These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

An unpainted clay model of a hut with an outside toilet. It is a rustic style and is similar to the Slab Hut. The colours are natural browns and greys. The hut is 1911.1 and the toilet is 1911.2.model hut clay slab-hut

A bunch of feather flowers in assorted colours held together with tape, wire and string.featherwork decoration aboriginal ornament

Mrs Elma Camm (nee Freeman) was the wife of Herbert Desmond Camm. Des and Elma lived in Orbost from 1971-1980/1. Des died on 9/11/1980 and is buried in Orbost Cemetery. Elma moved away and is presently (2013) in care at Lakes Entrance. Elma's hobby was collecting shells and crafting them into interesting forms. Much of her work is in the Shell Museum in Lakes Entrance. The figurine in Orbost Museum was donated by Elma.This item is an example of the handcraft skills of women in the early to mid 20th century.A small figurine made completely of different shaped shells and set onto a wooden block as its base. The block was originally a Wee William cigar box. The figure is playing a stringed instrument, possibly a guitar, held in front of him/her. The hat is a small shell.shell-art figurine recycled-materials

This boat or dinghy is one of a few remaining boats made for Proudfoot’s Boathouse, 2 Simpson Street Warrnambool, on the Hopkins River, in about 1885. It was one of many rowing, fishing, sailing and picnic boats that were available to hire. Proudfoot’s Boathouse, a beautiful Victorian Period building, was designed, built and established by Thomas Proudfoot. He applied to build a boat jetty in 1885. He died in 1900 and his wife Catherine took over, running it for many years. Later her son Bruce and after that her granddaughter Ena Hunt and her husband took over; it remained in the family until 1979. Proudfoot’s was a very popular tourist destination for visitors coming from Melbourne to fish and row and enjoy afternoon tea. The buildings, including the ‘U’ shaped jetty and tearooms, were restored and modified in the 1990s by the Warrnambool Sports Club, under the control of the Warrnambool City Council. The dinghy was brought to Flagstaff Hill in about 1992 and restored to its original condition and painted in traditional paint colours of orange with dark green gunnel and black and gold pinstripes. Since that time it has been painted by Flagstaff Hill's boatbuilder.This dinghy, Proudfoot’s Boat, is significant for its association with Proudfoot’s Boathouse, which is listed on the Victorian Heritage Register, VHR H0620. “Proudfoot's Boathouse on the Hopkins River near Warrnambool is an outstanding example of a late-19th century boathouse complex with associated residences and jetties. Thomas Proudfoot first applied for a jetty licence in 1885 with a view to establishing a boating business on the Hopkins River. The early single-storey sections are thought to date from this period. The two storey second stage probably dates from 1893 when additions were constructed. The entire complex was designed and built by Proudfoot himself. The business remained in the Proudfoot family until 1979. The buildings were modified in the 1990s in the process of creating a sporting club on the site. Proudfoot's Boathouse is of architectural, historical and social significance to the State of Victoria. Proudfoot's Boathouse is of architectural significance as perhaps the finest example of a 19th-century boathouse in Victoria. Although recent modifications have reduced the intactness of the buildings, many original features remain. The beautifully ornamented buildings still provide an attractive instance of 19th-century leisure facility architecture. Proudfoot's Boathouse is of historical significance as an example of late-Victorian recreational and tourist facilities. Boathouses were popular 19th-century tourist and recreational attractions, providing refined and healthy activity. This boathouse shows the early realisation of the tourism and leisure potential of seaside towns such as Warrnambool, a potential that has become increasingly important as port uses have ceased and other industries have been subjected to financial pressure. Proudfoot's Boathouse is of social significance because it illustrates the continuity of the attraction of this kind of leisure facility. Although the glory days of the boathouse were in the 19th century, those that survive continue to be well patronised. Proudfoot's Boathouse has been an important recreational facility and attraction for tourists flocking to the Hopkins River, one of the State's most popular boating and fishing resorts, since 1885.” (Statement of Significance is from the Victorian Heritage Register)Wooden vessel or boat, called a dinghy, known as Proudfoot’s Boat. Paint work is orange with dark green gunnel and black stripe. The rowboat is propelled by oars and has two pair of thole set into the gunnel (gunwale) to hold the oars in place and to serve as a fulcrum when rowing. The boat is dated around 1885. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, small marine vessel, dinghy, proudfoot's boat, proudfoot's boathouse, picnic boat, orange and black boat

These two items have been linked together as a decorative pair but it is not clear why, as the sphere or bulb does not have an opening and cannot hold a light and there is nothing very attractive about the two items as they appear today. The stand may have been set in front of a coloured light to ensure reflection or the sphere may have been decorated in some way.These items are kept as ornamental curiosities.This is a clear glass sphere on a metal stand. The stand is painted light brown and has a fretwork decorative base, a moulded stem and an open top with a curved pattern edge.vintage ornaments, glass ornaments

These four items came from the wedding cake made for the 1942 wedding of Ena Todd and Jack Heazlewood. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and was a hairdresser at Josephine’s Salon in Warrnambool. When she married Jack Heazlewood he was a stoker on the H.M.A.S. Sydney. They later lived in Sydney. Wedding cakes today often continue to be decorated with items similar to these. These cake decorations are of interest as examples of wedding ornaments of the mid 20th century and as mementoes of the 1942 wedding of two Warrnambool residents, Ena Todd and Jack Heazlewood. These are four items used to decorate a wedding cake. .1 A spray of white flowers with two green leaves with a covered wire stem .2 A spray of six white flowers with a covered wire stem .3 A spray of three silver-coloured leaves and five acorns on a covered stem and branches .2 A silver shoe made from paper

Aeroplane model depicts a "P38 Lightning". Belonged to Frederick George CROSBIE VX52187, enlisted in the 2nd AIF on 26.3.1941 age 22 years. At discharge from the Army on 19.12.1945 he held the rank of Pte in the 2/6 Batt AIF. .1) Trench Art. Female figure on map of New Guinea with raised arm holding aloft a model aeroplane. .2) Attached to a wooden lacquered base. The figure and plane are made from aluminium. Map is inscribed "Greetings from New Guinea 1945".trench art, ornaments, metalcraft, handcrafts, souvenirs

Trench art. Pair of metal vases made from 2 inch ammunition shells with .303 cartridges and bullets for handles. Silver-plated.Faint scratched marks on base, incl "1942".trench art, metalcraft, ornaments, containers, souvenirs

Trench Art. Used shell base 25 pounder dated 1941 plus various rounds to depict a fighter plane. Belonged to John Donald McSween, no. 117346 LAC RAAF, enlisted 14.8.1942; discharged 14.5.1945Fighter plane mounted on ashtray base(2 pieces). Plane removable, made from artillery rounds, central stem welded onto ash tray base.Badge on central stem, "AUSTRALIAN MILITARY FORCES".ornaments - metal, souvenirs - military history, trench art

The items were souveniered by Henry Thomas Ridge V57996, VX148845, CMF &AIF. Refer Cat No 475.10 for service details.Shells and Axe head from New Guinea re H.T Ridge. .1) Stone axe head. Dense Roche material. Blade one end only. .2) Native comb, made out of bamboo. decorative engraveings on handle section. .3) Shell, Pearl .4) Shell, Pearl ethnographic material - tools + implements/ dress + ornaments, natural history specimens - molluses, military history - souvenirs

Item belonged to Arthur C Clarke VX79039 2nd AIF. Refer 532 for main details. Item 531 goes with is one to make a pair.Case , brass, made from a 2 pounder shell , top is flared out. On one side at base is attached a .303 cartridge. One .303 cartridge is missing on opposite side.2 Pr No 2 237 MF , HX 1941 C IL↑ No 12 1 PG 5/41, 6 ME7/41arms - ammunition, ornaments -metal, vases, metalcraft, brassware, trench art

Item belonged to Arthur C Clarke VX79039 2nd AIF. Refer 532 for main details. Item 530 goes with this to make a pair. Vase , brass, made from a 2 pounder shell. The top is flared out. On each side is attached 2 x .303 cartridges at base.2 PR No 21, 518 MF , WC 1942↑ CF No 12 TPG 5/41, 59 ME 11/41arms - ammunition, metalcraft, brassware, ornaments - metals/vases, trench art

The 2 items were presented to “DAVID M KEARIN by the Gun Crew HMAS COOTAMUNDRA. “KEARIN D M No R 41516 RAN 1952-58”.1) & .2) Trench Art made from brass 40 mm shell casings. Engraving is along the length of the caseings..1) & .2) “40 mm M4 LOT 175 1951 (up arrow) AN HMAS COOTAMUNDRA 1957”military history - trench art, ornaments, souvenirs

Relates to John "Jack" Hindley, WIA and captured 11/4/17, died as POW in Germany 6/5/17. See also item no 1776.3P. The item was from the Bendigo Fire Brigade of which Jack was a long member off.WWI souvenir glass dome containing artificial flowers.ornaments-glass, military history-souvenirs

This Airaus A port bottle shaped like an FIII. Khaki & fawn camouflage colouring on top, black nose tip & black under body & wings. .1) Limited edition No 1003 port bottle is the model of body. .2) Detachable nosecone - reveals bottle top & cork.model making - planes, ornaments - glass

Possibly made by the donor.This object is an example of trench art. .1 The lamp base consists of a chrome plated deactivated mortar bomb attached to a turned brown wooden base. A globe and switch socket are attached to the tip of the bomb. An electrical cord with power plug is threaded through the base of the bomb. .2 The lampshade is made of stiffened brown paper laced to a wire frame with dark brown cord. Handpainted coloured flowers decorate the outer surface of the shade. The shade is attached to the globe via a wire clamp.On the base of the mortar bomb: ' ?LB, IM, MF, 1940'ornaments, lighting - electrical, trench art, souvenir

Vase, wooden. Appears to be turned wood covered with black laquer and mother of pearl inserts.souvenirs, vietnam, ornaments - vases

Items belonged to Robert ALLEN No 7925 6th Field Artillery Brigade AIF. The grooves on the handles are from the barrel rifling, they have been engraved "Bapaume" "Pozieres." "Ypres". refer 1786P for service history also 1787.4.Trench art mounted into a picture frame (attached by wire through holes in back of frame) nine items made from spent artillery shells. Three cheese/butter knives, one spoon, two rising sun badges, two "Australia" shoulder badges, one RAA Corps badge. Label says knives are engraved but too tarnished to be able to read properly.numismatics - badges - military, domestic items - cutlery, ornaments - metal, military history - souvenirs

There are other items donated by MRS CROSBIE. This item possibly relates to item Cat No 28.2Native comb, wood, curved shape with top & nine tines rest of length. Engraved on outside at top by hand 'Milne Bay, Moresby, Wau, Bulola, Salamoa, New Guinea 1942-3'.ethnographic material - dress ornament, military history - souvenirs, comb, new guinea

Two Native combs made of bamboo. Square patterns are burned into tops with fine white lines defining pattern elements.ethnographic material-dress & ornament, combs, native

Brass map of Australia on top of a brass boomerang, which is attached to a brass 6 pdr. shell case on the outside circular base of the casing."AUSTRALIA" on side of casing. On shell base: 6 Pr 10 cwt 11, LOT 197, RL kn 1941 CFornaments, military history, trench art

Polished wood propeller with a hole in center (may have had a clock inserted) mounted on a wooden base, The wood base has a felt bottom, on the front of base is a silver eagledesk ornament

The subject item is believed to be a "Chinese style stoneware liquor bottle used to store "Tiger Whiskey" (rice wine). These Chinese liquor bottles are made of glazed pottery known as brown stoneware and have been made throughout the centuries by many makers until well after American Prohibition. Later varieties from the mid 20th century are commonly found in the USA with the raised lettering "Federal Law Forbids Sale Or Re-use of this bottle" a sure sign of post-1934 manufacture. This example is interesting as it has a British Minton mark of two triangles on the base indicating a date of 1879 and was likely exported to Australia by Minton. These ceramic bottles virtually always have irregularities and flaws which indicate a product has been hastily manufactured, in any event, this is a fine example of a relatively common item that may have been copied by Minton and sold as a decorative domestic item for display or mass produced for storing liquor. Giles Family: The pair of ceramic bottles were given to Vera Giles by Jim Thompson and are just many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. A significant item of lead-glazed ceramic with the possibility it was made by the Minton potteries in England who were renowned for making quality pottery. The item style is in all probability a copy of a Chinese liquor bottle that was in common use throughout the British colonies and America up until the mid 20th Century. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Chinese liquor bottle one of a pair, lead glazed ceramic, dark brown and blue/black. Part of the Giles Collection.Mark of a double triangle, apex touching, on base, (Minton mark for 1879).flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, vase, pottery, ceramic ornament, domestic ware, late 19th - early 20th centuy ornament, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods

This particular glass bowl was a favoured ornamental type room "brightener" in the early 1900's. Although referred to as a "nappy bowl" this bowl has not the capacity for nappies but for nappy pins. This was a period in time before the nappy ties and instant nappy covers.This has relevance as an object that was both practical for the early 1900's nappy changes and provided some visual relief for any "drab" household ambience, especial in rural homes. The early to mid 1900's, rural households, on the whole, were more practical and not designed for entertainment. This reflected the more serious nature which were governed by aspects of providing a living from the land and unreliable weather. By placing visually attractive ornaments within various rooms (lounge/living rooms) the transformation from a stark external environment to a more warm and friendly area was achieved. This dark amber (Marigold) carnival glass 5 inch nappy bowl has a Kookaburra press molded base and wattle blossom with waratah and flannel flower sides. The bowl has a twelve scolloped rippled rim. Initially this type of bowl was reintroduced(from Roman times) into the 19th and 20th Century (modern age) by a United States glass manufacturer..Manufacturer's mark at the base illegible nappy bowls, nappy pin holders, visual mood changing ornaments

Ossie Green was a retired primary school principal living in Marlo. He wrote many historical books including Marlo The Township; The Plains The Cape. Mrs Green was a McKeown from Marlo. McKeowns had large land holdings around Marlo for farming.This item is an example of a commonly used item in the late 19th -early 20th century. It reflects a time when accounts were made of paper and retained as records by households. Black cast iron billfile. Ornate design with large spike.bill-file ornaments-metal green-ossie mckeown