REPLICAManufactured and retailed by Holden and FrostFlat brown leather collar with bright metal buckle and studsdogs, collar

Michael Leunig is an Australian cartoonist, poet and cultural commentator. His best known works include The Adventures of Vasco Pyjama and the Curly Flats series. Leunig was declared one of Australian Living Treasures by the National Trust of Australia in 1999. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.one colour (yellow) etching on Somerset paper. Thick lines weave in and out to produce a figure reminiscent of his 'curly flat' characters holding a long stem flower/vine. ekphrasis2018, pilgrim, baldessin, leunig

Blue cardboard box with lighter blue manufacturer's label and blue cardboard slide tray holding four (4) needles. The slide tray has allocation for twelve (12) needles.Stamped in red ink on manufacturer's label: RECORD Stamped into flat of needle: SOL / 24hypodermic, needle, syringe, amalgamated dental

Oliver Gilpin (1874-1942), chain store proprietor, was born on 8 July 1874 at Seven Creeks near Euroa, Victoria, fourth child and second son of William Gilpin, farmer, and his wife Dinah, née Barton, both from Tyrone, Ireland. He was educated at local state schools and became a draper's assistant at Euroa. A testimonial as 'an energetic, pushing salesman, a careful stock-keeper … honest and industrious' gained him city experience with Ball & Welch Ltd, drapers, in their Carlton store. He used an inheritance to open a drapery store at Korumburra, south Gippsland, in 1895, moving to Rutherglen in the upper Murray valley in 1899. Frustrated by irregular stock deliveries, he moved to Fitzroy, Melbourne, in 1902, seeking a warehouse and the benefits of combined supplies for effective development of country trading. By 1905 he was producing many stock items at Northcote and had established retail outlets at Bendigo and Warracknabeal. Branches at Echuca, Numurkah and Yarrawonga followed in 1906, with ten more in 1907. He moved his city establishment to East Malvern in 1911, and had opened forty shops by 1920 and seventy-four by 1928. All were managed by women, on a strictly cash basis. Drapery remained the main line, supplemented by ironmongery, crockery, school requisites and toys. Gilpin saw the Depression years as a challenge. Between 1928 and 1931 he established eighteen new branches, including two in Tasmania, at Devonport and Ulverstone. The chain included South Australian branches at Mount Gambier, Millicent and Renmark, twenty-five stores in southern and western New South Wales, and ten in suburban Melbourne. Gilpin's Chain Store News was issued monthly. In 1944 Foy & Gibson acquired a controlling interest in Gilpin's business and in 1951 the chain was bought by G. J. Coles & Co. Ltd for £1,250,000. Three wooden blocks used to display hats. 9042.1 Slightly head shaped on top 9042.2 Light timber, flat on top, a wedge at back. 9042.3 Dark timber, flat on top.hat blocks, millinery, haberdashery, gilpin, korumburra

Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton'

The card relates to The Bendigo & District Servicemen's Club as distinct from the Bendigo & District RSL Club Inc. The Servicemen's Club was owned by a Co Operative of the 3 Bendigo RSL's being Bendigo, Kangaroo Flat & Eaglehawk Sub Branches'. The Co Operative Society remained until the year 2000 when the facility became the "Bendigo & District RSL Club Inc". The membership re David Patterson 1978. He was a Bendigo RSL delegate for the Co Operative Society for its entire time until closure in 2000. He was one of the first Vietnam Veterans to serve on the Committee of the Bendigo RSL Sub Branch from 1976 - 78, he was Jnr Vice President for 1977 - 78. Refer Cat No 5825.Card yellow covers folding all text in black, inside is white with black text, signed by member in blue, rear is blank, card is for membership 1978.Inside, "This is the signature of the member of the Bendigo & District Servicemen's Club whose name appears below. This card must be presented at the door when attending the Club - Mr D Patterson 8 Station Street Kangaroo Flat - Secretary A. Harridge - No 054"brsl, smirsl, bdsc, membership

This medical instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historial: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.In wooden box with a sliding lid. Silver knife held by 2 wooden pieces with slots for knife to fit. Knife is surrounded by cotton wool. Knife is flat with wavy sides. Blade is flat with point.medical instrument. hospital equipment. tawonga. mt beauty. skin graft., knife. doctor

1/One small black and white photograph of the residential property in 21 Elm Avenue. 2/Two advertisements for the sale of Flat 3, 21 Elm Avenue from unknown publications dated 07/03/2006 and 14/03/2006. The auction was to be held on 01/04/2006. Includes two exterior and one interior photograph Recent sale notice of 2/21 Elm Avenue dated 2013. Includes colour exterior photograph 4/Copy of letter dated 17/02/1998 from Heritage Victoria to J and B Chi Lok Wong, owners of 21 Elm Avenue, concerning nomination of the property for the Heritage Registerelm avenue, elsternwick, chimneys, brick houses, victorian style, architectural styles, architectural features, flats, hopetoun street, walton manor

These three rocks were given to KVHS on the understanding that they were Indigenous rocks used as tools.No knowledge of their origins.These rocks have been stored in the Kiewa Valley on the understanding that they are Indigenous tools. It is not known where they came from.1. Dark grey rock with smooth surfaces and ridges with one flat side. Size of an adult's hand 2. Grey rock with smooth surfaces and ridges with one flat side. Smaller than no. 1 3.Narrow dark grey rock with beige section on rounded side. One flat side and a sharp pointed end.rocks, aboriginal tools, kiewa valley

Black and white photo of the Henschke Band. There are six men and a boy. Written on the back is: Top Row L - R: Instruments. Clarinet. Flugelhorn. Cornet. Bottom Row: Bass Drum & Cymbals, E flat Saxhorn, E flat Saxhorn, E flat Bass. German Band. Henschke band, Mocuita, SA. Band formed 1888.photo, group, musicians, peter ellis collection, german band, henschke band, clarinet, flugelhorn, cornet, bass drum & cymbals, saxhorn, bass saxhorn

Inspected by Joanna Freslov, archaeologist 2.6.22008. Grinding stones are slabs of stone that Aboriginal people used to grind and crush different materials. Bulbs, berries, seeds, insects and many other things were ground between a large lower stone and a smaller upper stone. This is the lower stone.Large grinding stones such as this one were designed to be left at a camp site for use the next time the group moved there. Smaller grinding stones were carried between sites. Grinding stones were not abandoned when they became worn and smooth through use. The stone would simply be roughened again so it was once again suitable for its function. This is an example of a food preparation utensil used by the Early Indigenous people of Eastern Australia.A large flat rock with grind hole in top. Rock has split. gridstone aboriginal stone-artefact

Phials (2), glass with cork stoppers, Cylindrical bodies and flat bases.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Metal stencils were predominately used in the late 1800s to mark wool bales with sheep station identifiers. This stencil is a good example of the types of hand-marking that took place in the industrial landscape of Echuca, where bales were transported from nearby stations to places around Australia using the barge system that the Port has captured in its exhibition precinct to date.This item is in excellent condition and adds to the interpretative capacity of the Port Echuca collection. Small rectangular flat metal stencil with letters XBRED cut out.XBRED port of echuca, stencil

Part of the Flight Lieutenant Ian A. (Joe) Lyons MBE Collection. See catalogue No 5374P for his service record.Large circular magnifying glass. One side is convex and the other flat.equipment, magnifying glass

One of a collection of photographs donated by Bruce Bennett.Coloured copy of a postcard showing The Nobbies in the distance across a coastal flatphillip island coastline, the nobbies phillip island, coastal scene phillip island, bruce bennett

From Jessie Smith's collection of Island Events & Landscapes. Early education facilities. Sold off to private owners c 1990.Back view of Ventnor State School with chimney at right - landscape flat.local history, photographs, state schools, black & white photograph, early education, ventnor state school, jessie smith collection, stan mcfee

Iron would be heated on a stove, and used on pre-damped fabrics. In common use when electricity was not available, before electric irons were made. Also called "Sad-iron".Small heavy black iron with strong cast handle and flat bottom. "Silvester No. 5" flatiron, irons

Collected by Charles Willoughby on his farm on the site of the current Lake Buffaloregional significance as ground edge stone axes are relatively rare in North Eastern Regionedge ground stone axe, quartzite,flat backed and evidence of hafting axe, aboriginal artefact, buffalo river

Flat screwdriver. 335mm long Wooden handle has piece missingflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Thought to be made by a Plumbing student of the Ballarat School of Mines. Lead four way branch pipe beaten from a flat sheet.plumbing, trades, ballarat school of mines, ken scull

Flat Handed Dome Handle Metal Tip for ink Wooden HandleFoi M. M. Stuart Murray (all backwards)

tall air canister with a flat surface able to turn a valve for air

Record of races held during 1968-1979 at GCC and neighbouring Victorian cycling clubs.Cycling races held during 1968-1979 at GCC and neighbouring Victorian cycling clubs were well organised and publicised.Flat file of Race Events at GCC during the years 1980-89.race records; geelong cycling club;

An unusual square nail used for building. early 19th Century?A long square nail with a point at one end and a flat head at the other.buildings, building materials, nails, george evans collection