Showing 240 items
matching wood fired
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Churchill Island Heritage Farm
Domestic object - Colonial Oven, c. 19th century
... inserted into a fireplace and a wood fire would be built underneath... into a fireplace and a wood fire would be built underneath the oven ...The colonial oven was an advancement from the previously used open fire cooking. In this example the oven has been inserted into a fireplace and a wood fire would be built underneath the oven to enable the oven to heat up enough to bake items. Large pots could be placed on top of the oven to enable cooking or to heat water.Sheet steel colonial oven in kitchen of Amess House churchill island, oven, kitchen -
Federation University Art Collection
Ceramic, Tony Nankervis, 'Woodfired Cylindrical Vessels' by Tony Nankervis, 1986
... a pioneer of the long wood-fired ceramics technique in Australia. He...), Tony Nankervis has been a pioneer of the long wood-fired ...Tony NANKERVIS A graduate student from the Gippsland Centre for Art and Design (GCAD), Tony Nankervis has been a pioneer of the long wood-fired ceramics technique in Australia. He retired from lecturing at Southern Cross University after working there for 19 years in 2004. He describes his work as 'one-off functional table ware', which includes highly-individualised everyday table items. Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. The wood ash and salts blush the ceramic pieces in the kiln, with finished work taking on the nature of the firing process, which has been described as painting with fire.Two woodfired earthernware cylindrical forms by Tony Nankervis. tony nankervis, woodfire, jan feder memorial collection, jan feder, ceramics, gippsland campus, jan feder memorial ceramics collection, alumni -
Whittlesea Historical Society Inc.
Domestic object - Balance scale and weights, unknown
... , Charles and Stephenson baked bread in a wood fired scotch oven... in a wood fired scotch oven for sixty years. The bread was delivered ...Original balance scale and weights used at C.Turner Baker, 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.The scale and weights are significant to their links with the historical 19th century C. Turner Baker, Turner Brothers Bakery at Merndabalance scale and weights with removable pan, 13 round weights1lb weight stamped 'Avery Birmingham'mernda, yan yean, separation, bakery, scale and weights, turner's bakery, charles turner, stephenson turner, c turner baker, turner brothers -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Woodfired Stoneware Platter by Tim Holmes, c1983
... Island Creek Pottery in 1977, and started making wood-fired... in 1977, and started making wood-fired pottery, digging ...Tim HOLMES Born Wales Tim Holmes first became interested in pottery on a visit to New Zealand in 1969. After returning home he studied at the local art school, then enrolled at the Harrow School of Art in 1973. While there, he was introduced to Gwyn Hanssen Pigott's work, and returned to Australia to help her set up a pottery in Tasmania. He established his own Garden Island Creek Pottery in 1977, and started making wood-fired pottery, digging and milling his own clay. He used a two- chambered kiln, firing raw- glazed domestic stoneware in the first chamber and earthenware garden pots in the second. In 1988, he moved his pottery to the Potter's Croft at Dunalley on the east coast of Tasmania. He and his wife Tammy now run the Potter's Croft as a bed and breakfast with a craft gallery, and he is still making pottery using a wood-fired kiln. Garden Island Creek Pottery had its own impressed stamp, and work may also be impressed 'TH' or incised 'T. Holmes'. Tim Holmes was a visiting visitor to Gippsland Institute of Advanced Education (later Federation University) in 1983. He was a lecturer at 'Woodfire 86'.Woodfired Stoneware Platter tim holmes, ceramics, artwork, jan feder memorial ceramics collection, gippsland campus, artists, woodfire 86, garden island creek pottery -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Untitled [Jar] by Owen Rye, c1985
... -2003. Proficient in the use of the wood-fired Anagama kilm...-2003. Proficient in the use of the wood-fired Anagama kilm ...Owen RYE (05.11.1944 - ) Born Cooma, New South Wales Internationally recognised in the field of Ceramics, Owen Rye was a lecturer at the School of Visual Arts, Gippsland Institute of Advanced Education (incorporated into Monash University 1992), 1985-91 and senior Lecturer at the Gippsland Centre for Art and Design, Monash University (later Federation University) from 1992-2003. Proficient in the use of the wood-fired Anagama kilm, the surface of his work is dependant upon the placement of the item in the kiln, with ash glaze developing where ash and embers coat the form. Wheelthrown Anagama [woodfired] stoneware. Jan Feder Memorial Ceramics Collectionjan feder memorial collection, jan feder, owen rye, ceramics, gippsland campus, artwork, artist, gippsland centre for art and design -
Whittlesea Historical Society Inc.
Domestic object - Plate, dinner plate, bread and butter plate, c 1920s
... in a wood fired scotch oven for sixty years. The bread was delivered... in a wood fired scotch oven for sixty years. The bread was delivered ...The plates were used by the Turner family at C. Turner, Baker of Turner Brothers Bakery, 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c.1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored. The plates are significant to their links with the historical 19th century Turner Brothers Bakery at MerndaCeramic plates from the Turner Bakery collection. One dinner plate and one bread and butter plate from a matching set, glazed pattern, 'J & G. Meakin England', scalloped edges, blue and gold pattern on face of plate, gold on rim.Maker J & G Meakin England, Design 'The Garrick', Regd SOL 391413 j & g meakin, turners bakery, mernda, charles turner, stephenson turner, plate, cermaic plate, dinner plate, bread and butter plate, c turner baker, yan yean -
Whittlesea Historical Society Inc.
Domestic object - serviette holder, unknown
... in a wood fired scotch oven for sixty years. The bread was delivered... bread in a wood fired scotch oven for sixty years. The bread ...A serviette holder used by the Turner family of C. Turner, Baker, or Turner Brothers Bakery at 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.A beige coloured ceramic glazed serviette holder from the Turner Bakery Collection. Noneceramic, turners bakery, turner brothers bakery, charles turner, stephenson turner, mernda, serviette holder, c turner baker -
Kew Historical Society Inc
Ceramic - Lidded container, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, lidded container, constructed through coil work, and using the different forms of coiling as a decorative element. The container has been glazed in yellow and green.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), containers, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Moulded dish, with a floral design on the base. The upper part of the dish has a mottled green and black glaze. The petals on the base are highlighted with a deep pink glazeSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Lamp base, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade lamp base, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade lamp base, irregularly ridged and with and with the use of green and yellow glazes. The lamp base has a hole for a cord above the foot.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), lamp bases, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade deep dish, glazed in green and maroon. The maroon ground includes a splash of green in the centre of the dish.Signature to base: "V. Ayling" and datedceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade dish, with a floral design etched into the glaze. The container has been glazed in brown.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Lidded ewer, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade ewer, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic lidded ewer fully covered in an olive green glaze. The lower section of the body, the spout and the lid reveal the coil work construction technique used, whereas the upper body is smoothed.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), ewers, viola ayling -
Kew Historical Society Inc
Ceramic - Footed dish, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, footed oval ceramic dish, covered with a blue glaze. The feet, one of which has been repaired, are created from coils that were then luted to the base.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Madonna and Child, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic sculpture of an abstracted Madonna and Child. The figures are fully covered in an olive green glaze.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, viola ayling -
Kew Historical Society Inc
Ceramic - Reticulated vase, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade, reticulated ceramic vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase with the body reticulated between the moulded floral exterior. The vase is fully glazed in a brown.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), vases, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade globular ceramic vase, fully covered in red with a green overglaze that has been wiped to reveal the floral pattern.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Lidded container, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade ceramic container, expertly potted and glazed which is representative of Australian ceramic design of the period.Handmade ceramic container, constructed through coil work with the lid and upper body fully glazed and the lower half part glazed in orange.Signature to base: "V. Ayling"ceramics, containers, pakington street -- kew (vic.), viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, narrow-necked ceramic vase, with a pink glaze overlaid with painted and dripped cream and green glazes within the ridges.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Bookends, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Pair of handmade ceramic bookends fully covered in a white, black and predominantly blue glaze. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), bookends, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Collection, Ceramics of Viola Annie Ayling (1911–1990)
... an internal studio and a handmade, wood-fired brick kiln in her... an internal studio and a handmade, wood-fired brick kiln in her ...Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.Parent file of the items in the Viola Annie Ayling collection of 1950s and 60s ceramics. This parent file includes digital copies of a photograph of the ceramicist and also of her home at 128 Pakington Street, Kew, in 1951 where she practiced her art.128 pakington street -- kew (vic.), viola ayling, ceramics -- victoria (australia) -
Tatura Irrigation & Wartime Camps Museum
Wooden Handle
... was selected from the fire wood.... was selected from the fire wood. tatura trades tools ...Made & used by internees at camp 3, tatura material was selected from the fire wood.Turned wooden handle with metal rim & rink & hole( for inserting blade/metal tool) Handle is shaped near to the metal ring/rim, slightly darker wood section at bottomtatura, trades, tools -
Tatura Irrigation & Wartime Camps Museum
Wooden Handle, 1941-1947
... was selected from fire wood...., material was selected from fire wood. tatura trades tools ...Made & used by internees at camp 3, tatura, material was selected from fire wood.Turned wooden handle with metal ring/ rim & hole ( for inserting in a metal tool) Handle nearest metal ring is shaped, lower on handle are two sets of finely grroved rings.tatura, trades, tools -
Whittlesea Historical Society Inc.
Domestic object - door handles, 2 door handles
... in a wood fired scotch oven for sixty years. The bread was delivered... brothers, Charles and Stephenson baked bread in a wood fired scotch ...2 door handles used by the Turner family at C. Turner, Baker of Turner Brothers Bakery, 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c.1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.2 door handles from the Turner Bakery collection. turners bakery, mernda, charles turner, stephenson turner, c turner baker, yan yean, door handle -
Whittlesea Historical Society Inc.
Domestic object - Teapot and lid, c.1870
... and Stephenson baked bread in a wood fired scotch oven for sixty years... in a wood fired scotch oven for sixty years. The bread was delivered ...The teapot came from C. Turner, Baker, also known as Turner Brothers Bakery, at 107 Schotters Road, Mernda, and was used by the Turner family. The bakery is believed to have been constructed by Moses Thomas c.1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.Statement of Significance The teapot is significant to it's link with the historical 19th century Turner Brothers Bakery at MerndaBlue enamel tin teapot with lid, decorated blue and white flowers with green leaf pattern on both sides of the teapot Noneteapot, mernda, charles turner, stephenson turner, bakery, enamel teapot, c turner baker, turner brothers bakery, blue teapot, 1870, yan yean -
Whittlesea Historical Society Inc.
Domestic object - Ladle, unknown
... and Stephenson baked bread in a wood fired scotch oven for sixty years... in a wood fired scotch oven for sixty years. The bread was delivered ...A soup ladle from the Turner Bakery collection and used by the Turner family of C. Turner, Baker or Turner Brothers Bakery, 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.The ladle is significant to it's links with the historical 19th century Turner Brothers Bakery at MerndaSoup ladle, ceramic glazed, floral print intact. No makers marksoup ladle, ladle, mernda, bakery, turners bakery, stephenson turner, charles turner, turner brothers bakery, c turner baker -
Federation University Art Collection
Ceramic, Tony Nankervis, Three Lidded Woodfired Cylinders by Tony Nankervis, 1986
... was a pioneer of the long wood-fired ceramics technique in Australia.... Nankervis was a pioneer of the long wood-fired ceramics technique ...Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire."(https://www.strathnairn.com.au/studios/artist-in-residence/montessa-maack-ursula-burgoyne-jen-lyall-and-vicki-grima-5ndd6, accessed 09 July 2021)Tony NANKERVIS Tony Nankervis taught ceramics from 1984 when the university was the Northern Rivers College of Advanced Education from 1984. before moving to Southern Cross University (SCU) in 1994. He retired from full time teaching in 2004. Nankervis was a pioneer of the long wood-fired ceramics technique in Australia: a technique he has been practising since the late 1970s Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire. There are particular qualities that only come from firing in that way, he said. "If you see some of these older ceramics, particularly from Asia, the surface qualities are discernible from the surfaces generated by post-Industrial fuels." (https://www.scu.edu.au/engage/news/latest-news/2004/leading-australian-potter-who-paints-with-fire-retires-from-lecturing-at-scu-after-19-years.php, accessed 09 July 2019)Three Lidded Woodfired Cylinders ceramics, jan feder memorial ceramics collection, tony nankervis, tony nankervic -
Federation University Art Collection
Ceramic, Tony Nankervis, Dry Glazed Lidded Form by Tony Nankervis, 1986
... was a pioneer of the long wood-fired ceramics technique in Australia... was a pioneer of the long wood-fired ceramics technique in Australia ...Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire."(https://www.strathnairn.com.au/studios/artist-in-residence/montessa-maack-ursula-burgoyne-jen-lyall-and-vicki-grima-5ndd6, accessed 09 July 2021)Tony NANKERVIS Tony Nankervis taught ceramics from 1984 when the university was the Northern Rivers College of Advanced Education from 1984. before moving to Southern Cross University (SCU) in 1994. He retired from full time teaching in 2004. Nankervis was a pioneer of the long wood-fired ceramics technique in Australia: a technique he has been practising since the late 1970s Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire. There are particular qualities that only come from firing in that way, he said. "If you see some of these older ceramics, particularly from Asia, the surface qualities are discernible from the surfaces generated by post-Industrial fuels." (https://www.scu.edu.au/engage/news/latest-news/2004/leading-australian-potter-who-paints-with-fire-retires-from-lecturing-at-scu-after-19-years.php, accessed 09 July 2019)Presented by the artistLidded Raku fired box, dry glazedceramics, jan feder memorial ceramics collection, tony nankervis, tony nankervic -
Federation University Art Collection
Ceramic, Malcolm Boyd, Untitled [Male Form] by Malcolm Boyd, 1977
... handbuilt stoneware pots and clay sculptures are wood fired at his... pots and clay sculptures are wood fired at his East Gippsland ...MALCOLM BOYD Born Gippsland, Victoria In 1977 Malcolm Boyd graduated with a Diploma of Visual Arts from the Gippsland Institute of Advanced Education. It was at this time that he presented this work to the Jan Feder Memorial Ceramics Collection. Over thirty years later he still has a passion for ceramic history and design. Boyd operated the Black Cockatoo Pottery from around 1980-1995, starting in Essendon, then moving to Ascot Vale, Stratford, Bairnsdale and finally Fernbank in Gippsland. His handbuilt stoneware pots and clay sculptures are wood fired at his East Gippsland studio. He often uses ochre coloured dam banks on his property at Fernbank. The local clays are crushed, screened and blended with a white stoneware body to produce a number of shades and textures. All Malcolm Boyd's pot's are hand built using moulding, coiling, slabbing, and modelling techniques, and are high temperature fired (1300C) to allow some of the very ancient oriental glazes to mature. All works spend at least 20 hours in the wood fired kilns. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.malcolm boyd, ceramics, artist, artwork, jan feder memorial ceramics collection, gippsland campus, alumni