This ceramic lid is from a Holloway’s Ointment pot. It was retrieved from the wreckage of the LOCH ARD. The vessel was laden with an up-to-date, high-value cargo, including luxury items intended for the Melbourne International Exhibition in 1880. Britain exported her manufactures to the Australasian colonies and the Americas. Holloway’s Ointment was one nineteenth-century pharmaceutical product that was advertised in both these markets. The price of this particular jar and its contents was printed on the label as “2S 9D” (2 shillings and nine pence). This value calculated to the approximate price in 2014, would be £51.31 (UK pounds and decimal pence) or $85 AU ― quite an expensive ointment. The label also shows a picture of a stone tablet with the inscription "IN POTS AT 1/½, 2/9, 4/6,11/-, 22/- & 33/- EACH”, which is most likely the alternative prices that the ointment was available for in differently sized containers. Holloway’s claims for his “great remedy” included the cure of sores, wounds, ulcers and boils, gout, rheumatism, diphtheria, bronchitis, influenza, sore throats, coughs and colds, “all varieties of skin diseases”, scrofula, ringworm, scurvy, “dropsical swellings” and liver disease, piles, fistulas, and internal inflammation. The salve cream was said to penetrate the skin when rubbed on; purifying internal tissues and organs, cleansing all bodily fluids particularly the blood, and eradicating all disease from the body. Purchasers were assured that if Holloway’s Ointment alone did not affect immediate cure, then the combination of it and Holloway’s Pills (sold separately) most certainly would. Thomas Holloway began manufacturing and marketing his miraculous ointment from premises at 244 Strand in the 1840s, moving to the more prestigious address of 533 Oxford in the late 1860s. The London address was an important part of his promotional appeal and was displayed prominently on the packaging of his products. Holloway’s attention to marketing is also observed in the pseudo-Classical emblems that decorated his containers. The sign of a snake curled around a staff is a longstanding and commonly recognised symbol of the physician’s power to heal. Similar reference on this lid is also being made to an ancient goddess of healing and her healthy young offspring. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. The ceramic lid off a Holloway’s Ointment container, retrieved from the wreckage of the LOCH ARD. The artefact is white with the pale blue image of a woman (seated) and a child (standing). The woman is draped in a soft white robe and her throne is beside a pillar that is entwined by a serpent. The child points to an inscribed stone tablet he is holding on the other side of seated woman. The front face of the lid, at the base of the woman on the throne, bears the label “HOLLOWAY’S OINTMENT”. Below this, in smaller letters, is written “TRADE MARK” and “2S.9D.” On the stone tablet pointed to by the child is inscribed “533 OXFORD ST. LONDON”, and beneath this, “IN POTS AT 1/½, 2/9, 4/6,11/-, 22/- & 33/- EACH”.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, holloway’s ointment, ceramic lid, pot lid, nineteenth-century medicines, pharmaceutical marketing

The woman in the photo is Ruth Pickering from Dadswell's Bridge.The photo shows a man and a woman seated in a car (Chevrolet ?). A building can be seen in the background.peopletransport, cars

Providing more than education or employment, blind and low vision organisations recognised that many people needed assistance in navigating paper forms to access support from the government. In these photographs a woman from RVIB helps a man fill in the paperwork required for the Invalid Pension. A brochure for this is situated on the corner of the coffee table that the forms rest on. The man sits between the woman and a television.royal victorian institute for the blind

The white woman of Gippsland, or the captive woman of Gippsland, was supposedly a European woman rumoured to have been held against her will by Aboriginal people in the Gippsland region of Australia in the 1840s. Liam Patrick Davison (29 July 1957 – 17 July 2014) was an Australian novelist and reviewer. He was born in Melbourne, where, until 2007, he taught creative writing at the Chisholm Institute in Frankston. Davison and his wife Frankie, a teacher at Toorak College, were both killed on 17 July 2014 aboard Malaysia Airlines Flight 17 This, his third novel, was shortlisted for both The Age Book of the Year and the Victorian Premier’s Awards.This is a useful research tool on the history of indigenous and settler relationships in early Gippsland.A book titled "The White Woman" by Liam Davison. It is the story of the search for the lost white woman in Gippsland, Victoria, 1846. The cover has a black and white picture of forest with the title in white print.Bottom left corner - orange sticker Orbost Secondary Collegedavison-liam aboriginal-history

The man & woman in the photograph are Emil & Mary Jack (nee Schwerkolt) Mary was the daughter of August Schwerkolt and Wilhelmina (nee Oppel, nee Both, nee Kruse). After August died, Wilhelmina took her children (Mary & John) to America.Black & White photograph of a man and woman dressed as if attending a wedding. The woman is carrying flowers and the man has a flower in his buttonhole.jack emil, jack mary

Two Photos. May and Helen McGregor. Plus Bill McGregor and older woman name unknown.Two photographs. The first of two older women May and Helen McGregor in front of palm tree and building. The second of a man and woman in garden in front of bushes and weatherboard building, the man is Bill McGregor and older woman unknown.stawell

A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.marysville, victoria, australia, carlisle guesthouse, harold james robert coney, portrait

A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.A copy of a colour portrait of an unknown woman painted by Harold Coney, a former resident of Marysville.marysville, victoria, australia, carlisle guesthouse, harold james robert coney, portrait

Unidentified woman, making presentation to Rev. Howard AbbeyB & W photograph of an unidentified woman making a presentation to the Rev. Howard Abbey, possibly at his retirement.

John Wilson shows his Member of the Order of Australia medal to R.J. Stacey (name on the cane that the woman is holding).B/W image of John Wilson showing to his medal to an elderly womanjohn wilson, association for the blind, awards

A elderly woman, dressed up in hat, jacket, dress and gloves leans over in her chair to kiss a young girl lightly on the lips.1 b/w photograph of seated elderly woman kissing a young girlassociation for the blind, elanora home (brighton)

This white, cotton, short-sleeved blouse with eyelet work for a young woman is an example of the dressmaking skills of the women pioneer settlers and market gardeners of the Moorabbin Shire c 1900.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. A white, cotton, short-sleeved blouse, with eyelet work for a young woman .brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work, maggs geoff

In this image a woman weaves two different colours of plastic cording into a interconnecting X shaped pattern. Weaving has often been done as a commercial skill taught by blind institutes, however machine woven materials and goods have now turned this skill into a recreational one.1 black and white photograph of woman weavingrecreation, weaving

A woman sits in a lounge chair and rests a binder folder with paper on her lap. She holds a pen and appears to be writing as she listens. Her headphones are connected to a portable reel player, which sits on a table beside her, and on top of this are reel boxes with braille labels.Digital image of woman listening to an audio bookroyal victorian institute for the blind, talking books

Young woman is cousin Doris Boyd Young man is Ray KnightPhoto shows a young woman and young man holding a fish between them they are standing in front of a brush fencepeople, knight

As well as assistance in education and employment, agencies also provided support for adapting around the home. In this example, one woman is shown by a worker how to feel the temperature points in a pressure cooker. They stand in a kitchen, in front of an upright Davell cooker, next to a fridge and with steel utensils hanging on the wall behind the cooker.orientation and mobility, royal blind society of nsw

A black and white photograph of an unknown woman and child in the swimming pool at Roseleigh in Marysville. The photograph was taken in 1954.A black and white photograph of an unknown woman and child in the swimming pool at Roseleigh in Marysville. The photograph was taken in 1954.marysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, accommodation, photograph

Young woman is Chick Anderson (nee Warren) riding on the Dunkeld Road. It is said that this was a better section of the road. Chick has told us she was 7yrs old when this photo was taken, c1934-5a young woman seated on a horse on a sandy track surrounded by thick bush.Chick Anderson on Dunkeld Rd 1934-35 written on backaccess routes, grampians/dunkeld rd, people, warren

Two people are walking in the front garden of RVIB. The man holds a white cane in front of him, whilst the woman raises her arm as she helps advise in use of the cane.Digital image of a male using a white cane with a woman along side to assistroyal victorian institute for the blind, orientation and mobility

Cooking often requires skill and adaptation. In this kitchen, a woman with low vision removes a dish hot from the oven of an upright cooker. Dressed in a pinafore and oven gloves, she carefully maneouvres the dish outwards. Above her, a tea kettle sits on the hob, next to the sink. In the background, spice jars are lined up on the bench, each with a large written label on them. Woman is not named, but possibly Joy Kerr, who gave talks and wrote a book on cookery for people who are blind or vision impaired.royal blind society of nsw, education

Woman known as Maggie Galbraith. First names of the three Galbraith children not known. Track called the Jinker track. For further information on Jinker Tracks, refer to pp. 101-102 of Victoria's Wonderland.Photo show 1 woman, 3 girls and 2 boys on a track in the bush'A turn in the Jinker track Maggie Galbraith with her small charges on Stony Creek gorge bridle trackaccess routes, vehicle track, people, galbraith

Vision Australia Foundation Chief Executive Officer John Cook in front of the Foundation's banner, whilst an elderly blind woman looks on.Col. photograph of John Cook with Vision Australia Foundation banner and an elderly woman with a white cane in the background990203MR10vision australia foundation, john cook

An unnamed group comprising a woman , two men and two girls sitting in the grass with Mountjoy Guest-house in the distance.Black and white blurred photograph showing a woman, two men and two children sitting in the grass below a building.guest house, mountjoy

This knitting pattern book was published by the magazine "Woman's World" and contains knitting patterns for womens garments.WOMAN'S WORLD / Knitting / PRICE / 6D. / Instructions for knitting this charming drop-stitch jumper, page 14. / 12 ATTRACTIVE KNITTEDS / JUMPERS, CARDIGANS, CAP & GLOVES / BED-JACKET, O.S. TWIN SETknitting handicrafts - history, woman's world, knitting, handicrafts - history

Murray Comrie Collection. The woman may be a Comrie.Monochrome photograph depicting a woman on the bandstand, Tarnagulla Recreation Reserve. This dark, poor quality copy was made from an older original photograph, probably in the late 1960s. tarnagulla, recreation reserve, bandstand, people

Tait collection: item 27 of 62 This document contains details on the will and probate of Sarah Fry who died in Warrnambool in March 1905 at the age of 47. She was the daughter of Edmund and Jane Lord and came to Australia with her parents and some of her siblings aboard the Electric in 1869. In 1888 she married Francis Joseph Fry, a Warrnambool plasterer. Sarah Fry left real estate to the value of £450 and personal estate to the value of £202. The beneficiaries of her will were her husband, Francis and her three children, Sarah, James and Doris. The lawyer Ernest Chambers had offices in Warrnambool, Koroit and Port Fairy at the end of the 19th century and the beginning of the 20th century. He had this document in his possession and it was passed down to successive lawyers occupying the legal premises in Kepler Street where it was located in 2014 and handed over to the Warrnambool and District Historical Society. This document is of interest as it contains information on the will and probate of Sarah Fry, a resident of Warnambool in the late 19th century and early 20th century. It will be useful for researchers.This is a 1906 cream-coloured parchment sheet folded in two with handwritten material on three sides. Three of the pages are ruled with black ink. There is a seal of the Supreme Court of Victoria attached with a blue ribbon and a red stamp of the Master-in-Equity of the Supreme Court. The document includes the will and probate details of Sarah Fry, a married woman from Warrnambool. All the pages are somewhat stained but one page is very grubby. In the Supreme Court of Victoria; In the Probate Jurisdiction; In the Will of Sarah Fry late of Warrnambool in the State of Victoria Married Woman deceased.ernest chambers, sarah fry, warrnambool, tait collection

A black and white photograph of an unknown boy, woman and man in Taggerty. The photograph was taken in 1954 during a stay at Roseleigh in Marysville.A black and white photograph of an unknown boy, woman and man in Taggerty. The photograph was taken in 1954 during a stay at Roseleigh in Marysville.TAGGERTY 1954marysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, accommodation, photograph, taggerty

Murray Comrie Collection. The woman may be a Comrie.Monochrome photograph depicting a woman on the Reservoir jetty at Tarnagulla Recreation Reserve. This dark, poor quality copy was made from an older original photograph, probably in the late 1960s. tarnagulla, recreation reserve, reservoir, res, jetty, water, people

A black and white photograph of an unknown man and woman at Steavenson Falls in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in Marysville.A black and white photograph of an unknown man and woman at Steavenson Falls in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in Marysville.STEVENSONS FALLSmarysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, accommodation, photograph, steavenson falls

Photograph shows the interior of a library with a woman and man facing the camera and a presumed staff member in the background behind the circulation deskBlack and white photograph of library interior. A woman stands in front of the library catalogue drawers and a man stands to the right of them. Both are looking at the camera. There is a pedestal fan on top of the catalogue drawers. A second woman stands further back, facing away from the camera behind a large desk. Shelves of books can be seen in the background. Printed in grey ink: | 526B / 15.11.73library, libraries, staff