Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Colour photograph of a woman in a black period costume, carrying a small bagFRONT OF COSTUME OF FLAGSTAFF/HILL VOL GUIDE WHO MADE HER/OWN COSTUME. MUS AUS VIC/CONFERENCE 2/4/14 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, flagstaff hill, warrnambool, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Colour photograph of a woman in a black period costume, carrying a small bag, facing to the right of frameSIDE VIEW OF BUSTLE. FLAGSTAFF/HILL VOL GUIDE AT MUS AUS VIC/CONFERENCE 2/4/14 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, flagstaff hill, warrnambool, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Colour photograph of a woman in a black period costume, carrying a small bag and facing away from the camera.BACK OF COSTUME. BEADED BLACK/VELVET COST $30P/M!/FLAGSTAFF HILL VOL GUIDE AT/MUS AUS VIC CONFERENCE/2/4/2014 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, flagstaff hill, warrnambool, photograph

Group of six postcards depicting different actresses from theatre productions in Australia. They are addressed to either Mrs. A Stephens or Miss C. Palmer. (a) Miss Billie Bourke. (b) Miss Nance O'Neill. (c) Two girls posing in costume, names unknown. (d) Miss Zena Dare. (e) Miss Delia Mason. (f) Miss Edna May.Telma and Co. Melb. And Sydney Copyrightpostcard, actresses, a. stephens, c. palmer, nance o'neill, billie bourke, edna may, delia mason, zena dare

Photograph - sepia. Portrait of a group of males (possiblilty theatre group), 11 males all dressed in a variety of costumes.organization, club/society, theatre group, group portrait. male theatre group.

Hakata doll was given to RACS as a gift from the Japanese College of Surgeons. Made by Tomi Kono for Kyugetsu,Toyko. Kyugetsu is a famous doll store in the Asakusabashi district of Tokyo. This was founded in the Edo period and has been making dolls for 150 years.This elaborately costumed ceramic doll has its origins in simple clay figurines first produced in the Hakata district of the Japanese city of Fukuoka in the 17th century. They made their appearance in the West at the Exposition Universelie in Paris in 1900 by which time they had been transformed from toys into an artform. Most dolls are inspired by figures from the theatre: Noh, Kabuki and Ukiyo-e. These figures are sometimes connected with Geisha dolls although this is not necessarily a correct description. The robes and hairstyle are traditional but not confined to geisha.Hakata Doll dressed in elaborate kimono, in glass display case. Wooden plaque in cabinet with Japanese characters/script - presumably describes the doll. Doll has porcelain face, hands and feet, and a cloth body. This doll depicts a young unmarried woman dancing and holding an elaborate drum (tsuzumi).On plaque in cabinet: "Japanese College of Surgeons. Founded in 1974"hakata, diplomatic gift, japanese college of surgeons

This is part of a contemporary traditional costume worn by males in parades and theatre productions these days, however worn by soldiers in battle during war times in Greece in the 18th - 19th centuryThis is a jacket for boys that is worn as part of the six piece traditional costume. It is navy blue in color and has gold and silver embroidery along the edges. It has silver buttons and a silky orange liningcostume, jacket, tsiolia, τσολιάς, στολή

Silk programs, at that time, were only produced for a very prestigious night at the theatre. Historical note: The town of Gisborne was named after one of the members of the first committee of the Mechanics’ Institution (renamed in 1872 to Melbourne Athenaeum), formed in November 1839. His full name was Henry Fyshe Gisborne 1813-1841. The program, crafted of printed silk with a silk fringe all around the four edges is unique in the program collection. The program reveals an interesting fund-raising entertainment held at the Melbourne Athenaeum theatre in 1884. As the theatre was available for hire by everyone in the Melbourne community, over the course of its history it was hired by a large variety of theatrical performers, political groups, sporting and arts groups, in addition to fundraising groups, as found here. Proceeds of this concert were donated to the Melbourne-based Sick Children’s Hospital and the Upper Macedon Episcopalian Church – an unusual combination of charities. The Mount Macedon area became a popular place for holiday- makers from Melbourne in the 1870s and many professional people built holiday retreats with beautiful gardens in the area. The development of the area created a further need for places of worship. The names of the people taking part numbered over 70, several having the same family names as those listed as members of the Melbourne Athenaeum at that time but there is no proof that the people involved with the performance were subscribers to the Melbourne Athenaeum. At the time the Athenaeum hall consisted of a large flat space requiring chairs to be placed in lines, with hand-written alphabetical signs to indicate the rows and individually numbered chairs. The hall seated 900 patrons. When the hall was used for balls, banquets and exhibitions all the chairs were removed and stored under the stage and in a room at the side of the hall. The layout of the hall can be seen in this photograph from the archives, taken in the early 1900s. This fringed, silk program was produced for a concert held on 9-10 October 1884 under the patronage of the Governor Sir H Brougham Loch at the Athenaeum Hall in aid of the Convalescent Fund of the [Melbourne] Sick Children’s Hospital and the Episcopalian Church of Upper Macedon. The evening of light entertainment comprised eleven solo musical performances and thirteen tableaux, some humorous, referencing biblical and classical themes from plays, paintings and operasm enhanced with painted scenery and a multitude of costumes.melbourne athenauem hall, the sick children's hostipal, episcopalian church

Inscribed in blue ink on reverse: 'Colac, June 1954. Mannu Bannag (Thailand). See Weekly Times, 2 June 1954, p. 50 http://nla.gov.au/nla.news-article224451878. fundraising, theatre, international house

Tom Thumb and Lady were performers in P.T. Barnum’s circus. Once they became engaged, the public developed a fascination for them—nicknaming them the “little couple.” Barnum used their engagement to publicize his show, parading the couple around to different nations’ leaders and placing newspaper announcements detailing their upcoming wedding ceremony. On their wedding day in New York City, over 2,000 people entered the church to watch the couple say their vows. Fellow performers Minnie Warren (the bride’s younger sister) and “Commodore Nutt” (George Washington Morrison Nutt) served as the maid of honor and best man.Photographic tintype portrait of a child.General Tom Thumb and Wife, Commodore Nutt and Miss Minnie Warren, In the indentical costumes worn before Her Majesty Queen Victoria at Windsor Castle, June 1865.fullarton, tom thumb, theatre, commodore nutt, minnie warren, queen victoria

A Golden Celebration A Gala Tribute to Dame Joan Sutherland and Mr Richard Bonynge was held at Opera Theatre Sydney Opera House on Thursday 22 January 2004. The major patron was Australia Post who issued stamps with Joan Sutherland's image on them. Many singers took part in the Celebration Concert, including Jacqueline Dark and David Hobson both born in Ballarat. Issue of stamps in place in A4 presentation cardboard with image of Dame Joan Sutherland in costumejoan sutherland, stamps, richard bonyngne, jacqueline dark, david hobson, opera, a golden celebration

Louis Kahan (1905-2002) is best known in Australia for his skill as an artist. As Independent Fashion Curator, Laura Jocic has observed, ‘It is less known though that Kahan had a career in theatre and fashion in Vienna and Paris during the 1920s and 1930s that continued when he came to Australia in 1947. He signed his fashion illustration with the initials 'nac', a phonetic interpretation of his surname spelled backwards. In this illustration on newspaper we can see Kahan playing with the graphic effects of line and text, while communicating the cut and drape of late-1950s fashions.’ Kahn was born in Vienna in 1905 and first travelled to Australia in 1947. He moved to Melbourne in 1950 where he became friends with artist George Bell, writer Alan McCulloch who introduced him to Clem Christensen, editor of the literary journal Meanjin, where many of his portraits of Australian writers were published. His 1962 portrait of the author Patrick White won the Archibald Prize, bringing him national recognition. He also designed sets and costumes for the Elizabeth Theatre Trust (Opera Australia) and the Melbourne Theatre Company. In 1993 his contribution to Australian cultural life was recognised when he was made an Officer in the Order of Australia (AO). He died in Melbourne, at the age of 97 in 2002. Ann Carew 2018Fashion illustration on newsprint. Drawing depicts two women. Women in foreground is wearing a long green coat and hat.Woman at rear is wearing a green and white evening dress with white gloves.Signed lower right in ink, 'nac 1958'.fashion illustration, fashion design

Black and white photo of a finale of an Annual Demonstration. Children in costumes, some in military style costumes, some holding Australian flags, other flags and signs before an audience. Signs include ANZAC, Tobruk, Kokoda, HMAS Sydney, HMAS Perth, HMAS Australia, and theatres of combat, Europe, and Asia. The year is not known. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy DemonstrationBlack and white photo of the finale of an Annual Demonstration.junior legatee, legacy demonstration

Card for stereoscope viewer showing domestic scene of 2 men and 1 woman in period costume.S.S.Hough & Co Importers of Fancy Novelties 75 Bourke St East Melbourne Theatre Royalphotography, viewers, stereoscope

Black and white photograph. White edges. People in costume. Inconsistency in photo line down right side of photo. The Geisha Tea House and Luncheon Rooms Next Age Office. Back of photo reads: Costume <-8.5 cm->photo, group, theatre performers

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members in Sidney Jones' The Geisha by the "Q" Theatre Guild in 1957. The performance in the Kew Recreation Hall was produced by Beatrice Oakley with musical direction by John Trotter. The Kew Philharmonic provided the music during this series of performances. The scenery was constructed by the Company, while the costumes were sourced from the Princess Theatre.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of female cast members in Sidney Jones' The Geisha by The "Q" Theatre Guild in 1957. The performance in the Kew Recreation Hall was produced by Beatrice Oakley with musical direction by John Trotter. The Kew Philharmonic provided the music during this series of performances. The scenery was constructed by the Company, while the costumes were sourced from the Princess Theatre. An annotation in the scrapbook identifies the following cast members from left: Rita Mandelbaum - Komurasaki San (Little Violet), Sally Wolters - O Kiku San (Chrysanthemum) , Val Breen - leading lady - O Mimosa San (Chief Geisha), Pat Stewart (O Kinkoto San (Golden Harp), Marion Smith - O Hana San (Blossom). Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Rita Mandelbaum, Sally Wolters, Val Breen - leading lady, Pat Stewart, Marion Smith"performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria