Situated near Sweeney's Lane, the house in the picture was owned by the man who was Commissioner that looked after the Aboriginees - Ivy Reynolds. Labelled by Ivy Reynolds' mother who had a good sense of humour.The Reynolds family were early settlers in Research. The Reynolds/ Prior collection of photographs were taken by Tom Prior, the maternal uncle of Ivy Reynolds, around 1900 and the 60 photos in the album give a fine overview of many of the landmarks of Research and Eltham over 100 years ago. lvy lived in the family home for many years at 106 Thompson Cres Research. Ivy's father, Ernst Richard Reynolds and grandfather, Richard Reynolds, lived at the same address. Ivy's father Richard worked for Mr. Trail on his property in Research. Reynolds Road is named after the family. Mr Tom Prior (wife Eva) worked at the Melbourne zoo. He was very innovative and made his own camera, using the black cloth hood to exclude the light. The photographs are a reminder of the rural nature of Research and Eltham and its rich heritage. Black and white photograph mounted in an album, the Reynolds/Prior Photograph Collection, this being one of 53 reproduced black and white images of early Eltham.The Reynolds/Prior Photograph Collection, Presented to the Eltham District Historical Society, 14 June 2006 by Ross McDonald. A second copy was also presented to the Andrew Ross Museum, Kangaroo Groundreynolds prior collection, eltham, yarra river, sweeneys lane

Geelong, second city of the state of Victoria, lies some 72 km. south west of Melbourne on the curve of Port Phillip Bay. This short history covers from the aborigines through to the mid-1960. Geelong - Then and Now. C.P. Billot. 1st ed. Melbourne (Vic)203mm x ; Lothian Publishing Co. Pty. Ltd.; 1969. iv, 44p.; illus., map. SBN 85091 109 5geelong; history; aborigines; corio shire;

Poster. The Victorian arts council presents: nostalgic songs and comic sketches from the great variety palaces of London ''Nice People'' recreating the magic of Flanagan and Allen, starring Jon Finlayson and Jon Stephens with Monseweer David Bates on piano. Bendigo regional arts centre: 2pm and 8pm Friday March 8entertainment, theatre, nice people

Mr Bena-Silu is director of the cabinet for the Kimbanguist Church in Zaire, Africa, and a member of the WCC Central and Executive Committees. He was in Australia as part of the WCC Visit to the Aborigines, June 15-July 3 1981.B&W photograph of Mr Bena-Silu speaking into a microphone. Mr Bena-Silu is director of the cabinet for the Kimbanguist Church in Zaire, Africa, and a member of the WCC Central and Executive Committees.bena-silu; world council of churches; wcc visit to the aborigines; kimbanguist church; zaire

Elisabeth Adler was part of the World Council of Churches Program to Combat Racism's visit to Australian Aborigines, June 15-July 3 1981. Adler was the German DDR Director of the Evangelical Academy of Berlin Brandenburg.Black and white photograph. Head and shoulders portrait of Ms Elisabeth Adler with dark hair and wearing a white blouse.elizabeth adler, world council of churches

This fungus is known as black fellows bread. It grew freely on Dr Curdie's 'run'. The Aborigines called it 'tandarook' -hence the name given to the property. It can still be found, though less abundant than formerly.Tapered semicircular pancake layers dark brown in colour with a woody base

Bendigo Advertiser "The way we were" from Thursday, September 16, 2004. Young talent: a group of performers in a pantomime for Patriotic Funds. "The Magic Chain" was at the Princess Theatre in Bendigo on July 30, 1917. Pictured are Geoff Schulz, Jack Schulz, Bert Spencer, Ruth Murphy, Don Walker and Jean Walker (sitting).newspaper, bendigo advertiser, the way we were

Massacre Bay is located on Victoria's Great Ocean Road, and is in the centre of the Bay of Martyrs. The bay consists of 20 m high, red limestone bluffs. This paper by Ken Clements considers the origin of the term martyr in connection to this location, and where the Aboriginal massacre may have taken place. Thirteen page document by Ken Clements relating to Peterborough, Victoria. Contents include coastal features, local Aborigines, Bay of Martyrs, Massacre Bay, Massacre Hill, Buckley Creek Run, Pioneer Pastoralists, British Traversers, settlers, Peterborough, Maps, tourism, history method. Photographs by Laurie Moore.aborigines, bay of martyrs, massacre bay, massacre hill, buckley creek run, pioneer pastoralists, british traversers, settlers, peterborough, maps, tourism, history method, childers cove, barque children, murnane bay, sandy bay, dog trap bay, buckley creek, viviennes lookeout, stanhope bay, buttres bay, burnies beach, armstrong creek, flaxman hill, antares rock, lovers nook, crofts bay, clements, worm bay, halladale point, the well, wold dog cove, james irvine monument, curdies inlet, squirrel creek, wallaby creek, boggy creek, whiskey creek, pioneer beach, schomberg rock, young australia, spit, crown of thorns, newfield bay, the grotto, london bridge, point hesse, high cliffs, the arch, cape martyr, little massacre bay, aboriginal massacre, ken clements

This image shows a view of a properties bordering a river in the vicinity of Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the water source pictured may feed into the bigger system that flows through Beechworth Gorge. A man wearing a hat, possibly the photographer, is silhouetted in the foreground of the picture. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, photographer, beechworth gorge, river, stream, water source, 1900s

This image shows a semi-aerial view of commercial and official properties lining Ford Street, Beechworth, in approximately 1900. The tower of Christ Church of St Peter and St Paul can be seen in the middle section of the photograph, on the left-hand side of the street. The Church was constructed in 1858 with the tower added to the structure in 1864. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and commercial and official infrastructure in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, ford street, christ church of st peter and st paul, church tower, landmarks, 1900, shopping facilities, public buildings, 1900s, built environment, streetscape

The Students' Practical Notebook appeared each Saturday in the Argus newspaper, to assist students with their education. This book is a compilation of articles from 1953. It includes words and phrases, science, famous composers, legends of Australian Aborigines and stories of the ages. .An historical view of education and children's interests.192p., illus.education, school work

The Students' Practical Notebook appeared each Saturday in the Argus newspaper, to assist students with their education. This book is a compilation of articles from 1952. It includes nature notes, science, puzzles and pastimes, legends of Australian Aborigines and benefactors of mankind.An historical view of education and children's interests.192p., illus.education, school work

The Mt Franklin Aboriginal Protectorate was in the shadow of Mt Franklin. Edward Stone Parker, the Assistant Protector of Aborigines in charge of the Mt Franklin Protectorate is buried in the Mt franklin Cemetery, along with a number of the Aboriginal people from the protectorate.Two images showing the pine covered Mount Franklin from Mount Franklin Cemetery.mount franklin, mt franklin, mt franklin aboriginal protectorate, edward stone parker, e.s. parker, mount franklin protectorate

Dr Mabel Maguire, widow of Dr Frederick Arthur Maguire (1888- 1953) donated it in 1962 along with a number of glass slides.Dr Maguire owned and used the item, giving Anatomy lessons to medocal students,. Used mostly in Sydney (University of Sydney) 1962Magic lantern or Baloptian [precursor to slide projector]. Model BC. Bausch & Lamb Optical Co, Rochester NY. Electrical, metal projector box with lens in bronze casing a timber frame for glass slides marked "(illeg.) PATENT ECLIPSE" an attached electrical lead with bakerlite plug. c1927.No slides, either missing or none received.instrument, optical

The lithograph is held by the State Library of Victoria. Printed below the image is Lithographed by Campbell & Macartney. The title is beneath image and continues: 'Respectfully dedicated to the inhabitants of Victoria / By their obedient servant / Wm. Strutt.'Photograph of a lithograph of view of the Golden Point - Ballarat by William Strutt. The Golden Point goldfield at Ballarat is depicted with a number of people congregated along a creek (Yarrowee Creek), some tents, stockyards evident, a butcher's shambles (tent) a bullock dray, three aborigines and a number of 'diggers' walking towards the goldfield are evident.ballarat, golden point, william strutt, ballarat townscape, mining, goldfield

This image shows a semi-aerial view of a property along a river adjacent to Beechworth in approximately 1900. The photographer has capitalised words in the label, indicating that 'The Precipice' may have suggested a particular rather than a general vantage point to local people at the time. Although the exact location of the photograph is yet to be determined, Beechworth Gorge is popular today with hikers and nearby Mt Stanley is noted for its views. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: Image from The Precipice. /burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, views, landscapes, farmsteads, rivers, beechworth gorge, mt stanley, emulsion, the precipice

Contents: God's lot : Moravians and missions "The most wretched and bleakest" : Moravian desire to work amongst the Australian Aborigines "Ein fauler Fleck" : Lake Boga, a putrid stain "I is done no more" : the first converts "Alles geht seinen schleppenden Gang" expansion, movement and sluggish progress "Every triumphant death" closure in a British colony.Maps, b&w illustrationsdjadja wurrung, dja dja wurrung, gunai, wati wati, wemba wemba, woi wurrung, wurundjeri, wotjobaluk, wergaia, wotjubalak, wotjibolik, wudjubalug, kulin nation, victorian history, moravian missions, colonisation, port phillip protectorate

Lake Tyers/Aboriginal related material of Merle Bush; a. ''Uplift'' Official Organ of the Aborigines Uplift Society, Nov 1940 32 paged booklet including article on Lake Tyers Aboriginal Station; b. May 1941 issue of ''Uplift''; c. Tourist flyer on lake Tyers and the lake Tyers House accommodation there (Nowa Nowa Park).clubs, social, aboriginal uplift society

Four copies of an article reprinted from Smith's Weekly, November 30, 1940 titled Magic Mercury Bulb Does Many Marvellous Things. It mentions the inventor, Hartley Abbott, the use of the scalebuoy by the Victorian Railways. There is a brief explanation of how the scalebuoy works. It was used to treat hard water and was claimed to have certain health benefits. The inventiveness of the Abbott family is also mentioned.sciences, instruments-general, scalebuoy, bill ashman collection, magic mercury bulb, hartley abbott, scalebuoy, victorian railways department, buckingham palace, auckland general hospital, melbourne university, mr n brearley, glamis castle, lancet, crown hotel, smith's weekly

Oldest culture - Yarra River and Port Phillip - Religion - Serpents - Fire - In 1830 - First contacts - Massacre map - Survival - Identity - Resistance and rights (Pastor Sir Douglas Nicholls) - Land rights - From hand-out to hand-back - Aborigines in war - Sportspeople - Cultural heritage.Paperback; 57, [3] pages : illustrations, maps, ports ; 30 cm.ISBN 0724198105aborigines, social customs, koorie, victoria

This image shows a pathway in the gardens adjacent to Beechworth's Town Hall at the beginning of the Twentieth Century, around the time of Australia's Federation. The pathway leading to a circular rotunda or covered seating area with a steep conical roof is lined with shrubs set in grass verges that appear to be covered with snow. It is unknown whether the snowfall or a factor to do with the gardens occasioned the taking of the image, which at the time may have been an exotic practice. Climate records going back to 1908 indicate that snow in winter is not unusual due to Beechworth's elevation and orientation, and the Town Hall itself was built in 1859. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques. This glass slide is significant because it provides insight into Beechworth's social amenities and climate in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, town hall, town hall gardens, snow, rotunda, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides

This image shows the gorge adjacent to Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the present-day Beechworth Gorge Walk includes views of the Cascades at the point at which Spring Creek flows into the valley on the level below. Gold-sluicing techniques in use in the town during periods of active gold extraction may have altered the landscape since the photograph was taken, however. In the 1850s a mill was built at the top of the Spring Creek falls by Russian-born Louis Chevalier, brother of artist Nicholas Chevalier. The mill supplied the town with lumber that supported the town's initial construction boom. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, indigo shire, north-east victoria, spring creek falls, beechworth gorge, louis chevalier, nicholas chevalier, lumber industry, timber industry, 1850s, construction, building, mill, mills, waterfall

This image shows the gorge adjacent to Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the present-day Beechworth Gorge Walk includes views of the Cascades at the point at which Spring Creek flows into the valley on the level below. Gold-sluicing techniques in use in the town during periods of active gold extraction may have altered the landscape since the photograph was taken, however. In the 1850s a mill was built at the top of the Spring Creek falls by Russian-born Louis Chevalier, brother of artist Nicholas Chevalier. The mill supplied the town with lumber that supported the town's initial construction boom. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, beechworth gorge, indigo shire, landscapes, mill, sluicing, gold mining, north-east victoria, spring creek, louis chevalier, cascades