Historical gardens in the City of Port Phillip Postcard series celebrating the launch of the Royal Botanic Gardens Melbourneblack and white postcard, unmounted, original, good conditionOn back: Historic gardens in the City of Port Phillip Postcard series celebrating the launch of the Royal Botanic Garden's Melbourne, 'Flora for Victoria' 1996

Historical gardens in the City of Port Phillip Postcard series celebrating the launch of the Royal Botanic Gardens Melbourneblack and white postcardOn back: Historic gardens in the City of Port Phillip Postcard series celebrating the launch of the Royal Botanic Garden's Melbourne, 'Flora for Victoria' 1996

black and white postcard, unmounted, original, fair conditionOn back: April 29th 1905 Dear Flo Wishing you many happy returns of the day. Hoping you are all well. Harold is keeping better just now but can't get rid of his cold. With love to all hoping to hear ??? Mrs Williams Kalinan The Grove, Moreland? Victoria

St Hilda's Church Everton, WW1 Roll of Honour - contains 16 names of members of the Everton Community in Victoria who served during the First World War including Nursing Sister Alma Louisa BENNETT (1890-1922) who trained at Melbourne General Hospital. She moved to Western Australia and continued nursing until the advent of World War 1. She immediately sought to enlist but was not granted her request until 1916 and was eventually sent for nursing duties in India. Her arrival coincided with the first convey of wounded after the fall of Kut in Mesopotamia. She was immediately given charge of a ward at Victoria Hospital. The following year she was appointed Matron of the hospital ship "Herefordshire" which transported sick and wounded soldiers from the mouth of the Tigris River to Bombay. Her next appointment was to the 34th Welsh Hospital at Deolali 150 miles from Bombay. The hospital was huge and she took charge as Matron. After 17 months at Deolali BENNETT was awarded the Royal Red Cross Medal First Class one of the highest distinctions in the British Nursing Service. When peace was declared she travelled to England where she continued to nurse in an Army Hospital. During her stay she was invited to Buckingham Palace where she was presented with Red Cross Medal by King George V. BENNETT returned to Victoria and was invited to join the nursing staff at Melbourne's Epworth Hospital with prospects of becoming Matron. Ill health intervened and she died in September 1922. Item said to be made by the family of Gilbert and Richard Heywood both KIA and listed on honour roll.St Hilda's Church Everton Honour Roll contains 16 names of members including Nurse BENNETT, from the Everton Community in Victoria who served in WW1 Carved timber frame and mounting with 16 names in gold coloured paint listed in two columns."St Hilda's Church Everton' "Roll of Honour" "The Great War 1914 to 1918" Sister Bennett/Heywood G/Heywood R/Levett W/Lowry F/Mason T.A/Mason E.H/Mason H.G/MacKay M/Morrison J/Morrison W/Norman W/Rickards R/Steens C.T/Ward C/Welch J.everton, 1914-1918, roll of honour

This slide projector, which was purchased new in 1949, could be used on mains power or a car battery. It was used by Deaconess Hilda Fisher (Graham) as she travelled to promote the work of the Methodist Home Mission in Victoria and the inland of Australia.Tri-purpose SVE projector in its carry box. Picturol Model DD.115 volts, 150 Watts. Serial No. 12710. Includes two two inch semi-automatic slide changers, one in its original box; four six volt globes and electrical leads for connection to a car battery. Five pieces in all.methodist inland mission, deaconess hilda fisher, methodist deaconess, women's home mission league, methodist home mission

B&w photographsvictorian police force

b&w photographs, b&w illustrationseureka

The article in C&N reads: "The Methodist Church in Fiji wants Australians to come and join in their celebrations marking the arrival 150 years ago of the first missionaries…"Headstone photographed.Identification of C&N publication

The Rev. Peter D. Blackwood was ordained in 1977 and his first placement was at Burwood Heights. He has had several placements, including as Presbytery Minister and Associate General Secretary of the Synod. He is now retired. This picture was taken after a church protest in Warrnambool. "Members of the Warrnabool UC walked home from church on Sunday 28 September, in a protest against Sunday racing. The 150-strong congregation left cars parked outside the church, which coincidentally blocked all car spots outside the local TAB. The vehicles were left parked throughout the afternoon, creating an inconvenience for punters wanting to place a quick bet. UC minister, the Rev. Peter Blackwood said the congregation decided on this form of protest after the TAB had ignored objections from the UC that the TAB be open on Sundays…"B & W photograph of Peter Blackwood standing with arms folded, by the door to a TAB at Warrnambool.C&N identificationblackwood, peter d., warrnambool protest, tab on sundays

Third Class tests were set for Pages 10 and 11 years old. Educational required Pages to: Memorise 12 out of 16 items in Kims Test; Draw the emblems of the Australian States; Write a 100-150 words on "What I like about the MOK"; Tell in their own words how Gareth became a Page. [Methodist Church of Australasia Methodist Order of Knights Commanders' Handbook pg 24]Four round 3rd Class Educational merit badges. Green background with blue embroidery of an oil lamp. New.methodist order of knights

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton tea) from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Purina 'fancy feast') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton 'Green Tea') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

Winner of Expressions 2004 Wool Quilt prize. The stitch as a measure of time is explored in this quilt. It is from a series i have been working on about my local environment. Shaped by time and the elements, Bow Wow Gorge us visited by more than 150 bird species.Quilt is a combination of silk, wool, baft, linen, and rayon thread. Two halves of the quilt have been hand sewn together and are a rusty red and grey in colour with small blue patches using plant dyes. Machine stitched, hand sewn, and applique, the quilt has long pockets and panels added to the back.Bow Wow Bowerbird 2004 Pamela Fitzsimonhandicrafts quilting textile, national wool museum, fitzsimons, ms pamela, geelong, victoria, handicrafts, quilting, textile

Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes

The article was published in the Geelong Advertiser 150 year Anniversay edition in 1990 and retells the story of the Joseph H Scammell wrecked off Point Danger Torquay in 1091.The article recalls one of the significant shipwrecks off the Victorian coast.Black and White photocopyshipwrecks great ocean road victoria

Badge commemorating 150 years of Rail in VictoriaGold pin badge with 150 on top of train and Victoria underneathnumismatics, badges

Kirstall celebrated 150 years in 2011.Digital images of the 150th anniversary of Kirkstall, Victoria150, anniversary, celebration, people, crowd, community, kirkstall, victoria, dan tehan, member for wannon, kirkfest

The Smeaton Presbyterian Church was built in 1859 of locally made brick, and opened in 1860. The building committee was . Messrs. John Hepburn, W. McAlpine, W. Anderson, S. Moore, W. H. Clarke and W. Miller. It cost an estimated 1,200 pounds, and was assisted by Captain John Hepburn who donated 5 acres of land and 150 pounds for the church. The rest was contributed by the settlers and their employees. Around 1890, the outside brickwork was given a coat of cement, which has improved with age. In 1938 the grey stained exterior was described as “not altogether displeasing”. Colour photographs of Smeaton Presbyterian Church.smeaton, smeaton presbyterian church, churches, kooroocheang

Steele's Reef was opened in 1859 along with a number of other reefs in the Yandoit area. The reef was worked by small mining parties until the late 1880s. In 1887, the Steele's Reef Quartz Mining Company fixed steam pumping machinery and commenced sinking a shaft. The company were unable to find a profitable ore body and after two years work closed down. By this time their shaft had reached a depth of 150 feet. The mine was then taken over by the Pioneer Quartz Mining Company who appear not to have worked the mine. In 1906, the Steele's Pioneer Company commenced work, erecting a winding winch at the old shaft sunk by the Steele's Company. The next year the company erected a 10-head battery, set of poppet legs, a pumping engine. Sinking the shaft a further 100 feet, the company struggled to find payable ore and soon closed down.Colour photographs of the remnants of Steele's mine at Yandoit, Victoria. steele's mine, yandoit, mining, ruins

Celebrating 150 years of gold in victoria

This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph number 02373.1|Also one 12 x 16 framed photograph used in room display.Black and white postcard of the Whiters Camp Park, showing entry from Roadknight Street. Homestead, picnic shelter, sign beside entry gives mileage to towns between Lakes Entrance and Melbourne. Lakes Entrance VictoriaThe Lakes Camp Park, Lakes Entranceresort, room display

This is the after paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The before paired photograph number 02373|Also one 12 x 16 framed photograph used in room display.Colour photograph of the entrance to Whiters Holiday village, situated on the corner of Whiters Street and Roadnight Street Lakes Entrance Victoria.tourism, camping, transport

This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph 02386.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph showing six men, three wearing grocery aprons and horse outside Harbeck's Store at Lakes Entrance, Victoria.retail trade, township, room display

Hall designed by H G French erected by E Cowlishew, seated 350, lit with acetylene light, opened with a grand ball 26 September 1907. Later altered, bio-box added to show films. Hall was drastically altered in 1962, demolished 1998. New Civic Centre and library built on site.|This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph Number 02401.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph of the timber Mechanics Hall. Building has gable roof, four ventilators and chimney, foyer at end of building has gable roof, steps leading to doors of foyer and main building. Many windows. Lakes Entrance VictoriaMechanics Hallhalls, township, room display