In 1851 Moses Thomas purchased 400 acres, including a half mile frontage to the Plenty River, at Mernda (then known as Morang) where he operated a farm, inn and other business. In 1865 Moses Thomas was appointed Engineer, Clerk and Collector for the Morang District Road Board. In this role he would have been responsible for overseeing the collection of local property rates and the maintenance and construction of local roads and drains. Road District Boards were one of the earliest forms of local government in Victoria. The Morang or Upper Plenty Road District was established in 1862. It covered part of what is today Mernda, Doreen, South Morang, Mill Park and Bundoora. In 1875, the area merged with the Whittlesea Road District to form the Shire of Whittlesea. Moses Thomas briefly served as a Councillor with the Shire of Whittlesea until his death in 1878. Correspondence. Letter, paper, handwritten text with seal. Letter from James Ryan, Shire Secretary, Shire of Whittlesea to Mrs Moses Thomas on the death of Moses 18 May 1878.

Bluestone bridge across the Plenty River, Mernda. Commissioned by Moses Thomas, Secretary Morang District Road Board 1867bridges, moses thomas, mernda, bridge inn road

Orginally at Mernda Primary School Plenty Road Mernda, lost, recovered from an antique shop in Geelong in 2016, purchased by Councilhonor board

whittlesea

“Like "Red Gums, Hunters Lane", this painting is a deliberate attempt to infuse some new qualities into my work of that period, particularly in the painting of local subject matter. The heightened chroma and simplification of forms accentuated by a more rhythmic quality, endow the picture with a decorative characteristic which places it outside the category of the picturesque. Such colour harmonies, despite the heightened intensities, particularly in the road, do nevertheless exist, and it is the artist's prerogative to select and emphasize these certain qualities in his quest for expression. Unlike oil painting, watercolour and gouache can be unforgiving media, and once a commitment is made to the initial marks and washes on the paper, one must employ a certain deftness of touch to develop the work and retain the initial freshness. Some technical planning before painting is essential.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda