Hardcover book with a green fabric cover. Black and gold image of two school girls on cover. 279 pages. 8 full-page original illustrations by Percy Tarrant.fictionA Public School story.jessie mansbergh, sydneham ladies school, violet knight, mrs. george de horne vaizey, fiction

Photograph of Captain Pinehin. Cartes de visite, 1890s, by George Lovewell of Hamilton. Ships - Allied Material.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, captain pinehin, photograph, george lovewell

Black and white photograph of two steam trains on the Wahgunyah branch line.Written on back of photo: "A 'up' goods is set back on the Wahgunyah branch headed by K186 as 'J' 527 [illeg.] Springhurst in 'Down' goods. 1.7.1960" Rubber Stamp: "Norman W. De Pomeroy"springhurst, steam trains, k186, j527, wahgunyah

This book was discovered beneath the floor of a former Ballarat School of Mines office during renovations in 1970. It appears to have been placed there in safe storage, then forgotten for decades. Both State Library of Victoria and Monash University have a full run of all 10 volumes of Recueil de planches sur les sciences, les arts libereaux, et les arts mechaniques avec leur explication. This copy is the sixth volume, and contains 294 pages. School of Mines stamps are dated 1870. Etchings by Benard Fecit and Louis-Jacques Goussier (1722-99). Goussier was a French illustrator and encyclopedist.Large hard covered book of 294 beautifully printed plates on handmade paper. Each plate has descriptions written in French. Along with animals and natural history the images also include mining, metallurgy and mineralogy. Rebound in 1987 with green cloth and leather spine and corners. Gold lettering on the spine. Ballarat School of Mines stamp on the back of each image, dated 1870.printed plates, animals, natural history, metallurgy, mineralogy, mining, minerology, etching, 1768, french, science, briasson, david, le breton, sixth volume

A white booklet titled, 'Fontainebleau.' It contains 48 Cartes Postales Detachables. Nouvelles Galleries, Bazar De L'Hotel De Ville 58, 60, 62 Rue Grande.Period 1919-1938 ?Nouvelles Galeries, Bazar De L'Hotel De Ville 58,60,62, Rue Grandephotograph, landscape, france, lydia chancellor, collection, france, castles, fontainebleau, photos, photography, travel, tourism, place, postcards

Black and white photograph of the Lilliput siding platform and stationWritten at top of photo: "Lilliput Railway Station: On back of photo: "Lilliput Siding - A solitary truck awaits loading. 1.7.1960" "Located at Map Ref 526 032" Rubber stamp: "Photographed by Norman W. De Pomeroy"railway stations, lilliput

The beginning of standardised weights and measures began In Victoria when the Melbourne Observatory received sets of standard weights and measures, which had been tested in Britain against the then British Imperial standards. These included the primary standard yard and pound for the Colony of Victoria. Other standards of weights and measure held by shires and the administrative body's within the colony could then be compared to these primary standards. A Weights and Measures Act was passed in Victoria in 1862, establishing local inspectors throughout the colony. By the 1870s each local council and shire in Victoria held a set of standards that were used to test scales, weights and dry measures used by wholesalers, factories and shops. Every ten years the councils’ standards would themselves need to be rechecked against the Victorian Standards. The checking was done by the Victorian Customs Department in the 19th century, but with the transfer of responsibility for customs to the Federal Government in 1901, weights and measures function was retained by the Victorian Government and was shifted to the Melbourne Observatory. In 1904, a new building was erected at the south end of the Great Melbourne Telescope House, where the standard weights and measures and testing equipment was installed. This room had a large whirling apparatus for testing air meters and became known as the Whirling Room. When the Melbourne Observatory closed in 1944, the Weights and Measures Branch was formed to continue and this branch remained at the Observatory site unit until 1995. J & M Ewan History: J&M Ewan was a Melbourne firm that began by selling retail furniture and wholesale ironmongery. They had substantial warehouses situated at the intersection of 81-83 Elizabeth and Little Collins Streets, the business was established by James M Ewan in 1852. Shortly afterwards he went into partnership with William Kerr Thomson and Samuel Renwick. When Ewan died in 1868 his partners carried on and expanded the business under his name J & M Ewan. The business was expanded to provide a retail shop, counting-house and private offices. Wholesale warehouses adjoined these premises at 4, 6 and 10 Little Collins Street, West. This company provided and sold a large and varied amount of imported goods into the colony that consisted of agriculture equipment, building materials, mining items as well as steam engines, tools of all types and marble fireplaces. They also supplied the Bronze measuring containers in the Flagstaff Hill collection and the probability is that these containers were obtained by the local Melbourne authority that monitored weights and measures in the mid to late 19th century. The company grew to employ over 150 people in Melbourne and opened offices at 27 Lombard St London as well as in New Zealand and Fiji. The company also serviced the Mauritius islands and the pacific area with their steamship the Suva and a brig the Shannon. Robert Bate History: Robert Brettell Bate (1782-1847) was born in Stourbridge, England, one of four sons of Overs Bate, a mercer (a dealer in textile fabrics, especially silks, velvet's, and other fine materials)and banker. Bate moved to London, and in 1813 was noticed for his scientific instrument making ability through the authority of the “Clockmakers Company”. Sometime in the year 1813 it was discovered that one Robert Brettell Bate, regarded as a foreigner in London had opened a premises in the Poultry selling area of London. He was a Mathematical Instrument maker selling sundials and other various instruments of the clock making. In 1824, Bate, in preparation for his work on standards and weights, leased larger premises at 20 and 21 Poultry, London, at a rental of four hundred pounds per annum. It was there that Bate produced quality metrological instruments, which afforded him the recognition as one of one of the finest and principal English metrological instrument-makers of the nineteenth century. English standards at this time were generally in a muddle, with local standards varying from shire to shire. On 17 June 1824, an Act of Parliament was passed making a universal range of weights, measures, and lengths for the United Kingdom, and Bate was given the job of crafting many of the metrological artifacts. He was under instruction from the renown physicist Henry Kater F.R.S. (1777-1835) to make standards and to have them deposited in the principal cities throughout the United Kingdom and colonies. Bate experimented with tin-copper alloys to find the best combination for these items and by October 1824, he had provided Kater with prototypes to test troy and avoirdupois pounds, and samples with which to divide the troy into grams. Bate also cast the standard for the bushel, and by February 1825, had provided all the standards required of him by the Exchequer, Guildhalls of Edinburgh, and Dublin. In 1824, he also made a troy pound standard weight for the United States, which was certified for its accuracy by Kater and deposited with the US Mint in 1827. Kater, in his address to the Royal Society of London, acknowledged Bate's outstanding experimentation and craftsmanship in producing standards of weights, measures, and lengths. An example of a dry Bronze measuring container made specifically for J & M Ewan by possibly the most important makers of measurement artefacts that gives us today a snapshot of how imperial weights and measures were used and how a standard of measurement for merchants was developed in the Australian colonies based on the Imperial British measurement system. The container has social significance as an item retailed by J & M Ewan and used in Victoria by the authorities who were given legal responsibility to ensure that wholesalers and retailers of dry goods sold in Victoria were correct. The container was a legal standard measure so was also used to test merchants containers to ensure that their distribution of dry goods to a customer was correct.Maker Possibly Robert Brettell Blake or De Grave, Short & Co Ltd both of LondonContainer brass round for measuring quantities- Has brass handles & is a 'Bushel' measurement. 'Imperial Standard Bushel Victoria' engraved around container. Container bronze round shape for measuring dry quantities has brass handles & is a 'Bushel' measurement"IMPERIAL STANDARD BUSHEL" engraved around the top of the container. VICTORIA engraved under "J & M Ewan & Co London and Melbourne" engraved around the bottom of the container.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, standard measure, bushel, bushel measurement, j & m ewan, dry measurement, victorian measurement standard, bronze container, melbourne observatory, robert brettell bate

Ismalia is a city in north-eastern Egypt. It would have been part of a booklet available during World War One. A black and white postcard showing a row of double storey housed behind a row of trees. This card was purchased by an Australian soldier, probably Henry Smerdon Holmes, during World War One. chatham-holmes family collection, ismailia, egypt, world war one, world war

Fragmented Carte de Visite photograph of N Lockwood primary school No 744 in the 1870's. Group of children standing in front of school will contain Mary Ann Weigard, and possibly her sister Therisa. Handwritten on reverse Lockwood school Mr & Mrs Sinnott, 1870. Mr Edwin Sinnott was headmaster of school in 1887.school, history, history

Saint-Omer is a commune and sub-prefecture of the Pas-de-Calais department 68 km west-northwest of Lille on the railway to Calais. The town is named after Saint Audomar, who brought Christianity to the area. (Wikipedia) During World War I on 8 October 1914, the British Royal Flying Corps (RFC) arrived in Saint-Omer and a headquarters was established at the aerodrome next to the local race course. For the following four years, Saint-Omer was a focal point for all RFC operations in the field. Although most squadrons only used Saint-Omer as a transit camp before moving on to other locations, the base grew in importance as it increased its logistic support to the RFC. Many Royal Air Force squadrons can trace their roots to formation at Saint-Omer during this period. Among which are No. IX Squadron RAF which was formed at Saint-Omer, 14 December 1914 and No. 16 Squadron RAF which was formed on 10 February 1915. (Wikipedia)Black and white postcard showing a group of children and some adults surrounding a horse drawn cart. The cobble stone street is lined with double story buildings. chatham-holmes family collection, saint-omer, world war, world war 1, postcard

The carte de visite, English: 'visiting card', was a format of small photograph which was patented in Paris by photographer André Adolphe Eugène Disdéri in 1854, although first used by Louis Dodero. Each photograph was the size of a visiting card, and such photograph cards, in an early form of social media, were commonly traded among friends and visitors in the 1860s. Albums for the collection and display of cards became a common fixture in Victorian parlors. The popularity of the format and its rapid uptake worldwide were due to their relative cheapness, which made portrait photographs accessible to a broader demographic, and prior to the advent of mechanical reproduction of photographs, led to the publication and collection of portraits of prominent persons. It was the success of the carte de visite that led to photography's institutionalization. https://en.wikipedia.org/wiki/Carte_de_visite Three B&W male portraits undated a. R.O. Henderson, studio photo with pillar, by Johnstone O'Shannessy & Co. b. Henry Jackson, head portrait in Dec. 1866, Photographed by Batchelder, Pall Mall, Sandhurst c. Mr. Jackson oval portrait facing left; photographed by N White, photographer, Mitchell Street, Sandhurst.photos, photographers

Miss June De Chaneet, Terms I, II and III 1939. She graduated with a Certificate of Competency in Horticulture in 1939Report Card of Miss June de Chaneet, Terms I, II and III 1939. Lists subjects taken. Miss J.D. Chaneet graduated in Certificate of Competency in Horticulture 1939. Subjects taken: Botany, Chemistry, Gardening, Entomology, Vegetable Pathology, Viticulture, Citriculture, Garden Design, Outdoor Work, Garden observation. Note by T. H. Kneen 1/4/92 "This report card show the name of the school as it was known from the time of Mr. McLennan's appointment in 1916. See B91 228 - on the sign Horticulture takes precedence over Primary Agriculture. The location Royal Horticultural Gardens owes its origin to the Royal Horticultural Society of Victoria which relinquished management of the Gardens to the Department of Agriculture in 1891." "I would have thought the use of Royal was for the RHSV exclusively." THKThe report is signed by the principal A.W. Jessop and Miss de Chaneet's parent V. de Chaneet.certificate of competency, june de chaneet, report card, subjects

Report - 36 pages plus yellow paper cover, white rear cover and plastic cover, heat strip bound with black plastic strip on left hand side. Titled "Double Deck train - Survey report - an evaluation of customer responses". Report details the attitudinal analysis of customers and analysis of loading and unloading times on the double deck train including comparisons with the existing single deck train. Report notes that for the train loading/unloading times were better than that of a 6 car Comeng train on the Ringwood line. Report prepared by Ann de Paul and David Oliver of the Research Monitoring and Coordination Marketing Division of the PTC June 1992.trams, tramways, railways, double deck trains, ptc, ringwood

286 p. : red cover, decoration of leaves embossed on front cover and spine.fictionhenry de vere stacpoole, fiction

Louisa Henty (1847-24) was the eldest daughter of Francis and Mary Ann Henty (nee Lawrence). Following the deaths of her mother and father, she inherited 'Fieldplace' in Studley Park, Kew, and 'Merino Downs' in Henty, near Casterton. The original photo, owned by a descendant of Francis Henty is part of an album of family photographs.Print copy of an original carte de visite; a studio portrait of Miss Louisa Henty, daughter of Francis and Mary Ann Henty (nee Lawrence). Photographed in the Johnstone & O'Shannessy & Co atelier, she is posed in a day dress which has a polonaise and train, dating the photograph to the mid 1870s. Standard props used by the studio include imitation masonry and a curtain.Front: "Johnstone & O'Shannessy & Co"louisa henty, henty family, merino downs, fieldplace -- kew (vic)

Murray Comrie Collection. John Pierce's Southern Cross General Store, a wholesale grocer and spirit merchant was put up for sale after Pierce's death in 1871. It was later incorporated into the Flour Mill complex. De Gruchy & Leigh was a publishing and printing firm operating in Melbourne and regional Victoria from the late 1850s until the mid 1860s. The company published almanacs and guidebooks as well as prints (portraits, views and genre scenes), maps and architectural plans (Source: National Portrait Gallery, Canberra). This is a copy created from another item in the collection - a printed piece of paper which was either a packing label or receipt form used at the company or a brand label for bottles, perhaps for wine made by the proprietor. Copy probably made by Murray Comrie in the 1970s. Monochrome photographic copy of a lithograph. Depicts a building with glass front windows and signage stating 'J. Pierce Wine & Spirit Merchant' and 'Southern Cross General Store, Wholesale and Retail Depot'. In front of building on road are two horses hitched to carts and men standing on cart and in front of store. This store was located on the south-eastern corner of Commercial Road and King Street. The building was later incorporated into the flour mill complex.tarnagulla, commerce, shops, stores, shopping, food, alcohol, horses, transport, buildings, commercial road, main street, john pierce, southern cross general store

Most of these plans were held in Geoff Olive's office. (1) Preliminary concept South-East corner Burnley Gardens Re-design Proposals, Amenity Horticulture III, drawn by Pat de Moulpied 1988. Original turf path destroyed after Garden Week to be replaced with paving donated by Boral. (2) Rose Garden Site Analysis by Peter Jans, Parks & Gardens 1989, pencil on paper. On reverse, "B. Site Analysis & Design Changes. (3) 2 copies pencil on tracing paper, Planting plan. (4) Planting plan on tracing paper. (5) Planting plan (roughly final version?), 1 tracing paper, 6 photocopies. (6) Notes from Geoff Olive addressed to James Hitchmough. Also photocopies of 1 - 5 and some rough sketches. pat de moulpied, peter jans, gardens, geoff olive, andrew smith

Small glass jar with lid. The label reads: new De Witt's pills relieve the pain of rheumatism, backache, fibrositis, sciatica. E.C. De Witt & Co. (Aust.) Pty Ltd, St Kilda, Melbourne. The jar is empty. Aileen and John Ellison CollectionDe Witt on the bottom of the jarmedical, de witt, pills

Dr. Gwen Wilson, Emeritus historian, gifted this book at ANZCA's first independent Annual Scientific Meeting held in Launceston in 1994. Dr Wilson presented this gift after her speech about the life of William Russ Pugh and his significant contribution to anaesthesia in Australia. It is unclear as to how the book came into Dr Wilson's possession. Published in London, 1845, for Longman, Brown, Green and Longmans, this book was formally owned by general practitioner Dr William Russ Pugh, being the first medical practitioner in Australia to administer ether anaesthetic on 7 June 1847, in Launceston. The author of the book, P E De Strzelecki acknowledges Pugh for his assistance during his stay in Launceston and for allowing him the use of his laboratory for the analysis of the soils and minerals that were subsequently reported in this book (Page 131). Tan coloured cloth book with an embossed circular motif on the centre of the front and back cover. The same embossed motif is repeated four times along the spine of the book. An embossed design of small, four petal flowers borders the edge of the front and back cover. The title of the book 'Strzelecki's New South Wales and Van Diemen's Land' is printed in gold on the spine. The cloth has come unstuck at various places around the spine and a small section is missing from the base of the spine. The cover is worn and has numerous dark stains possibly from mould. The book contains 19 engraved and lithographed plates. This includes a handcoloured octavo folding, geological map, bound as a frontispiece, depicting the NSW coast down to Gippsland and Tasmania, a fold out single colour geological cross section of the Newcastle Coal Basin, 14 plates illustrating shellfish and flora and three tinted lithographs. Single page maps at the back illustrate wind patterns around Australia. [front title page, two black ink stamps that have bled through to the next page] W R.PUGH [front title page, black ink, cursive writing] H Grant \ 5 May 1910 [front title page, pencil, cursive writing, written around Pugh's stamp] Purchased from \ (unrecognizable script) [front title page, previous owner's name was rubbed out and consequently tore the page making the entry unreadable] [Inner back cover, bottom LHS, blue stamp] BOUND BY \ WESTLEYS & \ CLARK \ LONDON [Inner front cover, bottom LHS, black and purple ink] P65 \ 76 \ 78 \ 98 \ 163 \ 164 \ 217strzelecki, van diemen's land, wilson, gwen, pugh, william, launceston, green and longmans

Robert Clark was a self educated man who had arrived in Australia with his step father to take up mining in 1854. He worked in several local mines and being familiar with the hardships associated with mining life, helping to establish the eight hour day for miners. Robert married Sarah Jane Kernaghan in 1862 and together they had nine children. Robert Clark was first elected in 1872 and remained a councillor until his death in 1883. He died aged 41 years. This elaborate Letter of Appreciation was hand drawn and painted by artist and photographer Frederick de Kock who was associated with Mr N Caire's photographic Studio, View Place and by 1882 was producing and teaching hand painting on ceramics. In 1883 he advertised as a photographer with his own studio on the corner of Mitchell and King Street, which was later named the Bendigo Portrait Rooms. 180.1 Donated by Jenny Taylor; 180.2 Organisational created. Illuminated Letter of Appreciation in shape of arched window. From Sandhurst Pioneer Co-Operative Co Limited to Robert Clark. Hand drawn and painted on card. Signed by eight directors.mayor city of sandhurst, councillor robert clark, mayor clark, mayor of the city of sandhurst