Used to send a letter to Wal Jack in Jan. 1951 by the SECV Ballarat Office. Is an example of a Franked enveloped - see item 9544 for an example of a SECV franking record book.Yields information SEC envelopes and postal methods in 1951.Envelope printed for the SEC Ballarat office, giving address details, typed for a letter to Wal Jack, 31 York St, Ballarat East and franked in red ink for a 3d Australian stamp and partly franked "Electricity the Modern Servant" and cancelled with a Ballarat PO Vic stamped on 8-1-1951. Marked "ENE 1-2" trams, tramways, ballarat, sec, envelopes, mails

Garry BISH (1950- ) Born Charlton, Victoria After training as a secondary school art teacher in Melbourne in 1968-69, Gary Bish moved to Bendigo, where he established the Potters Arms Studio in Epsom in 1972 while studying for a Diploma of Art and Design in ceramics at the Bendigo Institute of Technology, graduating in 1974. Establishing an independent studio in Epsom in 1972, Garry Bish has lectured in Ceramics for many years. Bish marks his work with his signature or an impressed 'B' with a stem like a feather.Black ceramic bottle with green dots. ceramics, gary bish

Anna ZAMORSKA (b.08.03.1942- ) Born Poland. Lives Wroclaw. Anna Zamorska graduated from the Wroclaw Academy of Fine Arts in 1965. In 1984 she undertook a six residency at Gippsland Institute of Advanced Education, Churchill (later Federation University) and participated in the Ceramics Symposium "Strzelecki Spotkanie". Her works are in museums throughout Europe, the Americas, Japan, Taiwan and South Korea. Since 1974, the artist has been a member of the International Ceramics Academy (IAC) based in Geneva / Switzerland. Fireclay Chair.anna zamorska, ceramics, jan feder memorial ceramics collection, gippsland campus, strzelecki spotkanie, chair

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman seated in a garden setting wearing a blue cardigan.front: [printed] Albany / PRICE 3d. / SISTER SET / ALBANELLA CROCHET / Bust 32-40 inches. Jumper 9-11 ounces / Cardigan 13-15 ounces / ALBANY / designed by / V O G U Eknitting, pattern, fashion, knitwear, albany woollen mills

Kurt WEBB United States of America Acclaimed ceramacist and ceramics instructor Kurt Webb attended Illinois State University. He teaches classes with young adults and high school students.Stoneware ceramic piece made at Churchill Campus in 1988 while Kurt Webb was a visiting artist. kurt webb, ceramics, gippsland campus, jan feder memorial ceramics collection, sculpture, animal

Kurt WEBB United States of America Acclaimed ceramacist and ceramics instructor Kurt Webb attended Illinois State University. He teaches classes with young adults and high school students.Stoneware ceramic piece most probably made at Churchill Campus in 1988 while Kurt Webb was a visiting artist. The exterior features blue and green shaps on tan, with the interior a mid-blue colour with impressed shapes and swirls. kurt webb, ceramics, gippsland campus, jan feder memorial ceramics collection

Demonstrates a souvenir item for the opening of the electric tramways in Ballarat in the form of a postcard which has actually been used to send a message. Has a strong association with the people who sent and received the card.Postcard size Souvenir Tram ticket, printed using blue ink on one side with fare, photos of power station, engine room, boiler room and a tram & No.10344 stamped on edge. On reverse side is space for stamp, address etc., - with line & "postcard' etc., printed in red ink. Letter/note to Ethel Hodgson of Lethbridge, stamped in Ballarat on 26-8-1905. Fares given on card are : Mount Pleasant and Orphanage and Grenville St. 3d, or Grenville St. and Tram sheds 3d. Printed in a blue/grey ink of various shades onto a white card. Acted as a souvenir card. One Penny stamp, with Ballarat Cancellation stamp and - "5" stamped on the top of the postage stamp. See also Reg Item 608 and 7084 for further versions of this object.Letter on rear and Has I.R. Kellett in ink in the top right hand corner.trams, tramways, esco, opening, ballarat, tickets, letters

Garry BISH (1950- ) Born Charlton, Victoria After training as a secondary school art teacher in Melbourne in 1968-69, Gary Bish moved to Bendigo, where he established the Potters Arms Studio in Epsom in 1972 while studying for a Diploma of Art and Design in ceramics at the Bendigo Institute of Technology, graduating in 1974. Establishing an independent studio in Epsom in 1972, Garry Bish has lectured in Ceramics for many years. Bish marks his work with his signature or an impressed 'B' with a stem like a feather, or in later years the Initial GB in a square. Plate by hand drawn glaze designceramics, gary bish, australian studio pottery

The Stereopticon Card viewer enabled the viewer to see photos which gave a "3D" imageHand held viewer for viewing 19th century "3D" cards..Made of aluminium and wood,the face piece is ingraved with decorative scrolls and the brand KEVUKO is in the centre surrounded by a circle and wheat leaves. The card holder,which slides along an aluminium arm, is wood with wire brackets to hold the picture cards. The handle is a wooden "spindle"which can fold flat."KEVUKO"

Bendigo Butter Factory (Holdenson & Nielson Fresh Food Pty. Ltd), Mundy & Mollison St. Bendigo. Invoice for the sum of 28 pounds, thirteen shillings and sixpence. Invoice No. 331. Made out to Mr F. Davies of Eaglehawk for supplies of butter, in amounts of 50 or 100lbs. Dated January 15th 1955. There is a 3d stamp duty stamp attached.bendigo, industry, bendigo butter factory, bendigo butter factory.

Red & black painted tin steam locomotive. Gold trim & details painted over the top. Funnel missing. 3D driver sitting in the cabin. Door at the back of the cabin for batteries. Batteries run a small motor driving the back wheels. Jockey wheel underneath. one small and one large wheel on each side. Piston on each side Western painted on each side of the cabin toys, children, tin, locomotive, train, presents

68 page book (including covers), timetable for Hobart - airlines, ferry, trams, buses, mail, Trains with various advertisers, known as 'Moore's Guide' - revised edition, price 3d. Blue grey car cover, off white paper and single staple. Record reviewed and scanned images of cover and sample page added 5/9/13.trams, tramways, hobart, timetables

A Spalding 'Geneva 3D' tennis racquet, featuring: solid convex throat; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Paint, Stringtennis

Two invoices from Cheviac Motors Wangaratta. First is for sale of Chevrolet Maple Leaf Truck to William Robinson, dated July 7th 1948 for £837|14|9. Second is for sale of tyres for £16. Attached to the second invoice is a reciept for £827|14|9 with 3d Victorian stamp of Duty. Invoices are typed, everything is held together with a metal pin.invoice, chevrolet, robinson, beechworth honey

Ewan MacDONALD Studied Ceramics at the University of Ballarat (later Federation University) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Ceramic jug featuring the face of former Australian Treasurer Peter Costelloart, artwork, ewan macdonald, peter costello, ceramics, available, alumni

A Yamaha 'White Gold 90' Ceramics Series tennis racquet, featuring: open throat, truncated shaft; nylon net strings; grey synthetic handle grip; white plastic shaft casing; and grey plastic butt cap. Manufacturer nameprinted on bridge. Logo inlaid in silver in butt cap. Model name printed on base of shaft and outer edges of shaft pillars. 'Y' logo sprayed onto net. Materials: Ceramic, Plastic, Nylon, Adhesive tapetennis

This collection of Stereograph card depicts scenes from the Coronation of King George V. Produced by 'The Rose Stereographs. George Rose was born in Clunes, Victoria in 1861 and later worked in his father’s boot-making business in Prahran while studying photography. In 1880 he founded the Rose Stereograph Company and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer. Some of the pioneers of Moorabbin were staunch supporters of the Monarchy of England. This collection of cards was donated by one of the founding pioneer families.Stereograph cards - 25 cards produced by Rose Stereographs. - black and whiteDescription of each card written on bottomcoronation, king george v, england, monarchy, moorabbin, london, westminster abbey, trafalgar square, boy scouts, crystal palace, queen mary

This collection of Stereograph card depicts scenes from various Euopean sites and buildings. Produced by 'The Rose Stereographs. George Rose was born in Clunes, Victoria in 1861 and later worked in his father’s boot-making business in Prahran while studying photography. In 1880 he founded the Rose Stereograph Company and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer.Collection of one of the pioneer families of City of Moorabbin.11 Stereographic Cards - manufactured by The Rose Sterographics - Black and whiteDescription of each card on the bottomeurope, paris, church of mary magdalene, the louvre, cathedral of notre dame, palace of justice, palace of beautiful arts, champs elysees, boulevard du nord, jules anspach fountain, brussels belgium, cathedral of st gudule, brussels, moorabbin, stereograph cards

Paul GREENWAY (1955 - ) Born Wagga Wagga, New South Wales Paul Greenway was a visiting lecturer at Gippsland Centre of Art and Design (GCAD) c 1977 This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Handbuilt porcelain with multi-fired low tempreture lustres and enamels. Gift of the artist. jan feder memorial ceramics collection, ceramics, gippsland campus, turtle, paul greenway

Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire."(https://www.strathnairn.com.au/studios/artist-in-residence/montessa-maack-ursula-burgoyne-jen-lyall-and-vicki-grima-5ndd6, accessed 09 July 2021)Tony NANKERVIS Tony Nankervis taught ceramics from 1984 when the university was the Northern Rivers College of Advanced Education from 1984. before moving to Southern Cross University (SCU) in 1994. He retired from full time teaching in 2004. Nankervis was a pioneer of the long wood-fired ceramics technique in Australia: a technique he has been practising since the late 1970s Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire. There are particular qualities that only come from firing in that way, he said. "If you see some of these older ceramics, particularly from Asia, the surface qualities are discernible from the surfaces generated by post-Industrial fuels." (https://www.scu.edu.au/engage/news/latest-news/2004/leading-australian-potter-who-paints-with-fire-retires-from-lecturing-at-scu-after-19-years.php, accessed 09 July 2019)Three Lidded Woodfired Cylinders ceramics, jan feder memorial ceramics collection, tony nankervis, tony nankervic

Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire."(https://www.strathnairn.com.au/studios/artist-in-residence/montessa-maack-ursula-burgoyne-jen-lyall-and-vicki-grima-5ndd6, accessed 09 July 2021)Tony NANKERVIS Tony Nankervis taught ceramics from 1984 when the university was the Northern Rivers College of Advanced Education from 1984. before moving to Southern Cross University (SCU) in 1994. He retired from full time teaching in 2004. Nankervis was a pioneer of the long wood-fired ceramics technique in Australia: a technique he has been practising since the late 1970s Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire. There are particular qualities that only come from firing in that way, he said. "If you see some of these older ceramics, particularly from Asia, the surface qualities are discernible from the surfaces generated by post-Industrial fuels." (https://www.scu.edu.au/engage/news/latest-news/2004/leading-australian-potter-who-paints-with-fire-retires-from-lecturing-at-scu-after-19-years.php, accessed 09 July 2019)Presented by the artistLidded Raku fired box, dry glazedceramics, jan feder memorial ceramics collection, tony nankervis, tony nankervic

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing a black and white striped jumper with a fountain in the background.front: [printed] PRICE / 3d. / ALBANY / Knitting / Two Colour Sweater / ALBANY 4-PLY FINGERING / Bust 32 36 40 inches / Main Colour 14 16 18 ozs. / Contrast Colour 3 3 3 ozs.knitting, pattern, fashion, knitwear, albany woollen mills

A drawing done by artist Pat Hanna and sent to friends at Legacy as a postcard. It could be a self portrait or a caricature of another Legatee. It was stored with other items including a letter to Frank (L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01403). Pat Hanna was an entertainer, comedian, artist and producer of revues, plays and movies. One of his first revues was performed just after the armistice in France. A popular stage show was 'Diggers' that performed around Australia post-war it was adapted into a film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Cartoon drawing of a man with a monocle, signed Pat Hanna on a postcard.Post card is addressed to 'President and Legatees, Legacy Club, Market St, Melbourne' in blue ink. It is postmarked 29 December 1955 in Melbourne and an Australian 3d postage stamp. Also handwritten is 'Cartoon card by Pat Hanna 1955' in blue pen.hanna, founding legatee

Red cloth large hardcover book. Title is written on the front cover and on spine in gold. Small gold circle pattern on front cover. The book contains 100 coloured plates, 32 b/w plates with images of peasant handicraft. The book includes table of content, index, bibliography and a library due date card inside back cover, it was borrowed by Donald Ferguson(an art lecturer)on 13 May 1957. Page numbers written in roman numerals. embroidery, europe, ceramics, ornaments, peasant art, h th bossert, folk art, embroideries, handicraft, decorative arts, textile fabrics

Neville Bunning was a teacher of Sculpture and Ceramics at the School of Mines and Industry, Ballarat, 1945-1964. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, neville bunning, available, mixed media

Neville BUNNING (1902-1990) Neville Bunning taught Ceramics at the Ballarat School of Mines. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of a vase of flowers.art, artwork, neville bunning, flowers, oil painting, available, ballarat school of mines, flora, still life

Pattie BEERENS (1962- ) Born Sunshine, Victoria Pattie Beerens was enrolled in the Graduate Diploma of Ceramics at Federation University in 2018 after completing a Graduate Certificate Visual Art at the Victorian College of Arts, University of Melbourne in 2017.Artists' Statement: Red. Broken structure on its side supported with an unrecognisable form. It is cast from an electronics packaging carton. Triangular arrows piece the structure with a spider on either side. I created fertility spiders to protect the Minoan women from predators. I collected spiders as a child to ward off the bullies and, like the octopus, spiders have eight legs and a head and body. The stylised spiders reference links between the Minoan octopus and other symbols of fertility. The natural light elongates the form in a shadow reflection on the floor. The form is surrounded by black space. This piece took on an anger I felt on the day that [Malcolm] Turnbull was overthrown and materialises the bully-boy behaviour we were witnessing. What is most interesting about this piece is that I created it as a Minoan reflection. It dawned on me , when I had it ready for the kiln - on the day that Dutton challenged the Turnbull leadership, that my anger was both reflective and contemporary because nothing seemed to have changed. We were witnessing first hand how the power struggles continue and goodwill suffers." Winner of the 2018 Deputy Vice-Chancellor's Awardpattie beerens, ceramics, sculpture, available ceramics