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Ringwood and District Historical Society
Wall hanging, E.V.Pullin, Embroidered figure on padded board - artist unknown, Ringwood, 1985
Embroidered religious figure on padded board. +Additional Keywords: Pullin, E.V.St Raphael, E.V. Pullin, 20 Mullum Rd, Ringwood 3134 -
Federation University Historical Collection
Photograph - Colour, Jarrod Watt, Hong Kong Street Flyer by an unknown artist, 2019, 06/2019
Carrie Lam, Hong Kong’s chief executive, had plenty of political support in the territory’s pro-Beijing legislature to pass a bill that would allow extraditions to mainland China. The legislators were set to begin discussing the bill in early June, and intended to vote on it just weeks later. A series of protests took place, and after a June 16 protest saw the largest turnout yet, Ms. Lam made a major concession: She postponed the bill, at least temporarily. It was an undeniable victory for the protesters — but it did little to quell the unrest. Since the bill could later be reintroduced, protesters felt they remained in danger. The police tactics to break up the demonstrations on June 12, including the use of more than 150 tear gas canisters to push protesters far away from the government office, created a new set of demands from the protesters. Now, instead of just calling for the withdrawal of the bill and Ms. Lam’s resignation, they said they wouldn’t be content unless there was an independent investigation of officers’ conduct. They also wanted the release of protesters arrested on June 12, and for the government to rescind its description of the demonstrations as a “riot,” a designation that carries legal significance. None of that has happened. Many analysts say Ms. Lam is unlikely to step down, nor would Beijing accept her resignation if she offered it. She has more wiggle room on the other demands, but has not indicated any willingness to budge. The Hong Kong Protests are a leaderless, digital movement.There is no single leader or group deciding on or steering the strategy, tactics and goals of the movement. Instead, protesters have used forums and messaging apps to decide next steps. Anyone can suggest a course of action, and others then vote on whether they support it. The most popular ideas rise to the top, and then people rally to make them happen. At its best, this structure has empowered many people to participate and have their voices heard. Protesters say it keeps them all safe by not allowing the government to target specific leaders. Their success in halting the extradition bill, which was shelved by the territory’s chief executive, speaks to the movement’s power. Despite the lack of a clear leader, protesters have shown extensive coordination at the demonstrations, having planned the specifics online beforehand. Supply stations are set up to distribute water, snacks, gloves, umbrellas and shields made of cardboard. Volunteer first aid workers wear brightly colored vests. People form assembly lines to pass supplies across long distances, with protesters communicating what they need through a series of predetermined hand signals. Anyone walking in dangerous areas without a helmet or a mask is quickly offered one. No individual can speak on behalf of the protesters, which makes negotiations difficult, if not impossible. (https://www.nytimes.com/2019/07/02/world/asia/hong-kong-protest-explained.html, accessed 07/07/2019) Hong Kong’s amended extradition law would allow the extradition of suspects to mainland China for the first time. Supporters say the amendments are key to ensuring the city does not become a criminal refuge, but critics worry Beijing will use the law to extradite political opponents and others to China where their legal protections cannot be guaranteed. The government claims the push to change the law, which would also apply to Taiwan and Macau, stems from the killing last year of a Hong Kong woman while she was in Taiwan with her boyfriend. Authorities in Taiwan suspect the woman’s boyfriend, who remains in Hong Kong, but cannot try him because no extradition agreement is in place. Under the amended law, those accused of offences punishable by seven years or more in prison could be extradited. The new legislation would give Hong Kong’s leader, known as the chief executive, authority to approve extradition requests, after review by the courts. Hong Kong’s legislature, the legislative council, would not have any oversight over the extradition process. Many Hong Kongers fear the proposed extradition law will be used by authorities to target political enemies. They worry the new legislation spells the end of the “one country, two systems” policy, eroding the civil rights enjoyed by Hong Kong residents since the handover of sovereignty from the UK to China in 1997. Many attending the protests on Sunday said they could not trust China as it had often used non-political crimes to target government critics, and said they also feared Hong Kong officials would not be able to reject Beijing’s requests. Legal professionals have also expressed concern over the rights of those sent across the border to be tried. The conviction rate in Chinese courts is as high as 99%. Arbitrary detentions, torture and denial of legal representation of one’s choosing are also common. Many in the protests on Sunday 09 June 2019 said they felt overwhelmed by a sense of helplessness in the face of mainland China’s increasing political, economic and cultural influence in Hong Kong. Hong Kong’s top political leader is not elected by ordinary voters but by a 1,200-strong election committee accountable to Beijing. Half of its legislature are chosen through indirect electoral systems that favour pro-Beijing figures. Many Hong Kongers also cited the jailing of leaders and activists from the 2014 Occupy Central movement– a 79-day mass civil disobedience movement – as well as the disqualification of young localist lawmakers as signs of the erosion of civil freedoms. Resentment towards China has been intensified by soaring property prices – with increasing numbers of mainland Chinese buying properties in the city – as well as the government’s “patriotic education” drive, and the large numbers of mainland tourists who flock to Hong Kong. Many Hong Kongers are also concerned about China’s growing control over the city’s news media, as they increasingly self-censor and follow Beijing’s tacit orders. https://www.theguardian.com/world/2019/jun/10/what-are-the-hong-kong-protests-about-explainerPhotograph of a street art poster taken on the streets of Hong Kong during the protests against legislation to allow Hong Kong suspects to be extradited to mainland Chinese carrie lam, hong kong protests, extraditions, poster art, posters -
Ringwood and District Historical Society
Drawing, Ringwood Bowls Club - Sketch of old Clubrooms building. Circa 1929. Artist unknown
Copy of original sketchNil -
Women's Art Register
Book, Evelyn Healy, Artist of the Left. A Personal Experience 1930s to 1990s, 1993
A history of the authors life as an artist, teacher, and political activist in Australia.non-fictionA history of the authors life as an artist, teacher, and political activist in Australia.trade unions, social realism, communist party of australia, peace art, australia council, community arts, art and working life, international co-operation art award, cpa, political cartoons, cabramatta and districts art society, noel counihan, contemporary art society of victoria -
National Vietnam Veterans Museum (NVVM)
Book, Lee, Sandra Finger, Vietnam On Canvas: Ken McFadyen: An Artist at War
Nothing fazed him. He was always in control, always thorough, always switched on, single-minded, He was popular with the men because of his empathy with them; and he felt honoured to be a part of the campaign and this showed in the way he tackled his work.Nothing fazed him. He was always in control, always thorough, always switched on, single-minded, He was popular with the men because of his empathy with them; and he felt honoured to be a part of the campaign and this showed in the way he tackled his work.war artists - australia - 20th century - biography, vietnam war, 1961-1975 - pictorial works -
National Vietnam Veterans Museum (NVVM)
Book, Lee, Sandra Finger, Vietnam On Canvas: Ken McFadyen: An Artist at War (Copy 2)
Nothing fazed him. He was always in control, always thorough, always switched on, single-minded, He was popular with the men because of his empathy with them; and he felt honoured to be a part of the campaign and this showed in the way he tackled his work.Nothing fazed him. He was always in control, always thorough, always switched on, single-minded, He was popular with the men because of his empathy with them; and he felt honoured to be a part of the campaign and this showed in the way he tackled his work. war artists - australia - 20th century - biography, vietnam war, 1961-1975 - pictorial works -
Horsham Regional Art Gallery
Print, Louis KAHAN, The artist and his tools, 1947
Gift of Lily Kahan, 2004 -
Horsham Regional Art Gallery
Photograph, Charles RADNAY, Narelle Delahunty / artist, 1988
Gift of the artist, 1988 -
Horsham Regional Art Gallery
Print, Kevin LINCOLN, Artist, 1980
Donated through the Australian Government's Cultural Gifts Program by Mia Heriot, 2005etching and drypoint on paper -
Robin Boyd Foundation
Newspaper - Clipping, The Age (?), Melbourne artist gets $10,000 award, 18.11.1971
Reports of three awards - one to Arthur Boyd (arts), Prof Douglas Pike (humanities) and Prof Robert Brown (sciences) made by Britannica Australia.A and date handwrittenarthur boyd, walsh st library -
Nillumbik Shire Council
Assemblage: Peter HOOK, Artist Reflection, Studio Summer
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Nillumbik Shire Council
Painting: Max DIMMACK (b.1922 AUS), Artist and Paintings (Self Portrait)
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Nillumbik Shire Council
Drawing (mixed media): Denise KEELE-BEDFORD, Artist Footprint 4
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Swan Hill Regional Art Gallery
Painting, SANTRY, John, Posing for the artist, Nambucca Heads, unknown
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Koorie Heritage Trust
Document - Printed Sheets, Barrett, Charles, The Victorian Naturalist Vol. LII, No. 5 Septemver 1935. Tommy McCrae Aboriginal Artist, 1935
The notes supplied by two women who knew Tommy and his tribe are most interesting.5pp.; 2 facs.The notes supplied by two women who knew Tommy and his tribe are most interesting.tommy mccrae - aboriginal artist - biographies -
Whitehorse Historical Society Inc.
Article, Diverse artist with a love of European study, 2005
Obituary - Ian Armstrong, painter, printer and art teacher, with photoObituary - Ian Armstrong, painter, printer and art teacher, with photoObituary - Ian Armstrong, painter, printer and art teacher, with photoarmstrong, ian (artist) -
Ballarat Heritage Services
Photograph - Photograph - Colour, Cutty Sark by a Chinese artist, Greenwich, England, 6 November 2016
The Cutty Sark was launched on 22 November 1869. She was named by the wife of George Moodie, the ship's first master who had also supervised her construction. Cutty Sark left the Clyde on 13 January 1870. A month and two days later, she set sail from London for China. Cutty sark was designed and built by Scott & Linton of Dumbarton for 16,150 pounds. But much of the money was to be paid by Willis when the ship was launched. Just before they finished her, Scott & Linton ran out of money and went bankrupt. She was completed by William Denny & Brothers. The Cutty Sark was the first ship to reach London with a tea cargo in 1877. But she was one of only nine sailing ships that returned that year - in 1870 there had been 59. Steamships were now dominating the tea trade. In 1883 the Cutty Sark joined the booming trade in transporting Australian wool. Every year until 1895 she set out in the summer for Australia, to load a cargo of wool bales and return to England in time for the wool sales ini the first three months of the new year. Cutty Sark soon established herself as the fastest of the wool clippers. Under her last master, Richard Woodget she set record times of 70 days or less for the voyage which no other sailing ships could match.Painting of a ship called the Cutty Sark.cutty sark, exhibition, wool, australia, china, sailing, ship, woodget, moodie, london, willis dumbarton, scott & linton, william denny, tea, cargo, immigration, trade, chinese -
Ringwood RSL Sub-Branch
Book, Burma Railway Artist, 1994
Hard cover with many copies of hand written drawings, maps etc.132 pages, The war drawings of Jack ChalkerFirst published in 1994 in GB by Pen and Sword Books -
Tatura Irrigation & Wartime Camps Museum
Book, Ludwig Hirschfeld-Mack. More Than a Bauhaus Artist, 2021
The story of Ludwig Hirschfeld Mack and his artwork.Hard cover book, black and white picture of a man sitting at a desk. Title in orange and white. Author in red box with white writing. Back has photograph of Ludwig Hirschfeld Mack and editorial in yellow.non-fictionThe story of Ludwig Hirschfeld Mack and his artwork.ludwig hirshfeld mack, chris bell, resi schwarzbauer -
Stawell Historical Society Inc
Photograph, Mr Will J. Rees -- a Local Visual Artist
Portrait of Will Rees from Australian Photographic Journal. C1909B/W Photo: Seated sideways wearing spectacles, mustachioed Gentleman in tree piece suit white shirt collar and dark tie and hat. Copy of original photo. c.1909. Original in "The Australian Photographic Journal p.264 22 September 1909.Portrait taken by W.J. Chapman. Engraved by S.W. Bacon and Co.stawell -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Peter Blizzard, sculptor, 1940-2009, Obituary. "Inspired and Admired Artist", C 2009
The centre piece of the Ex-PoW memorial is Peter Blizzard's work in the Ballarat Botanical Gardens. Obituary written by Gordon Morrison, Director, Ballarat Art Gallery.The Ex-PoW Memorial is a significant landmark in the Ballarat Botanical Gardens and many visitors come to pay their respects.Newspaper Article from the The Ballarat Courier with three coloured photographs. No precise date given; sometime in 2009.None.peter blizzard sculptor, peter blizzard obituary. pre-eminent australian sculptors, peter blizzard biography. blizzard's work in the ballarat botanical gardens, stone gardens journey. ex-pow memorial., blizzard, sculptor, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat -
Park Orchards Community House
Newspaper, Young artist at Park Orchards Community House. Doncaster and Templestowe News 28 April 1987
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Park Orchards Community House
Photograph, An artist doing a screen print at Park Orchards Community House, Unknown date
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Park Orchards Community House
Photograph, Artist talking to officials at Park Orchards Community House, Unknown date
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Park Orchards Community House
Photograph, Artist showing his drawing at Park Orchards Community House, Unknown date
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Park Orchards Community House
Photograph, Official talking to artist at Park Orchards Community House, Unknown date
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Park Orchards Community House
Photograph, Official presenting artist with gift at Park Orchards Community House, Unknown date
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Park Orchards Community House
Photograph, Artist drawing a leaf at Park Orchards Community House, Unknown date
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Park Orchards Community House
Photograph, Artist drawing flowers at Park Orchards Community House, Unknown date
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Park Orchards Community House
Photograph, Artist at Park Orchards Community Centre, Unknown date