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Damascus College
Photograph, St Paul's College woodwork machine shop 1970
As early as 1941, it was recognised that the people of Ballarat saw a need for a Catholic boys technical school. When the Bishop of Ballarat established St Paul's College in 1948, he invited the Christian Brothers to continue their work through the provision of technical education, offering a place for Catholic boys to earn their Junior Technical Certificate prior to obtaining an apprenticeship.technical education, catholic education -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, As Sorted, 2022
Time is an abstraction, a filing system used to arrange events and memories into a logical system of cause and effect. This new print was created with images arranged from drawings made while sitting by paths near nature, creeks and overlapping streets. I am a local artist and illustrator with a history of drawing, painting and printmaking.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Clay Pits of Brunswick, 2022
When I visit Merri-bek I wonder, when I step on the tarmac of the Barkly Square carpark, what was here before? In fact, at this spot and across Brunswick there were clay pits, which would feed the pottery workshops in Brunswick that produced the pottery, gargoyles and decorative items for Marvellous Melbourne homes and suburbs. Marvellous for those who had profited from gold, property and finance, not so for those working in the clay pits. My print is a contemplation on what is beneath our feet and our relationship to the ground. I am a design academic working at RMIT University and began my print and design practice on a Golding foot-treadle Letterpress machine.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Hard Rubbish, 2022
Merri-bek’s bi-annual collection and the communities’ tendency to dump rubbish makes these temporal sculptures part of the visual landscape of walking in Merri-bek. The collections of personal items, untold stories and connections which we all piece together whilst on an afternoon stroll. Over the years trends in pet ownership and technology advances can be documented in discarded items, also commenting on wealth and material value of objects. I have been living, parenting, working and volunteering in Merri-bek for the last 9 years. As time passes the community and landscape shift and change as does my connection to it. A once dedicated art practice is now tumbled around with life and family. Photography, video, drawing and painting are used to explore ideas around the everyday and meaning we attach to small moments of time.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Bin Chicken Island Campground, 2022
With two young kids, I often find myself at Coburg Lake on a weekend, playing amongst the natural beauty of the park area, rugged embankments, local birdlife, and... ‘Bin Chicken Island’. Bin Chicken Island has become a running joke in the community, known for its wafting stench and as an environmental eyesore (never go to the park on a warm day with an easterly breeze). So much so that someone added a campground listing on the island to Google Maps. Whenever I drive past the lake, I always keep an eye out for disgruntled backpackers who have realised that the only camping to be had is by the Bin Chickens themselves. I am a local graphic designer who lives in Pascoe Vale and works in Brunswick. I head up the design studio, Atticus Design.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Streets with no Beats, 2022
The image is based on a 3D component of one of my recent series of jewellery artworks. The heart metaphorically alludes to two locations of Merri-bek. One is Moreland Road, the other is Wallace Street in Brunswick. These locations pinpoint a time of collective trauma and communal experiential reflection. I was born in Brunswick in 1984 and have lived and worked there since. Brunswick for me is filled with stories of family, community, growth, tragedy and history experienced across a Greek Diasporic framework.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Chatting with Locals - Sound Lines of the Red Wattlebird, 2022
My work is dedicated to the animal residents that cohabit with us in the suburbs. I focused on the Red Wattlebird, as it is always a welcome visitor across the gardens and parks of Merri-bek. The frayed edges of the page from my notebook are reminiscent of the act of note taking and how we remember and observe things in our daily lives. I am a local artist and writer living in Naarm with a studio in Coburg as part of Schoolhouse Studios.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Ancestral Bouquet, 2022
Ancestral Bouquet is a visual homage to the different plant species each migrant community brought with them to the lands of Merri-bek. It is a celebration of these plant communities and those (elderly migrants) who still know and practice traditional forms of food harvest and preparation. I was born and raised in unceded Wurundjeri Willum Country, in Coburg. My Father lived in the Southern Suburbs of Naarm as a refugee from Palestine, and eventually found Coburg as a place he could fit in as a migrant. My arts practice varies in modalities, and always comes back to the story of displaced cultures, my folklore, and my connection to Coburg and the Merri Creek.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Untitled, 2022
This image of Coburg Olympic Swimming Pool represents my connection to Merri-bek / Moreland. Being brought up around water, swimming has played a key role in my family and I feel a sense of the community when swimming in a public pool. The gum trees and the proximity of this pool to the river reminds me of my home town, Albury. For me, a public pool is a gathering place, a place of leisure and play, somewhere to learn and grow, spend time and let go.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Ellis Cottage, May 2016: Interior Display of artefacts, 27/05/2016
In May 2016, the Nillumbik Historical Society invited Greensborough Historical Society to visit its historical centre at Ellis Cottage in Diamond Creek. Ellis Cottage was built in 1865 and is made of local uncut stone. The cottage is a typical farmers residence of this period. The stone construction is unique in this district as most construction is weatherboard. This photo shows some of the artefacts on display.Digital colour photographellis cottage, nillumbik historical society inc. -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Ellis Cottage, May 2016: Sculpture in Grounds, 27/05/2016
In May 2016, the Nillumbik Historical Society invited Greensborough Historical Society to visit its historical centre at Ellis Cottage in Diamond Creek. Ellis Cottage was built in 1865 and is made of local uncut stone. The cottage is a typical farmers residence of this period. The stone construction is unique in this district as most construction is weatherboard. This photo shows a sculpture in the grounds of the Ellis Cottage.Digital colour photographellis cottage, nillumbik historical society inc. -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Ellis Cottage, May 2016: Exterior and Garden, 27/05/2016
In May 2016, the Nillumbik Historical Society invited Greensborough Historical Society to visit its historical centre at Ellis Cottage in Diamond Creek. Ellis Cottage was built in 1865 and is made of local uncut stone. The cottage is a typical farmers residence of this period. The stone construction is unique in this district as most construction is weatherboard. This photo shows the exterior and garden of Ellis Cottage.Digital colour photographellis cottage, nillumbik historical society inc. -
Vision Australia
Audio - Sound recording, Tony Porter, 25th Annual River Run/Walk radio advertisement, 1996
The River Run/Walk event was held by the Association for the Blind (later Vision Australia Foundation) along the banks of the Yarra River. Contestants were invited to run or walk courses of 5 or 10 km, with all funds raised going to AFB. In 1996, the event comprised of 2500 entrants and was sponsored by Priceline. This audio advertisement for the event was made for the 25th anniversary.1 audio file (30 seconds) in CD-DA formatassociation for the blind, fundraising, vision australia foundation -
Sunbury Family History and Heritage Society Inc.
Photograph, Woodlands Homestead, c1990
Woodlands Homestead is the building in the photograph and the people standing at the entrance must have been invited by the former Shire of Bulla to visit the property when it became a tourist attraction. Des. Dumbrell, the gentleman wearing the light safari suit and standing in the front was one of the local councillors when Woodlands was opened to the public in the 1990. The park later became a home for retired racehorses.Woodlands Park became a popular tourist park within the area with many varied attractions which include the prefabricated homestead, native fauna and flora and mt. Gellibrand, the highest point in the park. A non-digital black and white photograph with a cream border, of a partial view of the entrance to a homestead built from stone with a galvanised roof. Nineteen people are gathered as a group at the main entrance. A palm tree is immediately behind the group with larger trees in the background.woodlands park, woodlands homestead, oaklands junction, shire of bulla -
Eltham District Historical Society Inc
Document - Invitation, Invitation to the wedding reception of Dorothy Fawcett and Leslie Wilson, Plenty Hall, Main Street, Greensborough, April 27, 1940
Invition to Richard Edward Fielding and a friend to attend the wedding reception for Dorothy Fawcett and Leslie Wislon at Plenty Hall, Greensborough on April 27, 1940 Mr - Mrs Fawcett request the pleasure of the Company of Eddie - Friend at a Reception in honour of the Marriage of Dorothy with Leslie Wilson at Plenty Hall on April 27th at 8 P.M Main Road, Greensborough. R.S.V.P. April 13thdorothy may fawcett, greensborough, leslie anzac wilson, main street, plenty hall, reception, richard edward fielding, tom fielding collection, wedding invitation -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Ellis Cottage, May 2016: Farm Implement Display, 27/05/2016
In May 2016, the Nillumbik Historical Society invited Greensborough Historical Society to visit its historical centre at Ellis Cottage in Diamond Creek. Ellis Cottage was built in 1865 and is made of local uncut stone. The cottage is a typical farmers residence of this period. The stone construction is unique in this district as most construction is weatherboard. This photo shows a farm implement display in the Historical Centre.Digital colour photographellis cottage, nillumbik historical society inc. -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Ellis Cottage, May 2016: Collection of Irons, 27/05/2016
In May 2016; the Nillumbik Historical Society invited Greensborough Historical Society to visit its historical centre at Ellis Cottage in Diamond Creek. Ellis Cottage was built in 1865 and is made of local uncut stone. The cottage is a typical farmers residence of this period. The stone construction is unique in this district as most construction is weatherboard. This photo shows a collection of irons on display in the Historical Centre.Digital colour photographellis cottage, nillumbik historical society inc. -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Ellis Cottage, May 2016: Outside building, 27/05/2016
In May 2016, the Nillumbik Historical Society invited Greensborough Historical Society to visit its historical centre at Ellis Cottage in Diamond Creek. Ellis Cottage was built in 1865 and is made of local uncut stone. The cottage is a typical farmers residence of this period. The stone construction is unique in this district as most construction is weatherboard. This photo shows a small outside building in the grounds of the Historical Centre.Digital colour photographellis cottage, nillumbik historical society inc. -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Ellis Cottage, May 2016: Steps to front, 27/05/2016
In May 2016, the Nillumbik Historical Society invited Greensborough Historical Society to visit its historical centre at Ellis Cottage in Diamond Creek. Ellis Cottage was built in 1865 and is made of local uncut stone. The cottage is a typical farmers residence of this period. The stone construction is unique in this district as most construction is weatherboard. This photo shows steps to front door of Ellis Cottage.Digital colour photographellis cottage, nillumbik historical society inc. -
St Kilda Historical Society
Ephemera - Flyer, Comforts as well as cannon Will Help to Win this War!, 1940s
The flyer is a call by the St Kilda Patriotic Society to St Kilda residents to donate at least a shilling a month to provide soldiers fighting overseas with comforts from home to help improve their well being, health and morale. Donors were invited to complete and submit a coupon at the bottom of the page, following which voluntary collectors would come to their home to collect the money each month. White paper printed in black on one side. Two copies held, one of which also has the printed letter V superimposed on it.st kilda patriotic society, wwii fund-raising -
Robin Boyd Foundation
Document, Notes, 1987
Drafts of letters written by Patricia Boyd to Manning Clark, Zelman Cowen, Joe Burke, regarding contemplated biography of Robin Boyd (and list of names on the bottom. A third page is to Mr Kirk regarding Robin Boyd being chosen as one of the 200 Outstanding Australian's, and Patricia's not being invited to the award ceremony or having any knowledge of his receiving the award in advance.Handwritten, foolscap, 3 pages on lined paper. -
Melbourne Legacy
Photograph, Comradeship event, 2003
A legatee function in Legacy House with President David Ford. It is assumed to be 2003 as David Ford appears to be President. David Cull is on the far left, other names unknown. For many years Legatees would meet every Tuesday for a lunch and spend time together. Often there were guest speakers that would speak on a wide variety of subjects. There was a committee to organise and invite the speakers.A record of function for Legatees. Colour photo x 3 of a Legacy function.legatee event, comradeship, speakers -
Melbourne Legacy
Photograph - Junior legatee outing, Government House Christmas Party 1945, 1945
For many years Legacy was invited to bring junior legatees to Government House for for an enjoyable Legacy Christmas party. There were entertainers, carousels and often a train ride. And the joy of a Christmas present for each child. This photo shows a toddler riding a pony, which is being led by another boy in service uniform. It is from 1945 and was part of a photo album of many photos from the 1940s.An important photographic record of the work of Legacy in the 1940s.Black and white photo of a boy having a pony ride at Government House, part of a photo album with blue leather look back and front cover. One of 20 pages with black and white photos attached to the majority of both sides of the pages.junior legatees, christmas, junior legatee outing, horse -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Honolulu with Diamond Head in the background, Hawaii, USAMade in USA / 7mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Taliesin East, Spring Green, Wisconsin, USA. (Architect: Frank Lloyd Wright.)Made in USA / 24 / Encircled 20 (Handwritten)mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Taliesin East, Spring Green, Wisconsin, USA. (Architect: Frank Lloyd Wright.)Made in USA / 28 / 04819 / C (Handwritten)mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. House, unknown location, USAMade in USA / Patened / 04819 / C (Handwritten)mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Unknown location, USA (see also items S0472, S0476, S0515)Made in USA / Patentedmit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Unknown location, USA (see also items S0471, S0476, S0515)Made in USA / Patented / 04819 / G (Handwritten) / Encircled 16 (Handwritten)mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Arthur Huertley House, Oak Park, Illinois, USA, 1902. (Architect: Frank Lloyd Wright.)Made in USA / 04819 / FLLW:CHC: '08 House OAK PK. (Handwritten) / C (Handwritten) / 46 (Handwritten) / Encircled 15 (Handwritten)mit bemis professorship, mit, robin boyd, slide