Full length fine lawn and broderie anglaise nightgown. Elbow length sleeves, edged with a 6cm broderie anglaise cuff.Neckline slightly V at the back, with a deep V in the front yoke. A 2.5cm wide band of insertion broderie finishes the front yoke. which is cut on the diagonal. A centre front placket, is bordered by two groups of 5 pintucks on either side. Back yoke is straight across the shoulders, with 5 groups of pintucks-5 tucks in each group, except centre, which has 3 tucks.costume, female, white cotton broderie anglaise nightgown

Two 2cm cotton fabric covered buttons close the waistband of the drawers, at the centre front. A 33cm wide gathered panel at the centre front, fastens to the waistband with two 1.5cm plastic buttons-(possibly replacement for original buttons). This gathered panel may suggest that these drawers were worn during a pregnancy. The 75cm long legs are trimmed with two bands of floral embroidered, and cutwork lace-eight cm deep lace. waistband is 6.5cm deep. Machine stitched, no seams.costume, female, white cotton, lace trimmed drawers

Off white cotton crocheted collar - full circle. Pattern of multiple trebles. Scalloped edge with points. Cuffs - full circle. Pattern of multiple trebles.costume accessories, female, crocheted collar and cuffs.

Thick white cotton crocheted collar. Half circle scallop pattern and scallop edges. Open pattern. Two matching full circle cuffs of crocheted cotton. Hand made in 1960's by Lillian May Ellison (nee Rogers) Natimuk. Stored inside box 11400 650.Labelled ; Grandma Ellison made these.costume accessories, female, crocheted collar and cuffs.

There were no double beds than and the girls always made a pair - a set of cotton sheets with identical patterns.Flat white cotton sheet with the lace insert, special bordering and the initials Lace insert in the top part of the single white cotton sheet, special zig-zag border (žur) and the initials MG - for Marcela Gec, married Marcela Boleinitials mg, white cotton single sheet, lace inserted, žur

This lady’s cotton mop cap was worn to protect the hair when cleaning, washing clothes and other household chores and is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Clothing, lady's white cotton mop cap clothing, crochet, mop caps, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards

This crochet - work around the edge of this 'table runner', is an example of the skill and craftwork of the early settler women in the Shire of Moorabbin c1900 This crochet - work around the edge of this 'table runner', is an example of the skill and craftwork of the early settler women in the Shire of Moorabbin c1900An embroidered white cotton table runner with hand crocheted edge* tableware, linen, early settlers, moorabbin, cheltenham, bentleigh, dressmaking, craftwork, crochet-work, pioneers, market gardeners, cotton, damasque, silk, satin

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Sportsgirl is an Australian fashion house. Founded in 1948, the first Sportsgirl store was located in Swanston Street, Melbourne. During the 1950s the brand continued to expand its stores in Melbourne. It expanded to Sydney in the 1960s. The dress was donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Sleeveless white cotton mini dress with a high round collarLabel: Sportsgirlwomen's clothing, fashion and textiles collection, australian fashion - 1960s, day dresses, mcintyre collection

Ladies white woven cotton fabric hat. Simple bowler hat shape with 4cm turned up brim. White stain ribbon around crown of hat (6cm) ending in a single bow at the back.costume accessories, female, white woven cotton fabric hat

In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauRectangular white cotton tray cloth with worked lace border and cut lace inset tray cloths, household textiles

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Large white cotton apron. Halter neck. Added scalloped border and decorative pockets.clothing - women's, aprons, porective wear, fashion & design collection - kew historical society

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was an accomplished dressmaker and made this blouse for her daughter Judy.Manufactured lace became affordable and plentiful so it was used by home dressmakers like Gladys Reed in City of Moorabbin c1960A white cotton lace, sleeveless blouse c 1960 with opening front fastened by hooks and eyes clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand made white cotton doily with hand stitched cotton fringe c.1919-1928textiles, sewing, handiwork, women's history, domestic, craft, family, wodonga, haeusler collection, haeusler

Mackay collection, white cotton camisole trimmed with lace & name F H Mackay printed in black.costume, female underwear, camisole

In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauWhite cotton tray cloth, embroidered with a spray of flowers. Montmellick work? Commercial Broderie Anglais lace applied.tray cloths, household textiles

Mackay collection - White cotton camisole with lace trimming small white buttons M P Mackay printed in black.costume, female underwear, camisole

This lady’s cotton nightdress is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's long white cotton nightdress with lace yoke back and front and lace cuffs on the short sleeves. Possibly maternity wear.dressmaking, craftwork, clothing, cotton, moorabbin, bentleigh, cheltenham, early settlers, pioneers, market gardeners

This cotton 1/2 slip with large lace flounce was made by a woman of the early settler families in Moorabbin Shire c1900 and shows the needlework and lace work skills . The Cotton 1/2 petticoat is an example of the dressmaking, and lace work skills of the women of the early settler families in Moorabbin Shire c1900Lady's white cotton 1/2 Petticoat cotton lace flounce, elastic waist and 2 bone buttons at side seam clothing, petticoats, underwear, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.White cotton apron, covering clothing front and back and joined by two buttoned tabs. Based on an examination of the sewing it is presumed that it is a hand-made item.clothing - women's, aprons, protective wear

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.A 1920s style short sleeve white cotton dress. The dress is gathered below the waist to allow for a two layered flared skirt with scalloped borders.Label: Malikamalika, australian fashion - 1980s, women's clothing, day dresses

This chemise is an example of the dressmaking and needlework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families This lady’s white cotton chemise has short sleeves, and drawstring waist . The neckline has cut work and needlework flowers and the cuffs have lace edging. is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

White cotton pantaloons, open down front, tape around neck, scoop neck line and one button down front, completely open down to the knees - front and back. Broderie Anglaise trim around bottom of legs. Trimmed from neckline with a set of five pin tucks and the two pin tucks???costume, female underwear

A Lady's white, long, cotton nightdress, with lace inserts and small mother of pearl buttons, was made by an early settler woman in Moorabbin Shire c1900. The women of the pioneer families made and repaired their families clothing as they developed the market gardens , dairy farms and fruit orchards This Lady's white long cotton nightdress with lace inserts is an example of the needlework and dressmaking skills of the early settler women in Moorabbin Shire ,Lady's white, long, cotton nightdress with lace inserts, short sleeves and small mother of pearl buttons clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire blackburn nance, dairy farms, fruit orchards

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The donor, a resident of Kew, provided a handwritten provenance with the donation. "This is an heirloom dress, worn in Tasmania by a Fletcher relative c. 1860s, 1870s. It was for years, with another in the Queen Victoria Museum and Art Gallery, then borrowed for concerts. In (the) 1990s it was enlarged at the back for a Centenary reenactment. I thought you might like it for your collection."19th century white cotton day dress, photographed as accessioned, which is printed with a design in black. The front has a 3/4 length buttoned opening. The dress has wide ruffles in the same fabric at the base of the skirt. The later 1990s inserts which can be seen in the first and third images have been removed in preparation for the dress to be restored. The buttons are a later addition. Historically appropriate replacement buttons were later added.women's clothing, day dresses, australian fashion - 1870s, coralie coulston

Fine white cotton round neckline edged with lace. Three lace panels on centre bodice. Long ties are stitched down at the centre of the gown, with an embroidered cotton lace overlay, defining the bodice and skirt. Narrow pleats between the three lace panels, give fullness to the front bodice. Long sleeves are edged with narrow lace, and slight gathering gives the impression of a cuff. A six cm band of cotton lace edges the hemline. Six cm wide band of lace at hemline.costume, children's, night gown

Clothing. White cotton camisole with short sleeves. Round neck edged with lace (4 cm). High round neck at back. Scoop neck at front. Front opening with five 1 cm plastic buttons. It has a covered placket with lace to conceal the button holes. It has a gathered 10 cm peplum. The front bodice on both sides has two vertical lace inserts to the edge of the peplum. There are five rows of pintucks between the lace inserts. There are four rows of pintucks on the left and right sides of the lace inserts. The back has a centre lace insert to 3 cm below the peplum with four rows of vertical pintucks on either side. Short sleeves have 6 cm lace edged.costume, female, underwear

Dorethy Rabinov’s Melbourne-based brand Ricki Reed "became an international success story. Her brand catered to “the petite and young, people who like smart simple dress” and popular with the women lib groups due to her comfortable smart pantsuits. The Ricki Reed’s brand often favored synthetic fabrics designed to keep up with the life of an active, busy woman. Through out the decades, Miss Rabinov dabbled in prairie gowns, tailored pant suits, bold colours and floral prints. Spanning over three decades Miss Rabinov kept Ricki Reed at the front of fashion, keeping ahead of trends and on the bodies of fashionistas." (Source: 'House of Darlington' website). This dress was owned, worn and donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Sleeveless embossed white cotton high waisted cocktail dress designed by Ricki Reed of Melbourne.Nilricki reed, women's clothing, evening wear, australian fashion - 1960s, mcintyre collection

White fine cotton short sleeved blouse. The front is made of two pieces with a front opening. Each side has two darts from the waist and are slightly gathered at centre front. The front has a V shaped neckline with a border from the shoulder. The border is made up of three rows of cotton featuring drawn work patterns and embroidered flowers. The back is made of two pieces with a centre seam. The front and back pieces are attached to a casing that is attached to a peplum. The neckline is edged with lace at front and back. The front opening is fastened with three buttons and buttonholes plus three cotton tapes threaded through casings around the neckline and around the waist above the peplum.costume, female daywear, cotton blouse

White cotton short sleeve short top. Button up front with extensive crochet work.No visible markingscostume, female, top, clothing, white, cotton, crochet, lace.

This small child’s white, cotton pants with crocheted legs and a white cotton sunhat is an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire c1900 Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesA pair of small child's white, cotton pants with crocheted legs and a child's white, cotton sunhatclothing, brighton, moorabbin, pioneers, market gardener, dressmakers, early settlers, peck family.