PRESENTATION DECORATIVE SILVER TEAPOT PRESENTED TO J. WHITMORE AS A TOKEN OF ESTEEM. BY CLUNES FOOTBALL CLUB 1922local history, clunes football club

Bruce ANDERSON (20 August 1950- Born Surry Hills, Melbourne, Victoria In 1971 Bruce Anderson obtained a Diploma of Art (Sculpture) from the Prahran Institute of Technology. For the next two years, he worked at Raynham Ceramics in East Bentleigh, making slipcast ware. After a year of National Service, he completed a teacher education course at the State College of Victoria, Auburn and taught for a time in the secondary school system. In 1977, he moved to Queensland to take up a position as Head of the Ceramics Department at Townsville TAFE. In 1984, he relocated to the Darling Downs Institute in Toowoomba and was still teaching there in his entry in the 1986-7 directory, working in raku and blackware fired with gas in a ceramic fibre kiln. During 1986, he moved to Adelaide to take up a position as senior lecturer in ceramics at the South Australian School of Design. During the late 1980s and 1990s, he began to make sculptural works of architactural form cast from a mixture of terracotta clay and refractory concrete. Part-glazed, the works allude to primitive industry and utilitarianism. In 1984 Bruce Anderson was a guest at Spotkanie held at the Gippsland Institute of Advanced Education.Raku teapot with tall handle. bruce anderson, ceramics, jan feder memorial ceramics collection, gippsland campus, teapot, raynham ceramics

Arthur ROSSER Arthur and Carol Rosser have been based at the Eungella Pottery in Dalrymple Heights, QLD, since 1976. Specialists in woodfiring and the use local clays and ash, salt and shino glazes, as well as firing with oil and gas as well as wood. Salt glazed teapot with lid.arthur rosser, ceramics, jan feder memorial ceramics collection, gippsland, gippsland campus, woodfire

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Blue shoe shaped teapot.art, artwork, claire blake, ceramics, available, available ceramics, teapot, alumni, feduniceramics

We have little knowledge on this little teapot but is an item of interest and could even be part of a child’s tea set, based on its size. The hand painting on the pot is quite a typical depiction of Japanese scenes from the 19th century. We could find no provenance belonging to this item but it is an interesting and pleasing item suitable for display.Small white china teapot with lid and Japanese scene on both sides with trees and mountains in the background and village houses in the foreground. It is painted in greens, browns and blue and the painting is outlined in a slightly raised style. The trees in the background have raised white dots of paint. The front scene has two ladies and another person in a boat. The lid also has a similar scene. The lid, handle and rim of the spout are all highlighted in dark green.warrnambool, warrnambool history, teapot, asian teapot

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain teapot with lid, glazed. Pale blue with Chinese design of darker blue handpainted flowers / plants on the teapot and the lid.chinese, goldfields, gios, tableware, glaze, porcelain, buckland, teapot

A large teapot from Bendigo's pottery.Bendigo Pottery Australia logo next to the handle.business, retail, material, bendigo pottery's website.

Small urn-shaped silver teapot. Presented to Mrs Harris by her friends in the Mount Jeffcotte Methodist Church 31/10/'17.mount jeffcote methodist church

not recordedLarge brown,white and pink teapotlocal history, domestic items, crockery

White china teapot with School crest on side, gold around rim of teapot and a plain round handle. The lid is plain with a mushroom pointed top."Sint Lucernae Ardentes" and "Morongo Presbyterian Girls Gollge Geelong"

This item is an example of a hand crafted item showing the needlework skills of women in the early 20th century.Square brown and white beaded teapot stand. Handmade.

Josiah Wedgwood (1730–95), came from an established family of potters and trained with his elder brother. He was in partnership with the leading potter Thomas Whieldon from 1754 until 1759 when a new green ceramic glaze he had developed encouraged him to start a new business on his own. Relatives leased him the Ivy House in Burslem, Stoke-on-Trent, and his marriage to Sarah Wedgwood, a distant cousin with a sizeable dowry, helped him launch his new venture. After an extensive and systematic program of experiment Wedgwood in 1765 created a new variety of creamware, a fine glazed earthenware, which was the main body used for his table wares thereafter. After he supplied Queen Charlotte with a tea set for twelve the same year, she gave official permission to call it "Queen's Ware" (from 1767). This new form, perfected as white pearlware (from 1780), sold extremely well across Europe, and to America. It had the additional advantage of being relatively light, saving on transport costs and import tariffs in foreign markets. Wedgwood developed several further industrial innovations for his company, notably a way of measuring kiln temperatures accurately, and several new ceramic bodies including the "dry-body" Stoneware, "black basalt" (by 1769), cane ware, and jasperware (the 1770s), all designed to be sold unglazed, like "biscuit porcelain". In the later 19th century the company returned to being a leader in the design and technical innovation, as well as continuing to make many of the older styles. Despite increasing local competition in its export markets, the business continued to flourish in the 19th and early 20th centuries, remaining in the hands of the Wedgwood family, but after World War II it began to contract, along with the rest of the English pottery industry. After buying several other Staffordshire ceramics companies, in 1987 Wedgwood merged with Waterford Crystal to create Waterford Wedgwood plc, an Ireland-based luxury brands group. After a 2009 purchase by KPS Capital Partners, a New York-based private equity firm. Wedgwood has always been associated with fine china, porcelain, and luxury accessories, the entrepreneur Josiah Wedgwood rapidly became successful and was soon one of the largest manufacturers of Staffordshire pottery. Wedgwood is a significant pottery manufacturer as the company is especially associated with the "dry-bodied" (unglazed) stoneware Jasperware in contrasting colours, and in particular that in "Wedgwood blue" and white that has become a trademark. Teapot and lid, Wedgwood blue Jasperware with white patternImpressed name Wedgewood and date letter "S" = 1890flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, teapot, wedgewood blue, wedgewood teapot, tea pot, kitchen ware, josiah wedgwood, staffordshire potteries

Brown earthenware teapot with lid, lighter streaking in glaze.ALB Patented England Made in Englanddomestic equipment, food preparation, kitchen

Engraved silver teapot with inscription with ivory knob on lid."Presented to Mrs Williams by the congregation of St Alban's as a token of esteem rendered as organist. Oct 28th 1889"

Ursula NOWICKIA woodfired stoneware Teapot, sugar bowl and milk jug.UN on baseursula nowicki, ceramics, jan feder memorial ceramics collection, jan feder, gippsland campus, woodfire 86

Linda ChapmanSilver tea pot with decorative engraving and hinged lid." ? and Pierce, Melbourne Made in England" Also has a Hallmarkteapots

Wedding gift to Mr. & Mrs. J.A. Lord IN 1901.Oval Silver tea pot with intricate design on side of pot."Daniel & Arter EPBN"teapots

Small china teapot white & pink with gilding and floral decoration.domestic equipment, table setting, teapot

Jill Giles is a potter who was active in Geelong from the mid 1970s until the mid 1990s. Her work may be marked 'J Giles' (painted), 'Giles Geelong Australia' (impressed) or G over J (impressed). Her daughter Melinda Solly also makes ceramics.Photograph of a hand thrown and decorated ceramic teapot by Jill Giles. ceramics, studio pottery, teapot, jill giles, coffee pot

Square Advertising China Teapot (T. Thomas Merchant Stawell)stawell

Beautifully decorated silver teapot an silver stand (contains a burner).Engraved: Presented to Oscar and Florrie Nobelius 7/04/1904 on the occasion of their marriage by the Employees of the Gembrook Nurseries Emerald. Refer to VEMUP0843 for photo of Oscar Nobelius.nobelius, oscar and florrie nobelius, silver teapot, gembrook nurseries

Stainless steel hinged lid teapot with Australian Crest stamped into lidSilverglo Stainless Steel. Melbourne 79teapot

Janet De BOOSWheel thrown, bisque fired teapot with lid. Janet De Boosteapot, ceramics

Ken HOVENDEN Working at Bendigo Pottery from April 1972 at the age of 17, Ken Hovenden was also involved in the Lillydale Pottery venture. He worked at Cannie Ridge Pottery for a time, exhibiting work there in 1979. Known as a great thrower, his work featured beautifully fitted lids and quantities of mugs of identical size. In the 1980s, he set up his own pottery at Malmsbury and sold his work through Bangles Gallery at Cobargo. From late 1988 to 1997, he worked under the business name Shiloh Pottery in Castlemaine. His work often features a unique gum leaf design on individually thrown work. Marks used include KH on Bendigo Pottery Epsom Ware, Kevin Hovenden on Badger Creek Pottery, KH on Lillydale Pottery and his own impressed KH initials.Stoneware teapot with beige glaze and handpainted gumleaves, and stamped 'KH' on the footrim.australian studio pottery, ceramics, ken hovenden, teapot

The house at 113 Mountain View Road Briar Hill, formerly the home of Bob Barling, scoutmaster in the 1950s, was totally destroyed by fire. These items were salvaged from the site.Two items salvaged from house fire: Tile fragment & teapot spouttile, teapot