Couta boatssheltering Couta boat fleet membersBlack & white photograph of the moored boats under storm clouds at QueenscliffeReverse - " N/A "historical references

Workers Art CollectiveMary Leunig painting of a meeting of workers and some angels sitting on a cloud. Mary Leunigunionism

Pair of matching wooden bookends featuring a yacht against clouds and an orange sky.bookends, books

Slide. Kurting. Reflections in water of some gum trees and clouds, and a water bird swimming.slide, bendigo, kurting., kurting.

One of several illustrated envelopes, without letter, sketched by soldier/s during the second world war sent to Mrs MacDonald of WangarattaVictoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. Many of the soldiers maintained life long friendships with the people of Wangaratta. Even though the Battation was disbanded in 1946 members and their families return each year, in November, for a commemorative service at the 2/24th Battalion Memorial Wall at the Wangaratta Cemetery.Cream paper envelope with sketch of palm trees, hut, mountains and clouds on left of scroll.Top left - AIR MAIL Top right - postage stamp/No stamps available Top left - AIF Censor stamp Right side Mrs M MacDonald "Monald" 32 Grey Street Wangaratta Victoria Australia ww2, envelope art

Colour Slide, showing the dust cloud from an Explosion at lake Bellfield during construction.grampians, lake bellfield

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement Castlemaine blankets "Warm as a summer breeze"Warm as a Summer Breeze/Light as a Floating Cloud/Castlemaine Blankets/Castlemaine-the Aristocrat of Blanketswool, blanket, blanket fever, advertisement, castlemaine, australian women's weekly

Born: Birmingham, Warwickshire, England 1863; Arrived: Sydney, New South Wales, Australia 1881; Died: Waverley, New South Wales, Australia 1930ModernismLedger Gift, 1979Seascape with boat, rocks, sand, lighthouse, hills and turbulent clouds. Brushed gold timber frame.Recto: Signed "A Fullwood" in brown oil in l.l.c of composition; Not dated; Not titledpainting, seascape, boat, buildings, landscape, lighthouse, birds, hills, clouds

Small soft cover book. The cover has a yellow cloud with black writing & drawings of food

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Squid holding brush and inkpot above cloud bearing the words ex libris Rhyll PlantSigned beneath image Rhyll Plant2021 australian bookplate design awards, australian bookplate society, edwin jewell

Cooma N.S.W. On the way to the Snowy AVIATION PIONEERS' MEMORIAL "SOUTHERN CLOUD PARK COOMA N.S.W.cooma, new south wales

This book was used as a text book at Camberwell Grammar School by Jack Roper whose family lived and farmed at Mt Yorke Station, Tawonga. At the time there wasn't a local High School, the closest one being in Albury. Historical: Students studied History. Country students boarded in Melbourne for their education. Provenance: Jack Roper had a private school education. His family still live and farm in the Kiewa Valley. Comparative to his descendants' education.Blue book with embossed hard cover including cloud like patterns in a rectangular shape around the title.Inside cover - hand written: Jack Roper / Camberwell G.S. / Jack Rooper / Mt Yorke Station / Tawonga/ Via Yackandandah Also handwritten notations: Marathon 490; 130 to 136 History; 4 chapter after holidays 18 to 24; !V chapter. Also smudged ink stain.education. history. greece. jack roper. mt yorke station. tawonga. camberwell grammar school.

White plate with gold painted design of temple flanked by two dragons with mountains underneath and clouds surrounding. "PMA 0290/1" Sticker on reverse side "Made in the People's Republic of China"

Slide. Bendigo Views. View of the top half of a gum tree and some storm type clouds behind it.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Easter Parade. A group of people on a truck ''Southern Cloud'' from Moomba in Bendigo's parade.slide, bendigo, bendigo easter parade., bendigo easter parade.

Born: Hobart, Tasmania, Australia 1836; Died: Hunter's Hill, New South Wales, Australia 1914RomanticismLedger Gift, 1976Rural landscape with cows, track, lake and large mountains and clouds. Golden gesso painted timber frame.Recto: Signed "W. C. Piguenit" in black oil in l.l.c of composition; Not dated; Not titledpainting, landscape, water, animals, cows, boats, trees, mountains, clouds, sky, colonial, reflections

Born: Siena, Tuscany, Italy 1860; Arrived: Australia 1885; Lived and worked: Australia 1885-1893, Australia 1898-1904, New Zealand 1893-1898, England 1904-1923; Died: Nervi, Genoa, Italy 1926ImpressionismLedger Gift, 1977Rural landscape with figures and grass and big blue sky with clouds. Carved, gold brushed timber frame.Recto: Signed "Pieri" in black oil in l.r.c of composition; Not dated; Not titledpainting, landscape, figures, clouds, grass

Born: Devon, Devonshire, England 1839; Arrived: Melbourne, Victoria, Australia 1868; Died: Melbourne, Victoria, Australia 1901VictorianLedger Gift, 1978Australian bush scene with two figures, a horse and a dog on a track with trees, hills, clouds and sky. Unframed.Recto: Signed and dated "J W CURTIS / 82" in black oil in l.l.c of composition; Not titledpainting, landscape, figure, horse, animal, trees, colonial, path, track