SEPIA PHOTOGRAPH OF UNIDENTIFIED LADY AND BABYlocal history, photography, photographs, early citizens

Colour photograph. Unidentified man playing violin. Another unidentified man behind.entertainment, music, musician

Photograph of unidentified military installation surrounded by trees.military installation

Colour photograph. Unidentified man playing violin. Sunglasses. Business cards on notice board.entertainment, music, musician

Photograph of unidentified tennis players. From the Yandell collection.Digital copy of black and white photograph.yandell family

Photograph of unidentified men and women. From the Yandell collection.Digital copy of black and white photograph.yandell family

Photograph of unidentified swimmers and bathers. From the Yandell collection.Digital copy of black and white photograph.yandell family

Photograph of unidentified ladies, possibly on a picnic. From the Yandell collection.Digital copy of black and white photograph.yandell family, picnics

Photograph of unidentified landscape, possibly Greensborough. From the Yandell collection.Digital copy of colour photograph.greensborough

Colour photograph of unidentified female playe. Materials: Photographic emulsion, Papertennis

One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Three quarte-length studio portrait of an unidentified man photographed using the daguerreotype process. The portrait is contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding.daguerreotype, photograph, portrait

Photograph of unidentified students, Greensborough State School 1923. From the Yandell collection.Digital copy of black and white school photograph.greensborough primary school, yandell family, greensborough state school

Team photograph of unidentified men, possibly cricket players. From the Yandell collection.Digital copy of black and white team photograph.yandell family

Two photographs of unidentified young women from the collection of Elaine Drakeford (nee Roberts).Digital copy of black and white photograph.elaine drakeford

Arthur Henry Miers, pictured in the photograph played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Rare early photograph of football club team c. 1920.Unidentified football club team photograph, used in front of a weatherboard building, mounted on cardDonor NOTES: 1920. FOOTBALL - PHOTO 8" X 6" OVERALL SIZE 12" X 10" / ARTHUR AND CHARLES MIERS 4TH AND 6TH FROM LEFT BACK ROWarthur miers, football, football teams

After his return from World War 1, Christopher Robinson of St John's Parade, Kew played with the Kew Baseball and the Hawthorn East Melbourne Cricket Clubs. This photo includes Chris and this brother Beav.The photograph is of local significance as an image of participation in sport and recreation in the decade following the First World War.An unidentified team photograph, mounted on board, of a cricket club, which may be the Hawthorn East Melbourne Cricket Club. Pictured in the photo are Chris Robinson (middle row 2nd from right) and his brother Beav (2nd row, extreme right).christopher robinson, beav robinson, cricket

Sepia photograph. Two unidentified women standing in front of a Marquee (at Burnley?), probably a professional photographer.women, j.l. provan, special occasion

Photograph of unidentified man, possibly from the Partington family. [Faye Partington verified 12/1/2017 that this IS certainly William Partington]Charles Partington and family came to Melbourne in the 1840s and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough.Digital copy of black and white studio photograph.partington family

Photograph of unidentified horse and covered buggy. [Found when cleaning up an old house belonging to a deceased friend/relative of the Partington's]Digital copy of black and white photograph.

Studio photograph of unidentified man and woman. The Photo is taken at Yeoman Co, Bourke Street East, opposite the Eastern Market, they advertisements can be found during 1888.Digital copy of black and white studio photograph.

The people in these four photographs are unidentified. The quality of the articles suggests that the original owner of the frames was in affluent circumstances. Photographs dating back to the 1860s and the early 1870s are not common in our collection.These are two rectangular-shaped metal frames with brown leather coverings. The frames are hinged in the middle and the two sides are closed over with a metal clasp. (one of the metal clasps is missing). The frames have ornate gilt edges around the sides and an ornamental pattern on the leather fronts and backs. Inside the frames are four photographs (two in each folded frame) placed behind glass. The four photograph mounts have ornate gilt edges and three photographs are mounted in a round shape and one in an oval shape. The photographs are black and white and are of what appears to be three women and one child. The frames are somewhat stained and scuffed. 19th century photography

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this 1920s studio portrait is as yet unidentified. The photograph was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Oval convex portrait of an as yet unidentified member of the Henty family. The unsigned photograph mounted on a metal backing is sepia tinted. It shows a woman, photographed at an oblique angle, gazing at the photographer. Her dress and hairstyle allow us to date the portrait to the 1920s.henty family, australia - early settlers

16-page order of proceedings, with list of sporting, community service and other awards, school captains, prefects, house captains, and SRC representatives. The programme is accompanied by 3 award night colour photographs (unidentified).