Showing 249 items
matching veils
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Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Uniform - Trainee Nurse Uniform veils
Northern District School of Nursing nurse's base uniform 1950s - 70sTwo veils of nurse uniform in organdie and lawn cotton hemmed on all sides with machine embroidery.nurses uniform, northern district school of nursing, veil -
Bendigo Military Museum
Leisure object - DOLL, RED CROSS, Possibly WW2 era
Doll with brown hair dressed in light brown Red Cross uniform with red cape & nurses veil.In ink under dress: “BUCHAN 90 - 100 years old”leisure object, red cross, doll -
Whitehorse Historical Society Inc.
Clothing - Bridal Veil, 1958
Worn by Barbara Osborne at her marriage on 25 October 1958.A short veil with a circle headband of creamy white roses with white flower buds and leaves of glitter underneath.costume, female ceremonial, costume accessories, hair accessories -
El Dorado Museum Association Inc.
Photograph - Digital Image - Sister Helen Eliza Milne, c1914 - 1918
Milne, Helen Eliza Ranks Held: Sister, Staff Nurse DOB: 1888 Birth Place: Carlton, Victoria, Australia DOD: 19 April 1961 Final Rank: Sister Unit: Australian Army Nursing Service Places: Carlton, Springvale First World War, 1914-18world war one, first world war, wwi, australian army nursing service, nurses, sisters, nursing, care, women, el dorado, eldorado -
City of Ballarat
Artwork, other - Public Artwork, Modesty by Charles Francis Summers, Circa 1885
Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty -
Whitehorse Historical Society Inc.
Leisure object - Child's costume, 1960's
Given to donor's daughter for her 3rd birthdayChild's nurse outfit consisting of white apron, red cape and triangular headdress/veil with stitched red cross.costume, children's -
Kew Historical Society Inc
Photograph - Digital Image, Confirmation Day St Hilary's, 14th September 1961, 2020
Digital copy of a photograph from a personal photograph album belonging to Judith Scurfield.Photograph of a group of girls in veils at a confirmation ceremony at St Hilary's Anglican Church, Kew on 14 September 1961confirmation ceremonies, st hilary's church - kew (vic) -
Surrey Hills Historical Society Collection
Photograph, Nurse - Alice Louise Jackson
Alice Louisa (Louise) Jackson was one of 12 children of George James Jackson and his wife Alice Eleanor (nee Taylor); both of whom were jewellers. One of her brothers, George Hall Jackson, served in WW1. The family lived at 'Handsworth', 7 Russell Street, Surrey Hills. Alice was born 25/9/1892 and died 25/8/1983. She was buried in Box Hill Cemetery - CE-*-2010. REF: Personal communication (email) Ruth Theodoridis, her niece, 30/5/2018: Alice trained at the Austin Hospital prior to WW2. She worked there after graduating and became the charge sister of the ward for terminally ill patients, many of whom were TB patients. After she retired from the Austin she nursed elderly and dying people in the Surrey Hills area. She had had a tricycle made especially for her as she could not ride a bicycle. She would always ride in the centre of the road in case the trike tipped over. She left her estate to the hospital. A black and white photograph of a lady standing in her nurses uniform, consisting of a skirt, blouse, and a veil on her head.louise jackson (miss), alice louisa jackson (miss), russell street, surrey hills, george james jackson (mr), alice eleanor jackson (mrs), alice eleanor taylor (miss), nurses, austin hospital, box hill cemetery -
St Kilda Historical Society
Photograph, Miss Panther, c1898-1902, c. 1898 - 1902?
A little girl holding a crook, wearing a veilsepia and white photographHandwritten on back of photograph: Given to St K H Society by Mrs Panther 13-4-86. Photo taken about 1898 - 1902. Girl was Mrs Panther's Great, Great Aunt -
Flagstaff Hill Maritime Museum and Village
Wedding Dress, c. 1860
Wedding dress or Bridal Gown c. 1860, comprising wedding dress and veil. Gown of very fine cotton has long sleeves, high neck and waist. Lace insert in neckline and in body of dress, decorative panel in front, train at back. Hooke and eye closure. Veil is silk.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bridal clothing, wedding gown, wedding dress, silk bridal veil, 19th century wedding dress -
Kew Historical Society Inc
Print, Gainsborough, Bride and Groom, Marjorie Dean & Alg. Garlick, 1928
Marjorie dean's wedding dress is part of the Society's Fashion & Design collectionWedding photo of Marjorie Dean & Alg. Garlick. The bride is wearing a knee-length wedding dress and a medium length veil.Handwritten text: "February 1928. Wedding photo of Marjorie Dean and All. Garlick. Gift together with Marjorie's wedding dress, to Kew Historical Soc from their daughter Val Neilson **** on 5/8/98.wedding photographs, bridal fashion - 1920s, marjorie dean -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress, 1936
Donated by grand daughter of Edith and Ron Palmer. Bride Ellen Lidgerwood married Ron Mathers on 4 September 1937.The Best Man was the brother of the Groom, George Mathers. The bridesmaid was the sister of the groom, Miss Mathers and the flower girl was the niece of the bride, June Lidgerwood. For full family history and photos of both weddings see Supplementary File NA3817 & NA3818. Dress worn by Ellen at her wedding and Veil worn by both sisters Edith and Ellen Lidgerwood at their wedding ceremonies, Edith in 1936 (see NA3817) and Ellen in 1937Prominent Box Hill families1937 cream seersucker dress featuring a cowl neck and long sleeve, slit at shoulder to create cowl effect. Slim at lower arm to a point over the hand and fastened at seam with press stud. Bodice cut on the cross under the bust. Cut on the cross figure fitting skirt to the floor, complete with long train. On the back is a slit opening fastened with hook and eye and glass clear buttons. Below the slit are eight glass buttons with false rouleau button loops. The train is made of an added detachable piece. Veil worn at both sisters weddings but with different headdresses. Headdress has small circle of flowers and berries. See sister's wedding dress NA3817.costume, female ceremonial -
National Vietnam Veterans Museum (NVVM)
Uniform, Royal Australian Army Nursing Corps uniform (ward)
Australian Army Nurse uniform - grey and white veil, silver buttons, black lace up shoes, dog tags and stethescope.On dog tags - D.E. Lawerence - service no. F2540, 1st Australian Field Hospitalaustralian army nurse uniform -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph
Bride in shin length dress , head dress and veil typical of 1920'sBlack and white photograph of Les Fish and his bride Ethal on their wedding daycelebration -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED
Photo relates to Beryl Grimshaw (Morrel) Ron Morrell, Cat No,s 306, 315, 316, 304P, 305P, 312.Heavy glass frame with thick timber backboard (smaller than glass) joined together with 4 metal screws. Beige mount. Hand tinted photo, 3/4 length portrait of female in a nurse's uniform, blue dress, white apron, sleeves, collar & veil. Red cross on apron bib & veil. Blue armband.photography - photographs, frame accessories, trades - carpentery -
Orbost & District Historical Society
black and white photograph, W C RICE, C1914 -1918
This photo shows the group of ladies who were the official collectors for the Red Cross during WW1. The Australian Red Cross Society (ARCS) was formed just after the outbreak of the First World War in August 1914, originally as a branch of the the British Red Cross. It came into being as a branch of the British Red Cross Society on August 13th 1914 to succour the wounded in the First World War.This is a contemporary record of a significant event in Orbost. It reflects the involvement of Orbost, a small town, in the efforts of the Australian Red Cross Society to provide comforts to soldiers during World war 1.A black / white photograph post card of a group of nine ladies wearing white uniforms with red crosses on the front. They are wearing hats / veils.on front - "Leila Perry, Grace Cameron,Nell Cameron, Jean Cameron, Flora Cameron, Jean Stirling, Lily Perry , Anne Stirling" on back - "For Historical Society - official collectors for Red Cross 1914-1918 War"red-cross-orbost -
Stawell Historical Society Inc
Photograph - Portrrait, Wedding Photo
Huttley - Martin2 B/W: Studio Portrait: Bide and Groom Bride Veil and long white dress with bouquet. groom in dark suit with tie1: Lorna with our love 2/4/32. Madge Huttley & Jack Hull married at Stawell Congregational Church 2/4/1932 age 33 & 28 Madge's Jack 2: Jack Hull & Madge Huttley married at Stawell Congregational Church 2 April 1932 aged 33 & 28huttley, martin -
Whitehorse Historical Society Inc.
Shawl, 1930's
Indian shawl owned by Edith Brydon who made the wedding dress NA3494 for her niece, Mary (Molly) Sprunt for her wedding on 12 March 1938Cream cotton net, stamped with gold metallic thread into a Vandyke pattern.|See also NA3495 - Wedding veil & NA3494 - Wedding dresscostume, female -
Kew Historical Society Inc
Photograph - Bride and attendants
The Kew Historical Society has a large fashion and design collection. This copy of an original photo was given to support accurate depictions of bridal wear in the 1920s.A photographer's proof of a bride and attendants. The photograph shows a bride in a knee length dress and wearing a cloche hat to which a tulle veil is attached. wedding photography -
Magnet Galleries Melbourne Inc
watering horses, mountjoy079.tif
Watering horses in a collapsible canvas trough in Egypt. The horses are fitted with fly veils on their bridles. trough, egypt, watering, horses, aif, a.i.f, ww1, world war 1 -
Australian Lace Guild - Victorian Branch
Textile - Bonnet veil with Agentan lace motifs, Argentan motifs - mid 18th century. Bonnet veil mid 19th century
Fashion Item. Bonnet veils were very fashionable during the 19th century. At this time old lace was highly valued - in this case old Argentan needle lace motifs (mid 18th century) have been reclaimed and appliqued onto machine made cotton net to form this 19th century bonnet veil. Probably home-made.Mid 18th century Argentan needle lace motifs appliqued onto machine-made cotton net.lace veil, bonnet veil. -
Tatura Irrigation & Wartime Camps Museum
Doll, Armand Marseille 370 A.N 5 OX. Dep, Bride doll Bisque, Before 1917
Given to Mildred Clapp in 1917 when she was 6 years old. The clothes were made by her Mother who died soon after.Bride doll has blonde hair, brown moveable eyes and riveted arms and legs. Tuille dress and veil with some sequins and fabric shoes.bride doll -
Stawell Historical Society Inc
Photograph - Studio Portrait, Madge's Wedding Photo
Huttley Martin Familyfawn folder cardboard with textured front. B/W Studio Portrait -Bride in veil, dress, necklace, white stockings and shoes, holding bouquetW.J. Chapman Stawellhuttley, martin -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Education kit - Army Nurse 1910 Miniature Doll, Nursing Through the Ages
30cm Miniature Doll dressed in long blue dress with long white apron. Red cape and white veil on head. White cuffs on sleevesName Tagminiature doll, nursing uniform, nursing history -
Phillip Island and District Historical Society Inc.
Photograph, Wedding photograph - Fred Osterlund and Ida Richardson
The wedding was in 1925. Fred Osterlund was a ferry captain from Rhyll. Fred and Ida were the parents of Jim Osterlund of Rhyll.HistoricalSepia photo of a man, dressed in a suit and bow tie, seated and a woman standing, wearing a wedding dress and veil and holding a large bouquet of flowers.wedding photo, fred osterlund, ida richardson, rhyll -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s
Waterfall is known as Bridal Veil and is on the Wonderland/Pinnacle walk. The photo is typical of those produced by 'Victorian Railways' for tourism.Photo shows a young woman standing beside a waterfall. A rock overhang appears at top of photo with rock rubble and reeds in foreground.No.65scenery, waterfalls -
Tatura Irrigation & Wartime Camps Museum
Book, Captured Lives, 2018
Story of the internees and pow's behind the barbed wire veil that was drawn around people deemed threats to Australia's security. Soft covered book. Front cover has 6 photos of internees with their id numbers. In middle is title. Authors name at bottom. Spine is brown coloured with title, author and photo of internee. Back cover has two photos, Group of adults and children and a soldier with gun and five men with hands in air. 266 pagesCaptured Lives Australia's Wartime Internment Campsaustralian internment camps, australian pow's, peter monteath, loveday internment camp -
Tatura Irrigation & Wartime Camps Museum
Book, Captured Lives, 2018
Story of the internees and pow's behind the barbed wire veil that was drawn around people deemed threats to Australia's security. Soft covered book. Front cover has 6 photos of internees with their id numbers. In middle is title. Authors name at bottom. Spine is brown coloured with title, author and photo of internee. Back cover has two photos, Group of adults and children and a soldier with gun and five men with hands in air. 266 pagesCaptured Lives Australia's Wartime Internment Campsaustralian internment camps, australian pow's, peter monteath, loveday internment camp -
Linton and District Historical Society Inc
Photograph, Stewart amd Co, 284 - 286 Bourke St, Melbourne, Millie Ching : wedding photograph
Millie Ching married Bob Cornish.Sepia wedding photograph of a lady wearing gown and veil, seated with right arm resting on back of chair, holding bouquet of flowers on lap with left hand."Millie Ching".millie ching, millie cornish, weddings -
Stawell Historical Society Inc
Photograph, Mrs Lorna Cleland nee Huttley
Huttley - Martin FamilyB/W: Bride with Bouquet in front of drapes, floral headband, floor length veil. Long sleeved, floor length dress v cut in neck.Lorna Cleland (Nee Huttley) (wedding)huttley, martin