Illustrated book. Front cover is multicolour (olive green, dark and light brown), there is a black and white print of Nurse Madoline Chambers [ca.1919] and coloured print of the Royal Brisbane Hospital Badge. Title and authors' names are printed on front cover and spine. On the back cover is a black and white photograph of the final nurse graduation ceremony 31 May 1993.non-fictionHistory of the 105 years of nurse training at the Royal Brisbane hospital, during which time more than 9,300 certificates were awarded. Includes the names of all nurses who graduated from the Royal Brisbane Hospital.royal brisbane hospital-history, nurse training - history

Detailed history of Military Traditions and CustomsLarge blue coloured springback binder titled Customs of the Service which includes sections on Uniforms,Accoutrements, Colour Patches Flags and Banners.military, service, tradition

Block of 4 stamps celbrating "The ANZAC Tradition"ephemera, general

Hardcover book on the customs and traditions of the Australian ArmyISBN: 9780980325164 (hbk)army traditions, army history, customs of the service, army traditions, army history, customs of the service

Bendigo Labour, the maintenance of Traditions in a Regional City. A history of the Labour Party in Bendigo.Colin Clearyhistory, labour party., local history

Pamphlet Containing customs and traditions of the Australian Army Published 1/2/1965 military board, Army Headquarters Melbourne 1/2/1965 customs of the army, customs and traditions, pamphlet

Article One - Charge! - image of members of the aboriginal group carrying out a baton charge Article Two - Officer's Tribute - image of aborigines at Wangaratta carry out ceremony of changing of the guard Article Three - Two Australians - image of Shirley Anderson, 8, of Wangaratta frequently entertains Diggers, singing and dancing. She visits camp nearly every day to chat with guard on duty. Aboriginal soldiers formed a special all volunteer platoon at No 9 Camp Wangaratta in Victoria from late 1940 until February 1941. No 9 Camp was set up at the Wangaratta Showgrounds to allow the formation of the 2/24th Australian Infantry Battalion prior to leaving for Egypt. Major Joseph Albert Wright a WW1 Light Horse veteran was in charge of this platoon the only Aboriginal squad in the Australian Military Forces at that time. The soldiers from Lake Tyers enlisted at Caulfield between June and July 1940 include Harold Cornelius HAYES VX 48217 DOB 2/4/1916 Enlisted 25/7/40 Discharged 22/3/1941 Edward FOSTER VX48218 DOB 25/5/1921 Enlisted 25/7/1940 Discharged 22/3/1941 Noel Ernest HOOD VX48194 DOB 3/1/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Edward Leslie MULLETT VX48199 DOB 30/6/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Samuel Richard RANKIN VX48201 DOB 23/7/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Stewart HOOD VX47351 DOB 23/1/1903 Enlisted 18/7/1940 Discharged 22/3/1941 William GORRIE VX48208 DOB 22/11/1921 Enlisted 25/7/1940 Discharged 22/3/1941 David John MULLETT VX48195 DOB 10/6/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Arthur Alexander (Tom?) MULLETT VX48198 DOB 25/11/1914 Enlisted 25/7/1940 Discharged 22/3/1941 Images relates to the "special platoon" based at No 9 Camp Wangaratta as being the Australian Army's first all Aboriginal Unit formed in 1940. The soldiers were all volunteers mainly from Lake Tyers in Victoria. In addition to normal army training they performed guard duty at the Army Hospital and Camp. They formed the Gum Leaf Band and led the troops at community singing and assisted in Methodist Church services. Three black and white newspaper articles adhered to cream paperWarrior Tradition Written in blue ink 28/12/1940no 9 camp wangaratta, aboriginal platoon

Slovenian Club Melbourne participated many times at the Royal Melbourne Show with the musicians, dancers, folk dances, art and craft exhibitions. They were always warmly welcomed.The second Slovenian children of the first generations keeping up the traditionsColour photo of the large decorative heart with the Slovenian children in national costumes and boys playing piano accordions at the Royal Melbourne Show. The children are:Young generation of Slovenians, born in Australia, keeping the Slovenian traditionsslovenian traditions, slovenian national costume, slovenian music, slovenian polka

Two articles about the origin of the Last Post collected by Bill Rogers. One's source is possibly Sydney Legacy. It says the last post is derived from the old custom of beating Tattoo. This word comes from the Dutch phrase - doe den tap toe, meaning turn the taps of the taverns off. Then when bugle calls were introduced two posts were written. "First Post symbolises the inspection of the last inn in the town. It was then a simple step for the Last Post to become associated with Military Funerals. Played at funerals the Last Post is followed by the call Rouser, a later version of Reveille, which symbolises the awakening of a new life." The other has the words to the Last Post and a similar story but not as detailed. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008) or as a legatee.A record that the traditions of the military was significant to the Legatees.Two A4 pages of the origin of the Last Post, one from Sydney Legacy.tradition, last post

A document that relates the origins of the Flanders Field poem by John McCrea and the origin of the Poppy Appeal. The photocopy is page 92 from N'Oublions Jamais L'Australie (Never forget Australia) - Australia and Villers-Bretonneux 1918-1993. It was published by the Villers-Bretonneux 75th Anniversary Pilgrimage Project Committee in 1994. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008) or as a legatee.A record that the origin of the poem was significant to the Legatees that this page was collected by Bill Rogers in 2007.One A4 page about of the significance of poppies copied from a book.Top right is printed N'Oublions Jamais L'Australie.tradition, poppy appeal

A Citation awarded to A.A.T.T.V for performance of outstanding services from July 1962 to August 1969.A.A.T.T.V. performed in the highest tradition of military and brought distinct credit to itself and Commonwealth of Australiacertificate, citation, aattv

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Large group of soldiers in a cross formation. Large grandstand style structure in background."12,929. AUSTRALIAN EXPEDITIONARY FORCE, BALLARAT. Soldiers in the Making EAger / to Uphold the Traditions at the Front."stereographs, australian expeditionary force

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. The Bendigo Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. The medallion was passed on to each subsequent Mayoress when the new Mayor was appointed. The Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. The drop and chain have been hand crafted n 18ct yellow gold and engraved by a master engraver also by hand. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. Front; Progress / BENDIGO. Verso; PRESENTED / TO THE / BENDIGO CITY COUNCIL / by / SIR GEORGE LANSELL, / TO COMMEMORATE THE CENTENARY OF / LOCAL GOVERNMENT IN BENDIGO / 10 - 1 - 56george lansell jnr, mayoress chain, bendigo centenary, mayoress snell, city of greater bendigo ceremonial item, lansell pendant

Gloria PETYARRE (c.1942 - 2021) Born: Mosquito Bore, Utopia, Northern Territory Language Group: Anmatyerre Community: Utopia, Northern Territory Gloria Petyarre's depiction of the Kurrajong bush medicine leaves with her layered, swirling brushstrokes is her iconic motif. In 1999 Gloria Petyarre became the first Indigenous Australian artist to win the 'Wynne Prize for Landscape' at the New South Wales Gallery. She is credited with being the creator of this popular style, which was adopted and adapted by several generations of her family members over Gloria's retirement in 2019. The artistic tradition in Utopia started in the Utopia Women's Silk Batik Group introduced in 1977. Gloria Petyarre and her aunt Emily Karne Kngwarrye were found members of this group. Gloria Petyarre started painting on canvas in 1988 with her brushstrokes and layered paint having foundations in the batik tradition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Utopian Art Movement‘Bush Medicine Dreaming’ depicts the leaves of a special plant that is used to aid in the healing process. The leaves are collected and then boiled to extract the resin. Following this, the resin is mixed with kangaroo fat collected from the kangaroo’s stomach. This creates a paste that can be stored for up to six months in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and as an insect repellent. The Dreaming that is the basis for Petyarre’s paintings comes from the important ceremonies and traditions held by the people of Atnwengerrp. art, artwork, gloria petyarre, aboriginal, utopia

The painting was purchased from the Eltham Outdoor Art Show. Smith endeavours to capture mood, atmosphere and light in this work by heightening and intensifying the imagery where possible. Smith is concerned with expressing a 'sense of place' inherent in the subject matter. Painting of a landscape at dusk with dirt walking track and trees somewhere in Eltham. Oil on composition board. Moulded frame. Painted in the 'Western Realist Tradition'. Signed 'HARRIS SMITH/84' Hand painted in capitals in red paint; bottom right. eltham, painting, landscape, smith, evening

Post Office Gallery exhibition catalogue,Theatrical traditions stage & screen in Bendigo, 27 pages with black and white & colour photographs. 2 copies to Specimen Cottage.books, catalogues, post office gallery

These stories are written versions of legends handed down through the oral tradition of Aboriginal storytellers from the Riverina of New South Wales and Victoria, coastal regions and other parts of Australia.Colour photographs, illustrations, mapswongaibon, kamilaroi, kirrea, dharawal, ualarai, gandangara, darkinjung, dhurga, ngemba, bandjalang, wiradjuri, muruwari, riverina, lake eyre, murray river

Australia Post First Day Cover envelope. With 5 stamps depicting various Military scenes. Denominations from 41cents to $1.10.3 Postmarks - Dandenong 12th April 1990. Red Poppy with "The Anzac Tradition". Signature of "Weary E Dunlop" on front of envelope.

The article is c.1993. Chautauqua peak is named after the Chautauquans, who held summer camps in Halls Gap in the 1890s. NOTE: Additional images are second and third pages, and a Microsoft Word file which includes the text of all three pages. A PDF file of an "augmented copy of the fax (with the more difficult to read sections clarified in pencil) is also available in the \Pictures\MP Navigator\2009_09_-02 directory on the computer (as there is not further space to attach it to this record)A copy of a three page National Geographic Traveler article entitled 'An enduring tradition'. The article describes the reporter's trip to Lake Chautauqua where the Chautauqua Institution was founded, and includes historical information about the Chautauquans.Chautauqua written in ball-point pen on top of front page.media, magazine articles

Newspaper article regarding the tradition of 'tin kettling' following a wedding. Includes reference to Cornish, Eaglehawk and Long Gully. Photo of Cornish married couple and bridesmaids C 1890's ? Bendigo Weekly 18.2.2000person, individual, jack perry, long gully, eaglehawk, wedding, cornish, tin kettling

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available

Emmanuel College is the result of the amalgamation of St Ann's girls' college and Christian Brothers' College boys' school in 1991. Mother Philomene Maguire arrived in Warrnambool and commenced a Convent of Mercy and school with the consent of the then Bishop of Victoria, Bishop Goold. The school opened in Wyton House in Botanic Road. Brother Egan arrived in 1902 and set up a Brothers' group and school and 104 boys enrolled. Since its inception in 1991 Emmanuel College provides a broad education for students to Year 12 level. A number of students have achieved a high profile in the community, including footballer Jonathan Brown, television personality Dave Hughes, educatior Professor Colin Ferguson, musician Shane Howard, Olympic cyclist Michelle Ferris.This booklet briefly documents the history of Emmanuel College and its predecessors St Ann's and CBC and includes a list of their more prominent and well-known 'inspiring alumni'. It provides research information and window on a period of socialA4 size full colour booklet with a photograph of a white building with light brown trim and red iron roof and arched windows; four senior students (two boys and two girls) wearing school uniform are standing in the foreground. Their blazers feature the school logo. Title is white print in a red box and a sub-title at the bottom right hand side is in red print. 15 pages25 YEARS/Emmanuel College/1991-2016 Emmanuel College/Warrnambool/Celebrating 25 years/1991-2016 Built on tradition, Educating for the future.emmanuel college, convent of mercy, bishop goold, catholic schools, wyton house, brother egan, st ann's college, christian brothers college warrnambool, education, education in the warrnambool area, boyce, rosalie, ferris, michelle, gorman, lisa, howard, shane, keilar, brendan, o'dwyer, dr barry, ryan, kathryn, brown, jonathan, atkinson, david oam, coghlan, gorgi, earls, judith, o'shea, br frank, ryan, dr kevin, houlihan, sr natalie, hughes, dave, ferguson, prof colin, howard, sr adele, ryan, shaun, smith, karan, lanigan, sgt sean, melican, felicity, turner, michael, green, danielle mp, holland, nicki, o'keefe, marcia oam, o'toole, melanie, harrington, clayton, gallagher, br don, gleeson, dr laurence, gleeson, trevor, houlihan, patrick, mugavin, fr patrick

Two pages document titled: The Pie - Australia's finest tradition. Written by Doris Leadbetter, researched by Garran Wilkinson, October, 1991. Also one page document titled: Cornish pasty story by Garran Wilkinson, Sales division.bendigo, business, gillies bros

The Royal Regiment of Fusiliers Mess dress, it was allied with the 6th Battalion, the Royal Melbourne Regiment and remains an allied unit of 5/6 RVR, Alliances meant Regimental customs and traditions were shared between units including dress.

horseshoe, ornament, luck, tradition, ballarat

Twelve pages document titled: ''Theatrical traditions - stage and screen in Bendigo. The document details the history of theatres in Bendigo from the early days. Paragraphs titles are: The Shamrock Hotel, The Criterion Theatre, Abbott's Lyceum, St. James Hall, The Royal Princess Theatre, The Masonic Theatre, Open air picture Theatres, The Lyric Theatre, Plaza Theatre, Eaglehawk pictures. The Golden drive-in Picture Theatres in decline, Contemporary cinemas, Community traditions, Bendigo Regional Arts Centre, Ulumbarra Theatre. The document was prepared for the Post Office Gallery exhibition and is marked Confidential.entertainment, theatre, post office gallery