Collected at a Heritage Week Workshop at Blackburn Library on 5th October 2009.Black & white photograph Turner home at 27 Salisbury Ave Blackburn showing view looking from Middleborough Road to Salisbury Avenue.salisbury avenue blackburn no 27, 1950's house

A short article about Harold Turner and his service in World War 1. Harold Turner lived in Greensborough.2 pages, text and colour images.world war 1 project, harold turner

Set of two Digital Images of photographs of Oscar Turner's farewell function at Camberwell Depot, with many of his fellow depot workers and (probably the Depot Master) making the formal presentation. Note the difference in the shirts and ties worn by the various tram workers. See htd1930i for Certificate of Service - gives retirement date of 8/8/1953. Images i3 and i4 are tiff files trams, tramways, retirements, conductors, mmtb, camberwell depot, uniforms

Digital Image of a letter to Oscar Turner following his retirement from The Australian Tramway and Motor Omnibus Employees Association Vic Branch, signed by Clarrie O'Shea as Secretary, dated 18/12/1953 accepting his resignation from the Association. Gives address and telephone numbers. See htd1930i for Certificate of Service - gives retirement date of 8/8/1953, i2 - tiff filetrams, tramways, retirements, conductors, unions, atmoea, letters

Short history of Turner (Aust) in 'The Tool Chest' newsletter November 1996. (3 photocopied pages' Emphasis is on trademarks with illustrations given on marks found on tools.Short history of Turner (Aust)turner industries, stanley works pty ltd, moderne handle co, b.h.p. ltd., titan manufacturing co, australian industrial property organisation, tools

Kirsty Turner Lakes Entrance VictoriaBlack and white photograph of new member of First Sea Scouts B Group sea scouts, clubs

Gilbert Turner MM, No 1410 45th Batt AIF. Refer 1294P, 1039P, 1038, 1173..1) 50th Anniversary Medallion Bronze circular in shape One side has a crown a top of Simpson and His Donkey with leaf arrangement, under them a scroll with lettering “1915 ANZAC” Other side a crown over a map of AUST/NZ with a southern cross with a scroll with space for an Individual name' .2) Black case with purple felt lining for 1176.1.Engraved "G Turner"medallions, anzac commemorative, turner

People - Turner Pola Hutt Omant Family Nov 1911 Buildings - Gardens? Associated with - Picnic

Account of Turner Brothers bakery, built in the 1880s on the Plenty Road at South Yan Yean (now Mernda)1 p. text and photographyan yean, mernda, turners bakery, turner family

Digital Image of cable tram conductor Oscar Reginald Turner, possibly soon after starting as a conductor with the Melbourne Tramway and Omnibus Co. - see Reg Item 1930, in Feb. 1908. Possibly a studio photograph. Note the badges, pins for holding the tickets, cap, buttons, uniform in detail. i2 - tiff file, i3 - a small jpg file. See images i4 to i7 for a copy of his cable tram service - from VPRS 12737/P2/6 pages 560 and 642 accessed at the Public Records Office of Victoria on 31-3-2017 See Reg Item 2900 for leather buckle and some safety pins.trams, tramways, mto co, conductors, uniforms, cable trams

Gilbert Turner MM, No 1410 45 th Batt AIF. Refer Cat No 1038 for his service details.Lapel badge, Anzac commemorative 1915" G Turner."numismatics - badges, commemorative, anzac, turner

View from Flodden Way, looking down Turner Street. "The road went round the tree". The Noone family lived at 1 Flodden Way from 1966 to 1969. Caption by Julie Noone 2017.Shows the development of the area in the 1960s.Digital copy of colour photograph, taken from photographic slide.flodden way briar hill

The caption on this item incorrectly indentifies Charles Bush and Leonard French. Framed black and white image of artist Charles Bush and Ballarat Teachers' College Principal, Tom Turner, shakes hands in front of the mural 'Tapestry' by Leonard French. Student Represetnative Council President, Bruce Vanderburg, stands in the centre of the photograph. The mural was commissioned by students and staff of the Ballarat Teachers' College.tom turner, ballarat teachers' college, charles bush, bruce vanderburg, leonard french, mural, federation university art collection, ballarat teachers' college art collection

Yields information about the types of automatic point Turing mechanisms used on tramway systems, not actually used in Ballarat or Bendigo.Four page Pamphlet or Brochure Forest City No. 19, "Collins Patent Automatic Point Turner". Four page printed brochure with illustrations 1940’s? describing the Point turning mechanism with illustrations, of the equipment, method of operation advantages, wiring, the street box and curb (kerb) control box. c1940's? Has “217” in biro in bottom left hand corner.trams, tramways, forest city signals, level crossings, signals

Gilbert Turner "MM", No 1410. Refer Cat No 1038 for his service details.Photograph, sepia tone, portrait of Gilbert Turner. Shows no unit or rank badges.photography-photographs, military history-army, turner

'Interweave One' is a quilt made by Judy Turner in 2000. It consists of a woollen background and coloured woollen yarn which have been machine couched to the background. The techniques used to make it include quilting and machine couching. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Interweave 1' was selected as a highly commended entrant of this exhibition. It was catalogue entry no. 21.Quilt, black woollen background with coloured woollen yarn couched to the surface in a cross pattern.INTERWEAVE ONE / 76 X 126 CM / 2000 / JUDY TURNER / 31 BERTEL CRES / CHAPMAN / ACT 2611 / AUSTRALIA / PH 02 62886465quilting handicrafts, quilting, handicrafts, judy turner, expressions, wool quilt prize, national wool museum, quilt

Looking down Turner Street from 1 Flodden Way. Unmade road and no footpath. Fields in background beyond roof tops. Cars in the driveways. The Noone family lived at 1 Flodden Way from 1966 to 1969. Caption by Julie Noone 2017.Shows the development of the area in the 1960s.Digital copy of colour photograph, taken from photographic slide.flodden way briar hill

William Turner, a Scottish born free-lance designer, who was contracted to GP&J Baker, painted the image on which the design was based in 1918. Turner had trained as a furniture designer before leaving for London in the 1890s, where he rose to prominence as an Arts & Crafts designer. The bird that gives this design its name is adapted from Robert Havell’s ‘A Collection of Birds of Paradise’, published in 1835, and was a favourite of Victorian chintz designers.“Paradise Bird” has been in continuous production since its creation. The hand-block print, of which these curtains are an early example, was supplemented by a version engraved on copper rollers in 1962, and was updated onto screens in 1982. The curtains have significance to the collection because of their intrinsic value and for the link to one of the historic mansions in the City of Boroondara. The curtains by G.P & J Baker of London use one of the exemplary designs in this manufacturer’s output. The first use of the design was in 1918, following the Great War, and the design is said to reflect the hope for peace which was a feature of the postwar years. The curtains are an early example of the Paradise Bird design, and were block printed. A pair of curtains originally situated in one of the front reception rooms of 'Tourmont' in Balwyn Road, Balwyn (now Fintona Girls’ School). The fabric in the curtains was manufactured by the English firm of GP&J Baker. The textile design is variably named as ‘Paradise Bird’ or more recently, ‘Hydrangea Bird’. Turner’s bird perches in a blossoming branch directly above a woodpecker, which is an attribute of Mars, god of war. Thus the design reads as a symbolic statement where War is reversed and Paradise returns (a hopeful message at the end of WWI). “Paradise Bird” has been in continuous production since its creation. . curtains, fabric design, historic buildings

IT IS ON PERMAMENT LOAN FROM HEPBURN SHIRE COUNCIL. CR. R. TURNER CLARKE WAS ELECTED CLUNES BOROUGH COUNCIL AUGUST 27TH 1953, AND ELECTED MAYOR AUGUST 1955. PHOTOGRAPH ORIGINALLY HUNG IN CLUNES TOWN HALL DURING HIS TERM AS MAYOR.PHOTOGRAPH, CR. R. TURNER CLARKE, FRAMED.CLUNES BOROUGH COUNCIL CR R TURNER-CLARKE. ELECTED COUNCILLOR 27TH AUGUST 1953 ELECTED MAYOR. AUGUST, 1955local history, photography, photographs, councillors & officers

This book was "published in order to raise funds for the Voluntary Worker's Association".Hard cover book Cover - cardboard with blue colour Buckram. Gold colour print on front and spine. 146 pages - cut, plain, off white colour paper. Book anthology containing stories, poems, cartoons, drawings and paintings. Black and white and colour illustrations. Front end paper has been removed. Handwritten information - front end paper.Handwritten information - grey lead pencil. "Ethel Turner/ Editor/ $30-".publications, books, anthology, ww1

The photograph was taken by Paul and Gerald Turner, formerly of Fitzroy Street, St. Kilda. It was taken to record the opening meeting of the 1890 season on 17 May. Members met at 'Woodlands', the country house of W. H. Crocker, who was the club president. The photo was supplied courtesy of Oaklands Hunt Club and the National Parks Service.A black and white photograph of the opening of the Oaklands Hunt Club. Most of the riders are mounted on horses which are standing in front of the picket fence, in a semi-circle. Four other men are standing in the foreground.OPENING MEET OF THE OAKLANDS HUNT / at 'WOODLANDS' the country house of / W.H. CROCKER, THE PRESIDENT OF THE CLUB / MAY 17th 1890oaklands hunt club, national parks, house names, horses, 1890s, crocker, w. h., turner, paul, gerald, photographers, woodlands, men, clothing and dress, george evans collection

Form - Foolscap printed and typed sheet titled "Suggestions Scheme - Suggestion Investigation Form" dated 11/4/1956, suggesting that the lights in head office be turned off when needed. Sent to the Secretary of the MMTB from the Secretary of the Suggestions committee W. Turner. No further actions recorded. See Reg Item 3353 for an associated book.has in the top left hand corner in ink "3/654"trams, tramways, mmtb, suggestion scheme, head office

Born: Yorkshire, England 1850; Arrived Australia: before 1874; Died: 1908RealismLedger Gift, 1975Rural landscape setting with horse, dogs and a figure heading towards a house. Gold brushed grey painted frame.Recto: Signed “J A Turner / 1889” in black paint l.l.c of composition; Not titledlandscape, figure, animals, house, colonial, trees, australian art

Set of three black and white photographs of MMTB tramway depot maintenance staff functions, c1960, with notes in pencil on rear. .1 - Group photo - 12 men standing, dated 23 -12 - 1960, Brunswick Depot - with note "Fred Turner - rear far right" .2 - group photo - 12 men seated, undated, with note - "Fred Turner 3rd from right at back" .3 - group photo - 3 men seated having a meal - with note "Fred Turner - Centre", dated Brunswick - 23 -12-1960.See abovetrams, tramways, brunswick depot, workshops, depots, maintenance

Gilbert Turner. Refer Cat No 1038 for his service details. Original document (colour) of Major General W. Holmes, 4th Div. Congratulations to 1410, Pte. G. Turner, 45th Battalion, AIF. “For coolness and initiative under fire during an attack on the 22nd Feb 1917 No 1410 Pte G Turner 45 Bn AIF”photography-photographs, military history, g turner collection

This photograph was taken by A.P. Winzenried in 1990 as a possible illustration for, "Green Grows Our Garden."2 copies black and white photograph. A copy taken in colour of a b/w photograph of a group of 7 female students sitting on the lawn and standing in front of the Lily Ponds. On reverse, "Photo via Alice Turner c.1930's Students in Burnley Gardens."female students, alice turner, a.p. winzenried, green grows our garden, student group, lily ponds, luffmann ponds

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a title written in black ink on white background, another is a photograph of a quilt, the third shows a hand drawn sketch of a house with a verandah.Front: [handwritten] 95 / Judy Turner / The fading dream of / Australian Home Ownership. / Initial sketch while / deciding how to depict / the Fading Dream of / Australian Home Ownership.quilt, wagga, home, house, housing affordability, design