These spikes were worn by Goldie Heath at Stawell in 1933. They were also used by Tommy Deane when training, but as too large they were “tied around with a bit of bike tube”Running spikes worn by Nagambie local, Cyril ‘Goldie’ Heath, to win thew 1933 Stawell Gift. Also worn by Tommy Deane during training with Heath for the 1946 race.Hand-made kangaroo hide spikes, with hide laces, metal eyelets and spikes. Pair of black shoes, rubber solepedestrianism, stawell gift, goldie heath, tommy deane, athletics, running

Presumed to have been made by the family of Mrs. Jean Snow who donated this item. This is a classic example of the tradition of "making do" , of creating new uses for older items or bits of scrap. A pillow case made from four porridge bags which have been opened out and stitched together. The name of the porridge manufacturer is evident on the pillow case, Robert J Terry.Robert J Terry N D M B A N (Eng)pillow- case making-do depression-creativity

Bendigo Advertiser "The way we were" from Monday, August 23, 2004. Helpers: schools are indebted to the support they receive from mothers' clubs and no doubt this group from White Hills State School No. 1916 did their bit to assist in 1935.newspaper, bendigo advertiser, the way we were

Shows what some of the huts looked like in Camp 3.Black and white photograph depicting, on the left, the corrugated side of a hut with part of another hut behind it with bits of other huts behind that. On the right hand side more huts can be seen. Part of a garden can be seen next to the corrugated side.camp 3, camp huts, internee living accommodation

Bendigo Credit Co-operative Limited, 121 McCrae Street. On front page logo of the Victorian credit unions and in a circle the words: It's where you belong with a drawing of a building. Inside a little bit of history and an application form for interest bearing deposit.business, retail, bendigo credit co-operative

Catalogue card reads, 'City of Ringwood - 1960. Cobb & Co. Coach'. Written on backing sheet of photograph, 'City of Ringwood 1960. Cobb coach later smashed to pieces in accident. Bits purchased by Ron Mason (Ringwood).

These beeswax moulds are second-hand bread tins from a baker. Beekeepers would re-use anything suitable for melting blocks of wax, this is an example. These weren't so good, the wax was a bit hard to get out.Metal rectangular tub, joined on one side to identical tub. No lids. Rusty, shows use wear. metal, mould, beeswax, beeswax mould, beechworth honey

Ornaments (2), 1) ceramic fish with coloured glaze in red, blue and cream. Hole for attaching to wall. Tail broken. Marked "225 Made Portugal" 2) ceramic fish (Bream) with blue and white glaze (smaller). Broken bit off Dorsal fin.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Found under floorboards when building demolished, April 1999. Reason for storage under floorboards unknown; found by 'bottle diggers' and sold to Peter LIBBIS of the Society in April of 1999From a collection of handwritten orders to J.E. EARL, 1922, handwritten on various bits of paper from scraps to company order forms. This one written on the back of a flyer for a lecture by the Hon. W.F. FINLAYSON MLC at Temperance Hall, South Melbourne Oct 27 1921Order in pencil on back of flyerbusiness and traders - timber, societies clubs unions and other organisations, public action campaigns, j e earl pty ltd, anti-liquor league, j p crichton & son

When early settlers began to arrive on the Snowy River somewhere in the 1880s, the land was mostly swamps and heavily timbered jungle on the river frontages. The swamps were drained bit by bit using hand tools. The frontages were cleared by axe and shovel and fire. Several kinds of crops were experimented with such as hops, hemp and maize. Maize grew particularly well and became the main crop of the district. (info. from October 2006 ODHS Newsletter) The Argus was a morning daily newspaper in Melbourne, Australia that was established in 1846 and closed in 1957. It was considered to be the general Australian newspaper of record for this period.Maize-growing has been an important agricultural industry in the Orbost district since early settlement. This item is associated with that history.A typed letter sent to a local maize farmer requesting information on maize growing. The letter has the "Argus" letter head. The name of the recipient is unknown.maize agriculture-orbost correspondence-argus

A novelty postcard that was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville in Victoria.A novelty postcard that was produced by Nucolorvue Productions Pty. Ltd. as a souvenir of Marysville in Victoria.IN A BIT OF A HURRY, SO JUST WRITING/ A FEW LINES NU-COLOR-VUE/ OF/ AUSTRALIA 11 SZ041/ NCV 3703 Printed in/ Australia POST CARD Nucolorvue Productions Pty. Ltd./ Telephone: (03) 560-1788 COPYRIGHTmarysville, postcard, souvenir, nucoloruve productions

Yields information about tram operations and the area around City Loop in Sturt St.Colour positive (from a 35mm slide film) of No. 27 and 26 parked in the city loop, 1971 on a sunny day. Was from the end of a slide film strip and had a bit of the film holder remaining on the right hand edge. Has the parking meters on Sturt St in the photograph.trams, tramways, city loop, tram 26 tram 27

One item about the history of this Church: 1/One and a bit typed notes about the history of this Church from 02/04/1928 to 1980. Its name changed to St Giles in 1946. Notes are undated and author unknown.caulfield central presbyterian church, halls, bambra road, neerim road, caulfield, churches, caulfield town hall, leckie a.d. rev, roberstson j.k. rev, hardie a rev, foundation stones, gullet t.s. mhr, kindergartens, st giles, swan a. rev., yarnall f. rev., constable w rev., gibson c rev., hoad f rev. , moderator of the presbyterian church of victoria, schools, waverley school, manning mrs, cooper mrs, st giles presbyterian pre-school

Contents: • Next meeting, guest speaker; Harry Gilham: The War Memorial, Kangaroo Ground • Annual General Meeting • Autumn Excursion • Society Program • President’s Report • Book Launch, Andrew Ross Museum • R.H.S.V. Program • Bits and Pieces The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

A black and white photograph of the comedian, comedienne, musicians and back-up singers of the official Mar-Apr 69 West Australian Concert Party, keep the Diggers at 1st Australian Task Force Base Nui Dat, at Luscombe Bowl guessing and smiling as they wait for the next bit of frivolityphotograph, entertainers, west australian concert party, 1 atf, nui dat, luscombe bowl, gibbons collection catalogue, digger

A Detective Booklet - 12 pages - put out by Fisheries and Wildlife Division to use when walking on the Cape Woolamai Trails. The dectictive is Shearwater Holmes and he's looking with your help for clues - like footprints or plants. All a bit of fun as well as education. 2 x booklets donated.Format by Alan J Reid, Gould League of Vic. No '79cape woolamai, the woolamai detective trail booklet, fisheries and wildlife, ministry for conservation, maurice schinkel

'Tiddle Tennis' game. Inscribed on lid: 'MADE IN U.S.A.'. Contains felt playing mat, cardboard 'net', 2 wooden net stands, 4 plastic bats, 1 bag of 8 plastic playing bits and an instruction sheet. Materials: Cardboard, Paper, Ink, Felt, Plastic, Woodtennis

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized check blanket, multicolourLaconia/Mexicana/Make Goodnight a Certainty/Pure Lambswool/Made in Australiawool, blanket, blanket fever, laconia, mexicana

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Collector says: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from.Queen sized checked blanket, red, blue, orange, yellow. An Onkaparinga 100% pure wool production. In emblem: Made in Australia. Name tag sewn below label: R M. Shiltonwool, blanket, blanket fever, onkapringa

Used in wood splitting to split with the grain of the wood. Splitting or stud axe bits are more wedge shaped. This shape causes the axe to rend the fibres of the wood apart, without having to cut through them. Possibly made by Kelly Axe Company after 1949.A wooden handled axe with a flat ended wedge shaped blade for hammering. There is a piece of orange cord threaded through the handle for hanging. Made in USA True temper flint edge.stud-axe tools

Handkerchiefs have been used by men and women for centuries. They could be made of any bit of cloth, but eventually they became a symbol of social status and wealth. As they became a status symbol, they also became more than just scraps of cloth, and were decorated with lace and embroidery. This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Hand-embroidered silk dress handkerchief. Flowers embroidered on front. Fabric colour is beige.handcraft silk-handkerchief embroidery

Note from collector: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Waverley 'El Rio' Multicoloured checked Double sized blanketEl Rio Blanket/By Waverley/Pure Woolblankets, blanket fever, wool, el rio, waverley, launceston

A hand painted paper scroll, which Berthold Irving Meier (Bert. I. Myer, or BIM - a well-known Commercial Artist in Melbourne) had made when a member of the team of set designers and scenery painters, for the 8th Employment Company's production of "Sergeant Snow White", which was performed at the Melbourne University Union Theatre, in April 1943! It was a Sergeant Doc K Sternberg production, the other set designers being L/Corporal Emil Wittenberg, Private Klaus Friedeberger and Private Friedrich (Fritz) Schoenbach. The show incorporated songs and music by Kurt Kohn (pseudonym Ray Martin), with Erich Liffmann cast as Prince Charming. The masks for the ballet "Ghosts of Europe" were designed by Private Erwin Fabian. Others in the cast included Corporal A P Schmitz (ballet soloist), Sergeant Sigismund Lohde, and Sergeant H Mayer. The Production was extremely well-received and was called "a colourful and tuneful revue ......... a fine achievement of writing and direction......scenery and stage décor ingenious and amusing." There were write-ups in both "The Age" and "The Argus" Melbourne newspapers at the time. The scroll was originally housed in a wooden box, with "windows", (since lost) so that when the scroll was wound though, each scene, and the accompanying description from the original programme, could be seen.Two long pieces of paper which originally would have been one and has been rolled into a scroll. The length of paper has been divided into two and then divided into approximately 12 sections. On the left in different colours is bits of information relating to the scene. On the right are different scenes from the play.bert i myer, bim, sergeant snow white, 8th employment company, melbourne university union theatre, doc k sternberg, f schoenbach, kurt kohn, erich liffmann, erwin fabian, a p schmitz, h mayer, kathleen whelan, tatura internment camps, berthold irving meier, klaus friedeberger, emil wittenberg, friedrich (fritz) schoenbach, sigismund lohde

This drill was used in the construction of the Eltham-Hurstbridge Railway extension in 1911. The device was placed over the wooden sleeper to drill holes for the iron spikes which held the rail down. Example of tools needed to build railway in early 20th Century in the Diamond Valley.Drill mechanism mounted on wooden frame. Mechanism tilts to enable holes to be drilled vertically (normal) or at angles up to 45 degrees using double hand cranks and gears. A rack can be engaged to raise and lower the mechanism and drill bit. Mechanism appears original. Base frame replaced recently. #drill, #railwayconstruction, #sleepers, #tilting, #handoperated

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity. In a sealed sterilised bag. Large scissor like steel instrument with 2 loose identical parts. Handle end is controlled by teeth. Pivot has a screw protruding out. Instrument end is flat with a key hole at each end. Loose bits are 3 sided with a hook like attachment on 1 side. medical instrument. hospital equipment. speculum. abdominal. tawonga. mt beauty.