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Phillip Island and District Historical Society Inc.
Photographs, Phillip Island Band's visit to Tasmania, 1947
Five photographs of the Phillip Island Band going on a social visit to Tasmania in 1947. Boys and parents. Names of people in photograph 333-01 and 333-02: Back row: Charlotte Cleeland, Arthur Murdoch, Alan Cleeland. Centre row: Tom Westley (bandmaster), Jim Broadbent, Joan Westley, Nan Hislop, Tom Cartwright, Wally Goodall, Des Cartwright, Wally?, Jessie Cartwright, Ken Clark (Tasmanian Bus Driver), Les Bain, Stan Walton, Doug Morrison, Mary Broadbent. Front row: Arbie Broadbent, W McNair, John Bennett, Kevin Wagner, Bill Broadbent, Ian Matthews, Robert Cleeland, Bob Cartwright.Five photographs of the Phillip Island Band going on a social visit to Tasmania in 1947. Boys and parents. 333-01 - Black & White photograph of the Band in front of the Bern Denham bus in Cowes. 333-02 is an enlargement of 333-01. 333-03 - Black & White photograph of the Band in the bus ready for departure to Tasmania. 333-04 - Black & White photograph of the Band in front of a Monument possibly in Tasmania. 333-05 - Black & White enlargement of 333-04. phillip island band, kevin findlay -
Glen Eira Historical Society
Letter - Cambria
Three typed letters dated 26/03/1974, 02/04/1974 and 16/04/1974 between the National Trust of Australia (Victoria) and Mr Trevor Hart regarding classification of Cambria as a building of historical interest.cambria, caulfield racecourse, glenhuntly, presentation convent, neerim road, hart trevor, godby cecil t, filbert grove, roseberry grove, racehorse trainers, mansions, davis george, stables, caulfield, clerehan mr -
Port Melbourne Historical & Preservation Society
Document - City of Port Melbourne and City of South Melbourne issues report, Beris Campbell Collection, 1974 - 1993
Collection of files from Beris Campbell; Port's first Social Worker. Includes local newspapers, flyers and reports .04 - City of Port Melbourne and City of South Melbourne issues report 1984local government - city of port melbourne, health - general health, politics, public action campaigns, beris campbell, port melbourne citizens action group, port melbourne social welfare centre, city of south melbourne -
Port Melbourne Historical & Preservation Society
Document - Files, correspondence, Port Melbourne Yacht Club, 1950s - 1980s
Port Melbourne Yacht Club .01 - correspondence 1956-74 .02 correspondence 1974-76 .03 - correspondence 1978 -79 .04 - correspondence 1979-81 .05 - correspondence 1984-88sport - yachting -
Port Melbourne Historical & Preservation Society
Card - Membership, Port Melbourne Football Club, 2002 - 2016
Port Melbourne Football Club members tickets (.01) 2002 (.02) 2006 (.03) 2011 (.04) 2012 (.05) 2010 (.06) 2013; (.07) 2014; (.08) 2015; (.09) 2016sport - australian rules football, port melbourne football club, pmfc -
Mission to Seafarers Victoria
Letter - Correspondence, 1947
Quinn CollectionTwo-page, double-sided letter on unlined paper (0363a1-a2) written on board S.S.Morgenster, Mozambique dated 04/12/47 with blue-lined envelope (0363.b). Envelope is unstamped.Envelope addressed C/- Mrs Blackmore 140 Brunswick Road, West Brunswick, Victorialetters-from-abroad, quinn, s.s.morgenster, 1947 -
Federation University Historical Collection
Book, Ballarat School of Mines Minute Book , 1876-1881
The Ballarat School of Mines was established in 1870 and was a predecessor institution of Federation University. The first president of the Ballarat School of Mines was Redmond Barry.Half leather bound ledger containing handwritten minutes of the Ballarat School of Mines. Includes: * Foundation Class in Pharmacy and Botany (17/04/1979) * Female Telegraphy Students (12/06/1917)ballarat school of mines, henry richards caselli, w.h. barnard, flude, usher, august hoelscher, warrington rogers, james oddie, robert m. sergeant, ferdinand krause, curator, w.p. bechervaise, james flude, school of mines exhibition committee, james bickett, hugh grey & son, ballarat juvenile industrial exhibition, charles shoppee, g.o. preshaw, alfred mica smith, rivet henry bland, r.w. newman, noble wilson, william burbidge, marie barbour, george hall, susan cahir, mary troy, pharmacy, botany, f.f. bailliere, richard viccars, mary usher, f. pinkerton, pyrites works, james campbell, telegraphy, william bailey, judge rogers, ballarat school of mines certificates, william f. west, j. bryant, henry obree, w.h. odgers, edward debois, james darby, redmond barry, pharmacy board, w.h. keast, george perry, f.w. niven, fedinand von mueller, benjamin trewhella, d. miliken, charles strachan, william wilson, r.a.f. murray, e.p. figgis, charles flude, laboratory, john richards, eyres brothers, john armstrong, h.b. de la poer wall, c.f. crouch, william h. keast, frank pintkerton, hugh grey -
Bendigo Historical Society Inc.
Book - MELVA MASON - HER LIFE, 1924 - 2004, 2005
Melva Mason - Her Life, 10/02/1924 - 13/04/2004 History of the firm W. D. Mason Pty Ltd, founded in 1894. Seven pages, no photos, soft coverBette McLaughlan.bendigo, history, geneaology w. d. mason -
Port Melbourne Historical & Preservation Society
Document - Memo, Department of Public Works re Williamstwon Short Road, 12 Sep 1887
Items 598.01-.04 originally pinned togetherFoolscap, printed single page copy of Dept of Public Works memo re Williamstown Short Road, dated 12 Sept 1887; original memo dated 19.8.1887. Includes costs of grading road.engineering - roads streets lanes and footpaths, edward clark, town clerks, william thwaites -
Port Melbourne Historical & Preservation Society
Letter - Town Clerk, Williamstown to Town Clerk, Port Melbourne re Williamstown Road grant deputation, 22 Mar 1888
Items 598.01-.04 originally pinned togetherLetter from Town Clerk Williamstown 22 March 1888 to Town Clerk Port Melbourne to confirm attendance at deputation re Williamstown Road grantengineering - roads streets lanes and footpaths, edward clark, town clerks -
Port Melbourne Historical & Preservation Society
Document - Notice, Attendance at deputation to Public Work re Williamstown Road grant, Edward Clark, Town Clerk, 26 Mar 1888
Items 598.01-.04 originally pinned togetherSmall (4 pg) notice printed front only, inviting attendance at deputation to Public Works re Williamstown Road grant on 27.3.1888'(Copy)' in ink at topengineering - roads streets lanes and footpaths, edward clark, town clerks -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Sunlight, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Nillumbik Shire Council
Print (lithograph) Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph -
Nillumbik Shire Council
Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Print Studio, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Artist's Gallery, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Pond Reflecting Pugh, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Evening at Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Interior Pugh's House, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Gate 1, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, My Cottage, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph -
Bendigo Historical Society Inc.
Book - Aileen and John Ellison Collection: Holy Trinity Marong - Centenary 1878-1978
A sixty pages book. "Brickmaking for God, Built in Faith", Holy Trinity Marong Centenary 1878-1978. Written by the rector, the Reverend Peter D. Kissick Th.L. A picture of the inside of the church is on the front cover.Inside the front cover in blue pen: John Ellison In appreciation of your help, signed by Peter Kissick 16/04/76marong, holy trinity centenary -
Whitehorse Historical Society Inc.
Document - Newsletter, Nunawading health matters, 1990 - 1992
Two newsletters about health care from Eastern District Health Care Centre which encompass Nunawading, Doncaster/Templestowe and Ringwood/Croydon District Health Centres. Also a mailout Issues Paper study being undertaken by Nunawading City Council about health issues of 'Over 70' age group. Also proceedings of 'Balance of Care' workshop conducted 04/04/1990 in Doncaster to consider issues and opportunities associated with the provision of an appropriate balance of care for people with psychiatric disabilities.health, nunawading district health council, northeastern metropolitan health region, city of nunawading, doncaster/templestowe district health council, ringwood/croydon district health council, gibbs, chris, melbourne, terry, morrison, judy, delmau, margaret, marshman, ian, hicks, chris, heanue, john, mileshkin, chris, krouskos, demos, dunn, paul -
Seaworks Maritime Museum
Gas Detector
1990 -24/04: To "Salvageman Ltd" at Douglas (IOM)One gas detector housed inside a black leather carry case, with a carry strap, and a pocket at back of carry case.1993 circa.on detector: "OMA-3/ON/OFF/ TYPE OMA-3/ KOMYO Paper card inserted in case, written with pen: "1) Turn on/off switch "ON"/ 2) Battery Check:/ Hold down smaller/ Button. Needle must be / within lower red scale/ 3 Zero Calibration Scale/ Press Larger Dial and Turn to Set Needle on/ Green on Lower Scale" handwritten on case: "PWO 3076" Sticker on case: "GASTECH/CALIBRATED/ Date 31-8-93/ Next Due/ 31-2-94/ Initials MW/ Serial no. 6479" Card attached by string, written in pencil: " PWO 3076/ Gas Detector/ Model no. 6479 [From the Howard Smith Collection]" -
Ballarat Heritage Services
Image, Site of the Eureka Pageant, 1954
The Eureka Pageant was held on Saturday 04 December 1954.A black and white image of Ballarat's Sovereign Hill in 1854. Sovereign Hill was the site of the Eureka Pageant held as part of the Eureka Stockade centenary celebrations.Original caption: This will be the scene of to-day's Eureka pageant at Sovereign Hill, where a clearance and levelling job has been done to allow for the slabbed stokade (left foreground), and the small hillock (centre), where the soldiery will be situated. The actual Eureka battle site is in the centre background, a mile or so away. This area of Golden Point is also historic ground. Just in front of the "Stockade" to the left is Poverty Point, where Dunlop and Egan made their first gold finds in this vicinity.eureka stockade, eureka stockade centenary, sovereign hill, poverty point, eureka pageant -
University of Melbourne, Burnley Campus Archives
Plan, Burnley Horticultural College Students Amenities Building, 1992
First Floor - SRC Office/Furniture. Changes in plan No C2980 02/03/1972. 1:50. All messurements (sic) in cm. and according to original floor plan! 04/03/1992. johnsdorfer.amenities, students, vcah, burnley, john s dorfer -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting, Jim Penaluna, Life in Port and GMH, David Nicholas, 23 Apr 2018
Jim Penaluna talks about his life in Port growing up, various sports achievements and working at GMH. PMHPS monthly meeting 26.03.2018 Duration including meeting preliminaries 1:07:04domestic life, industry - manufacturing, jim penaluna, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Aerial view of HMS Repulse being berthed at outer west Princes Pier by tug James Patterson, Port Melbourne, Royal Australian Air Force (RAAF), 1924
Air Force aerial photos of the visit of HMS Hood and HMS Repulse 1924 04 - HMS Repulse being berthed at Outer West Princes Pier by tug James Patterson. New beacons are visiblepiers and wharves - princes pier, transport - shipping, armed services - navy, hms hood, hms repulse, ss james patterson -
Port Melbourne Historical & Preservation Society
Photograph - Photocopy, Ada 'Totty' Monackton, 1700 - 2000
From red binder of family history of Caroline and Willbraham Liardet consisting of photocopies of various photos and documents, family trees, etc.donated by Philippa Gamlin, granddaughter of Leonora. .04 - Photo of Ada 'Totty' Monackton.Each leaf is numberedliardet family, phillippa gamlin, ynys grecian -
Port Melbourne Historical & Preservation Society
Book, Sands & McDougall Directory of Victoria, 1942 - 1974
Hardback books entitled "Sands & McDougall's Directory of Victoria". Cover years : (.01) 1942, (.02) 1955, (.03) 1964, (.04) 1965, (.05) 1970, (.06) 1971, (.07) 1973, (.08) 1974.built environment, business and traders, local government, families, advertising, sands & mcdougall