Sauce came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of Rosella Pres & Manuf. Co. Ltd.Historical: Change of bottles - shape, embossing, stopper Aesthetic: Display showing embossing and shapeClear glass bottle not quite round but oval with straight sides two thirds of the way up. The glass is clear for the first 2 thirds of the straight sides and then is patterned with long vertical ripples before it begins to taper in clear glass to the lip and the opening, which has a screw top. Embossed around the circumference along the bottom in printed capital letters and on the base.1 bubble in the glass on the tapered section. Side: 'Prop. of Rosella Pres. & Manuf. Coy. Ltd R.D.No. 9062' Base: Common seal on top (A with G and M inside) 'J367' across the middle and 'M' underneathglass bottle, sauce, rosella pres. & manuf. co. ltd., household

Sauce came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape and size of the bottles changed as did the stopper used to seal it.Historical: Change of bottles - shape, size, stopper, embossing Aesthetic: Display showing shape and embossing.Medium sized clear glass sauce bottle with straight sides two thirds of the way up then tapering to the neck and opening. Sealed by cork which is loose inside the bottle. Embossed at the base. Base: Common Seal 'A' with 'G' at top and 'M' below inside the A. Underneath and across the middle 'M559' and beneath 'M' '211' on edgeglass bottle, sauce, household

Sauce came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape, colour, size of the bottles changed as did the stopper used to seal it.Historical: Change of bottles - shape, glass, stopper, size, embossing Aesthetic: Display shown embossing and shapeClear brown glass bottle of medium size used for sauce. Sealed with a glass stopper that has cork on the outside. It has straight sides for nearly two thirds to the top then tapers quickly into a long straight neck with a lip near the opening. Inside the opening is a lip. Embossed on base.Base: across the middle 'M 311' and below that 'M'glass bottle, household, glass cork stopper, sauce

Sauce came in bottles bought at the local grocery store or in a large city store on a shopping expedition. The shape and size of the bottles changed as did the stopper used to seal it. The bottles were re cycled remaining the property of the manufacturer. History of Rosella Pres. & Manuf. Co. Ltd.Historical: Change of bottles - shape, glass, embossing, use Aesthetic: Display showing embossing and shape. Clear glass bottle used for sauce. Grooved straight sides two thirds of the way up, tapering to the lip at the top of the neck and screw top. Embossed on base around the circumference and in the middle. The print is in capital letters. A few very small bubbles in the glass. Base: 'The Prop. of Rosella Pres & Manf Coy Ltd' around the circumference. Base: Inside the above inscription: '15' at top, 'Reg. No. 25701'across the middle and below 'ISM - 100'sauce, glass bottle, rosella pres. & manuf. co. ltd, household

Sauce and coffee / chicory was stored in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it.Historical: Change of bottles - shape, glass, stopper, embossing and use. Aesthetic: Display showing embossing and shape.Clear slightly green glass bottle used for storing sauce, coffee or chicory. The base is square with a slight indent inwards and has embossing. The straight sides go two thirds of the way, taper quickly to the neck and then form a lip and opening for a cork stopper. Glass badly blown with a defect about one quarter of the way up.Base: Common seal: 'A' with 'G' at top and 'M' below inside the 'A'. 'M711' across the middle and 'M' underneath. 'F18' on edge of one side.glass bottle, sauce, coffee, chicory

This bottle was bought at the local chemist or a chemist in a larger city on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. History of Rawleigh's.Historical: Change of bottles - shape, glass, stopper, embossing, use Aesthetic: Display showing embossing and shape.Clear glass bottle with rectangular base and straight sides three quarters of the way up tapering into the neck and then the screw top opening. The front face is heavily embossed with maker's name signed across the face. The back and side faces are flat while the front is indented and framed with a curved top. The base is embossed and slightly indented.Front side: "I Rawleigh's I" Base: Common seal 'A' with 'G' on top and 'M' underneath inside the 'A', 'G437' and an 'O'chemist, rawleigh's, medicine, glass bottle

This bottle contained castor oil or cod-liver oil and has a hand finished top. It would have been bought at a local chemist or in a larger city on a shopping expedition.Historical: Found inside the walls of a Tawonga South farm house having been left there when the house was being built. Change of bottles - shape, glass stopper, manufacture and use. Aesthetic: Display showing shape and colour due to the affect of sunlight.Clear glass bottle with manganese/purple tinge caused by sunlight. Hand finished top. Joins in glass on each side but not continuing to opening. Straight sides from the base to a little more than half way up. Sharp taper to neck which is straight and long to lip and opening. Cork stopper.Bubbles in glass. chemist, castor oil, codliver oil, tawonga south, aurora parmesan

Medicines were stored in bottles and sold by chemists either locally or in big cities that were visited on shopping expeditions. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of Wyeth Inc. Sydney.Historical: Change of bottles - shape, glass, stopper, embossing, use. Bottle collectors. Aesthetic: Display showing embossing and shape.Clear brown glass bottle with straight sides three quarters of the way up tapering as shoulders to a wide screw top with a short opening. Base is rectangular slightly indented with faint embossing. heavier embossing on the 2 narrow sides - in print and read from the top of the bottle to the bottom (sideways) of the bottle.Sies: 1. 'This Bottle is the Property of' 2. 'Wyeth Incorporated Sydney' Base: Common Seal - 'A' with G and M inside. Middle 'LS 106'. Underneath '3' glass bottle, chemist, wyeth inc. sydney, medicines

Medicines came in bottles sold by the chemist locally or at a large city chemist store on a shopping expedition.The shape and colour the the bottles changed as did the stopper used to seal it. Use of linseed oil and milk of magnesia.Historical: Change of bottles - shape, glass, stopper, embossing and use. Aesthetic: Display showing colour and shape.Clear brown glass bottle used for medicine - possibly linseed oil or milk of magnesia. It has straight sides three quarters of the way up tapering to the neck ending with a lip and a screw top. Rectangular base with embossing. 3 sides and base are slightly indented. The 4th side is flat with an embossed '2' at the bottom in the middle. Side: '2' Base: 'G 374' followed by the common seal 'A' with 'G' and 'M' inside the 'A'chemist, medicines, brown glass bottle, liniseed oil, milk of magnesia

Medicines win the form of pills were stored in bottles sold by the chemist either locally or in larger cities visited during a shopping expedition. The shape of bottles changed as did the stoppers used to seal them.Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing and shape especially if in good conditionClear brown glass bottle with base consisting of 2 long sides (front and back) and 2 shorter sides at each end joined by two even shorter sides (as if to cut corners). Tapered sharply to form a neck and lip and then a screw top opening. Embossed on base. Used for pills or reviving salts.Base: Common Seal: 'A' with 'G' and 'M' inside top and bottom respectively. 'F 1101' followed by 'M' On the side of the base at right angles to the above: '947'brown glass bottle, chemist, pills, reviving salts

Chemists sold bottles of 'Dexsal'. This bottle was bought locally or at a larger store on a shopping expedition. This bottle is dated earlier than others and had a cork stopper. History of Dexsal.Historical: Change of bottles - shape, glass, stopper, use and embossing Aesthetic: Display showing embossing and shape.Clear brown glass 'Dexsal' bottle with straight sides a little more than three quarters of the way up. The base has 2 long sides (front and back) with 3 equal length sides at each end. The shoulder of the bottle has a short neck on top and then a cork stopper opening. Heavy embossing on the front and embossing on the base.Front: across bottle: 'Dexsal / Reg. Trade Mark' Base: 'F 397' and near the edge '627'chemist, dexsal, cork stopper, brown glass bottle

Medicines were sold by chemists locally or in larger cities when visited on a shopping expedition. The shape of bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. History of S.C. Johnson & Son Pty. Ltd.Historical: Change of bottles - shape, glass, stopper, use and embossing Aesthetic: display showing embossing and shape.Clear round brown glass bottle with straight sides three quarters of the way up tapering to a short neck and cork screw opening. Embossed '3' near the bottom and heavy embossing on base in print with capital letters.Side: near base: '3' Base: Around half of the circumference: 'This bottle is the property of' Base: Across the centre: 'S.C.Johnson / & Son Pty Ltd / Sydney'chemist, medicine, s.c. johnson & sons pty ltd., brown glass bottle

Perfume, lavender water and bath salts were sold by chemists either locally of in larger cities visited on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it.Historical: Change of bottles - shape, glass, stopper, embossing, use Aesthetic: Display showing shape and size of bottleClear glass bottle with rectangular base and straight sides nearly three quarters of the way up tapering in 3 waves to a ridged neck and then a screw top. Visually but inside the glass at the base seems to be indented showing a lopsided hill bearing to one side.Base: '12' within an oval shape chemist, perfume, lavendar water, bath salts, glass bottle

Medicine came in bottles bought at the local chemist or at a large city chemist on a shopping expedition. The shape and contents changed as did the stopper used to seal it. History of Bonnington's Irish Moss.Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing and shape Small clear brown glass bottle used for medicine. Rectangular shape with heavy embossing at the front. Narrower sides taper to the lip at the opening. Also has a lip around the opening.On front side: 'Bonnington's / Irish Moss / Coughs & Colds' chemist, medicine, glass bottle, bonnington's, irish moss, coughs, colds

Bottles were bought locally or at larger cities on a shopping expedition. The shape of bottles changed. Bottles were re cycled remaining the property of the manufacturer. History of Clinton Williams Pty Ltd.Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing and shapeClear brown bottle with straight sides three quarters of the way up tapering to the opening screw top. The base is rectangular. The front is embossed horizontally.Front: 'This bottle / Always Remains / the Property of / Clinton Williams / Pty Ltd.'glass bottle, clinton williams pty ltd

Medicine came in bottles bought at the local chemist or at a large city chemist on a shopping expedition. The shape and contents changed as did the stopper used to seal it. History of Bonnington's & Irish Moss.Historical: Change of bottles - shape, glass, stopper, embossing and use. Aesthetic: Display showing embossing and shape. Small clear brown glass bottle used for medicine. Rectangular shaped with heavy embossing at front. Narrower sides taper to lip at opening. Also has lip around the opening.Front side: 'Bonnington's / Irish Moss / Coughs & Colds'glass bottle, chemist, medicine, irish moss, bonnington's, coughs, colds

Medicine came in bottles bought at the local chemist or at a large city chemist on a shopping expedition. The shape and contents changed as did the stopper used to seal it. History of Bonnington's and Irish MossHistorical: Change of bottles - shape, glass, stopper, embossing and use Aesthetic: Display showing embossing and shapeSmall clear brown glass bottle used for medicine. Rectangular shape with heavy embossing at the front. Narrower sides taper to the lip at the opening. It has a very rusted-on screw lid which is metal.Front side: 'Bonnington's / Irish Moss / Coughs & Colds'glass bottle, bonnington's, medicine, chemist, irish moss, coughs, colds

Milk was produced at the local dairy and then delivered to the stores and / or each household. The shape of the bottles changed as did the stopper used to seal it. The cardboard one predating the aluminium seals. Milk bottles were recycled by the dairy for re use. Liquids were measured in pints pre 1966.Historical: Change of bottles - shape, stopper, embossing Aesthetic: Display showing embossing and shapeClear glass milk bottle with straight sides half way up tapering to the top where there is a thick lip on the outside. Opening is wide. There is an inner rim inside the opening. A cardboard disc fitted on to the inner rim to seal the contents. Heavily embossed.On side near base: 'One Imperial pint' On base: Common Seal: 'A' with 'G' and 'M' inside the 'A'. 'F 1297' is across the middle and 'M' is underneath. In front of the 'M' one bottle has '2' and the other '6'.milk, diary, glass bottle, household, farmer

The Reeves family emigrated from Dublin arriving in Geelong around 1845. The established their cordial business in Warrnambool in mid 19th century and operated well into the 20th century.The Reeves family were one of a number of drink manufacturers which operated in Warrnambool in the late 19th century and 20th century. Clear glass cylindrical bottle with neck. The dark grey stopper has an internal screw with rubber seal.Embossed on side of bottle "This bottle always remains the propertyof /R.V. REEVES/WARRNAMBOOL." Lined measure mark on side of bottle. "32" either side of lip.Manufacturers marks on bottom.reeves, warrnambool, cordial bottle

Small glass perfume bottle of "Paris" perfume - 3/4 full. Has a glass stopper. Label is missing.Front - Roger & Gallet - Paris

A pair of cut glass cruet bottles with square cut design and glass stopper.cruet bottles glassware tableware

Large metal drinking bottle covered and laced up in leather. It was used by horsemen and has a long leather carrying strap. It has a cork stopper. The cover is handmade.bottle personal-effects travel container

These bottles were used at the pharmacies in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.Medicinal bottles are probably the largest and most diverse group of bottles. The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost.Six large glass bottles - four clear and two green. All have narrow necks with glass stoppers and are clearly labelled with black print on a white background. Each of the the two coloured glass bottles have a fluted surface. These apothecary bottles were used to dispense medications and also for show or display purposes. The labels under glass bottles had a recessed section that the label was placed into. The label was then covered with a thin piece of glass to prevent the label from becoming damaged by the bottles contents. 3210.1 - "MIST ; OXYMELLIS : CONC : 1 TO 4" 3210.2 - " OL : CARBOL : 1 IN 10" 3210.3 - "SPT. CAMPHOR" 3210.4 - "MIST : CASCARA: CONC: 1 - 4" 3210.5 - "MIST : STRYCH: c. AC : PHOSPH CONC : 1 - 4" 3210.6 - "PIG : MANDL : ": bottles-pharmaceutical chemists-orbost medicine

These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost. A Nestle's Milk Chocolate Scorched Almonds box used as a container. 3219.2 is a brown cylindrical container with a red lid and a grey and white label, "ATROPINE SULPHATE". 3219.3 is a small clear glass container with cork stopper and paper labels, in red and black print, "SIGMA POISON HYOSCIN HYDROBORON BP" and stamped in purple "5 GRAINS". 3219.4 is a clear glass cylinder with a cork stopper and a white paper label with "SIGMA POISON 5 GRS PILOCARPIN. HCL " in red and black print. 3219.5 is a small stained plastic cylinder with a red lid. The brown contents have stained the inside. It has a paper label of red print on white, and white print on green, "PHYSOSTIGMINE SALICYCLATE BP".3210.6 is a clear gloss narrow plastic container containing powder. It is labelled, "POISON HOMATROPINE HYDROBROMIDE BP".There are six thin glass cylindrical phials with cork stoppers and paper labels, two clear glass stoppers and two glass cylindrical containers with cork stoppers.medicine, chemicals, pharmacy, orbost, phial

This cruet set belonged to the Orr family of Addington, family of the donor.This is typical of a table condiment set.This cruet set has a diamond-shaped silver plated tray with four knobs for legs. A hoop-shaped frame is screwed underneath and holds four circular frames for holding condiment bottles. The frame has a truncated triangular top. Four crystal cut bottles with a diamond pattern fit into the framework. Two have crystal cut glass stoppers and two have silver-plated lids. One silver lid is hinged and has a spoon hole and the other has many small holes (for pepper?).allansford, orr family, addington, tableware, dining setting, condiments, eddington

This bottle was one of the items salvaged from the wreck of the Fiji in 1891. Joseph Bosisto began manufacturing Eucalyptus Oil in Australia from 1854. This bottle is marked ‘J. BOSISTO”, which probably dates it from 1885 when the company J. Bosisto & Co. was formed. The marking on the bottom of the bottle “GERMAN/B_ _ E” could mean that the bottle was imported by J. Bosisto from Germany. In the early years bottles were imported from overseas countries including England and Germany. In 1872 the Melbourne Bottle Works was established to supply the bottles locally and more cheaply but had difficulty keeping up with the supply. From 1865 Australian-made Bosisto’s Eucalyptus Oil began to be exported to England then later to Germany and other countries. Bosisto’s Eucalyptus Oil won many prizes at exhibitions between 1854 – 1891. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the last man being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are china miniature animals, limbs from small china dolls, rubber balls, this glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife. The glass bottle is registered as “Artefact Reg No Fiji/1”. Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Clear glass oval medical bottle with rounded corners and flattened sides on front and back surfaces. Opening of bottle has a lip around it and could have been sealed with a stopper. There is a chip in the lip. One face of the bottle has a rectangular border with a name embossed vertically on it, “J. BOSISTO / RICHMOND”. The oval base of the bottle also has letters embossed on it “GE_ _AN” “B _ _ _ _ _”. There is also a large chip out of the base. The sides of the bottle have a vertical joining line. The bottle was recovered from the wreck of the Fiji.Flat side of bottle has rectangular border with “J BOSISTO / RICHMOND” embossed in the centre. The base of the bottle has “G E . . A N/B . . . . . .” embossed on it. Other letters have been removed with the chip. (probable wording was ‘GERMAN/BOTTLE)warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, fiji, 1891, glass bottle, medicine bottle, bosistos, j bosistos, german bottle

This demijohn was made by Bendigo Pottery for Sharpe Bros, brewers of non-alcoholic drinks such as Dandelion Ale, Ginger Beer and cordial. Sharpe Bros began in New Zealand and expanded to Australia in the early 20th century. The company was taken over by Cadbury Schweppes in 1972.An item made during the first half of the 20th century by a Bendigo pottery as a container made for the Sharpe's brewery in Victoria to contain their non alcoholic drinks for retail sale.Glazed stoneware bottle with dark brown glaze to top section, one gallon size, narrow neck glazed stoneware stopper and wire handle missing. SHARPE BROS. AUSTRALIA & NEW ZEALAND Text printed in black on body: 'This bottle is the absolute property of and must be returned to Sharpe Bros. Australia and New Zealand.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bottle, stoneware bottle, sharpe bros., drink, non alcoholic drinks, bendigo pottery, demihohn

A rolling pin is a simple tool used to flatten dough. The first civilisation known to have used the rolling pin was the Etruscans. Their advanced farming ability, along with a tendency to cultivate many plants and animals never before used as food and turn them into sophisticated recipes, were passed to invading Greeks, Romans, and Western Europeans. Thanks to the Etruscans, these cultures are associated with gourmet cooking. To prepare their inventive foods, the Etruscans also developed a wide range of cooking tools, including the rolling pin. Although written recipes did not exist until the fourth century B.C., the Etruscans documented their love of food and its preparation in murals, on vases, and on the walls of their tombs. Cooking wares are displayed with pride; rolling pins appear to have been used first to thin-roll pasta that was shaped with cutting wheels. They also used rolling pins to make bread (which they called puls) from the large number of grains they grew. Natives of the Americas used more primitive bread-making tools that are favoured and unchanged in many villages. Chefs who try to use genuine methods to preserve recipes are also interested in both materials and tools. Hands are used as "rolling pins" for flattening dough against a surface, but also for tossing soft dough between the cook's two hands until it enlarges and thins by handling and gravity. Tortillas are probably the most familiar bread made this way. Over the centuries, rolling pins have been made of many different materials, including long cylinders of baked clay, smooth branches with the bark removed, and glass bottles. As the development of breads and pastries spread from Southern to Western and Northern Europe, wood from local forests was cut and finished for use as rolling pins. The French perfected the solid hardwood pin with tapered ends to roll pastry that is thick in the middle; its weight makes rolling easier. The French also use marble rolling pins for buttery dough worked on a marble slab. Glass is still popular; in Italy, full wine bottles that have been chilled make ideal rolling pins because they are heavy and cool the dough. Countries known for their ceramics make porcelain rolling pins with beautiful decorations painted on the rolling surface; their hollow centres can be filled with cold water (the same principle as the wine bottle), and cork or plastic stoppers cap the ends. Designs for most rolling pins follow long-established practices, although some unusual styles and materials are made and used. Within the family of wooden rolling pins, long and short versions are made as well as those that are solid cylinders (one-piece rolling pins) instead of the familiar style with handles. Very short pins called mini rolling pins make use of short lengths of wood and are useful for one-handed rolling and popular with children and collectors. Mini pins ranging from 5 to 7 in (12.7-17.8 cm) in length are called texturing tools and are produced to create steam holes and decorations in pastry and pie crusts; crafters also use them to imprint clay for art projects. These mini pins are made of hardwoods (usually maple) or plastic. Wood handles are supplied for both wood and plastic tools, however. Blown glass rolling pins are made with straight walls and are solid or hollow. Ceramic rolling pins are also produced in hollow form, and glass and ceramic models can be filled with water and plugged with stoppers. Tapered glass rolling pins with stoppers were made for many centuries when salt imports and exports were prohibited or heavily taxed. The rolling pin containers disguised the true contents. The straight-sided cylinder is a more recent development, although tapered glass pins are still common craft projects made by cutting two wine bottles in half and sealing the two ends together so that the necks serve as handles at each end.Tiny rolling pins are also twisted into shape using formed wire. The pins will not flatten and smooth pastry, and the handles do not turn. The metal pins are popular as kitchen decorations and also to hang pots, pans, and potholders. https://www.encyclopedia.com/sports-and-everyday-life/food-and-drink/food-and-cooking/rolling-pinThe use of the rolling pin to make thin pastry or pasta.Wooden rolling pin with some damage on cylinder section.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, rolling pin, cooking, pastry

The Ballarat School of Mines is a predecessor insttution of Federation University AustraliaGlass bottles used in the Chistry Laboratory at the Ballarat School of Mines .1 has the label 1M Ammonia solution, and a plastic stopper.scientific equipment, bottle, laboratory

Clear glass bottle 20cm high, with glass stopper. Tapering into a 8cm neck. RED HEART,heart shaped emblem embossedbottle, glass