Booklet with reproductions of the art panels depicting aspects of Eltham history, commissioned by the Eltham Cemetery Trust and located at Wisteria Walk South in the Eltham Cemetery42 p. colour illustrationseltham, eltham cemetery

After winning the "Moment in Monty" art competition, artist Roma McLaughlin has her work printed on wine labels to promote the suburb.News article, text and colour graphic.montmorency, roma mclaughlin, moment in monty, were street

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck?, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 Back: 18

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 (printed on print surface in black ink) Back: (no inscriptions)

CEMA Art Collection part of "A Community View" 150 years in Portland Screen print Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a group of people on Portland's foreshore. People are dressed in late 1800's dress and are watching the rotunda. The work is a photographic screenprint and colour has been added to areas of the photo. In particular, green for the grass, red for the rotunda, blues for the ocean and sky, and various colours for some of the clothing.Front: 34/8 Rotunda (lower left) Lucia Natale 84' (lower right) (pencil) Back: 28

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with blue, green and white background. Four pink lines (in various shades) flow horizontally across the work. In the bottom left corner is a pink/red shell.Front: P. Jarrett (signature, lower right) (pencil) Back: 22

An invitation to join the Diamond Valley Arts Society or attend its art show in October 2014.News clipping, black text, colour image.D V Leader and date written on pagediamond valley arts society, kevin bullen

Banyule City Council outlines its strategy for managing graffiti or street art over the period 2015-201824 pages, text and colour illustrations.banyule city council, street art, graffiti

An installation at National Gallery of Victoria encourages visitors to think about art and La Trobe University researchers measure brainwaves while looking at the art.News clipping, black text, colour image.national gallery of victoria, la trobe university

An article about a men's art group which won an award for creating murals.The group is from Nillumbik Living and Learning Centre and the murals were created for dementia patients at the Diamond Creek Rd Aged Care centre.A small article featuring a colour photograph.Nilnillumbik living and learning centre, diamond creek road aged care centre, mens art groups, murals, dementia

The art gallery at historic Bundoora Homestead could receive a cash injection of almost $1 million in an attempt to make it the heart of the suburb. News article 1 page, black text, colour image.bundoora homestead, art gallery, funding, darebin council

A showcase of the best artists and their work in the Diamond Valley area will go on display in Montmorency this month. The Artists on Were Street event will showcase local artwork and music.News article 1 page, black text, colour image.diamond valley, montmorency, art show, artists on were street, were street montmorency

Popular wooden sculptures inspired by wartime characters were set on fire and farewelled in a special ceremony over the weekend. The sculptures, created by chainsaw artist Leigh Conkie had stood at War Memorial Park for over a decade. They will be replaced by the Homefront Project.News article 1 page, black text, colour image.greensborough war memorial park, wooden sculptures, banyule city council, leigh conkie, homefront project

A short report by Rosie Bray on a Community promotion at WaterMarc on July 22, 2017. Greensborough Historical Society was invited to attend as a local artist completed an art installation.One page, text and colour photographs; 2 printed photos.greensborough historical society, watermarc

Dreadlocks will replace brushes on the annual Artists on Were Street event.News clipping, black text and colour image.artists on were street, dread art, montmorency

The Diamond Valley Arts Society's 44th Annual Arts Award Show was held October 21-23 2016News clipping, black text and colour image.diamond valley arts society

The St John of God (Accord) Churinga centre hosted an art show for artists with disabilities.News clipping, black text and colour image.churinga, art shows

Art collectionThe print depicts two tree trunks in the foreground surrounded by bushland. The two tree trunks are composed of patches of white, grey, yellow, light brown and dark brown. The trees in the background are composed of a single colour. On the lower left side is a plant with light blue foliage. The work has a painted wooden frame with small white mount and glass.Front: Hunter (brown handwritten, lower right, partically covered by the mount) Back: 1972 (lead pencil, upper left)

Shire of Eltham Art Collection, 'Beautiful Eltham' by Joh Ebeli showing Shillinglaw Cottage and Railway Trestle Bridge. Cross Ref: 00438 (print) and 01910 (neg)Colour positive film 120 6 x 9 formatFujichrome RDP 1 frame (No. 11)bridge, eltham, joh ebeli, paintings, panther place, railway, shillinglaw cottage, shire of eltham art collection, nillumbik art collection

These type of marking crayons have been in use from the 1800s onward to mark commercial and non commercial goods and articles that require waterproof and visual identification labels. Items such as bales of wool, tobacco tags, transportation tags(shipping, rail and road) and other "hard to mark" items that require information to be displayed by semi permanent waterproof signage. The crayons are also an advantage for young student art work.This particular box of leviathan crayons was in use by students in the Mount Beauty Primary School through the Victorian Education Supply Department. As the texture and adhesive/application qualities (soft medium and hard) allows students to be "creative" on various type of canvases. This type of application in schools is of a non commercial and simplistic art -form nature however more advanced students could present a commercial interest in a viable creative artistic venture. The major commercial and non educational uses are encompassed in a rural grazing and farming regions, of the Kiewa Valley and adjoining lands.The crayon box is made from cardboard and light buff colour. The box contains six "No.1" crayons, two of which have been used. Each crayon is wrapped with manufacturer's details on 180 gsm thick paper. The wrapper runs nearly 4/5 th of the entire length, leaving 1/5th open to display the colour of the crayon. The colours of the crayons are blue, purple, green, yellow, red and black. These crayons provide a waterproof writing, sketching and numbering method and are available in soft, medium and hard texture.Within a chain border and on two opposite sides of the box: "1 Dozen No.1", and below this and underlined "Leviathan Marking Crayons" and below this "Indispensable for all Marking and Checking purposes Waterproof and will not rub off", below this "SUPPLIED UNDER GUARANTEE"waterproof, freehand marking and artworks, school waterproof art, commercial identification marking of rural produce, school art, waterproof labelling

Students: Phillip Morrow, David Thomas and Melina Bryans, Eltham Christian School, 1981 in a construction/art based activity. From series of photographs from a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.Colour Photographeltham christian school, melina bryans, david thomas

Colour photographeltham, alistair knox park, art, classical landscape, cliff burtt, sculptures

Colour photographeltham, alistair knox park, art, sculptures, ernst fries, surveyor of suburban environs (1991)

Colour photographart, edward ginger, research (vic.), sculptures, the breeze (1990)

Art work and nativity display for Christmas, Eltham Christian School, 1982 The Stokes family settled in this area of Eltham in the 1940s and were associated with the Eltham Christian Church. In the 1970s this church had met in temporary premises in Eltham. Lots of the original 1920s subdivision remained south of Nyora Road and a number of these lots were utilized for the Eltham Christian School, which was established by the Eltham Christian Church in 1981. The school operated on this site until 2000. The premises were owned by the Nillumbik Community Church who were in operation till November 2010 when the Eltham Baptist Church commenced a lease arrangement until the site was purchased by them in April 2012. The building is constructed of brick and timber with a balcony on two sides that looks over an expanse of grass. Sources: STOKES ORCHARD – AN INCOMPLETE HISTORY February 28, 2015 http://www.elthamhistory.org.au/ Australian Christian Church Histories - Eltham Baptist Church http://www.churchhistories.net.au/church-catalog/eltham-vic-baptist/ From an album featuring a series of photographs (some cropped) from a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.3 colour photographseltham christian school, nyora road, display, exhibtion, art, nativity, christmas

The Olivetti company was founded in Italy in 1908.This particular typewriter is a Olivetti Lettera 22, oblique front stroke and portable manufactured after 1950. The 1950s and 1960s was a time when British manufactured goods were still purchased by many Australian consumers. The later 1960s onwards, there was a shift, mainly in the cities, to European made goods. The invasion of Japanese manufactured goods was relatively slower, especially in rural areas. The demand for long lasted and dependable merchandise was in the rural area still the most important criteria. The ease of setting up this typewriter and its compact mobility was its major benefit to trades people and travelling professionals, e.g. rural doctors, other medical professionals, accountants, lawyers and educators. This item facilitated the growing numbers of professional nomads requiring a relatively light office stationery package e.g. travelling novelist, writer, businessman and academics. This typewriter needed no electrical or battery power to operate it. Outback Australia, where at this point in time, was still relatively isolated from a good available electrical power reticulation and battery power, and therefore could not be totally measured as a highly efficient office environment.Although this typewriter was purchased from a business in Penrith, Sydney, N.S.W., it is significant that it travelled easily to the Kiewa Valley, demonstrating the mobility of certain sections of the community. This typewriter was designed by an Italian industrial designer, Marcello Nizzoli, in line with the art deco style of the 1930s and the colour and flexibility of the vibrant 1950s. The underlying theme of manufacturing in the 1950s was to produce equipment that was more efficient than what was inherited from the earlier period of 20th century. Improvements were made to this Olivetti typewriter by Giuseppe Beccio by reducing the number of parts made from 3,000 to 2,000. This reduction of parts and therefore cost of production was the major principle of the Japanese manufacturing juggernauts of the post World War II era. Efficiency and low costs material was becoming prime factors in the success of rural industries from the 1960s. Competition from overseas producers was starting to affect rural industries and the removal of the large range of tariff protection, especially rural products, required not only a shift of farm management but a more efficient cost savings modus operandi. This Olivetti Lettera 22, oblique front stroke portable (weighs 4kg) mechanical typewriter has a coral coloured plastic casing. The keys are made of black hardened plastic with white lettering, numbers and symbols (imperial fractions, and pound). It has a QWERTY keyboard as opposed to the Italian QZERTY. It has a lever to move the ribbon between black, neutral (for mimeograph stencils)and red colours (a red key is provided for highlighting specific words,letters or symbols) . This machine is fitted with only a black ribbon. It has a black rubber paper rollers and chromed metal parts on the carriage way. It has four rubber feet underneath the main body. On the left side of the roller there is a lever to adjust the roller from fixed (when mobile) through 1,2 and 3 line space gradients. This model has a key for zero but not one for the number one (uppercase letter l is used) see KVHS 0459 for the carrying bag.On the cover over the ribbon wheels letter strikers has a plate marked "Lettera 22" and the back plate behind the paper roller and in front of the paper supports has a silver metal label marked "olivetti made in great britain".commercial, mobile office equipment, mechanical typewriter

An exhibition of works created by artists who have taken part in the Laughing Waters Artist Residency Program over the past 15 years. The exhibition took place at Montsalvat, Eltham 30 January - 14 March 2016. Curators Jane Woolard and Grace Longato. Spiral bound. 1 volume (unpaged) : illustrations (chiefly colour), 1 portrait ;australian art, laughing waters artist residency program

Cr. Mary Grant of Hurstbridge served as the North Riding Councillor for the Shire of Eltham. First elected in 1990 and required to retire by 1995. She was the Shire President at least 1992-1993. Source: Shire of Eltham 1993 Handbook. It is believed that this photograph was taken after Cr. Grant's term as President. EDHS Newsletter No. 216, May 2014, p4 Mayoral Chain of Office R.C. McLellan and family donated a Chain of Office to the Shire of Eltham to be worn by the Shire President on formal occasions. With the amalgamation of councils in 1994 this was transferred to the Shire of Nillumbik to be used during the mayoral year. Eltham had a Shire President whereas Nillumbik has a Mayor. Many municipalities have a collar or chain of office for ceremonial purposes. Traditionally these symbolise or denote the formal leadership role of office. This chain is part of the Visual Art Collection held by Nillumbik Shire Council and is now on display in the Council Chamber area in the Civic Centre at Greensborough. Matcham Skipper and Myra Skipper were commissioned by the McClellan family to create the gold-plated silver chain shown being worn by Eltham Shire President Peter Graham in 1990, with Bob McLellan and Matcham Skipper (centre). Nillumbik Shire Council has asked that the following credit information is used when the chain is displayed, or images reproduced. Matcham SKIPPER (1921-2011) and Myra SKIPPER (1920-1996) Mayoral (Presidential) Chains of Office 1976 Gold plated silver 60cm x 32cm x 1cm (variable) © The Estate of Matcham and Myra Skipper Donated by RC McLellan and Family Visual Art Collection: Nillumbik Shire Council [Picture: Nillumbik Mayoral Chain of Office] [Picture: Bob McLellan, Matcham Skipper and Eltham Shire President Peter Graham -1990]The Presidential Chain of Office is now a significant part of the Nillumbik Shire Council's art collection.Colour photograph Councillor Mary Grant in Shire President Regaliacouncillors, eltham shire council, shire presidents, mary grant, nillumbik shire art collection, presidential chain of office