The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the fourteenth subscription concert of the Kew Philharmonic Society. The program was advertised as an "All-English Programme". arthur dear collection, kew philharmonic society

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the fifteenth subscription concert of the Kew Philharmonic Society. The concert program was advertised as a "Special Xmas Programme"arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.The sixth annual report of the Kew Philharmonic Society. The 8-page report covers the period 1 October 1951 to 30 September 1952. arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the nineteenth subscription concert of the Kew Philharmonic Society.arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the seventeenth subscription concert of the Kew Philharmonic Society. arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the twentieth subscription concert of the Kew Philharmonic Society. arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of a Special Concert on 27 April 1960, held to mark the opening of the new City Hall in Kew (the location of the current Kew Library). The concert was led by a special Guest Conductor, Stuart Wilkie. The programme has a drawing of the new City Hall on the cover.arthur dear collection, kew philharmonic society, performing arts -- kew -- victoria, kew civic hall -- cotham road, theatre memorabilia

The Rockingham Red Cross Centre in Kew provided convalescence and rehabilitation for war veterans suffering nervous conditions resulting from the Second World War. The building had been given to the Australian Red Cross by the owner of the house, Mrs Syme in 1940. In the early days of the centre, patients performed plays for fellow patients and staff members. This small box of theatrical makeup, or greasepaint, would have been used at the Centre on one or more of these occasions. The donor, Rosemary Lade, worked at the Centre as an occupational therapist, 1971-2 and 1974-7. During these years, play readings were held, but performances were not staged. The Rockingham Red Cross Centre closed in 1977, and following its closure, the donor retrieved the box of greasepaints from the Occupational Therapy Department. A box of greasepaint from the Rockingham Red Cross Centre, Kew. Square wooden box, containing sticks of greasepaint used for theatrical makeup. The used sticks of greasepaint are wrapped in foiled paper, printed with information about the colour and the maker/retailer: L. Leichner (London) Ltd. Leichner House, 30/32 Acre Lane, / London, S.W.2. theatrical makeup, greasepaint, rockingham, rockingham red cross centre, syme family, rosemary lade, occupational therapy - theatre

Mabel nee Abraham Rogers produced, wrote and acted for the “ Melton Amateurs” theatrical group established in 1950. The group performed Revues, Pantomimes, one and three act plays, Musical Comedy and Melodramas. In 1960 it lapsed for a time and from 1967 onwards more shows were successfully produced by Mabel. A creative producer and writer, audiences at the Melton Mechanics Institute enjoyed the performances of Gilbert and Sullivan and excerpts from the many Musicals of the era. She skillfully wrote scripts interweaving with songs and topical local dialogue successfully drawing out the talents of all the cast members. About “Melton Amateurs” and forerunners….. Melton people have always been Active in giving and enjoying Concerts and Amateur Theatricals presented by local talent. Wile is it not possible to mention everybody; names like George Gardiner, Stan Hardy, Jim Murchison, Rita Summers, Annie Riddell, Ethel MacPherson, Harold Bainbridge, Jack Mcguire, Greta Jongebloed, Mary Coburn, Elsie McCorkell, Linda Cameron, Marjorie Myers, Aggie Ross, Bob Butler, bring happy memories to older residents. Over the years, the names change, but the talent is always there, and freely used to give pleasure to others. the Caledonian Society was active about 1925. The Melton Competitions, 1937-37 were very successful and attracted much local and outside talent. The Melton Social and Dramatic Club was operative during the same years, and gave several shows. The first “Melton Amateurs” production was a Revue, in 1950. This was followed by other Reviews, Pantomimes, One-act and Three-act plays, and Musical Comedy. Do you remember Bessie, bob and Barrie Bardsley, and Shirley and Marie Jongebloed, Shirley Wallace, Bill Abraham, Joan Jenkins, Peg Arandt, Winifred Fraser and many other? "Comedy Tonight" prrogramme by the Melton Amateurslocal identities

MABEL nee ABRAHAM ROGERS 1920 - 2004 Publications: The First One Hundred Years 1870-1970 Melton State School No 430 Co Author with Edna Barrie The Mechanics [Melton] 1985 Mabel Abraham was daughter of Herbert G Abraham, Butcher of High Street Melton. She attended Melton State School from 1928 qualifying for her Merit certificate in December 1928 and continued her education at Melbourne Girls High School [soon after known as MacRobertson Girls High School] She studied piano and elocution as a school girl. Mabel was associated with many activities in the Melton community. She was a natural writer and interested in research and was committed to documenting and preserving Meltons History. Mabel produced, wrote and acted for the “ Melton Amateurs” theatrical group established in 1950. The group performed Revues, Pantomimes, one and three act plays, Musical Comedy and Melodramas. In 1960 it lapsed for a time and from 1967 onwards more shows were successfully produced by Mabel. A creative producer and writer, audiences at the Melton Mechanics Institute enjoyed the performances of Gilbert and Sullivan and excerpts from the many Musicals of the era. She skilfully wrote scripts interweaving with songs and topical local dialogue successfully drawing out the talents of all the cast members. Mabel was a member of the C.W.A. holding position of Secretary. She was a member of the Melton and District Historical Society at its inception in 1968 and was a Member of The Willows Committee of Management. She was supporter of the first historical display and the Mechanics Hall and the Historical Society Annual Art and Craft shows from 1974 until 1982. In 1961 she was involved with Melton Development Association and in 1969 with the establishment of the first “Carols by Candlelight” held in Melton. Mabel was a member Anglican Church and Committee. She was a member of the Melton Mechanics Institute and made a Trustee and Life Member in 1965. She was a member of Victoria 150th Anniversary Celebration Committee. She was Guide Leader, member of the Red Cross and School Committee. In November 1982 she was a recipient of the Annual Rotary Community Service Award for outstanding service to the Community of Melton over a prolonged time. Mabel married Eric Rogers in August 1944 the wedding reception was held at the Melton Mechanics Hall. Their are children John, Ron, Francis and Judy. The family lived in High Street Melton between the Mechanics Institute and earliest Shire Hall eastern end. Eric was grader operator on the district roads. In their latter years Mabel and Eric lived in Bacchus Marsh. Eric died in Bacchus Marsh in July 2007. Country Women's Association Melton Branch lyrics from Mabel Roger's handwritten noteslocal identities, local significant groups

Photographs. Gertrude Perry Collection. Two larger and sixteen smaller black & white photographs of various actors from 'You're in Love'. Photographs in a brown envelope with The National Cash Register Co. Pty. Ltd. At the Capital City of State of Address printed on the front.gertrude perry collection, celia doag?, you're in love (play)

Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the City of Moorabbin c1950 Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin c1950 to provide social, artistic and musical entertainment and development in their communities A theatrical prop for the Ormond Choral Society c1950 that simulates a 1920's flapper beaded evening wear cloche hat. White lace is over sewn with small pearl beads and 3 rows of shiny beading with large pearls and beading around edge of hat. Loops of small pearls hang from each side . Shown with beaded waistband MAV 00297 early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george