This is a 1906 advertising poster for the photographic business, Jordan Studios, Liebig Street, Warrnambool. This business was established in 1890 by Joseph Jordan, an Englishman who had been in the British Army in India. He erected the Jordan Studios building (94 Liebig Street) in 1901. Joseph’s son, Arthur, was also a photographer and artist. He photographed and sketched Wilmot (Abraham) several times and used one of these sketches as a basis for this advertising poster. It was well-known at the time that Wilmot was always willing to pose for photographs or drawings. Wilmot (Corwhorong), called ‘the last of his tribe’, was a member of the Tooram group associated with the Kirrae tribe. He spent the early part of his life at the Allan ‘Tooram’ property and was later at the Murray Warrnambool home, ‘Waikato’. He died in 1916 and is buried in the Warrnambool CemeteryThis advertising poster is of considerable importance as it is an interesting example of advertising by a photographer at the beginning of the 20th century. It is also important because it advertises Jordan Studios, one of the most significant photographic businesses in Warrnambool’s history. It also is an example of Arthur Jordan’s artistic abilityThis is large advertising sheet of paper featuring a black and white sketch of the aborigine, Wilmot and Arthur Jordan, the artist/photographer. Jordan is seated and is sketching Wilmot who is sitting cross-legged. The sketch includes a mug, a billy can, a fire and a humorous caption. The edges of the sheet are somewhat tattered. ‘Notice. Visitors to Warrnambool, go to Jordan’s Studio, Liebig St, next Bank of Victoria, for your Portraits, Groups, Views and Postcards’ ‘Hurry up, old feller, I want to go to Jordan’s before I go to the races. A lady wants my photo very pertickler’ ‘Jordan ‘06’ jordan studios, arthur jordan, wilmot, warrnambool, corwhorong, advertising, liebig street

Booklet. ALEC H CHISHOLM COLLECTION. 35 page softcover booklet of seven legendary stories told by Aborigines. Preface by the author, R. H. Mathews (Licensed Surveyor). Published and printed in 1899 by Hennessey, Harper & Co., Sydney. Catalogue sticker ''2237 MAT'' on front cover.R. H. Mathewsbooks, collections, folklore, alec h chisholm collection, r.h.mathews, aborigines, folklore

Assorted correspondence to/from Merle Bush. A. To Dad from MB; b: To MB from Board for Protection of Aborigines (15/4/1947); c: From MB to Peg?/Reg? (6/12/1957); d: From Peg?/Reg? to MB with envelope (30/6/1947)person, individual, bush collection - personal

Image of Collins Street Melbourne in 1840, looking west towards Russell Street, from a drawing by Elisha Noyce and William Knight, August 1840. The original worko is held by the State Library of Victoria. A group of Aborigines stand in the foreground. From the State Library of Victoria's Pictures Collection. collins street melbourne, melbourne, aborigines

Bendigo Advertiser "The way we were" from Thursday, September 16, 2004. Young talent: a group of performers in a pantomime for Patriotic Funds. "The Magic Chain" was at the Princess Theatre in Bendigo on July 30, 1917. Pictured are Geoff Schulz, Jack Schulz, Bert Spencer, Ruth Murphy, Don Walker and Jean Walker (sitting).newspaper, bendigo advertiser, the way we were

The Students' Practical Notebook appeared each Saturday in the Argus newspaper, to assist students with their education. This book is a compilation of articles from 1953. It includes words and phrases, science, famous composers, legends of Australian Aborigines and stories of the ages. .An historical view of education and children's interests.192p., illus.education, school work

The Students' Practical Notebook appeared each Saturday in the Argus newspaper, to assist students with their education. This book is a compilation of articles from 1952. It includes nature notes, science, puzzles and pastimes, legends of Australian Aborigines and benefactors of mankind.An historical view of education and children's interests.192p., illus.education, school work

The Mt Franklin Aboriginal Protectorate was in the shadow of Mt Franklin. Edward Stone Parker, the Assistant Protector of Aborigines in charge of the Mt Franklin Protectorate is buried in the Mt franklin Cemetery, along with a number of the Aboriginal people from the protectorate.Two images showing the pine covered Mount Franklin from Mount Franklin Cemetery.mount franklin, mt franklin, mt franklin aboriginal protectorate, edward stone parker, e.s. parker, mount franklin protectorate

This image shows a view of a properties bordering a river in the vicinity of Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the water source pictured may feed into the bigger system that flows through Beechworth Gorge. A man wearing a hat, possibly the photographer, is silhouetted in the foreground of the picture. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, photographer, beechworth gorge, river, stream, water source, 1900s

This image shows a semi-aerial view of commercial and official properties lining Ford Street, Beechworth, in approximately 1900. The tower of Christ Church of St Peter and St Paul can be seen in the middle section of the photograph, on the left-hand side of the street. The Church was constructed in 1858 with the tower added to the structure in 1864. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and commercial and official infrastructure in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, ford street, christ church of st peter and st paul, church tower, landmarks, 1900, shopping facilities, public buildings, 1900s, built environment, streetscape

Dr Mabel Maguire, widow of Dr Frederick Arthur Maguire (1888- 1953) donated it in 1962 along with a number of glass slides.Dr Maguire owned and used the item, giving Anatomy lessons to medocal students,. Used mostly in Sydney (University of Sydney) 1962Magic lantern or Baloptian [precursor to slide projector]. Model BC. Bausch & Lamb Optical Co, Rochester NY. Electrical, metal projector box with lens in bronze casing a timber frame for glass slides marked "(illeg.) PATENT ECLIPSE" an attached electrical lead with bakerlite plug. c1927.No slides, either missing or none received.instrument, optical

Massacre Bay is located on Victoria's Great Ocean Road, and is in the centre of the Bay of Martyrs. The bay consists of 20 m high, red limestone bluffs. This paper by Ken Clements considers the origin of the term martyr in connection to this location, and where the Aboriginal massacre may have taken place. Thirteen page document by Ken Clements relating to Peterborough, Victoria. Contents include coastal features, local Aborigines, Bay of Martyrs, Massacre Bay, Massacre Hill, Buckley Creek Run, Pioneer Pastoralists, British Traversers, settlers, Peterborough, Maps, tourism, history method. Photographs by Laurie Moore.aborigines, bay of martyrs, massacre bay, massacre hill, buckley creek run, pioneer pastoralists, british traversers, settlers, peterborough, maps, tourism, history method, childers cove, barque children, murnane bay, sandy bay, dog trap bay, buckley creek, viviennes lookeout, stanhope bay, buttres bay, burnies beach, armstrong creek, flaxman hill, antares rock, lovers nook, crofts bay, clements, worm bay, halladale point, the well, wold dog cove, james irvine monument, curdies inlet, squirrel creek, wallaby creek, boggy creek, whiskey creek, pioneer beach, schomberg rock, young australia, spit, crown of thorns, newfield bay, the grotto, london bridge, point hesse, high cliffs, the arch, cape martyr, little massacre bay, aboriginal massacre, ken clements

This image shows a semi-aerial view of a property along a river adjacent to Beechworth in approximately 1900. The photographer has capitalised words in the label, indicating that 'The Precipice' may have suggested a particular rather than a general vantage point to local people at the time. Although the exact location of the photograph is yet to be determined, Beechworth Gorge is popular today with hikers and nearby Mt Stanley is noted for its views. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: Image from The Precipice. /burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, views, landscapes, farmsteads, rivers, beechworth gorge, mt stanley, emulsion, the precipice

The lithograph is held by the State Library of Victoria. Printed below the image is Lithographed by Campbell & Macartney. The title is beneath image and continues: 'Respectfully dedicated to the inhabitants of Victoria / By their obedient servant / Wm. Strutt.'Photograph of a lithograph of view of the Golden Point - Ballarat by William Strutt. The Golden Point goldfield at Ballarat is depicted with a number of people congregated along a creek (Yarrowee Creek), some tents, stockyards evident, a butcher's shambles (tent) a bullock dray, three aborigines and a number of 'diggers' walking towards the goldfield are evident.ballarat, golden point, william strutt, ballarat townscape, mining, goldfield

Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988. The photo display relate to the work of Eltham anthropologist Professor Donald Thomson (1901-1970) who was renowned for his work researching Aborigines across Central Australia. Two colour photographsactivities, eltham shire office, heritage display, heritage week, donald thomson

Four copies of an article reprinted from Smith's Weekly, November 30, 1940 titled Magic Mercury Bulb Does Many Marvellous Things. It mentions the inventor, Hartley Abbott, the use of the scalebuoy by the Victorian Railways. There is a brief explanation of how the scalebuoy works. It was used to treat hard water and was claimed to have certain health benefits. The inventiveness of the Abbott family is also mentioned.sciences, instruments-general, scalebuoy, bill ashman collection, magic mercury bulb, hartley abbott, scalebuoy, victorian railways department, buckingham palace, auckland general hospital, melbourne university, mr n brearley, glamis castle, lancet, crown hotel, smith's weekly

Oldest culture - Yarra River and Port Phillip - Religion - Serpents - Fire - In 1830 - First contacts - Massacre map - Survival - Identity - Resistance and rights (Pastor Sir Douglas Nicholls) - Land rights - From hand-out to hand-back - Aborigines in war - Sportspeople - Cultural heritage.Paperback; 57, [3] pages : illustrations, maps, ports ; 30 cm.ISBN 0724198105aborigines, social customs, koorie, victoria

Contents: God's lot : Moravians and missions "The most wretched and bleakest" : Moravian desire to work amongst the Australian Aborigines "Ein fauler Fleck" : Lake Boga, a putrid stain "I is done no more" : the first converts "Alles geht seinen schleppenden Gang" expansion, movement and sluggish progress "Every triumphant death" closure in a British colony.Maps, b&w illustrationsdjadja wurrung, dja dja wurrung, gunai, wati wati, wemba wemba, woi wurrung, wurundjeri, wotjobaluk, wergaia, wotjubalak, wotjibolik, wudjubalug, kulin nation, victorian history, moravian missions, colonisation, port phillip protectorate

Lake Tyers/Aboriginal related material of Merle Bush; a. ''Uplift'' Official Organ of the Aborigines Uplift Society, Nov 1940 32 paged booklet including article on Lake Tyers Aboriginal Station; b. May 1941 issue of ''Uplift''; c. Tourist flyer on lake Tyers and the lake Tyers House accommodation there (Nowa Nowa Park).clubs, social, aboriginal uplift society

The label on the tape reel says '1958 ABC Anzac OBS' in pencil. It is likely that it is one of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to Anzac Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The ceremony was usually broadcast on the ABC for students that could not attend. The inscription 'The story of the Yarra' is to be confirmed when tape found again as it doesn't appear on the Media image. TBC.A record of a ceremony at the Shrine run by Legacy for students.Square cardboard box, front with black with red and white print. Rear, white background with black print. Clear plastic spool with magnetic tape.Box, Pyrox in red print. Special sound recording tape for highest frequency response. Black Magic Tape. The latest and best Recording Tape, in white print. Rear of Box, Pyrox, Black- Magic-Tape, the ultra in sound recording tape, suitable for all tape recorders, this reel contains:- Supplies available from Pyrox Ltd., 14-36 Queensberry St., Melbourne and at Sydney, in black print. Spool, clear plastic, VP785 in white ink. '1958 ABC Anzac OBS' hand written in pencil on white sticker.anzac commemoration for students, wreath laying ceremony

This image shows a pathway in the gardens adjacent to Beechworth's Town Hall at the beginning of the Twentieth Century, around the time of Australia's Federation. The pathway leading to a circular rotunda or covered seating area with a steep conical roof is lined with shrubs set in grass verges that appear to be covered with snow. It is unknown whether the snowfall or a factor to do with the gardens occasioned the taking of the image, which at the time may have been an exotic practice. Climate records going back to 1908 indicate that snow in winter is not unusual due to Beechworth's elevation and orientation, and the Town Hall itself was built in 1859. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques. This glass slide is significant because it provides insight into Beechworth's social amenities and climate in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, town hall, town hall gardens, snow, rotunda, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides

This image shows the gorge adjacent to Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the present-day Beechworth Gorge Walk includes views of the Cascades at the point at which Spring Creek flows into the valley on the level below. Gold-sluicing techniques in use in the town during periods of active gold extraction may have altered the landscape since the photograph was taken, however. In the 1850s a mill was built at the top of the Spring Creek falls by Russian-born Louis Chevalier, brother of artist Nicholas Chevalier. The mill supplied the town with lumber that supported the town's initial construction boom. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, indigo shire, north-east victoria, spring creek falls, beechworth gorge, louis chevalier, nicholas chevalier, lumber industry, timber industry, 1850s, construction, building, mill, mills, waterfall

This image shows the gorge adjacent to Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the present-day Beechworth Gorge Walk includes views of the Cascades at the point at which Spring Creek flows into the valley on the level below. Gold-sluicing techniques in use in the town during periods of active gold extraction may have altered the landscape since the photograph was taken, however. In the 1850s a mill was built at the top of the Spring Creek falls by Russian-born Louis Chevalier, brother of artist Nicholas Chevalier. The mill supplied the town with lumber that supported the town's initial construction boom. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, beechworth gorge, indigo shire, landscapes, mill, sluicing, gold mining, north-east victoria, spring creek, louis chevalier, cascades

Contents: Return of the aborigines "Barak" and the purchase by Worowa for a college Unveiling Joseph Furphy Memorial 1934 Test transmission Community Radio Council defers writing of Healesville history funding End of the Line Railway joint activity List of members January 1985 Photograph exhibition success - Plus moreThe first newsletter of the Society was issued July 1984 and has been published continuously ever since on a quarterly basis. Current newsletters are emailed free of charge to members.