Showing 36 items
matching vietnamese villages
-
National Vietnam Veterans Museum (NVVM)
Photograph, Midwifery Replacement Kit
A black and white photograph of WO2 Brian Quee, the Squandron Sergeant Major, assisted by 2Lt Mike Meehan of 161 (Indep) Recce Flight, attempt to fathom the complexities of a Midwifery Replacement Kit watched by local village children during a Medcap at Xuyen Mocphotograph, wo2 brian quee, 2lt mike meehan, 161 recon flt, medical, xuyen moc, gibbons collection catalogue, vietnamese children, medcap -
National Vietnam Veterans Museum (NVVM)
Photograph, Great Hung Vuong Day Road Race
A black and white photograph of a Group photo of the placed runners in the 5000 metre footrace from the market place at Long Dien. The race was run on the Vietnamese National DayTHE GREAT HUNG VUONG DAY ROAD RACE - 15th APRIL 1970: Hung Vuong Day, 15th April 1970, the Vietnamese National Day commemorating the events of the birth of the Vietnamese Race, is on of the most important festivals of the Vietnamese Memorabilia. The placed contestant athletics in the 5000 metre foot race from the market place at Long Dien, south east of Nui Dat, the 1st Australian Task force Base, along national Route 23 to the town square at Baria (Phuoc Le), the Phuoc Tuy Province Capital. The multi coloured shirts of the various contestants, from the numerous military and civilian units in the province and the Australian Task Force looked out of place in the war zone. It took 17 minutes, 5 seconds for the outright winner to get to the finish, a strapping young SAS soldier, Trooper John Thurgar, from Scone, N.S.W. of the 1st Special Air Service Squadron, one of the Australian contestants. The first prize, silver cup, was presented to Trooper Thrugar by Colonel Tu, The Province Chief, Colonel Peter Falkland, the 1st Australian Task Force Deputy Commander presented the first Vietnamese contestant across the finish line with a silver cup. In all there were trophies for the first siz places by the Vietnamese and the "visitors", SAS took the first three Australian/New Zealand places whilst the last three came from other 1st Australian Task Force Units, the first prize for each of the individual winners was a large silver cup, for the next five runners up, by the Australians there was a smaller silver cup, for the Vietnamese first place there was a silver cup the same size as for the Australian, outright, winner, while the next five Vietnamese runners up received a parcel of clothing and towels.photograph, 1st sas sqn, baria, phuoc tuy province, vietnamese national day, gibbons collection catalogue, great hung vuong day road race, trooper john thurgar, national route 23, nui dat, long dien village, col tu, col peter falkland, 1st atf base, sas -
National Vietnam Veterans Museum (NVVM)
Photograph, Duc Trung Ambush
A black and white photograph of Diggers and the Commanding Officer, Lt Col Colin Khan of 5 RAR march past one of a number of dead VietCong, killed by the Battalion, in an ambush the previous night, whose bodies had been placed around the village of Duc Trung by the local District Chief, Maj Tram Van Ngo to entice next of kin to reveal themselves as possible VietCong.photograph, lt col colin khan, 5 rar, duc trung vllage, maj tram van ngo, gibbons collection catalogue, digger, viet cong -
National Vietnam Veterans Museum (NVVM)
Photograph, The Money Or The Box, 1/09/1967 12:00:00 AM
Unframed photo of Mr Barry Jones from Melbourne visiting a refugee village established by troops. A Vietnamese woman explains the origin of the pumpkin she's holding. A man and two children look onAWM COL/67/0861/VNnui dat, refugee village, barry jones -
Federation University Art Collection
Print - Printmaking, Artwork from Dong Ho Village, c1970-2010
Dong Ho is on the Duong River in Bắc Ninh Province, Vietnam. The woodcut painting (Tranh khắc gỗ dân gian Dong Ho is a line of Vietnamese folk painting originating in Dong Ho village. The traditional themes of Dong Ho painting are good luck signs, historical figures, folk allegories, popular stories, and social commentaries. Elements of everyday life are well integrated in Dong Ho paintings to express the thoughts and wishes of people. (Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.) Craftsmen in Dong Ho use a special type of paper named giấy điệp. The bark of dó tree, which normally is grown in Tuyên Quang Province, is soaked in water for months, then mixed with powders of seashells (sò điệp), which is the origin of the paper's name, and glutinous rice to make sheets of paper. The s seashell and glutinous rice results in paper with an exotic sparkling hard background which is able to conserve the durability of colours. The colours are refined from natural materials which are easily found in Vietnam. For instance, the red colour is taken from red gravel in Thiên Thai Mountain, while the black comes from charcoal of burned bamboo leaves. The hand carved woodblock is applied with paint and pressed on a sheet of paper like a stamp. The process is repeated with different colours until the craftsman is satisfied with the outcome. One woodcut is for outline and several others are for each colour printed. The finished picture is covered with a layer of rice paste (hồ nếp) to strengthen the durability of its illustration and colours and afterwards dried under the sun. From beginning to end the process takes six to seven months. (Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.) The tradition of Đông Hồ painting dates back to the 11th century during the reign of the Lý Dynasty. Originally, Đông Hồ paintings were made with black-and-white prints of woodcuts, but from the 15th century, different colours were introduced by craftsmen in the village. As a village specialized in making woodcuts and paintings, almost all Đông Hồ villagers were involved in the manufacturing of paintings from carving the woodblocks, producing điệp papers, obtaining natural colours to creating new themes, and printing.(Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.) Before 1945 over 150 families in Đông Hồ village were making pictures, but the tradition has rapidly faded. Villagers can no longer make a living based on this production so only a few households in the village still make pictures, while many others have switched to producing joss paper and votive paper object.(Wikipedia - https://en.wikipedia.org/wiki/%C4%90%C3%B4ng_H%E1%BB%93_painting, accessed 11 April 2017.)Asian ArtA framed collection of work by children from Dong Ho Village, Vietnam.dong ho, vietnam, woodcut, printmaking, dong ho art, dong ho painting, dong ho village, vietnam. -
National Vietnam Veterans Museum (NVVM)
Photograph, Dried Fish
A black and white phototgraph of a photocopy of a newspaper article about the An Thoi village market in the Mekong Delta, where Co-Pilot F/Lt Blue MAudio, CDonnel watches as The Pilot F/LT Nick Watling tries a piece of dried fish, an evil smelling part of Vietnamese diet.photograph, newspaper, an thoi, market, mekong delta, f/lt blue maudio, cdonnel, f/lt nick walting, gibbons collection catalogue