Photograph - postcard - black and white. A photograph of the 'Nicholson Hemminger Mission Choir', Bendigo April, 1910. Written on back 'To ----, in remembance of the mission. A photo of the choir.Vincent Kelly, Bendigo.organization, church, mission choir., nicholson hemminger mission choir, bendigo. 1910.

Nell ELDER holds baby, Helen Joy with her other children, Beverley, & Vincent & Jean ? in the lane beside a weatherboard cottage, Port Melbourne. Sepia photograph of' Nell Elder & her children, Port MelbourneOn reverse: Nell Helen Joy Jean Beverly Vincentnell elder, helen joy elder, jean ?, beverley elder, vincent elder

Copy of an article from the Bendigo Weekly 30/12/1999 Discover Bendigo by James Lerk titled John Emery and His Associates. John Emery was a tailor who had a business in Raywood. He moved to Bendigo where he set up his business as a tailor, draper and clothing mercer at the corner of Pall Mall and Mitchell Street. The shop was close to the Beehive Exchange, where he invested in the quartz mining companies. He took on a partner, T S Gibson, who was a clothier. Emery was involved in the Bendigo Bowling Club and St Paul's Church. Later he travelled and became a collector of curios. He donated sculptures to the Bendigo Art Gallery and loaned a number of paintings. Article is accompanied by a portrait of John Emery taken by Bartlett Bros studio.bendigo, history, long gully history group, the long gully history group - john emery and his associates, bendigo weekly 30/12/1999, james lerk, pyke's corner, vincent pyke, beehive exchange, hunter family, perry hall, t s gibson, t taylor, bendigo bowling club, st paul's church, emery and gibson, bendigo art gallery, thomas sayer, cr j r hosking, w honeybone, j h abbott, t s gibson, w g jackson, j walker, j p b mcquie, v rymer, mrs heffer, the reverend h s begbie, the venerable archdeacon maccullagh, bartlett bros

Photograph - black and white. Photograph of a wedding, a large wedding party. Bride and Groom, 6 other women and 6 other men and 3 young girls and 1 young boy (all possibly wedding party). Wedding dress full length.Vincent Kelly Studio, Mitchell Street, Bendigo.person, group, wedding portrait, cloonan family collection. vincent kelly photographer.

A super comet known as the 'Great September Comet' and renowned by some to be the brightest comet ever seen. Visible by the naked eye in the Southern skies in 1882. Depicts visual record of a local sighting by early settlers of a special astronomical event in the Daylesford area in the 1880's.A print of art work depicting a man and woman near their hut in forest clearing, looking up to comet in sky. Rectangular shape, sepia colour and adhered on card. On front bottom; THE COMET of 1882 as seen from Sailors Creek near Daylesford Sept 6 at 4.30am. On back; Donated by O.Bell Musk Vale written in ink. Olive Bell of Bells Reef Road family hist Mathew Bell written in pencil. At bottom written in ink; Seen at 4.30a.m Sept 6 1882astronomy, comets, daylesford, sailors creek, bell, bell family

Made by Vincenzo Longo, an Italian POW, in Murchison Camp 13, Graytown POW Camp and Tocumwal and presented to Vincent Villarroya, an Army Guard/Interpreter for Italian POW'sWooden framed, embroidered picture of "Head of Christ" worked in shades of red, blue, brown and cream cottons. Face and hands have been drawn. A bronze plaque in a small plastic bag is stuck on the back of the pictureDonated by the daughters of Vincent Villarroy 7/12/2007head of christ, embroidery, longo v, villarroya family, camp 13, tatura, ww2 camp 13, graytown pow camp, tocumwal, handcrafts

Mawul Rom Project: Openness, obligation and reconciliation Morgan Brigg (Universtiy of Queensland) and Anke Tonnaer (University of Aarhus, Denmark) Aboriginal Australian initiatives to restore balanced relationships with White Australians have recently become part of reconciliation efforts. This paper provides a contextualised report on one such initiative, the Mawul Rom crosscultural mediation project. Viewing Mawul Rom as a diplomatic venture in the lineage of adjustment and earlier Rom rituals raises questions about receptiveness, individual responsibility and the role of Indigenous ceremony in reconciliation efforts. Yolngu ceremonial leaders successfully draw participants into relationship and personally commit them to the tasks of cross-cultural advocacy and reconciliation. But Mawul Rom must also negotiate a paradox because emphasis on the cultural difference of ceremony risks increasing the very social distance that the ritual attempts to confront. Managing this tension will be a key challenge if Mawul Rom is to become an effective diplomatic mechanism for cross-cultural conflict resolution and reconciliation. Living in two camps: the strategies Goldfields Aboriginal people use to manage in the customary economy and the mainstream economy at the same time Howard Sercombe (Strathclyde University, Glasgow) The economic sustainability of Aboriginal households has been a matter of public concern across a range of contexts. This research, conducted in the Eastern Goldfields of Western Australia, shows how economically successful Aboriginal persons manage ?dual economic engagement?, or involvement in the customary economy and the mainstream economy at the same time. The two economies sometimes reinforce each other but are more often in conflict, and management of conflicting obligations requires high degrees of skill and innovation. As well as creating financially sustainable households, the participants contributed significantly to the health of their extended families and communities. The research also shows that many Aboriginal people, no matter what their material and personal resources, are conscious of how fragile and unpredictable their economic lives can be, and that involvement in the customary economy is a kind of mutual insurance to guarantee survival if times get tough. Indigenous population data for evaluation and performance measurement: A cautionary note Gaminiratne Wijesekere (Dept. of Families, Housing, Community Services and Indigenous Affairs, Canberra) I outline the status of population census counts for Indigenous peoples, identifying information on Indigenous births and deaths, and internal migration estimates. I comment on the ?experimental? Indigenous population projections and question the rationale for having two sets of projections. Program managers and evaluators need to be mindful of limitations of the data when using these projections for monitoring, evaluating and measuring Indigenous programs. Reaching out to a younger generation using a 3D computer game for storytelling: Vincent Serico?s legacy Theodor G Wyeld (Flinders University, Adeliade) and Brett Leavy (CyberDreaming Australia) Sadly, Vincent Serico (1949?2008), artist, activist and humanist, recently passed away. Born in southern Queensland in Wakka Wakka/Kabi Kabi Country (Carnarvon Gorge region) in 1949, Vincent was a member of the Stolen Generations. He was separated from his family by White administration at four years of age. He grew up on the Cherbourg Aboriginal Reserve in the 1950s, when the policies of segregation and assimilation were at their peak. Only returning to his Country in his early forties, Vincent started painting his stories and the stories that had been passed on to him about the region. These paintings manifest Vincent?s sanctity for tradition, storytelling, language, spirit and beliefs. A team of researchers was honoured and fortunate to have worked closely with Vincent to develop a 3D simulation of his Country using a 3D computer game toolkit. Embedded in this simulation of his Country, in the locations that their stories speak to, are some of Vincent?s important contemporary art works. They are accompanied by a narration of Vincent?s oral history about the places, people and events depicted. Vincent was deeply concerned about members of the younger generation around him ?losing their way? in modern times. In a similar vein, Brett Leavy (Kooma) sees the 3D game engine as an opportunity to engage the younger generation in its own cultural heritage in an activity that capitalises on a common pastime. Vincent was an enthusiastic advocate of this approach. Working in consultation with Vincent and the research team, CyberDreaming developed a simulation of Vincent?s Country for young Aboriginal and non-Aboriginal persons from the Carnarvon Gorge region to explore Vincent?s life stories of the region. The use of Vincent?s contemporary paintings as storyboards provides a traditional medium for the local people to interactively re-engage with traditional values. Called Serico?s World, it represents a legacy to his life?s works, joys and regrets. Here we discuss the background to this project and Vincent?s contribution. A singular beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land RG Gunn (La Trobe University) and RL Whear (Jawoyn Association) Samples from a beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land were analysed for radiocarbon and dated to be about 150 years old. An underlying beeswax figure was found to be approximately 1100 years old. The Dreaming Being Namarrkon is well known throughout Arnhem Land, although his sphere of activity is concentrated around the northern half of the Arnhem Land plateau. Namarrkon is well represented in rock-paintings in this area and continues to be well represented in contemporary canvas-paintings by artists from the broader plateau region. We conclude that representations of Namarrkon in both painted and beeswax forms appear to be parallel manifestations of the late Holocene regionalisation of Arnhem Land. ?Missing the point? or ?what to believe ? the theory or the data?: Rationales for the production of Kimberley points Kim Akerman (Moonah) In a recent article, Rodney Harrison presented an interesting view on the role glass Kimberley points played in the lives of the Aborigines who made and used them. Harrison employed ethnographic and historical data to argue that glass Kimberley points were not part of the normal suite of post-contact artefacts used primarily for hunting and fighting or Indigenous exchange purposes, but primarily were created to service a non-Indigenous market for aesthetically pleasing artefacts. Harrison asserted that this market determined the form that these points took. A critical analysis of the data does not substantiate either of these claims. Here I do not deal with Harrison?s theoretical material or arguments; I focus on the ethnographic and historical material that he has either omitted or failed to appreciate in developing his thesis and which, in turn, renders it invalid. The intensity of raw material utilisation as an indication of occupational history in surface stone artefact assemblages from the Strathbogie Ranges, central Victoria Justin Ian Shiner (La Trobe University, Bundoora) Stone artefact assemblages are a major source of information on past human?landscape relationships throughout much of Australia. These relationships are not well understood in the Strathbogie Ranges of central Victoria, where few detailed analyses of stone artefact assemblages have been undertaken. The purpose of this paper is to redress this situation through the analysis of two surface stone artefact assemblages recorded in early 2000 during a wider investigation of the region?s potential for postgraduate archaeological fieldwork. Analysis of raw material utilisation is used to assess the characteristics of the occupational histories of two locations with similar landscape settings. The analysis indicates variability in the intensity of raw material use between the assemblages, which suggests subtle differences in the occupational history of each location. The results of this work provide a direction for future stone artefact studies within this poorly understood region.document reproductions, maps, b&w photographs, colour photographskimberley, mawul rom project, 3d computer game, storytelling, vincent serico, beeswax, namarrkon, artefact assemblages, strathbogie ranges, groote eylandt, budd billy ii

Five members of the Gervasonu family. All are descended from Luigi Gervasoni of San Gallo, Bergamo, Italy. Four are decendend from George Gervasoni, and one, VInce, is descended from George's brother Giovanni (Jack) Gervasoni. L-R - Tom Gervasoni, Vince Gervasoni, Gus Gervasoni, Mick Gervasoni, John Hogan Gervasoni (son of Gus).gervasoni, vincent michael gervasoni, john hogan gervasoni, michael paul gervasoni, thomas gervasoni, gus gervasoni

Pine View was the family home of Giovanni (John) Gervasoni and his family. It was passed to John's youngest son, Vincent Michael Gervasoni. Colour photographs of Pine View, Yandoit Creek.

Forty four pages of the Cocks Family History including Acknowledgements and an introductory letter from David James Cocks. No page seven. The Cock Family came England and on arrival in Victoria the letter 's' was added to their surname. Robinson Cock came to Australia at the request of his brother-in-law, John Hunter Patterson, who owned Moorabbee Station, where he started to work. It also tells of the properties owned, horses they bred, dairy farms and later shops in Melbourne which various family members had.person, family, cocks family, cocks family history, david james cocks, robinson cocks, john hunter patterson, bendiog library, mary ann cocks (nee reeves), gwendolyn nellie pegg (nee cocks), herbert james robinson cocks (jim), leslie vincent kennett cocks (les), victor hugh cocks (hugh), herbert victor thomas cocks (bert), nellie cocks (nee mills), leslie robinson cocks, catherine cnatrill (nee cocks), herbert arthur cocks, eve ellen cocks (nee scott), leonard gibb cocks (len), raymond cocks, ingrid cocks (nee petersen), phyllis hope cocks (nee phillips), 'kimbolton', 'mcivor', john ormond randell, latrobe library, melbourne university archives, queensberry hill press, brown prior anderson p/ltd, john cock, katherine robinson, john cock, catherine shepperson

“Apart from the vast and sophisticated space fleet, the only forms of transport used by the Nrati-Tuan are boats and rafts. All the inhabitants are more at home in the water than on the land, but some transport is necessary, both for people and freight. Every family has at least two boats and an assortment of rafts. Many thousands live entirely on boats and never set foot on any form of land, even avoiding the floating islands. The Boatleader is really a leading transport official; the top office in a long chain of others, from the smallest boat-boy, to the night boatwatches who keep the waterways safe for traffic. There are several ranks of Boatleader, whose major function is to settle disputes about water rights and water paths. Courts of dispute sit regularly, handling the hundreds of problems which arise about water use, headed by a Boatleader of one rank or another. This robe is worn by the most senior of all. He is the representative of water rights at the great Court of the Imperium. To the Nrat-Tuan it is more a sacrifice than an honour to attend the Court, because none find it easy to stay on still, dry land for extended periods of time. Nrati-Tuan delegates to the Irusaqui Court are rewarded with high honours on their planet, to show public respect and gratitude for their endurance.” -Inga Hunter

‘Devon’, 3 Vincent Street Built in 1906 by Aaron Wyatt of 46 Essex Road for Mr and Mrs Charles Ansell Smith and their family. The Smith family lived at ‘Devon’ until c1916 when they leased it for two years to William Everard who became a Member of Parliament of the Upper House of Victoria A black and white photograph of an Edwardian Style weatherboard house with an L-shaped verandah and roofed with corrugated iron. Timber fretwork adorns the verandah with decorative scrolls on the posts.edwardian style, federation style, weatherboard, 'devon', house names, vincent street, surrey hills, (mr) aaron wyatt, (mr) charles ansell smith, essex road, (mr) roy smith, (mr) stan smith, (mr) frank smith, (miss) dorothy smith, (mr) william everard, builders, member of parliament, parliamentary representatives, harold smith, kenneth smith

Helen Malvira Mackenzie (1865-1956) married Charles Ansell Smith (c1861-1934). He was baptised 23 April 1861 in Tintinhull, Somerset - son of William Maxwell & Louisa Claudina Smith (nee Ansell). His father was curate of the church at the time. Helen Malvira (or Malvena) MacKenzie, known as Nellie, was the second daughter of the John Mackenzie J.P., of Westernport, and Wilcannia, N.S.W., and great granddaughter of the late Admiral Pasco, R.N. They lived at 'Devon', 3 Vincent Street from at least 1910 but perhaps earlier until 1915. Charles Ansell and Helen Malvina Smith’s children: 1. Kenneth Ansell – b 1892 d 3 May 1977 at Lancefield SERN 819 Enlisted AIF on 17/8/1914 giving his occupation as book seller Assigned to 8th Battalion, G company Enlisted 17 August 1914 Embarked A24 Benalla on 19 October 1914 Returned to Australia on 23 October 1918 Obituary describes him as eldest child of the late Charles Ansell & Helen M Smith of Surrey Hills and Lancefield. 2. Stanley Charles – b 1893 (Carlton) - lived Surrey Hills 3. Dorothy Louisa – b 1894 - 1988 4. Harold Maxwell Pasco – b 1897 Oakleigh SERN 3268 Educated Surrey Hills State School Religion Cof E Occupation: Clerk Served with 48th Infantry CMF, Kooyong Enlisted 23 July 1915 – parents living at Vincent Street at the time Assigned to 24th Battalion, 7th Reinforcement Embarked HMAT A73 Commonwealth on 26 November 1915 KIA 4 October 1917 at Passchendaele, Ypres No known grave. Parents at ‘Cloverdale’, Lancefield 5. Francis W D (Frank) – b 1898 – 1972 Obituary: Frank (FWD) Smith on Feb 14 (suddenly) Francis Wm Douglas Smith, son of Charles Ansell & Helen M (Surrey Hills & Lancefield) and brother of Kenneth (Lancefield), Dorothy (Mrs Cromwell), Harold (KIA) Roy & Stanley. 6. Roy MacKenzie – b 1901 – 1988 m Ruby Olive Laity in 1931 So, the children were all born before the family came to Surrey Hills but Vincent Street was where they grew up. Charles and Helen are buried in Box Hill Cemetery (CE-NS-1266) Comment: An early example of a 'traditional' wedding dress.B&W bridal studio portrait of Mrs Helen Malvira Smith in a traditional wedding dress. weddings, wedding dresses, helen malvira mackenzie, helen malvira smith, kenneth ansell smith, stanley charles smith, dorothy louisa smith, harold maxwell pasco smith

Charles Ansell Smith (c1861-1934) lived at 'Devon', 3 Vincent Street from at least 1910 but perhaps earlier until 1915. Baptised 23 April 1861 in Tintinhull, Somerset - son of William Maxwell & Louisa Claudina Smith (nee Ansell). His father was curate of the church at the time. Married Helen Malvira MacKenzie. Charles Ansell and Helen Malvina Smith’s children: 1. Kenneth Ansell – b 1892 d 3 May 1977 at Lancefield SERN 819 Enlisted AIF on 17/8/1914 giving his occupation as book seller Assigned to 8th Battalion, G company Enlisted 17 August 1914 Embarked A24 Benalla on 19 October 1914 Returned to Australia on 23 October 1918 Obituary describes him as eldest child of the late Charles Ansell & Helen M Smith of Surrey Hills and Lancefield. 2. Stanley Charles – b 1893 (Carlton) - lived Surrey Hills 3. Dorothy Louisa – b 1894 - 1988 4. Harold Maxwell Pasco – b 1897 Oakleigh SERN 3268 Educated Surrey Hills State School Religion Cof E Occupation: Clerk Served with 48th Infantry CMF, Kooyong Enlisted 23 July 1915 – parents living at Vincent Street at the time Assigned to 24th Battalion, 7th Reinforcement Embarked HMAT A73 Commonwealth on 26 November 1915 KIA 4 October 1917 at Passchendaele, Ypres No known grave. Parents at ‘Cloverdale’, Lancefield 5. Francis W D (Frank) – b 1898 – 1972 Obituary: Frank (FWD) Smith on Feb 14 (suddenly) Francis Wm Douglas Smith, son of Charles Ansell & Helen M (Surrey Hills & Lancefield) and brother of Kenneth (Lancefield), Dorothy (Mrs Cromwell), Harold (KIA) Roy & Stanley. 6. Roy MacKenzie – b 1901 – 1988 m Ruby Olive Laity in 1931 So, the children were all born before the family came to Surrey Hills but Vincent Street was where they grew up. Charles and Helen are buried in Box Hill Cemetery (CE-NS-1266)B&W head and shoulders portrait of a bearded man in formal attire. charles ansell smith, box hill cemetery, helen malvira mackenzie, helen malvira smith, harold maxwell smith, harold pasco maxwell smith, stanley charles smith, dorothy louisa smith, francis w d smith

Prior to the election of female Councillor's and Mayors, the Mayoress role as wife of the Mayor, was one of the few ways women could officially undertake civic duties. Mayoress's made important contributions through their charity work, even stepping in on occasions to undertake Mayoral duties. Mayoress Giudice was born Beatrice Annie Harvey in Bendigo and became the first Girl Guide Commissioner in Bendigo. The Giudice family was associated with the Lyric Theatre, the Bendigo United Breweries, Shamrock Hotel and the Bendigo Lyric Photo Plays. Mrs Giudice died in 1980, aged 95 years.Framed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.Mrs M.G Giudice / Mayoress 1922 -24.sandhurst, bendigo, mayoress, mayor, vincent kelly, studio photography, portrait, giudice, beatrice annie harvey, lyric theatre bendigo, girl guides, mayor giudice, city of greater bendigo portraits

Postcard, a B&W Vincent Kelly photo of a residence called "Cwmciofran" in Bendigo. A gravel path leads through a rose arbour up to the house, garden bed on left and lawn on right. On the back the PC is addressed to Mrs Randal, City Family Hotel, Bendigo with the message 'I wish you a happy Xmas and bright New Year.' Senders signature not decipherable. Affixed is a one penny Victoria stamp. Postmarked 'Bendigo 23 ? 05'postcard, photograph, postcard, cwmciofran, bendigo, city family hotel, vincent kelly

The date is approximate. Tavistock was built c1890. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister. This cottage is shown on the 1906 maps and also on a 1906 photo taken from Mosgeil Hospital in Mont Albert Road down Vincent Street. At this time there was no chimney on the cottage. See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983.Colour photo taken at the back of Tavistock at 192 Union Road, Surrey Hills. It shows a timber cottage painted in a light colour with a red corrugated iron roof (paint in a degraded condition) and a red brick chimney. The is a rotary clothesline in front of the cottage. Taken during the period of restoration of the property during 1978-1982.tavistock, milverton girls school, victorian style, houses, unionroad, 1890-1900, joyce walker, marjorie vahland

The date is approximate. Tavistock was built c1890. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister. This cottage is shown on the 1906 maps and also on a 1906 photo taken from Mosgiel Hospital in Mont Albert Road down Vincent Street. At this time there was no chimney on the cottage. See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983.Colour photo taken at the back of Tavistock at 192 Union Road, Surrey Hills. It shows part of a timber cottage painted in a light colour with a red corrugated iron roof (paint in a degraded condition) and a red brick chimney and the back of the main house. Taken during the period of restoration of the property during 1978-1982.tavistock, milverton girls school, victorian style, houses, union road, 1890-1900, joyce walker, marjorie vahland

Vincent Kelly (1877-1958) was a photographer in Mitchell Street, operating from 1904 until his death in 1958. As well as general photography he was renowned for war-time portraits of soldiers. A sketch of his photograph of underground miners was used on the reverse side of the 1913 1 pound note.Nameplate from Vincent Kelly Photographers, Bendigo. Glass namepplate with bevelled edge with silver lettering on black glass in wooden frame. 'PHOTOGRAPERS' Bevelled edged has gold coloured 2 cm border. Lower RH Corner 'N Leves.N. Melbourne.' LEVES.- On the 14th inst., at his residence, 117Queensberry-street, North Melbourne, N. Leves, art decorator and glass embosser, late of Garratt- house, Surrey, England, and of Rothesay, Dunedin, aged 43 years. Ref: Family Notices. (1890, March 17). The Argus (Melbourne, Vic. : 1848 - 1957), page 1. http://nla.gov.au/nla.news-article8595014 Seven other nameplates stored in Container 3 yet to be catalogued as 7280 .2 - 7280.8bendigo, business, photograper

David Holmes lived on the family property "Launchley" Ascot, Victoria. He died suddenly in April 1950. Due to illness he had been sent to St Vincent's Hospital in Melbourne. David had just turned 21.Box containing 196 letters sent to Mr and Mrs Harry Holmes on the sudden death of the son DavidSome letters have official seal of company david holmes, launchley, ascot victoria, harry holmes, st vincent's hospital, condolence

Black and white photograph (2 copies)Written on rear of photograph: "Geraghty family- Standing: 1. Jim, 2. Jack. Centre: 1. Hughie, 2 Mr. G. 3 Maurice. Front: Vincent." Written on rear of backing sheet: "William b1850, James b1877, Maurice b1885, Francis b1892, Vincent b1898."

Black and white photograph of family group. (2 copies)Written on rear of one photograph: "Geraghty Family." Back row: Jim, Rose (Mrs Murfett), Jack, Letty (Mrs O'Connell), Maurice, Ella. Front row: Lucy, Hughie, Mrs Geraghty, Mr Geraghty, Mary (Mrs Larkin). Sitting- Vincent. William Geraghty b. 1850, Collingwood. m. Anne Barry of Adelaide at Richmond. Children: Margaret (d), James (1877), Mary (1879), Rosanna (1881), William (1883), Maurice (1885), Lucy (1887), Hellen (1890), Francis (1892), Anastatia (1895), Vincent (1898).