Colour photo of No 28 tram in green and gold livery, one man standing in door of tram, six men standing on roadside in front of tram. Tram is stopped on Pall Mall between Bull Street and Mundy Street. On back written, 'Bendigo Cup Day 1971 (L to R) Basil Miller (inspector), John Frost, John Betjeman - BBC LONDON, Tom McCaw, Charles Craig, George Sang, Michael Schnader. Also, a black and white copy.basil miller, bendigo trams

Four page fold out knitting pattern booklet featuring a colour image on the cover of a man crouching in the grass with a bow and arrow. The man is wearing a green knitted jumper, blue pants and gum boots.front: [printed] Cleckheaton / 8/12 PLY / Design 0051 / 8 Ply Sizes: 89 - 119 cm / 12 Ply Sizes: 86 - 107 cmknitting, pattern, fashion, knitwear, cleckheaton

Four page fold out knitting pattern booklet featuring a colour image on the cover of a man crouching in the grass with a bow and arrow. The man is wearing a green knitted jumper, blue pants and gum boots.front: [printed] Cleckheaton / 8/12 PLY / Design 0050 / Sizes: 86 - 112 cmknitting, pattern, fashion, knitwear, cleckheaton

Principal's Residence. From an original 1909 photograph, man seated on bench in front of the house. (A) Sepia enlargement. (Appears as an illustration in, Green Grows Our Garden," A.P.Winzenried p 47.green grows our garden, a.p.winzenried, principal's residence

This diary was written by Cpl William Donald McDonald 3403 who served from July 1915 to November 1918. The diary covers the period August 5th 1916 to December 31st 1917.William McDonald was stationed in England mostly at the Salisbury Plain for the entire period. This item was mistakenly identified as as the J A G Brass diary, with 11Lieut J A G Brass being written inside the front cover of the diary. However J A G Brass was a distant cousin of W McDonald who still lived in Scotland and along with other names inside the front cover were contacts for the writer. Among the names are A W Hardy, J W Jolly, I J Windsor, Pte H A Jessop. The book itself is a modified British Service notebook, having been cut down by the author to make it a more manageable size. William McDonald was 35 years of age when he enlisted and was a tailor before enlistingThis diary has historic significance as it records daily life during the first world war. It relates daily life in the army ranks. It also has strong links to local families.Modified Service notebook of the type issued for use in the British Army of World War 1. It would have originally measured 5” x 7”, but has been cut down by nearly removing the fly end of the pages to reduce them about 3.5”. The author, who was a painstakingly neat and fastidious man, has also re-rounded the corners, to prevent them ‘dog-earing’. The aim of the modifications is likely to have been to make the item easy to slip in or out of a tunic pocket. Heavy light grey green card with rounded corners bound with two staples. 96 pages, each with 8 faint, light blue, vertical lines. Handwriting in ink and indelible pencil is across the lines.The front cover of the Notebook (now the back cover of the diary) is annotated as ‘Army Book 136A’, effaced with an imperial crown of the ‘St James’? Pattern with a title inscribed in an ellipse, which would once have read - SUPPLIED FOR THE USE OF OFFICERS AND NCOS.warrnambool, ww1 diary, mcdonald 3403, william donald mcdonald, william mcdonald, j a g brass, world war one

The property in the photograph is 'Emu Bottom' possibly after George Evans leased it, as the caption across the image reads 'Holly Green' 1860.An old non-digital black and white photograph with a cream border of a rural property showing the homestead on the RHS and three out buildings and trees in the background. A man is standing with a horse and open dray on the lower RHS of the image.'emu bottom', holly green, george evans, sunbury, homesteads

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a black and white image showing a man shearing a sheep, with printed black, white, green and red text. front: 1956 / THIRTY-SEVENTH ANNUAL REPORT / GRAZCOS / CO-OPERATIVE LIMITEDagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a black and white image of a man packing wool bales, with printed white and red text on a green background. front: 1960 / 41st ANNUAL REPORT / GRAZCOS / CO-OPERATIVE LIMITEDagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a black and white image of a man on horseback with sheep and shearing sheds, with printed black, brown and white text on a green background. front: 1958 / 39th ANNUAL REPORT / GRAZCOS / CO-OPERATIVE LIMITEDagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

Book - 16 pages printed on gloss paper + green card cover centre stapled, titled ""Connies", featuring photographs of Melbourne tram conductors prior to their finish in 1998. Photographs by Neale Duckworth and text by Paul Bateman, published by the State Library of Victoria 1999. See 2706 for an associated newspaper clipping.trams, tramways, conductors, mta, ptc, one man trams

Set of two framed photos of a lady in red outfit and a man in a suit. Frame in a black plastic frame, glazed with a wooden back. .1 - boarding a green W class tram at a platform stop. .2 - the two people "travelling" in a Y or Y1 at Hawthorn depot. Photos by Alexander Stoeckeltrams, tramways, hawthorn depot, models, y class, tram stops

BHS CollectionHanro Stand Along Counter Display: The picture is of three people at a BBQ scene. The man is chopping kindling and is wearing a yellow V neck lone sleeve jumper that has a vertical pattern. One lady is holding a sausage in a fork and is wearing a mauve twin set. The cardigan is V necked and has four buttons, lone sleeves with cuffs. The jumper has a high neck with a small collar. The twin set has an over all uniform pattern. The second lady is toasting bread on a long fork and is wearing a green jumper with long sleeves and high neck, it is knitted in a ribbed design. At the bottom is rectangular white area with Hanro knitwear printed in red and black ink. At the very bottom is *The Quality is a Proud Tradition* The front has water marks at the bottom. The back is green tin with a brown card piece for a stand and two metal holes with string for hanging if needed. Bellesini is hand written on a small white sticker. Box 116Aphoto, person, hanro, hanro

Pamphlet printed on off white paper with green overprint titled "Pity the poor strap hanger", containing a cartoon set of a man who travels by tram, buys a car, can't park it, traffic congestion and returns to the tram. On the read is note about the call by the City Development Association for a single traffic authority in Melbourne. Has notes about the parking and congestion problems. Has date April 1955 stamped on both copies. Assumed the printing date. Two copies held.Has AETA stamp on front cover with the letters "3CT 37"trams, tramways, melbourne, city of melbourne, public transport, road transport, traffic control, cartoons

"Jack Lockett" was a local identity who lived to 111 years and was one of the last surviving WW1 Veteran. At his death he was the oldest man ever in Australia.Landscape photo of Jack Lockett in March 1999, at the age of 108, viewing the Presentation of his medal. He was at the time one of few surviving WW1 Veterans. Photo is in colour and stuck to a green backboard. Within a brown wooden frame. Also a large label is stuck below the photo.Label on front: "Jack Lockett, March 1999, Age 108 years, viewing the presentation of his medal."jack lockett, framed photo, medal presentation

Alfred E. Bennett was one of the first students to graduate with a Diploma. He wrote the book after he graduated in 1894. (1) Photographs of photographs, etc. in A.E. Bennett book, "Prize Essays." (i) Acknowledgement for photographs. (ii) p. 101 Appendix. (iii) Diseases of. (iv) Apples. (v) Pioneer timber cottage man and children. (vi) Farm view. (vii) "School of Mines Maryborough. (viii) Group Staff and Students. (ix) "Railway Station Maryborough." (x) "High Street Maryborough." (xi) Maryborough. (xii) Church, Maryborough. (xiii) Maryborough? (xiv) Students and staff seated on horse-drawn cart. (xv, xvi) Distillery equipment. (2) 2 sets of proofs of all photographs in the book. (3) Negatives. Probably taken by A.P. Winzenried for "Green Grows Our Garden." (GGOG). Images used for Media are from B25.0005 as they are the complete collection. Photographs used in GGOG: 26. p9, 11. p10, 25. p12, 5. p22, 19. p29, 15. p32, 27. p 21. The original book is stored with the Burnley Rare Book Collection at the Baillieu Librarya.e. bennett, prize essay, diseases, apples, timber cottage, farm view, school of mines, maryborough, staff, students, railway station, maryborough, church, horse-drawn cart, distillery equipment, a.p. winzenried, green grows our garden, students working outside, orchard, spraying equipment, pruning, planting, orchard gates, entrance gates, neilsons cottage, principal's residence, horticultural board of advice, pavilion, wheelbarrows, californian redwood, sequoia sempervirens, excursion

From an article on Victorian pioneers and their services to the state. This section describes the life of Mr Edward Bernard Green after whom Greensborough was named.Gives the origins of the name Greensborough and an outline of the life of the man behind the name, E.B.Green.2 x A4 pages downloaded from Victorian Historical Magazine (1913) Vol 3, Issue 10, pages 79-80.Cover sheet: Greensborough. Origins of the name 'Greensborough". Source: Victorian Historical Magazine (1913) Vol 3, Issue 10, pages 79-80.edward bernard green, greensborough, origins of name

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. These postcards, photographs and clippings were sent to William's family and loved ones during the years he was on active service. See also 207 and 220. Assorted cards and photographs nested within a larger card. 1. Bi-fold Christmas card with blue flowers and horseshoe 2. Black and white photograph of a man wearing a suit and hat in a green / grey cardboard oval window mount 3. Sepia photograph of a man in a suit in a dark grey oval window mount 4. Small rectangular card with round edges and handwritten message from Mrs William West 5. Plastic and paper card with yellow cover and rose detail, pink ribbon binding 6. Small black and white landscape photograph of Ypres with "magpie cigarette" branding on back 7. Small slip of paper with inscription: "Pohoto" 8. Small rectangular card with white string binding and oval black and white photograph of a horse and carriage and printed detail of a kangaroo and wattle. Inscription reads: "Greeting from Wattle Land"album, photo album, newspaper clippings, postcard, wwi, christmas wishes, photograph, moustache, sepia, ypres, wattle land, australia, magpie cigarettes

Green silk sash, Ancient Order of Foresters. Court King of the Forest 3770. Sadh belonged to Mr. Carl Mueller. Sash has embroidered all seeing eye, a deer's head, a shield divided into four, the top left corner has shaking hands, the top right has three deer, one above the other, the bottom left has a sheep?, and a horn separated by a red band, and the bottom right has a quiver, an arrow and a horn. In the centre are three arrows in front of a horn. On each side is a man dressed in yellow boots, white trousers,slightly different green jackets, and green hats with white feathers. One man has a bow and arrow and the other has a club and a dog is behind him. Underneath are four women circling the top part of a sphere above the words 'Unity Benevolence and Concord. Underneath is Ancient Order of Foresters, then there is some yellow and brown filigree above Court King fo the Forest. 3770. The sash has a red fringe on each end.organization, club/society, ancient order of foresters, ancient order of foresters sash, carl mueller

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. The decoration on this garment was embroidered by hand by a skilled worker at the Kathryn Knitwear factory. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Wool has been renowned for its excellent properties for thousands of years, by people from all over the world. Not only good for thick winter woollens, it can help keep you cool in summer, as well as being durable and resistant to water, fire, ultraviolet light, stains and odour. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Grey children’s cardigan with embroidered flowers and human figures in folk costume, and crocheted design around neck in green, yellow and red. Left panel has embroidered figure of man with blue lederhosen and yellow shirt, black shoes and hat, hat has red accent. Right front panel depicts woman wearing red skirt with white stripe, white shirt, and green headscarf with black stockings and shoes. Flowers are embroidered in pink, white and blue with green and yellow accents for stems and flower centres. Cardigan closes in front with five marbled grey plastic buttons[Label at back neck with blue lettering woven into label] KATHRYN REGD / 22 ALL WOOL CREATED BY ROBERT BLAKEchildren's knitwear, knitwear, clothing, children's clothing, cardigan, manufacturing, fashion textile production, machine knitting, embroidery, embroiderer, folk art, folk embroidery

Illustrated book with dustjacket. Book is bound in brown cloth with abbreviated title, author's name and printer's mark embossed in gilt on spine. Dustjacket has title printed in white and green and author's name in white print on a black and white photograph of a man with dark hair, wearing glasses and a white coat (Walter Florey), Abbreviated title (in white) author's name (in green) and printer's mark (in black) are printed on a brown background on the spine. The back of the dust jacket has a black and white photo of Penicillin notatum growing in a petri dish."Rise Up to Life" follows Howard Florey’s career from his university days in Adelaide, through the period of his greatest research projects at Oxford, Cambridge and Sheffield which culminated in his success with penicillin, to the final years of his life when he was the first Australian to be elected President of the Royal Society. But this biography goes beyond exploring with insight and sympathy the life of a great scientist to give the reader a vivid and dramatic picture of the scientific processes that led up to a new discovery and a new era in medicine.howard florey, penicillin, history of medicine-biography

Book is covered by green card and printed on the front with the title and a cartoon sketch/picture of a man standing facing away from viewer at a large industrial piece of machinery. Appears to be working. Picture includes an orange tiled floor and yellow wall. The book has 448 pages. Front cover: McPherson's FOR ENGINEERS & INDUSTRIALISTS MELBOURNE SYDNEY ADELAIDE PERTH Back Cover- McPherson's Ltd. 546-566 COLLINS STREET MELBOURNE * Telephone: MY270 * Telegraphic Address: "MERCHANT" MELBOURNEnon-fictionThis book is a catalogue issued for machinery merchants, tool specialists, suppliers of engineers' requisites, manufacturers of pumps, bolts, nuts, rivets, makers of high grade machine tools.

This bookmark was found in a book called 'The English Lakes' owned by Elizabeth Chatham-Holmes. The bookmark is a Stevenograph. In 1854 Thomas Stevens began with weaving plain and fancy ribbons, but was soon experimenting with a development of jacquard weaving to produce pictures. For this, the picture was plotted on squared paper, in the fashion of a cross-stitch embroidery design, and a large card then perforated to represent each colour appearing in every "line" of the picture. The cards, arranged in an endless chain and attached to the loom, controlled the manipulation of the warp threads. Each time the shuttle crossed the loom a different card came into use, changing the arrangement of the warp threads and, consequently, the pattern woven..When the industry collapsed in 1860, Stevens determined to make use of his experiments by producing pictures in such variety as to appeal to all tastes. The earliest productions seem to have been bookmarkers... The pictures included portraits of celebrities and local scenes, scriptural texts, hymns and psalms, and verses from the poets. Stevens also introduced to the Admiralty a hat ribbon with the name of the ship woven in gold wire. This he patented; it was adopted and for many years the firm was the sole supplier to the Admiralty Contracts Department. https://stevengraphs.com/thomstevandh.html Also found in the book was a small card with dried flowers glued with the words 'Flowers from the Holy Land' and a WW2 photograph of the bust of a man in uniform with a cap..1) Red hard covered book called 'The English Lakes' by W.T. Palmer. .2) Woven silk bookmark with white (now cream) and yellow background and red, purple, green and yellow detail and the start of Psalm 23 woven into the bookmark. Possibly made in the late nineteenth century. .3) Small card with dried flowers glued with the words Flowers from the Holy Land .4) WW2 photograph of the bust of a man in uniform with a cap. .1) Inside front cover "E.S. Holmes Ascot" .2) Woven into the bookmark - The Lord is my Shepard I shall not want, & T. Stevens, Coventry .3) Printed on the front - Flowers from the Holy Land, Placed on the Holy Sepulchreholmes, ec holmes, ascot, religious, religion, bookmark, english lakes, w.t. palmer, chatham-holmes collection, flowers from the the holy land, stevengraph

William Coghill jnr of Coghill's Creek died in 1884 aged 63 and was buried at Ballarat. His wife Catherine Holmes was the daughter of Henry Holmes. She drowned in the 1866 wreck of the Ly-ee-Moon off Green Cape with the loss of 76 livesBlack and white studio photograph of a standing man and seated woman. They are William Coghill and his wife Catherine Dorothy Holmes, the descendants of Ballarat and District pioneer families. They married in 1860. Written in blue ballpoint pen verso: "Thought to be Wm Coghill Jnr and his wife (Miss Holmes). Wm Coghill buried Ballarat, died 1884, aged 63 years. His wife drowned in the wreck of Ly-ee-moon, a popular passenger ship, off Green Cape (near Eden, NSW) and...[drowned in 1866 with many others including her brother Edmund Holmes]. chatham, chatham family collection, william coghill, catherine holmes, catherine coghill, ly-ee-moon, coghills creek, coghill, holmes

Photograph of W2 class tram 511 in suburban street displaying destination "City route 11". The tram is fitted with side lights installed in the early 1970s and appears to be freshly painted in green and cream livery. A man stands in the driver's cab hands on controls and the off-side weather blinds are down, but no passengers or conductor appear to be in the tram. The incorrect destination and lack of run number and passengers suggest the tram is being moved by workshop staff.Yields information about W2 class tram in 1970s. Black and white photograph with nothing on rearw2 class, tram number 511, city route 11, side lights, livery, workshop staff

Illustrated book. Front cover has two coloured photographs: one is of a group of soldiers with three helicopters about to land (members of 5 platoon B Company 7RAR wait for US Army helicopters waiting to take them back to Nui Dat after completion of Operation Ulmarra) The other is of two women wearing green uniforms and peaked caps holding a baby and standing in front of a building with a corrugated roof (RAANC Margaret Ahern and Terrie Roche with children of Hoa Long village) Title (green and black ink) and author's name (light brown ink) are printed between these photos. This information is printed in similar colours on the spine, along with a small photograph of two women in uniform (RAANC Margaret Ahern and Terrie Roche) and the publisher's name. The back cover has a summary of the book printed below five photographs, nurse (Janice Hilton) with patient; nurse (June Minchow) with patient; man (Phil Badcock) and woman (RAANC Di Lawrence); unidentified nurse with four patients strapped to stretchers inside an RAAF Hercules aircraft; two nurses (Von Clinch and Maureen Spicer) with children (at Bien Hoa provincial hospital). non-fictionWhen Australia joined the Vietnam War, civilian nurses were there to save lives and comfort the wounded. Working incredibly long hours and surrounded by chaos and turmoil, these brave nurses and medics were integral to our war effort. These fifteen stories show a side to the Vietnam War that has received little recognition but played an important part in shaping Australia's presence in the war.royal australian army nursing corps, butterwowth air base, military nursing-australia\military nursing-vietnam, vietnam war 1961-1975-medical care, military hospitals-vietnam, military camps-malaysia, military camps-philippines-clark field

William Smellie (1697-1763) was a Scottish obstetrician who primarily practised and taught in London. Smellie was groundbreaking in his understanding of childbirth and became an influential teacher of obstetrics. He diligently studied the birthing process, particularly the descent of the baby’s head down the birth canal. His observations lead to him noting that many deaths occurred because of a lack of understanding of this process and the inappropriate handling of forceps. Smellie is generally given the credit for improving the forceps to make them easier to use and less likely to damage the baby. Smellie’s "Treatise on the Theory and Practice of Midwifery" was published In 1751 and became a widely influential teaching resource. Copies of this birth atlas are held in the Frank Forster Library, RANZCOG. The RANZCOG collection also holds a set of forceps supposedly used by William Smellie.Photographic of an engraving. Image depicts a man in silken clothing, including scarf/tie and turban. The image is a head and shoulders portrait, and the subject is facing the artist. The man has stubble on his cheeks and dark coloured eyebrows. Text printed below image reads 'W.S. M.D. Aged 56'. Handwritten inscription below printed text reads 'Wm. Smellie, aged 56'. The image is mounted in white card and housed in a black wooden frame. An old display label is affixed to the bottom left hand corner of the back of the object. Handwritten inscription at centre on the back of the work reads 'John Green Room/Presented by Frank Forster, 1975'. Two hooks and a wire are attached to the back of the frame for hanging.

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920.This postcard depicts a man and a woman leaning together for a kiss. It is a print of the painting 'Undue Haste' by Harrison Fisher.On front, under image: 'UNDUE HASTE' On front, bottom right corner: '© REINTHAL & NEWMAN, PUBS., N.Y.' On back, left vertical: 'No. 193 / Entered Stationers Hall, London' On back, left top: 'THIS SPACE MAY BE USED FOR CORRESPONDENCE' On back, right corner: 'STAMP HERE / PRINTED IN AMERICA' postcard, 1900s, "green postcard album"