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Phillip Island and District Historical Society Inc.
Book, Education Dept. (Victoria), school paper for classes V and VI (1910), 1910
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Greensborough Historical Society
Article - Article, Journal, Kathleen McEwan, The Golf Clubs of Victoria: VI - Heidelberg and Eastern, by Kathleen McEwan, 01/06/ 1929
Occupied by the Heidelberg Golf Club in 1928, the homestead, Bryn Teg, was built by R. T. Brown about 1849. This article, written in 1929, describes the building and its history in detail.4 p. black and white photocopy of article from Australian Home Beautiful, June 1, 1929, stapledheidelberg golf club, bryn teg, lower plenty -
Ringwood and District Historical Society
Envelope, Royal Visit Coronations programs, photos from local and "Sun" newspapers.1954, Also 1936 "Death of King George V", and Civic Memorial Service for Late King George VI 1952
Royal Visit Coronations programs, photos from local and "Sun" newspapers -
Bairnsdale RSL Sub-Branch Inc.
Commonwealth War Graves Commission, Her Majestry,s Stationary Office by the Campfield Press, Their Name Liveth Vol VI Part II, 1968
Some Pictures of War Cemeteries of South -East Asia,The Pacific Islands and Japan 1914-1918 and 1939-1945Red covered book Their name Liveth on top of cover Seal of Commonwealth War Graves Commission under TitleTheir Name Liveth Commonwealth War Graves Commissionjapan, war, east, port, islands, new, guinea, south, cemeteries, asia, pacific, fiji, caledonia, adelaide, rabaul, lea, morsby, labuan, yokohama, kranji, singaporechangi, kanchanaburi, thailand, thanbyuzayat, burma -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah VI, c1980
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: YACKANDANDAH / 80 Reverse: Y 5 / 018 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, vi, 1925-1955
Old Orchard showing picket fence looking south towards Toorak.orchard, picket fence -
Surrey Hills Historical Society Collection
Book, Eustace Halley Coghill's Diaries Vol. VI 1939-1944 The War Years, 2000
Eustace Halley Coghill lived in Surrey Hills on the corner of Wandsworth Road and Chertsey Street. His home was moved to Phillip Island (photo in the collection). This is the sixth volume of his diaries transcribed and published by his daughter Elspeth Carey, who spoke to Surrey Hills Historical Society regarding her father's life. This volume covers Eustace Coghill working at the Supreme Court Library and lecturing at Melbourne University; his consideration regarding army enlistment and travels to country centres to check the court libraries.This is the sixth volume of the diaries. It continues with Eustace Coghill working at the Supreme Court Library and lecturing at Melbourne University. Also considering early entry to army in second World War. Travels also to country centres to check the court libraries.world war, 1914-1918, 1939-1945, social life and customs, eustace halley coghill (mr), elspeth coghill (miss), elspeth carey (mrs), diaries -
Melbourne Athenaeum Archives
Theatre program, Dusa, Fish, Stas and Vi, a play by Pam Gems performed by the Melbourne Theatre Company at the Russell Street Theatre commencing 24 January 1978
The play was directed by George Ogilvie.Paper program; program contains brief biographies and photographs of the cast. The production toured to Perth and Sydney.russell street theatre, program, dusa, fish, stas and vi, george ogilvie -
Beechworth Honey Archive
Publication, e-book, The Naturalist's Library: Entomology: Volume VI: Bees. (Jardine, William). Edinburgh, 1840
301 pages. illustrated (30 plates). -
Wangaratta Art Gallery
Textile, Tim Gresham, Maquette VI, 2008
Wangaratta Art Gallery CollectionA small maquette tapestry featuring a scalloped design in a colour palette of white, olive, and grey.tim gresham, weaving, tapestry, textile -
Stawell Historical Society Inc
Photograph, Stawell Primary School Number 502 -- Teacher & Pupils from Grade VI B 1923
School - Stawell No. 502 - Pupils 1923stawell education -
Gippsland Art Gallery
Print, Schmeisser, Jorg, Sugar Cane Fire VI (Fire & Blue), 1986
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Leach-Jones, Alun, Cypress and Acacia [VI], 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Work on Paper, Torrington, Christie, Terrestial Fragment VI (Future Sphere), 2016
Purchased, 2016Ink, watercolour and collage on arches papergippsland, artwork, permanent collection -
Inverloch Historical Society
000431 - Photograph - Wonthaggi Telephonists Reunion - VI Cummings
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Inverloch Historical Society
000432 - Photograph - Wonthaggi Telephonists Reunion - VI Cummings
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Inverloch Historical Society
000433 - Photograph - Wonthaggi Telephonists Reunion - VI Cummings
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Inverloch Historical Society
000434 - Photograph - Wonthaggi Telephonists Reunion - VI Cummings
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Inverloch Historical Society
000435 - Photograph - Wonthaggi Telephonists Reunion - VI Cummings
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Inverloch Historical Society
000436 - Photograph - Wonthaggi Telephonists Reunion - VI Cummings
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Inverloch Historical Society
000437 - Photograph - Wonthaggi Telephonists Reunion - VI Cummings
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Inverloch Historical Society
000438 - Photograph - Wonthaggi Telephonists Reunion - VI Cummings
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Inverloch Historical Society
000439 - Photograph - Keith Waltho - VI Cummings
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Inverloch Historical Society
000440 - Photograph - Bus with Plume store in the background - VI Cummings
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Inverloch Historical Society
000441 - Photograph - Inverloch to Wonthaggi Bus Outside L G Mills store - VI Cummings
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Inverloch Historical Society
000443 - Photograph - Wonthaggi Post Office - VI Cummings
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Inverloch Historical Society
000658 - Photograph - Uncle Wal with Grigg taken 29th December - from VI Cummings
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Inverloch Historical Society
000659 - Photograph - 29th December - Garden lawn – Mum (squatting) smiling at, Sue & Grigg (small children) and dog (Niger) - Vi Cummings
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Book, The History of Freemasonry Volume VI, 1886
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Heidelberg Theatre Company Inc..
Program Photos Reviews Newsletter Poster, Dusa, Fish, Stas & Vi by Pam Gems directed by Judith Muir
1983, 218, director judith muir, heidelberg theatre company inc.