Jubliee Chapel Tunstall'; teapot back and teapot lid: 'William Clowes' 'Hugh Bourne'. primitive methodist, primitive methodist jubliee chapel tunstall -
Federation University Art Collection
Ceramics, Hyams, Robert, [Lidded Teapot with Shells] by Robert Hyams, 1992
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, robert hyams, ceramics, teapot, available -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Domestic Object - Teapot
Found during a dive at the entrance at Lakes Entrance, kiln fired, has brown glazed circular lid, imprint around the lid, inner diameter 7 cm, outer diameter 9 cm, height 6 cmGlazed stoneware pottery teapot lid, teapot not recoverable, has steam hole on top, small knob in centreceramics, stoneware -
Uniting Church Archives - Synod of Victoria
Teapot
Small urn-shaped silver teapot. Presented to Mrs Harris by her friends in the Mount Jeffcotte Methodist Church 31/10/'17.mount jeffcote methodist church -
Coal Creek Community Park & Museum
Teapot
Brown enamelled metal teapot with hinged lid. -
Maffra Sugarbeet Museum
Teapot
Miniature white china teapot, with lid, printed with photograph of Maffra Sugarbeet Factory.[Crown] / Victoria / Czechoslovakia / HUsugarbeet -
Queenscliffe Maritime Museum
Domestic object - Teapot
In 1940, German minefields were laid in east and west Bass Strait which quickly claimed merchant ships Cambridge (British) and the City of Rayville (American). HMAS Goorangai had finished mine sweeping duties and after resupply was crossing from Queenscliff to Point Nepean to seek better anchorage due to impending bad weather. At around 20:30 on the 20th of November 1940 the 10,400-ton MV Duntroon was transiting the South Channel on her way to Sydney from Perth via Melbourne carrying 65 passengers and general and perishable cargo. It struck HMAS Goorangai forward of the funnel on the port side and cut her in two. At about 20:45 HMAS Goorangai sank in less than a minute resulting in the loss of her whole ship’s company, a complement of 24 officers and sailors.HMAS Goorangai was the first Royal Australian Navy (RAN) ship lost in WWII, the first RAN surface ship lost in wartime, and the first RAN surface ship lost with all hands. A memorial cairn was erected at Queenscliff in 1981 and a service of commemoration is held there every year.A severely damaged and corroded aluminium teapot recovered from the wreck of HMAS Goorangaihmas goorangai, wwii, collision at sea -
Coal Creek Community Park & Museum
Teapot
China teapot with pansies in purple and yellow on one side, gold rimmed handle, spout and lid. -
Bendigo Historical Society Inc.
Document - TEAPOT CASH STORE RECEIPTS
Receipt book for D Whyte and Co, wholesale and retail grocers. The Teapot cash store, Pall Mall Bendigo. The customer copies have all been torn out. All of the receipts are dated in 1899Teapot Cash store.business, retail, grocer, pall mall, teapot cash store, d. whyte and co. grocers, bendigo businesses -
Orbost & District Historical Society
teapot
Round china teapot with yellow/orange background colour. Blue,pink and purple rose on front and back.bottom-............pottery, Johnson.....(unreadable)teapot domestic-items food-drink-consumption johnson -
Whitehorse Historical Society Inc.
Domestic object - Teapot, c1927
Belonged to the step-mother of Ray Standfield, husband of donor.The Robur Tea Company issued vouchers/coupons on packets of tea that could be collected and exchanged for the tea-pot when enough coupons had been saved.A round squat silverplated Robur teapot containing a fitted round cup shaped strainer with hinged pull for removal.S475 PERFECT TEA-POT, MANUFACTURED BY ROBUR TEA CO LTD. PATENTED AUS 10373. 14-11-27 NZ59615 U.S AF 816-28 EPNSdomestic items, food & drink consumption -
National Wool Museum
Teapot
Silver "Robur" teapot, presented to Mr R W Pettitt.Presented to Mr R W Pettitt.PERFECT TEA-POT/ PATENT/AUS.1O373. 14-11-27/N.Z.59615/ U.S. At. 816.28/ G.B.300540-28/D.C.285311-28/IS AM271289/ WARRANTED HARD SILVER SOLDER [PERFECT TEA-POT/ PATENT]/AUS.1O373. 14-11-27/N.Z.59615/ U.S. At. 816.28/ G.B.300540-28/D.C.285311-28/IS AM271289/ WARRANTED HARD SILVER SOLDERpettitt, mr r. w. -
Parks Victoria - Days Mill and Farm
Domestic object - Teapot
Was found in an above ground rubbish pile at Days Mill and Farm.Teapot made with with brown flecked enamel over metal. The pot has a squat bulbous shape with a large handle and spout. No lid. -
Mont De Lancey
Functional object - Teapot, 1920's
Presented to Mrs. T. Sebire (*nee Nell Gaudion) May 1928 for service as church organist, on the occasion of her marriage to Thomas (7th child of Henry and Martha). Used at Wandin, in the 1920-1950's.A metal teapot with plated silver coated finish and a scalloped design on the spout. The handle is simply decorated. A dedication is engraved on both sides.Engraved on side "From congregation of Wandin Methodist Church in token of faithful service rendered as organist "presented to Mrs. T. Sebire May 7th 1923". Stamped "Made in England for G.W. Catanagh, Melbourne M33604.teapots, containers, tea accessories, commemorative teapots, commemorative objects -
Orbost & District Historical Society
teapot
A painted ceramic teapot. The body is white with a blue border and it has a blue spout and handle. On the flat surfaces are pictures of hens in a garden with flowers.teapot pottery ceramics beverages -
Flagstaff Hill Maritime Museum and Village
Teapot
Electro Silver Plated teapot. Pot has fern pattern. Has some concretion and corrosion. Has remains of what could be a bone handle.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea pot, kitchen utensil -
Orbost & District Historical Society
electric teapot, Chesters Trading Company, mid 20th century
This item wasdonated to the Slab Hut, the Orbost Visitor Information Centre. This item reflects the importance of tea drinking in 19th and 20th century Australia. A teapot of EPBM - electroplated britannia metal with an aluminium lid that has an electric plug connection. The lid is an Alanware, 240 volt 100 watt immersion heater with a coil suspended from it. The lid does not match the teapot.On the bottom of the teapot - EPBM James Dixon & Sons a trumpet symbol Sheffield 8578 4teapot electro-plated-britannia-metal appliances water-heating drink-food-preparation -
Flagstaff Hill Maritime Museum and Village
Teapot
Teapot ceramic brown shiny glaze. Piece missing from rim around top section near lid also chip out of lid. Marked "ALB Patented England".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Dutch Australian Heritage Centre Victoria
Tea Cosy (Lined), mid 20th century
This kind of tea cosy was found in just about every Dutch home in the 1950's. It took pride of place on the tea trolley and took the place of, or was an alternative to, the tea lights which also served to keep the teapot warm. It held a large teapot and although it was very effective in keeping the tea warm, after a couple of hours the tea became rather bitter and tasted "stewed". Since the Dutch are not in the habit of adding milk to their tea, the late afternoon cuppa was not always a favourite.A symbol of what the Dutch prize above all, namely "gezelligheid", which means homely cosiness. The afternoon tea ritual ("thee-uurtje") was a very important time of the day as children came home from school to a cosily lit home with their mother presiding over pouring out the tea and distributing biscuits (one at a time!) Half rounded cotton padded teapot warmer (Dutch "theemuts" = tea bonnet) with inserted plywood base. White outside with grey-blue Delft tile motifs, lined with navy blue taffeta and padded with kapok. Metal carrying handle under which there is a clasp which opens and closes the cosy.noneteapot, dutch family life, dutch, immigration, household items -
Yarra Ranges Regional Museum
Teapot, c. 1934
Given to Nell (Helen) Mitchell, daughter of Charlie Mitchell, and her husband John Macpherson Smith as a wedding gift from he emloyees of Cave Hill, Lilydale 19 June 1935.Historic significance related to Cave Hill Quarry, a major enterprise in Lilydale which has existed since the mid 1800s and was founded by David Mitchell, father of Dame Nellie Melba (opera singer). Cave Hill Quarry was a major employer in the area. The Museum also holds a humidifier made by the engineer at Cave Hill Quarry for Dame Nellie Melba as a gift. Significance also related to David Mitchell and Dame Nellie Melba and Mitchell family. Nell Mitchell was David Mitchell's grand-daughter and Nellie Melba's niece (Charlie Mitchell Melba's brother)..1 Electroplated nickel silver teapot with wicker handle. Hinged lid, scalloped rim, four feet and an acanthus leaf spout. .2 Electroplated nickel silver tipping stand .3 Oil burnerOn lid: Presented to Miss Nell Mitchell on the occasion of her marriage to Mr John Macpherson Smith from the employees of Cave Hill. Lillydale. June 19 - 1935 On bottom: D/ TN/- 10Y10Y? Dunklings Melbourne EPNS 5489 Made in Englandnell (helen) mitchell, john macpherson smith, cave hill lilydale, weddings -
Orbost & District Historical Society
teapot, Untitled, 9.10.1871
Square-shaped china teapot. White background with brown transfer images of pineapples. Spout and handle ornately designed. Manufactured by Ridgways, a Staffordshire Pottery in England, with the English registry mark dating its registration to 1871. In the pattern, “Cenis”. Bottom-Ridgeways, -Cenis, Stoke on Trentteapot domestic-items food-drink-consumption ridgways -
Nillumbik Shire Council
Pottery: Leon SAPER (b.1928 POL, arrived 1949 AUS - d.2005), Teapot
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Nillumbik Shire Council
Pottery: ANONYMOUS, Teapot
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Malmsbury Historical Society
Photograph (Item), "Teapot Display, Sauces Of Flowers", Malmsbury ca1990
Buildings - Malmsbury Town Hall People - "Cherry, Mrs Emily; School Children" -
Malmsbury Historical Society
Photograph (Item), Collection Of Grandma's Day Glasses & Teapot, Malmsbury ca1990
Buildings - Malmsbury Town Hall People - "Slimmon, Barb" -
Malmsbury Historical Society
Photograph (Item), "Floral Arrangment, Coloured Glass Collection, Teapot", Malmsbury ca1990
Buildings - Malmsbury Town Hall People - "Slimmon, Barb" -
Gippsland Art Gallery
Ceramic, Hobbs, Leigh, Flinders Street Station Teapot, 1983
Purchased, 1984gippsland, artwork, permanent collection