Tracey Naughton was the former Shire of Eltham Community Arts Officer and was responsible for developing the 'As We Are' project which encouraged a number of local community groups to develop banners. The Society was keen to be involved and the project was kicked off following a talk to the Society's members by Tracey in April 1986. The banner was completed and displayed with a number of other banners at the Eltham Community Centre in October 1986. It was then carried proudly for the first time in front of the Society's Parade Float in the 1986 Eltham Community Festival Parade and subsequent parades through to 1990. In December 1994 the Shire of Eltham ceased to exist and following council amalgamation and the establishment of the new Shire of Nillumbik, the Society's name (Shire of Eltham Historical Society) had become somewhat irrelevant and it was revised in 1995 to Eltham District Historical Society. The immediate downstream impact of this change was the rendering of the Society's Banner to history after only eight years of use. The banner now hangs proudly in our Local History Centre. The Historical Society Banner: Jud Degan worked with this group. The banner was designed by a male member and sewed by women. Sewing the banner renewed the group's knowledge of the area in an innovative way and, in turn, this has renewed the energy of the members to participate in the Society. The emphasis in this banner was to create a work of high standard which would last as part of the area's future heritage. The women particularly gained a sense of the history of their craft skills, enjoying the combination of hand embroidery and new machine embroidery skills shared by Jud. (The banner habits of the Eltham tribes : Eltham Shire "as we are" Community Banner Project report /​ by Jacky Talbot, Shire of Eltham, Feb. 1987, p49)Colour photographactivities, banner project, local history centre

This book is a periodical that the Tawonga C.W.A. group received each year with news, hints, ideas etc. of all CWA groups in Victoria. The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having had an effect on available workers and the well being of the women and children.Hard covered bound green book with 345 slightly yellowing pages. 1949 periodical book Vol. XIX No.1 (- 12) 1st January 1949 - (December) reporting on activities of C.W.A. clubs in Victoria. It is set out month by month but isn't indexed. Subscription: 4/- per annum; 5/- per year, posted; 4d. per Copy, 5 and a half pence postedCover: "Country Crafts with CWA logo."country women's association of victoria. country crafts. tawonga. c.w.a.

Tawonga C.W.A. was involved in dressmaking and other home industries.The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. This was achieved by getting together and exchanging ideas on dressmaking while providing for their families and the local community, possibly selling their products at fetes.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.Small white and grey book with picture of tape measure and cotton reel on the cover. It has 15 pages including the cover which is printed on too. It has general instructions for sewing. Held by 2 staplesCover: Woman's Realm presents / Dressmaking / made easy / Simple instructions and / step-by-step diagrams for / making your own clothes tawonga. country woman's association of victoria. dressmaking. woman's realm. c.w.a.

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The members achieved these aims by being involved in handcrafts of all kinds.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.The book has a cover with Autumn colours of flowers in a vase with the title in block letters of pale yellow. It has 47 pages bound by 2 staples. The crafts involve the use of plants in creating decorations.tawonga. country woman's association of australia. crafts. plant crafts.c.w.a.

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. Doing craft helped the women achieve these aims as they would get together and learn from each other. Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.Hard covered book with a yellow and black sleeve. The sleeve has a picture of a lady sitting on a lounge chair under a lamp admiring her glove. Inserted in the book is a page with further instructions on glove making. The book is bound and has 90 pages. The first and last 3 pages consist of advertising.Cover page "Country Womens' Association / of Victoria" stamp with purple ink Title: Clove-Making / At Home / by Frances Staite / Sir Isaac Pitman & Sons, Ltd 5/- net.tawonga. cwa. gloves. craft. country women's association of victoria

Historically this item highlights the middle to upper to middle socio economic levels of a rural community in the 1920s to 1950s. The fashion dictated to by the larger cities and towns were for some smaller items of house hold furniture encompassed by homes in the region, not only because of practicality but also for longevity of the item it protected.The significance of this item in showing that although the region was to a small degree isolated from the "latest" fashion of house hold dressage, it was to a certain degree not regional and that the fashion of the day in large cities and towns was instilled through magazines and Country Women,s organisations.Fine cotton table runner. Middle section has a 2cm wide crochet insert around it with another border of cotton around it 2cm wide. All the item is edged with a 7cm wide crochet band.hand craft, furniture dressing, lace, crochet, cotton furniture proctective coverings

This Post card is an example of the skill that the men or women learned during the War time for relaxation or during recovery periods in hospitals.This item demonstrates the skills of those that were involved in the First World War and the hobbies that enlisted men participated in when Ill or having leave from combat.White card with hand stitched holly leaves and berries in green and red on fine cotton with light blue hand stitched trim. The words Merry Christmas stitched towards the bottomOn the front are the words Merry Christmas. On the back written in pencil are the words Belguim 1916-1917. "To Dear Bess Wishing her a Merry Xmas & a Happy New Year from Donald."ww1, hand, papercraft, crafts

Isabella Mary Beeton (née Mayson; 14 March 1836 – 6 February 1865), also known as Mrs Beeton, was an English journalist, editor and writer.In the 19th century, the craft of embroidery became a pastime for women. Needlework creations were crafted to be displayed in the home.This book is an example of a popular book of ithat time.A hard back book with a dark green fabric cover. The title is in gold print -"Beeton's Book of Needlework" inside an ornate gold border. It contains descriptions and instructions for tatting patterns, crochet patterns, knitting patterns, netting patterns, embroidery patterns and point lace patterns. There are six hundred illustrations / engravings. some of the patterns are fold-out.inside cover - "Special first prize to Catherine J. Horne by Mrs William for Needlework" Tarang State Schoolbeeton-isabella needlework-knitting-lacework

Anne Dawson was a sister of Mrs Wally Gibbs and Mrs Alan Richardson. She was an aunt of the Slatters.This item has aesthetic significance and demonstrates the skill and craftmanship of the women of the earlt settler families.Fan-shaped oil painting on tin. Olive green background with 8 colourful flowers on front - 1 yellow,2 red with white tips, 1 dark red, 4 white and 1 variegated apricot. tin-painting art-craft

This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century.Small hand-crafted linen doily with embroidered lace-like edging. Flower embroidery and the word "scones" sewn along bottom.Front - "scones"doily handcrafts needlework linen embroidery

This item is an example of a hand crafted item showing the needlework skills of women in the early 20th century.Two small square handmade doilies. Tattered centres and crochet edging of bells. On white linen.doily handcrafts needlework linen embroidery

This item is an example of a hand crafted item showing the needlework skills of women in the early 20th century.Square brown and white beaded teapot stand. Handmade.

This item is an example of a hand crafted item showing the needlework skills of women in the early 20th century.Hand embroidered linen doily. Round. Blue, yellow, green and red flowers.doily handcrafts needlework linen embroidery

This appears to be a "special" petticoat, one that could have been made as part of of a trousseau in preparation for marriage.This item is an example of the skills shown by the women of Orbost in the late 19th to early 20th centuries.A full-length fine cotton petticoat with lace around the neck and bodice and about 50cm of lace at the bottom of the garment. A pale blue ribbon is threaded through the lace. This garment appears to be be hand-made rather than mass-produced.petticoat hand-craft dressmaking womens-clothing

This crochet tea cosy was made by Marjorie McKeown who was member of the early pioneering families of the Orbost district. She was an expert needlewoman.An example of Australiana in design.A hand crocheted white / echru coloured tea cosy with an Australiana design which incorporates two kangaroos and a bush setting on the front and back. The cosy is lined with yellow satin and a deep yellow ribbon is threaded through the sides to hold the tea cosy together. The ribbon ties into a bow at the top of the cosy.tea-cosy womens-arts-crafts crochet australiana-design

Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert)This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century.A hand-crafted toy fluffy dog. It is cream coloured with brown patches.It is made from sheep skin and has a pink silk protruding tongue, ears lined with brown silk and felt foot pads. It has one glass eye.handcraft toy needlework warren-helena