This commemorative framed print was a gift presented by Freemason, Worship Brother J. Wishart Junior, who also had the title of Worshipful Master of the Masonic Lodge from 1983-1954. This print was possibly presented by Wor. Bro. J. Wishart to the Masonic Lodge in Warrnambool the year following the coronation of Queen Elizabeth II, just after Wishart completed his term as the Worshipful Master of the Lodge. It is likely that the portrait was also part of the furnishings when one of Flagstaff Hill's village buildings was set up as a 19th century style Masonic Lodge, as shown in the map of the village in 1994 and was activated by a member of the Masonic Lodge. (Before this time the building was a Reference Library, and some time afterwards it was a Reading Library, and is now a Mechanics' Institute.) Australia is part of the British Commonwealth. Respect for the reigning monarchy of the colony of Australia has been shown here since colonisation and continued after Federation. Portraits of the reigning sovereignty have been displayed in public organisations, government departments and clubs over the years. Children in schools have been taught to 'Honour the flag, serve the Queen" (or King) etc. In February 1952 King George VI of England passed away. His daughter was proclaimed Queen, and crowned as H.M. Queen Elizabeth II on June 2nd, 1953, at Westminster Abbey, London. It is interesting to note that on 12th April, 1997, Warrnambool's Masonic Centre in Kepler Street held a 150 years celebration of the settlement of Warrnambool and District. A time capsule was inserted in the 'foundation stone' and one of the items inside it was a Flagstaff Hill Heritage Centre leaflet. The portrait of the coronation of H.M. Queen Elizabeth II and her continued reign of 70 years is significant, as it marks a very special occasion in the history of Britain and its Commonwealth. This portrait is similar to many other portraits of the Queen's coronation and is familiar to Australian citizens of the current generation and the ongoing link to Britain's colonasit6ion of Australia.Print, coloured, framed behind glass. Portrait of H.M. Queen Elizabeth II at her Coronation on June 2nd, 1953. The Queen is seated and wearing a white gown and white-trimmed blue cape. She is wearing a jewelled crown and holds the ceremonial Orb and Sceptre. In the background is Westminster Abbey. The decorative frame is cast composite or plaster. A card provided with the print advises that the print was presented by J. Wishart - it is attached to the reverse.Handwritten in ink on card "H.M.QUEEN ELIZABETH II / PRESENTED BY / WOR. BRO. J. WISHART JNR. / WOR. MASTER 1953-1954."flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, 2-06-1953, westminster abbey, scepter, orb, royal crown, coronation, queen elizabeth ii, hm queen elizabeth ii, royal portrait, h.m. queen elizabeth ii, worshipful brother, worshipful master, time capsule, 19th century style masonic lodge, warrnambool 150 years celebration, coronation of queen elizabeth ii, freemasons, j. wishart, flagstaff hill masonic lodge building, portrait

Greetings Card, the intersection of Flinders St and Swanston St, c1926 after the conversion of Swanston St cable cars. Cable cars in Flinders St. Has Flinders St Station in the background. Printed by the Ministry of Transport for Christmas 1984 and sent to Keith Kings. Has a message on the inside with year and Steve Crabb's signature. See Reg Item 103 for a framed print and 5617 for a photographic print of the image.in ink on the inside signature of Steve Crabb in black ink.trams, tramways, greetings cards, flinders st, minister for transport, swanston st, cable trams, flinders st station

Rectangular shaped glass covered picture frame showing a print of the painting of A Letter from Home.A Letter from Home. Painted by F.W.HAYES.paintings,prints, pencil drawings,f.w.hayes,lara r.s.l. a letter from home.

Coloured postcard photograph, with a brown printed frame, showing a long weatherboard building with four gables.Printed on back of card: "W. Hine, Bookseller, Rutherglen. Printed in Germany"rutherglen viticultural college, viticultural college, agriculture, viticulture

Richard SPARE (1951- ) Born and lives England Richard John Spare studied at Maidstone College of Art (1971-1974). Primarily a printmaker who draws directly onto copper plate before creating a dryplate etching which is then hand coloured. Framed limited edition print of a boat. Donated through the Australian Gifts Programme by Katherine Littlewood.AP 6/15richard spare, printmaking, boat, sailing

INFANTRY DRILL 1893 BY AUTHORITY - Infantry Drill Training - BritishCover - hard cover, cardboard, leather - dark red with gold print on front and spine, with gold military coat of arms above print on front. Front embossed to frame print. Pages - 269 pages, cut, stippled edges, coloured light red, off white. Block print including front and back end papers. Illustrated - black and white diagrams and illustrations. Grey lead pencil annotations throughout the book. Contents Page. greylead pencil - " ......./D Coy/69th Battalion" Throughout the book - grey lead pencil - "X"book, infantry, drill, british

Picture appears to be taken in front of the concertina doors in the meeting room of the Ely St fire station.Colour photo inset from frame with printed writing above and below photograph. The photo shows an adolescent boy in uniform squatting down and holding a fire hydrant in front of himabove photo VICTORIAN STATE JUNIOR CHAMPION UNDER FOURTEEN HYDRANT RACE ******10.30 SECONDS****** below photo PAUL GRENFELL(underlined)

Wooden frame, glass front, coloured print with cream border.“BIG GUN COMPETITION AT QUEENSCLIFF”military history-army, arms-ordnance, glass technology, queenscliff

MEDIUM: Photograph DESCRIPTION: Black and white photograph print No frameNILbanda elaine photograph

Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. Coward was active as a printmaker in the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut print showing a family of birdslls 'Family Group; lc edition '27/32' lrs 'Max Coward 65'art, artwork, max coward, coward, alumni, birds, chicken

David Rose (1936–2006) David Rose worked in New South Wales and produced etchings, lithographs, screenprints, and woodcuts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed and matted silkscreen printed in colour, from four stencils Lower left: 53/120 Radical Lower right: David Rose 1971art, artwork, printmaking, david rose, silkscreen, print council of australia

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - OIL PAINTING ON HARDBOARD. Depicts - an interpretation of the Gallipoli story of Private John 'Murphy' SIMPSON KIRKPATRICK and his donkey. Colours - vivid oranges with some white and brown. Visible in the painting - donkey, wounded soldier, rocky terrain, background figure of "Simpson" and cliff and gullies. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper."CLIFTON PUGH (1924 - 1990) Untitled IV (Simpson and His donkey) 1990". Clifton Pugh was appointed as the Australian War Memorial's official artist at the 75th Anniversary of the Gallipoli landing. He served in the Second World War in New Guinea and Japan.framed accessories, pprints, ww1, gallipoli, centenary

Aerial view of Melbourne pre October 1997 as the Docklands stadium, landmark of the new precinct is not yet built.Large framed and glazed print of aerial colour photograph of the Yarra river and Docklands, C - 1982 - 1995 docklands, melbourne, aerial view, yarra river, city, port melbourne, albert park

Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood. printmaking, geoffrey ricardo, available

Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.geoffey ricardo, repunzel, printmaking

Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.geoffey ricardo, printmaking, rapunzel

Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.geoffrey ricardo, printmaking, rapunzel

Pro (Kevin Charles) HART (30 May 1928 – 28 March 2006) Born Broken Hill, New South Wales Pro Hart drew upon a variety of techniques in his paintings, including layering, chiaroscuro, glazing, scumbling, scratching and Alla prima. Insects, particularly ants and dragonflies, are among Hart’s most popular and most identifiable images. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.pro hart, yabbie, printmaking, available

GEOFFREY RICARDO (1964- ) Born Melbourne, Australia Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.geoffrey ricardo, printmaking, fire, available

Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.geoffrey ricardo, printmaking, edition, etching, intaglio

Framed colour print of a painting of stretcher bearers with original held in Australian War Memorial Canberra. With profile photo of Phillip Davey from 10th Bn who was awarded the Victoria Cross.

The original oil portrait is held by the Australian War Memorial.Large official framed colour print of King George V in military uniform. The linked article by Laura Cook, published by the AWM in 2017 gives a history of the original Berrie portrait and reproductions."His Majesty King George V"king george v, kew (vic.) — municipal collection, wwi

Framed copy of a lithograph.Set in red card window mount and gold metal frame. The print is a copy of an extract from a book which features an illustration of miners working coal in a South Staffordshire mine.

This picture is an inexpensive item made for domestic decorative use. This picture is currently not associated with a historical event, person or place at this time and is being used to augment Flagstaff's village display.Picture in a gilded frame behind glass. Print of a man, dog, and two horses in a barn. Print is on grainy paper.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, print, wall decoration, art, farm scene

The original is stated to have been framed in oak and presented to the Choirmaster, Fred Frewin, (depicted in front row) 27 February 1917. The copy held at the Chelsea and District Historical Society is B&W and includes in pencil the names of those depicted. There is also an original postcard in sepia tones.NoneBlack and white photocopy of a larger print framed in Oak, Chelsea Choral Society 1917. Also an original postcard.Original presented 27 February 1917 to choir master, Fred Frewin, (depicted seated in front) as a mark of esteemfred frewin, chelsea choral society, chelsea

Kenneth JACK (1924 - 2006)Framed limited edition print of a landscape of gnarled trees. Donated through the Australian Gifts Programme by Katherine Littlewood. kenneth jack, printmaking, trees, landscape